Ebert makes some bold and accurate predictions about how a revolution in the delivery and distribution of movies will open up the "art film" market, allowing people greater access to movies that may not make financial sense to screen in the theaters of smaller cities. An excerpt from the interview appears below.
EBERT: We will have high-definition, wide-screen television sets and a push-button dialing system to order the movie you want at the time you want it. You'll not go to a video store but instead order a movie on demand and then pay for it. Videocassette tapes as we know them now will be obsolete both for showing prerecorded movies and for recording movies. People will record films on 8mm and will play them back using laser-disk/CD technology.
I also am very, very excited by the fact that before long, alternative films will penetrate the entire country. Today seventy-five percent of the gross from a typical art film in America comes from as few as six —six— different theaters in six different cities. Ninety percent of the American motion-picture marketplace never shows art films. With this revolution in delivery and distribution, anyone, in any size town or hamlet, will see the movies he or she wants to see. It will be the same as it's always been with books. You can be a hermit and still read any author you choose.
Later in the interview Ebert says that "by the year 2000 or so, a motion picture will cost as much money as it now costs to publish a book or make a phonograph album." Ebert was right, but it wasn't just film production and distribution costs that came down. With the rise of book self-publishing with sites like Lulu, the democratization of online music distribution with CD Baby, and the fact that I just can't keep up with the staggering volume of "puppy tries to roll over but can't OMG how adorable" videos, the internet really has fundamentally shaken up the media landscape.
The Paleofuture Blog was started by Matt Novak in January of 2007. Matt has since become an accidental expert on past visions of the future, and has amassed an enormous library of media related to the study of retro-futurism. Matt can be reached at firstname.lastname@example.org or followed on Twitter.
Image via LoveHKFilms.