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		<title><![CDATA[io9: Sequel Intervention]]></title>
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			<title><![CDATA[12 Movie Sequels That Must Never Get Made]]></title>
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										<!--  div style="background-color: #B3B3B3; width: 190px; padding: 1px;"><a title="Click here to read 12 Movie Sequels That Must Never Get Made" href="http://io9.com/sequel-intervention/" style="background-color:#888888; color:#FFFFFF; font-size:12px;text-align:right; display:block; height:14px; padding:1px 2px; text-decoration:none; text-transform:uppercase; width:156px;"><span style="color: white;" class="hash">#</span><span style="color: white;">sequelintervention</span></a></div -->					<div><a title="Click here to read 12 Movie Sequels That Must Never Get Made" href="http://io9.com/5058256/12-movie-sequels-that-must-never-get-made" class="pp_image">
						<img style="border-color: #B3B3B3; border-width: 0 1px 1px; border-style: none solid solid;" height="120" width="190" title="Click here to read 12 Movie Sequels That Must Never Get Made" alt="Click here to read 12 Movie Sequels That Must Never Get Made" src="http://cache.io9.com/assets/images/8/2011/11/small_06f7bb31b377026440cb5cbd2527e05e.jpg"/>
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				<span class="customObject framed item_0"><a href="index.php?op=showcustomobject&postId=5058256&item=0" rel="lyteframe" rev="width: 75px; height: 102px;" class="noHrefOverride">Click to view</a></span>Sometimes temptation can be all-consuming, especially when you're still chasing a repeat of your first high. That's why, Hollywood, we're staging this sequel intervention - because sometimes, it's like you're on crack. We heard the perverse rumors about a <em><a href="http://io9.com/5056504/stop-blade-runner-2-before-it-starts">Blade Runner </a>2</em>. They mercifully proved to be moot, yet we were admittedly quick to believe them. Why? Because time and time again, you've let us down by creating crappy, money-grubbing updates to lucrative properties. It's time to face reality: With the exception of, say, <em>The Empire Strikes Back </em>and <em>Spider-Man 2</em>, the majority of sci-fi-ish sequels won't match their predecessors in quality. So we've provided you with this 12-step list of movies that need no continuation, to get you started in your quest for a new, righteous life. Seriously, back off.


<strong>Metropolis</strong> (1927)
With the economy imploding, we know what The Suits are thinking: Why not tap into the zeitgeist by remaking this stylish, silent, futuristic thriller about socioeconomic-class chasms? Added bonus: At the heart of the film is a hot stripper robot - total box office bullion! To paraphrase <a href="http://www.youtube.com/watch?v=d54UU-fPIsY">Nigel Tufnel</a>, speaking about his precious vintage guitar in <em>Spinal Tap</em>: "Don't touch it… don't point, even." No, don't even look at it.

<strong>Close Encounters of the Third Kind</strong> (1977)
After the success of his UFO-sighting film, Stephen Spielberg expressed interest in revisiting the property, which haunted our minds and stoked our imaginations as we pondering these mysterious aliens. Soon after, he made the cuddly <em>E.T.</em> instead. Smart man.

<strong>History of the World, Part I</strong> (1981)
It's a joke, you see: what with history traditionally recalled in successive volumes. As much as we'd love to see the musical "<a href="http://www.youtube.com/watch?v=AV9BPyWCKTg">Jews in Space</a>" - which was teased in Mel Brooks' cinematic romp through times of yore - we'd hate to see this stellar concept stretch into an <em>SNL</em> type skit gone too long. Plus we'll always have <a href=" http://www.youtube.com/watch?v=VYK7VzP6nuI&feature=related">The</a> <a href="http://www.g4tv.com/spaceballs/index.html">Schwartz</a>.

<strong>The Thing</strong> (1982)
The late Vincent Canby, one of the <em>New York Times</em>' greatest critics, once referred to John Carpenter's remake of 1951's <em>The Thing From Another World</em> as a "a foolish, depressing, overproduced movie." Which is naturally why we consider it a classic. Carpenter, the Sci Fi Channel, and Strike Entertainment (<em>Slither</em>, <em>Dawn of the Dead</em>), and have respectively tried to <a href=" http://en.wikipedia.org/wiki/John_Carpenter's_The_Thing#Sequels">resurrect</a> the property. And just last year, it was announced that the latter had succeeded, forging an (unholy?) alliance with Universal for a prequel. Nicely played, Strike, nicely played. But a prequel still feels like a sequel even though it is a prequel. (We'll pause while you think that through.)

