<![CDATA[io9: Advertising]]> http://cache.gawker.com/assets/base/img/thumbs140x140/io9.com.png <![CDATA[io9: Advertising]]> http://io9.com/tag/advertising http://io9.com/tag/advertising <![CDATA[ Watch Jeff Carlson Kill, and See Aliens Get Laid -- In Book Trailers ]]> It seems like nobody can release a book without making a trailer for it, and now the trailers themselves have become a kind of art form. You've got the relatively high production values of the trailer we've got here, for Jeff Carlson's new book Plague War, directed by Adad Warda and featuring the author reenacting scenes from the book (including killing a guy and watching bombs go off in the mountains). It has a slightly infomercial feeling, with the boyish Carlson telling us about his product, erm I mean book, but overall it captures the action-packed fun of his novel and makes for a good teaser. But most book trailers don't feature the author. Let's take a look at a few other trailers for new work and see how they stack up.

The trailer for Tobias Buckell's latest novel Sly Mongoose has been out for a while (the book hits stores in August). Instead of focusing on the process of writing or why he's qualified to write this book, Buckell made a trailer that focuses on world-building. The selling point of Sly Mongoose, according to this trailer, is the insanely cool planet where it takes place and the floating cities that cling to its upper atmosphere. We don't get much of a sense of the plot, just a sense of place. And if the plot is as cool as this planet, you'll be sold.

By far my favorite subgenre of scifi book trailers is for the subgenre of erotic fiction. You don't see this kind of book plugged a lot at cons, or in the magazines, but you sure see it a lot on YouTube when you search for "book trailer scifi." I love this trailer for Lexxie Couper's novel Shifting Lust — the music totally works, plus there is a shape-shifter "like no other" and lots of long, loving shots of VR-looking semi-naked people. What is the plot? Um, plot? You want a plot?

Another way to go if you want to promote your book is to go totally lo-fi. That's what Jeff Sommers did with his trailer for futuristic Mickey Spillane-style noir book Digital Plague. What I like about this trailer, aside from the fact that there is a lot of gratuitous "kill kill kill" stuff, is the fact that it really conveys the novel's sense of satiric fun as well as its shoot-em-up premise. Like the trailer for Sly Mongoose, this trailer won't give you much of a sense of the plot, but you do get a feeling for the world where it's set. I wonder if this means book trailer makers think that scifi books sell based on world-building rather than on plot or narrative structure?

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Thu, 17 Jul 2008 13:37:18 PDT Annalee Newitz http://io9.com/index.php?op=postcommentfeed&postId=5026422&view=rss&microfeed=true
<![CDATA[ Fear of a Chocolate Planet ]]> In the lonely days after he'd packed in his bionics from Six Million Dollar Man, Lee Majors starred in a freaky flick called Agency. Released in 1980, after a decade of hallucinatory presidential shenanigans in the United States, the movie is about an evil advertising agency controlled by the U.S. government. Their nefarious plan? To plant subliminal political messages into television commercials for "chocolate planet," a new chocolate drink. Lee Majors is the creative director who starts to figure out that something is very wrong with the chocolate planet account, and in this scene he discovers the subliminal message that is going to be implanted in the ad.

Though ostensibly about this preposterous double-subliminal thing, where ads with subliminal messages to BUY BUY BUY are also filled with yet another layer of subliminal messages to VOTE VOTE VOTE, Agency is mainly a perfect time capsule of late-1970s culture. Everybody wears these insane floor-length fur coats and smokes. In this little bonus scene that I have for you below, from the establishing scenes at the beginning of the movie, we are treated to the "wackiness" that is the ad biz. Look, there's Lee with his fly down talking to a gay! And a kid smoking in the elevator! And a reference to pot! Crazy times, people, crazy times. If you need a dose of strange this weekend, I highly recommend Agency. It's just packed with goodness, including Robert Michum as the evil ad exec and a whole scene with Lee fighting some Hell's Angels. [Agency via IMDB]

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Thu, 19 Jun 2008 23:23:26 PDT Annalee Newitz http://io9.com/index.php?op=postcommentfeed&postId=5018183&view=rss&microfeed=true
<![CDATA[ Dark Knight Fans Go Underground ]]>

Here's hoping that you're getting ready to see people dressed up like Batman in the near future, as the viral marketing campaign for next month's The Dark Knight is about to heat up by going Underground in a big way. And by Underground, we mean Nycticeius Underground. Minor spoilers and internet rabbit holes under the jump.

