They were interviewing him on German TV last night, interestingly enough he never was a big fan of sci-fi and actually preferred to read literature from the 19th and 20th centuries, such as Dostoyevsky. #2012
@Dresan: They had I, Robot but Shia wasn't a huge star that was roundly hated by the internet at the time so they could lead together. For the record I think Shia is a decent actor, I hate his name but he is entertaining. #2012
Meredith... great questions, nice answers on his part (good to know he doesn't take this that seriously) but I am a little upset that you didn't ask him his position on Bongos. #2012
Maybe I'm alone in this, but the more gratuitously the heaps of bodies pile up in a movie, the less I actually care. It becomes akin to mowing over an anthill in your backyard. War of the Worlds had its fair share of problems, but when people got incinerated, it seemed to matter. #2012
@Kaiser-Machead:
You're not alone. I watched that trailer where an entire city is falling down around the characters, and I felt absolutely nothing. The world is ending and I'm bored by it.
Meanwhile when I watch Saving Private Ryan and one of the characters takes a single bullet, my stomach aches and churns with empathy.
Until Hollywood figures out that it needs to deliver some genuine feeling again, it's going to be stuck making everything bigger and bigger and bigger just to keep people awake. #2012
@Kaiser-Machead: Disaster porn is the ultimate excess of torture porn. The only enjoyment that can be derived from it is ignoring what it would be like to be a real human being caught in a real, horrifying circumstance like that.
This is part of what makes Gojira so incredible and its sequels, honestly, only kinda' so-so. The tragic atmosphere of it, the dead bodies, the singing children, is so unnerving because it so powerfully recalls Hiroshima. It's also why, no offense to Ray Harryhausen, the atomic warnings of Beast from 20,000 Fathoms are so tepid and forgettable.
Emmerich's "destruction of humanity as an aesthetic pleasure" (to paraphrase Walter Benjamin's essay on facism) is also tepid, for the same reasons. The whole friggin' planet blows up but nobody "real" dies. Or aliens blow up everybody and we're just supposed to cheer on the happy Americans who swept into the power gap *grumble* #2012
@ManchuCandidate: Imagine how disappointed you're going to sound when you tell your great grandchildren how the city took forty years to completely flood; not at all like the CGI tsunami you saw in that movie way back when.
Then your great grandchildren will ask you what a movie is.
You know I really hope in that tidal wave scene there are gonna be sharks flying through the air chomping down on people. Though thats just me dreaming. #2013
@CParis: ahhh well I live in NZ, so, we don't have Syfy. My only hope is this movie. I have the same vain hope everytime a disaster movie (with tidal wave) is made. #2013
@Jeremy Tapsell: Oh no! You have great healthcare, wonderful landscapes, women running the country, but no Saturday nights watching MegaSnakes or SuperSquids or man-eating lobsters?
I always wondered why you don't see more of that. You always get movies based on TV series but never the other way around (maybe BSG but that was just a pilot that they put in theaters first). Seems like there are lots of movies with one off concepts that never get their full exploration. #2013
@tande04: Stargate (also a Roland Emmerich film) is an example of another film-turned-TV-show. Buffy could also be used as an example, but that was largely because the film failed to live up to the writer's idea. #2013
@tande04: There are LOTS of examples of TV show spin-offs from movies. The problem is, most are so ingrained that people don't remember they came from film...or else they sucked. M*A*S*H was a spin-off (didn't suck), there was Ewoks show (most definitely sucked), Alice was a spin-off, Alien Nation, Blue Thunder, Clueless, Ferris Bueller, Freddie's Nightmares, Friday Night Lights, Highlander, Odd Couple, Terminator: the Sarah Connor Chronicles, Young Indy Jones Chronicles, Tremors.
And that's not even counting the animated spin-offs of films. #2013
@tande04: Actually, in the 70s-80s they did it a lot. In the 90s they started going the other way, making movies from TV shows. Who can forget, "The Mod Squad" with Claire Danes. And then there was Mission Impossible, Charlie's Angels, and Brady Bunch. All trying to cash in on the rose-colored memories of Baby Boomers. Now, thanks to flops like Bewitched and Land of the Lost (hmm, both Will Farrell films), Hollywood's "creative" pendulum is once again heading back to TV show from film spinoff. I for one can't wait for The English Patient on NBC's "Can't Miss Comedy" Thursdays, right after Parks and Recreation. #2013
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I don't always want to see a thinker, a ponderer.
Sometimes I want a reptile brain rollercoaster!
When will we see the Emmerich/Bay crossover movie: The End - Everything Blows Up - EVERYTHING #2012
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Oh wait... #2012
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:( #2012
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You don't need a script, just more 'splosions
Directors shouldn't need to direct people, just 'splosions.
'Splosions! #2012
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You're not alone. I watched that trailer where an entire city is falling down around the characters, and I felt absolutely nothing. The world is ending and I'm bored by it.
Meanwhile when I watch Saving Private Ryan and one of the characters takes a single bullet, my stomach aches and churns with empathy.
Until Hollywood figures out that it needs to deliver some genuine feeling again, it's going to be stuck making everything bigger and bigger and bigger just to keep people awake. #2012
11/06/09
This is part of what makes Gojira so incredible and its sequels, honestly, only kinda' so-so. The tragic atmosphere of it, the dead bodies, the singing children, is so unnerving because it so powerfully recalls Hiroshima. It's also why, no offense to Ray Harryhausen, the atomic warnings of Beast from 20,000 Fathoms are so tepid and forgettable.
Emmerich's "destruction of humanity as an aesthetic pleasure" (to paraphrase Walter Benjamin's essay on facism) is also tepid, for the same reasons. The whole friggin' planet blows up but nobody "real" dies. Or aliens blow up everybody and we're just supposed to cheer on the happy Americans who swept into the power gap *grumble* #2012
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We shall never forget. #2012
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Then your great grandchildren will ask you what a movie is.
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I think you should move! #2013
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I always wondered why you don't see more of that. You always get movies based on TV series but never the other way around (maybe BSG but that was just a pilot that they put in theaters first). Seems like there are lots of movies with one off concepts that never get their full exploration. #2013
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Just further illustrates that its a good idea that doesn't get used often enough. #2013
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And that's not even counting the animated spin-offs of films. #2013
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The rest of those, well they're mostly forgettable. Maybe thats why they don't do this very often. #2013
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