<strong>12 Monkeys</strong> (1995)
A dude goes back in time and hangs at a mental hospital while trying to stop an earth-plaguing virus, in this gripping, plot-twisting head trip. Anything more would simply be anti-climactic. Besides, what would you call it: <em>13 Monkeys</em>? <em>24 Monkeys</em>?

<strong>The Running Man</strong> (1987)
We know what you're thinking. The awesome, sensational <em>Running Man</em> - about a to-the-death reality show for felons - would make a perfect obvious tie-in soon enough. It takes place in 2019! Which is coming up. Like, relatively soon. Too bad <em><a href="http://www.imdb.com/title/tt0452608/">Death Race</a></em> beat you to the punch. As we learned, the game show-as-moral-decay metaphor simply isn't shocking anymore. Besides, we've been getting our fix of dystopian competitions from Japanese competition shows anyhow. 

<strong>Akira</strong> (1988)
A thriller about a covert government op and a guy teeming with supernatural powers, this is an apocalyptic epic of sweeping beauty and challenging complexity. To attempt to improve upon - or even mimic - this classic would be utter hubris.

<strong>Armageddon</strong> (1998)
Despite popular disdain, the hysterically ridiculous doomsday asteroid flick made a killing, internationally, at the B.O. And we know you all too well, Michael Bay. We'd hoped you'd learned your quality-control lesson from <em>Bad Boys II</em>, but here's hoping you will with <em>Transformers 2</em>.

<strong>Donnie Darko </strong> (2001)
Director Richard Kelly's break-out movie was dark, intriguingly time-twisty, and made ghoulish use of a rabbit. It also went on to become a surprise cult hit, which is why the industry is so ready to juice it with a story about the creepy misadventures of his little sister (Sparkle Motion!) while on a roadtrip. (<em>Nightstalker</em> director Chris Fisher will helm the follow-up.) <em>S. Darko</em>, as it's called, was <a href=" http://www.comingsoon.net/news/movienews.php?id=44826">said</a> to have started shooting in May. But, as we learned from the original, it's never too late to change fate and put this risky proposition out of its misery.

<strong>Ghost Rider</strong> (2007)
Nicolas Cage's painful paean to the flame-headed motorcycle enthusiast made a decent chunk of change, so a follow-up is already in development. But it's never too late to do the right thing and snuff it out of its misery. According to the actor, there's been <a href="http://www.superherohype.com/news/ghostridernews.php?id=7640">talk</a> about "going international with that character. Taking him into Europe, having him go on a motorcycle." Perhaps we should use that Penance Stare on the sinful filmmakers-apparently the fate of the Western world depends on it.

<strong>I Am Legend</strong> (2007)
The lucrative, Will Smith-starring adaptation of the Richard Matheson book initially found its stride, then missed the plot mark completely - that the infected vampire/zombies are, in fact, evolved humans - in its frustrating, off-putting second half. Still, not ones to pussyfoot around, Warner Bros., eager to cultivate another franchise, has obtained the <a href="http://www.slashfilm.com/2008/01/03/i-am-legend-sequel-rumors/">sequel rights</a>. But forgive us if we doubt Hollywood's commitment to the fine source material, given the tendency to transform anything cerebral into a mindless popcorn flick.  

<strong>Watchmen</strong> (2009)
Zach Synder <a href=" http://io9.com/5052452/watchmen-2-wrath-of-electric-boogaloo">recently</a> took the high road and declared that he's doubtful he'd direct a second <em>Watchmen</em> without the Hollywood-loathing Alan Moore's involvement - which pretty much settles that. Or not. Once we figure out who owns the big-screen <a href="http://www.nytimes.com/2008/09/20/movies/20watc.html?_r=1&oref=slogin">rights</a> to the property, they can theoretically bastardize the bejesus out of it. Surely some things are sacred.				<a href="http://io9.com/5058256/12-movie-sequels-that-must-never-get-made" title="Click here to read more about 12 Movie Sequels That Must Never Get Made">More&nbsp;&raquo;</a>
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			<category><![CDATA[Sequel intervention]]></category>
			<category><![CDATA[12 Monkeys]]></category>
			<category><![CDATA[akira]]></category>
			<category><![CDATA[Metropolis]]></category>
			<category><![CDATA[please god no]]></category>
			<category><![CDATA[The Thing]]></category>
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			<pubDate><![CDATA[Thu, 02 Oct 2008 14:00:00 PDT]]></pubDate>
			<dc:creator><![CDATA[Nisha Gopalan]]></dc:creator>
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