Set up in April, Gotham City's Citizens for Batman joined Harvey Dent's electorial campaign and The Joker as yet another piece in the sprawling online promotional push for the upcoming release of Christopher Nolan's sequel to Batman Begins:

CFB was founded as a network of concerned Gothamites who keep a watchful eye out for thugs, robbers and worse. These should be the targets of public scorn, not us. We are a peaceful organization that operates within the confines of the law and we always have. Don’t believe the hype; CFB is here to help Batman without hurting anyone, we’re here to clean up this town and we’re here to stay!

Since the site's launch, their forums - which are, in reality, read-only parodies of the message boards that have sprung up to keep track of the viral marketing surrounding the movie, seeded with clues - have been supporting Prop D, a proposed law to get the Gotham police force to stop hunting down Batman and start focusing on "real criminals." Well, on Friday, Prop D was defeated. And Batman's fans don't appear to want to take the result lying down:

Maybe we should protect Batman by confusing them. If someone else was to dress up like Batman, do you think the cops would know the difference? Make them spread their forces?

That suggestion was immediately met with the following warning:

Need I remind you that this forum does NOT condone any discussion of home-grown vigilantism.

Which would seem to be the end of the conversation... if not for a package received by /Film, which led to a password protected forum called "Nycticeius Underground," wherein refugees from Citizens for Batman say things like this:

So we're actually going to hit the streets?

That's the plan.

About time.

It's already been spoiled online that we will see fake Batmen as part of The Dark Knight itself, but with the movie's release only a month away, it's not unlikely that we're going to see some of these faux Caped Crusaders turning up in the real world to let you know what to expect when the movie opens on July 18th.

A New Package from Gotham City [/Film]

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Wed, 18 Jun 2008 07:30:00 PDT Graeme McMillan http://io9.com/index.php?op=postcommentfeed&postId=5017324&view=rss&microfeed=true
<![CDATA[ Why Commericals Are the Best Way to Evoke an Alternate World ]]> Searching for a quick, effective way to evoke the warlust-driven future world of Starship Troopers, director Paul Verhoven created a series of fake TV spots that characters watch in the movie. You can see one this clip, a patriotic ad for the Mobile Infantry which captures both the weirdness of a future where humans fight bugs, and the familiarity of a culture where TV commercials are still bizarrely perky and strained. Other scifi creators have also gone the Verhoven route, adding realism to their alternate realities by peppering them with ads. See some of the creepiest and best of the bunch below.

One of the most infamous fake commercials from a scifi movie is this ad for Fruity Oaty Bars, a made-up product that appears in Firefly spinoff flick Serenity. Director Joss Whedon wanted to evoke the Asian-Western mashup culture of the far future in this ad, which looks like a mixture of Indian, Chinese, Japanese, and North American iconography. In the film, it also contains a subliminal message that sets off government experiment River's "kill kill kill" programming — when this perky clip airs in a bar, she goes apeshit and murders everyone in the joint.

Another popular scifi ad is this one, for the soft drink Slurm that Fry loves so much in Futurama. It's pretty much a pitch-perfect parody of typical soft drink and beer ads, with the single futuristic addition that the company admits that the drink is literally addictive. Oh, and it's being sold by a mutant snail.

For sheer audacity in world-building, one of my favorites of the bunch is this ad, from Confederate States of America, for the Slave Shopping Network. The flick takes place in an alternate future where the Confederacy won the Civil War, and now slaves are sold on HSN-esque channels, and given Prozac to make them better workers. I just love the way the nice white lady says "You can have the whole family or break them up!" Creeptastic.

Then there are movies that simply update today's brands for tomorrow, to give you a sense of how familiar products might evolve. You may have noticed in 2001: A Space Odyssey that this happens quite a bit. There are references to the Hilton and Howard Johnsons hotel chains, Crest toothpaste, and these two shots showing that IBM will be making spacesuit and spaceship controls in the "far future" of 2001.

