I'm not sure about the other girls, but Posh is very much a gamer. I played quite a lot of Halo 3 with her and other SG members and models, among other things.
Balls in my face. You're right. That would actually be... well, not fantastic, but better than a lot of analysts thought. I guess we'll see huh?
Because there's a difference between linearity and not being an open world. Linearity implies very limited options regarding how you can deal with a situation, and sometimes even very narrow corridors in which you can move about in (I'm looking at you Call of Duty 3 and World at War). Halo 3 is considered open because it's like a series of sandboxes, one after another, and even Call of Duty 2 and 4 had a lot of open ground and alternate paths to the same objective. It's still awfully early to judge Killzone 2 as linear, based on the opening level, and the people I've talked to who have played the single player extensively have generally liked it.
To be fair, it was sandwiched exactly between Fable 2 and Fallout 3 on 360, so that it managed to rank in a top ten like this is a pretty good debut for a lightly marketed new IP.
And they are all amazing.
Also, I think zombies have become a stand-in for the oppressed and defeated in modern culture. Land of the Dead was about class warfare, for example. And monster stories were always a cultural way of demonizing outsiders or those who were different. So it works here as a way to portray someone who is used and discarded by a privileged group of males.
More posts like this please. It was a good read.
Warren Ellis actually is an acquaintance of one of the people behind this magazine, if I recall correctly.
As of a few years ago, the average turnaround time from theater to DVD was around 120 days, and shrinking. The Dark Knight will actually ignore this trend if it goes on sale in December on DVD as expected.
Also, I think going to the movies is a more daunting financial outlay now that it's ever been, which mitigates the inflation naysayer's argument at least somewhat. It's a testament to a film to do more than 500 million in box office during a recession with ridiculous gas prices when tickets are 12.00 each (and that's not counting the outrageously high IMAX prices).