You can see more product placement from 2001 here.

Meanwhile, Pepsi actually worked with the Back to the Future creators to imagine a future branding strategy for Pepsi, including a product called "Pepsi Perfect." You can buy Pepsi Perfect bottles on eBay for way too much money.

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Thu, 12 Jun 2008 15:27:54 PDT Annalee Newitz http://io9.com/index.php?op=postcommentfeed&postId=5016034&view=rss&microfeed=true
<![CDATA[ A Special DNA Surprise for Daddy ]]> In the category of weirdest product pitches, you can now include the email I got from Intigene. The company's rep suggested that Father's Day would be a good time to remind people that they could buy Identigene's home DNA paternity tests. At first I thought it was a joke because their website looked so much like something out of one of my fantasies about crappy quack DNA tests online. Their number is even 1-800-DNA-TYPE, which just reeks of used-car sales techniques. But no, it was all too real.

Apparently, Identigene lays claim to being the first home DNA testing kit, which might in fact be true. It's only recently that companies like 23andme.com have started offering more extensive home DNA testing, offering to chart your ancestry or identify whether you've got a genetic predilection for depression. The thing that makes me think "scifi" when I see the Indentigene site, which you really must check out, is the way it feels like a cheesy ad from 2040. Just because they treat what still seems like cutting-edge technology as if it were as cheap and simple as a home pregnancy test. Which it is.

This is the consumer biotech, future kids: It begins not with a bang but with a cheesy website and late-night TV infomercials. Also, I love how the Identigene test comes in a box that looks like it's for condoms.

Identigene [actually real website for actual service you can buy]

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Tue, 10 Jun 2008 15:04:21 PDT Annalee Newitz http://io9.com/index.php?op=postcommentfeed&postId=5015210&view=rss&microfeed=true
<![CDATA[ Ray Bradbury Shills for Prunes in 1969 ]]> Pneumatic people movers, wall-to-wall television, and prunes in mini-packs—which one of these wasn’t part of the futuristic world of 2001 described by Ray Bradbury? Watch this ad from the late 1960s to find out. If you’re wondering just why the speculative fiction icon would appear in an ad for prunes, albeit a smart and funny one, it’s because his good friend, satirist Stan Freberg, worked on the campaign. "Bradbury reportedly refused to consider doing a commercial until Freberg told him, 'I'm calling it Brave New Prune,' prompting Bradbury to ask, 'When do we start?'"

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Mon, 09 Jun 2008 13:31:31 PDT Lynn Peril http://io9.com/index.php?op=postcommentfeed&postId=5014451&view=rss&microfeed=true
<![CDATA[ AT&T Predicts Future Technologies in 1993, Doesn't Deliver Them ]]> Global positioning systems, video conferencing, tollbooth transponders, voice-activated key locks, a crazy notebook fax machine, and the wrist phone: all these and more were predicted by AT&T in a 1993 ad campaign that confidently asserted "You Will"—as in you will buy our products. (Isn't it just like a former monopoly to be so pushy?) As tipster Seth points out, "Nearly all of their predictions came true, except one: none of them came from AT&T." And yes, that's smooth-voiced pretty-boy Tom Selleck doing the narration.

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Tue, 03 Jun 2008 13:30:00 PDT Lynn Peril http://io9.com/index.php?op=postcommentfeed&postId=394765&view=rss&microfeed=true
<![CDATA[ We Will Beam Advertisements Directly Into Your Brain ]]> You're walking down the street and suddenly a voice starts whispering seductively in your ear. "It's a surplus of style . . . Don't you want to chill in the Gap's surplus shorts?" Have you finally lost it and started hallucinating bad ad campaigns speaking inside your head? Nope, you're experiencing a technology that's already been deployed in New York City, where last December the A&E channel advertised its spooky show Paranormal State by broadcasting ads with a device that emits soundwaves you hear only when when those waves hit your body — which makes the sound seem to originate right next to you. Now other advertisers want to get in on the action and start beaming their slogans right into your head.

According to the Canwest News Service:

The technology works by beaming waves of hypersonic sound at a pitch that is undetectable by the human ear. The waves continue until they smash into an object such as a person's body. The waves then slow, mix and re-create the original audio broadcast. If the person steps out of the waves, the waves are no longer obstructed and they are rendered inaudible . . . Using the technology, marketers can target an audio message at one person in a crowd, leaving everyone around that person unaware.

[Joe] Pompei's company [Holosonics] manufactured the technology that A&E used. "That's the main thrust of this technology — delivering sound to a very specific area and preventing noise from going elsewhere."

For example, nightclub-goers could hear music delivered through hypersonic methods, while people living nearby would not hear anything. Similarly, an ambulance using a hypersonic sound siren wouldn't disturb households — only cars in front of the ambulance would be able to hear the siren.

While more high-profile uses of the technology may still be a few years away, Pompei said the A&E marketing initiative has led to a deluge of calls from marketers.

The technology scares some consumer groups, including the U.S.-based Center for Cognitive Liberty & Ethics, which is raising legal questions about what rights people have when it comes to being forced to listen to audio broadcasts in public.

I like the idea of a nightclub that can only be heard by people dancing in it. Getting ads beamed into my ears? Time to break out the old sound-blocking iPod headphones, suckers.

High Tech Sound Will Be in Your Head
[Canada.com] ]]>
Wed, 14 May 2008 15:01:08 PDT Annalee Newitz http://io9.com/index.php?op=postcommentfeed&postId=390600&view=rss&microfeed=true
<![CDATA[ Speed Racer, Road Runner Beep Beep Their Way Into Advertising ]]> The latest cross-promotional marketing activity for the Wachowskis' Speed Racer, coming out next Friday, is something that can't end without pissing somebody off. The ads feature a race between Speed Racer and the Road Runner to pimp Time Warner's high speed internet service. Somewhere in the afterlife, Chuck Jones and Tatsuo Yoshida are both weeping with shame at this very moment.

Apologizing for raping multiple childhoods with one ill-considered use of intellectual property, Time Warner Cable's Chief Marketing Officer Sam Howe explained that the ad campaign isn't just about making fans realize that Road Runner is much faster than any car out there:

The Road Runner vs Speed Racer spots are created in the same visually stunning style used in the movie and tie together this highly anticipated film with our premier High Speed online service, Road Runner Turbo. We are giving viewers the ability to see exclusive content and a chance to win a new car.
Does exclusive content really count as a plus if it's something that no-one really wants to see anyway? Such content - to be available at rr.com/speedracer and Time Warner Cable's On Demand service - will include unseen Speed Racer footage (bloopers and behind the scenes features that will inevitably appear on the DVD later this year) as well as a 20-minute "mockumentary" about the race between the two speedy icons. Now, if they'd really wanted to make it interesting, they would've brought Barry Allen back into the mix . . .

Time Warner Cable Launches Speed Racer Promos [Comics2Film.com]

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Fri, 02 May 2008 06:30:00 PDT Graeme McMillan http://io9.com/index.php?op=postcommentfeed&postId=386419&view=rss&microfeed=true
<![CDATA[ All the Nanotech You Can Eat ]]> Right now you can buy over 600 consumer products that contain some kind of nanomaterial or nanotechnology, and it turns out that a lot of them are edible. The Emerging Nanotechnology Project has compiled a comprehensive list of consumer items that companies are billing as "nanotech," grouping them into categories like "health" (which includes food) and "electronics." Here you can see their chart showing the breakdown of which products you can buy that contain something that can be called "nano." The E-Nano site also lets you search the products for all kinds of keywords. Needless to say, you can find some pretty bizarre shit if you search under "food."

While there are several bizarre items in the nano-cookware category such as "antibacterial cookware," and the "nano silver teapot," the best items are the nano health supplements that just reek of futuristic quackery. How about the "LifePak Nano" supplement, that promises:

Lifepak® nano is a nutritional anti-aging program formulated to nourish and protect cells, tissues, and organs in the body with the specific purpose to guard against the ravages of aging. Lifepak® nano offers the highest bioavailability with a first-ever nanotechnology process and advanced levels of key anti-aging nutrients in a comprehensive formula.
Yeah, you guessed it: "patent pending technology." And then there's the alarmingly-named "Canola Active Oil," which its manufacturer describes thusly:
This technology is called NSSL (Nano-sized self assembled structured liquids), which is a development of minute compressed micelles, which are called nanodrops. These minute micelles serve as a liquid carrier, which allows penetration of healthy components (such as vitamins, minerals and phytochemicals) that are insoluble in water or fats. The micelles are added to the food product, and thus pass through the digestive system effectively, without sinking or breaking up, to the absorption site. The minute micelles carry the phytosterols to the large micelles that the body produces from the bile acid, where they compete with cholesterol for entry into the micelle. The phytosterols enter the micelle, thereby inhibiting transportation of cholesterol from the digestive system into the bloodstream. This advanced technology was applied in the development of Canola Active oil, produced by Shemen Industries.
Wow, really? I've always wanted to eat something with "self-assembling" as one of its attributes. Plus, doesn't this sound sort of like olestra?

You can search through the nano-product goldmine at the E-Nano Project for yourself.

Consumer Products [Project on Emerging Nanotechnologies]

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Fri, 25 Apr 2008 11:24:10 PDT Annalee Newitz http://io9.com/index.php?op=postcommentfeed&postId=384154&view=rss&microfeed=true
<![CDATA[ UFOs and Shoe Polish Have a Lot in Common ]]> An ad agency in Buenos Aires, Argentina made this series of print and TV ads for Nugget Shoe Polish. What does shoe polish have to do with UFOs? Well, the obvious point is that UFOs are shiny and shoe polish creates shine. But the truth goes much deeper than that, and involves little boys, exploding woodpeckers, and lots of cars from the 1940s. Click through see to the movie that explains everything.

Nugget Shoe Polish [Ads of the World]

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Wed, 16 Apr 2008 14:36:24 PDT LISA KATAYAMA http://io9.com/index.php?op=postcommentfeed&postId=380191&view=rss&microfeed=true
<![CDATA[ Take the io9 Psychographic Survey ]]> Yes, it's time for our every-few-months psychographic, demographic, non-pornographic survey. As ever, we use this survey find out more about you so that our nice advertising department at Gawker Media can sell more ads in those wee sidebars, and thence allow io9 to continue thriving as the commercially-sponsored free thing that it is. In addition, those nice advertising people are sweetening the pot by offering you a chance to win a $300 Amex gift card if you fill out the survey (winners will be picked at random by evil robots, and some contest rules apply). OK, so fill out the survey already. It will only take about ten minutes.

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Wed, 16 Apr 2008 06:40:00 PDT http://io9.com/index.php?op=postcommentfeed&postId=380263&view=rss&microfeed=true
<![CDATA[ The Creepiest Sex Robots In Mass Media Right Now ]]> ashtonbot.jpgAshton Kutcher posed as a robot being "tested" by his creator, in this photoshoot for vMan magazine with famous photographer Mario Testino. (See gallery below, completely with weirdly exaggerated robo-package in his briefs.) He says he got the idea from a Gatorade ad in which someone's being tested for their physical performance, and then he started thinking, what if God could test us, his creations, to see if we're fulfilling our function? And then somehow that led to him thinking about a robot being tested by his actual creator. Actually, his explanation is less cogent than that. But actually, Ashton's only the third creepiest and most inappropriately sexy robot in mass media at the moment. Want to see the two that are worse?

Another insanely creepy-yet-supposedly sexy robot is the Svedka vodka mascot, who's wheatpasted all over major cities right now. It's not just her weirdly exaggerated T&A, with the hydraulically tiny waist — we're used to that from superhero comics — but it's also the weirdly smug, yet unexpressive — face. She has a sort of mousey, dessicated smirk that makes her seem sort of unpleasant. Like a mean robot drunk, who puts robo-roofies in your glass when you're not looking.

The actual creepiest robot in mass media right now? Is the Burger King breakfast robot, part of a longstanding trend of the fast-food giant trying to make its mascot as alienating and scary as possible. (Which I sort of respect, since McDonald's also has a creepy mascot but tries to pretend otherwise.) In any case, someone went to a lot of trouble to find a Logan's Run-looking actor to play the guy who gets woken up rudely by the robo-King. As with Ashton and his robo-crotch, the Burger-bot gets in a moment of misplaced sexy-creepiness, when the purple-haired woman says he's so good with his hands, and he does a weird hand flutter. Ewwww! And yet, now I sort of want that breakfast thing. It's even ookier than the shaving robot ad.

[Ashton Kutcher from Trendhunter]
[Burger King robot from SuperPunch]

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Tue, 15 Apr 2008 16:30:00 PDT Charlie Jane Anders http://io9.com/index.php?op=postcommentfeed&postId=379560&view=rss&microfeed=true
<![CDATA[ We Will Land on Mars and We Will Sell Them Shoes ]]> blotter-clip.jpgCapitalism triumphs again in this cartoon from a novelty ink blotter dating to the 1950s. Ink blotters, by the way, were absorbent cards used to soak up excess ink from your fountain pen. Thanks to the invention of the ballpoint, they were a dying technology when this one, celebrating future technology, was printed.

blotter.jpg

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Fri, 11 Apr 2008 13:30:00 PDT Lynn Peril http://io9.com/index.php?op=postcommentfeed&postId=378734&view=rss&microfeed=true
<![CDATA[ Is Sweding a Corporate Plot? ]]> I hate to get all indie rock on your ass, but isn't it kind of lame that everybody is going apeshit over Sweding when the whole meme was invented by the marketing team for Be Kind Rewind to get people interested in the movie? I'm not saying Be Kind Rewind was a bad movie, nor that the spirit behind Sweding is bad either. I like the idea of people making cardboard light cycles to parody Tron, or making fun of Predator with an all-female cast like the Swede I've got for you right here. And I think it's great that people are figuring out that it isn't some kind of crime against copyright to create silly versions of their favorite movies. But every time I see a new Sweded flick, I feel like the person doing it is just advertising Michel Gondry's flick rather than making a new cool thing.

Of course, you could argue that this Star Wars Swede is advertising Star Wars too, while also advertising Be Kind Rewind. And when a bunch of goofballs at a London new media conference decided to Swede the season finale of Torchwood before it even aired, that could be seen as an ad for the TV show, a reminder to watch it on BBC 2 that evening.

But I gotta admit, my life was not complete until I watched the girls in the Sweded Predator shit-talking about pussy.

So does it matter where a meme like Sweding comes from? Does it matter that it originated in some marketer's mind rather than in the pop internet unconscious that gave us Rickrolling and the Numa Numa Dance? After all, the Be Kind Rewind crew have used all the tools that regular old meme-makers use: they created a You Tube page, and even link to Wikipedia on the official Be Kind Rewind website.

Plus, I ask you, do you think these kids Sweding the Matrix have ever even heard of Be Kind Rewind? I don't think so either. But they do rule at karate. Sort of.

Still, I'm left wondering if a manufactured meme like Sweding can ever really be as cool as a million people doing the Numa Numa dance for the sheer fun of it. When does a marketing campaign become a grassroots thing?

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Mon, 07 Apr 2008 11:04:47 PDT Annalee Newitz http://io9.com/index.php?op=postcommentfeed&postId=376609&view=rss&microfeed=true
<![CDATA[ Speed Racer To Shorten MTV Viewers' Attention Spans Further ]]> speedmach5.jpgIf you're an MTV addict — and, really, who doesn't find themselves glued to My Super Sweet 16 every time it's on? Why didn't my parents rent out NYC and buy me Jay-Z when I turned 16? I feel deprived — then I just want to tell you in advance: Your TiVo isn't broken. It's just been hijacked by the Wachowskis, who plan to fast forward through trailers to give themselves some time to tell you about Speed Racer.

In a move similar to Battlestar Galactica hijacking your internets this Friday, Warner Bros will be speeding up show promos and website clips for various Viacom channels, including MTV, VH1, Spike, TV Land and Comedy Central from April 10th through 18th, promoting not only the Speed Racer movie, but also a tie-in contest giving fans a chance to win their very own Mach 5 through the RaceForSpeedRacer.com website.

The promotion is intended to detourn viewer's commercial-skipping DVR habits, according to MTV's creative director of digital fusion, Mark Fortner:

Consumers are utilizing their TiVos and DVRs to speed up programming... So instead of playing against that, we can sort of tie in with the way people are actually consuming media and behaving.
Either that, or fans will completely miss the 15-second ads altogether, because they'll be over so quickly. Speed Racer bursts onto MTV Nets [Hollywood Reporter]

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Thu, 03 Apr 2008 15:00:00 PDT Graeme McMillan http://io9.com/index.php?op=postcommentfeed&postId=375465&view=rss&microfeed=true
<![CDATA[ What was in the Dharma Initiative Boxes in Lisbon? ]]> To celebrate the premiere of Lost Season 4 in Europe, Portugese guerrilla marketing firm Torke collaborated with Fox to drop Dharma Initiatives boxes onto the streets of Lisbon. A couple of blogs mentioned this yesterday, but nobody has revealed what's in them. What could be in it? A polar bear? Walt? (Maybe Walt.) Boxes of Dharma coke and Dharma cereal? We don't know for sure, but Lost fans in Lisbon were psyched to see artifacts from their favorite TV show appear on their doorsteps in real life.

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Wed, 02 Apr 2008 14:35:57 PDT LISA KATAYAMA http://io9.com/index.php?op=postcommentfeed&postId=375181&view=rss&microfeed=true
<![CDATA[ Fancypants Garage of the Future Runs on IBM Cards, 1964 ]]> garage-tomorrow-clip.jpgCandy-colored floors, bright white Eames-ish work stands, and a "punched card" holding all your car's pertinent information: that's the "Auto Service Center of Tomorrow" presented in United Delco's ad for its exhibit at the '64 World's Fair. Your mechanic (is that him in the nosecone, dressed in antiseptic white?) takes the card, pops it into the computer and, boom, your automotive problems are solved. IBM cards have gone the way of the dodo bird and garages are as greasy as ever, but the predicted marriage of cars and computers was right on the money—even if they missed the part about how the onboard computer itself is often the very expensive problem. Click through for a closer look at Delco's vision of tomorrow's garage.

garage-tomorrow.jpg

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Wed, 02 Apr 2008 13:40:00 PDT Lynn Peril http://io9.com/index.php?op=postcommentfeed&postId=375058&view=rss&microfeed=true
<![CDATA[ NBC Will Stop The Internet For Battlestar ]]> Apparently, the Cylons aren't the only ones with a plan. Sci Fi Channel parent company NBC/Universal is pulling out all the stops to promote this Friday's return of Battlestar Galactica, including switching off the internet and telling you to watch television, instead. According to advertising bible Brand Week, NBC/Universal has made sure that you're not going to be able to surf the web instead of watching their show on Friday night.

Says Brand Week:

If you're surfing the Web later this week during a specific prime-time hour, the screen could go completely dark, except for a single command: go immediately to your TV and turn on Battlestar Galactica ... The blackouts will happen on sci-fi enthusiast sites like UGO and 1Up as the opening episode launches on April 4. That follows a mid-day live stream that's intended to whet the appetites of the faithful.
And that's not all - expect to not be able to escape the show as its fourth season premiere nears:
The network, part of the NBC Universal family, also is reaching further into the mainstream than it has in prior years, buying TV time during the NCAA playoffs, magazine spreads in non-genre publications such as Elle, Vanity Fair and the New Yorker, and using celebrities like Brad Paisley and David Letterman to rally newbies to the critical darling's much buzzed-about last 20 episodes.

Partnerships with TiVo and independent pizza parlors, with prizes ranging from iPhones to free food, aim to boost ratings by nudging viewers to watch the show live when it airs Friday night.
As long as we get a pizza that looks like Starbuck's prophetic painting, then I'll be happy.

The Biz: Sci Fi Goes To Elle And Back To Promote Battlestar Finale [The Biz]

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Tue, 01 Apr 2008 08:20:00 PDT Graeme McMillan http://io9.com/index.php?op=postcommentfeed&postId=374390&view=rss&microfeed=true
<![CDATA[ Admiral Adama's Death Race With A Rocket Bike ]]> Battlestar Galactica's post-apocalyptic leader, Edward James Olmos, races his sportscar through a world of flying cars, elevated trains and missile-firing rocket bikes, in this commercial for Farmers Insurance. Olmos has been appearing in Spanish/English Farmers ads for a while now, but this one features CGI world-building by Zach Mandt, who just finished working on Speed Racer. Also, that exploding building Olmos drives up to at the end? According to reader cde, it's the original Mighty Morphin Power Rangers' Command Center, where Zordon and his cylon-esque robot Alpha-5 hung out. Click through for a side-by-side comparison.

powerrangers.jpg[Zach Mandt's blog, thanks to cde]

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Fri, 28 Mar 2008 06:30:00 PDT Charlie Jane Anders http://io9.com/index.php?op=postcommentfeed&postId=373271&view=rss&microfeed=true
<![CDATA[ Creepy Corporate Data-Sucking Machines of the Future ]]> datapointslogo.jpg It's time to monetize your datastream. You're generating all this data while you surf the web: what you buy, what you read, where you work, where you vacation, your current favorite music/video, where you bank, and of course what you're talking about in email. Shouldn't there be some way to commoditize all that? I mean, shouldn't you be putting all your personal web data together into a handy UDP, or unified data profile, and selling it to the highest bidder? Absolutely. And in the year 2024, a nice company called Datapoints wants to help you to do just that. The Datapoints site, written in hilarious biz-speak, is one of the only deliberately science fictional corporate websites I've ever seen.

Here's what you'll get from this fictional company:

The DATAPOINTS Active Privacy® System allows members to control who sees and analyzes their unified data profile (UDP). In return DATAPOINTS® members receive an ongoing income stream based on the detail, purity and 'interestingness' of their UDP.
Of course there's a kiddie version, so you can start selling your kid's UDP. And then there are a lot of peripherals you can buy to spice up your UDP. For example, there's the home retinal verification scanner.

A kind of dystopian mashup of Choicepoint and Google, Datapoints comes from a future where Big Brother has been privatized and made "fun." If you're irritated by corporate-speak and web industry jibber-jabber, you've got to check this out.

Datapoints [corporate website]

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Mon, 24 Mar 2008 14:40:49 PDT Annalee Newitz http://io9.com/index.php?op=postcommentfeed&postId=371611&view=rss&microfeed=true
<![CDATA[ Stealth Marketing Campaign for "Shutter" Promotes Bullshit Science ]]> Shutter, a horror flick opening next week, is a purely supernatural tale about spirit photography (taking pictures of ghosts). But it turns out the Shutter viral marketing crew is trying to suck in the sciencey/gadget geek crowd with a stealth media campaign: Fox reps are urging journalists to write about the "scientific causes" of ghosts, and push expensive spirit-photography cameras on people interested in the movie. An anonymous source passed me a fairly creepy email about this that was sent to a large, glossy magazine's editorial staff.

A promoter named Warren Betts with Fox Pictures writes in his story pitch to Anonymous:

Generally, I cover the world of science and technology and publicize movies with those themes, but this is a very intriguing story and in the film the characters use very sophisticated technology and optics in trying to capture this apparition on film. Next year a Japanese company is introducing the first camera (very expensive) that will allow photographers to shoot in the invisible light spectrum. This might make a very powerful tool for understanding this phenomenon and the possible scientific causes. The public is very interested in this subject and I wanted to check with you and see if you might be interested in hearing more about this? Would this possibly be something you would be interested in covering on your pages?
OK, what? There is no "scientific" basis for ghosts, or for ghosts appearing in photographs. Yes, there are scientific reasons why people believe smudges in photographs are ghosts. I believe psychology would call those causes "grief" and "desperation." And these afflicted people are going to be targeted by a "Japanese company" who wants to sell a "very expensive" camera to cash in on their grief. I think I know what the name for this phenomenon is, and it ain't scientific: it's pure, simple avarice.

Look, I have no problem with product tie-ins or goofy expensive shit that people buy when they like a movie. Hell, I have a ton of ridiculously expensive kaiju dolls — some of them are from the 1970s, and who knows what they'd be worth on Ebay. But nobody sold me those dolls pretending that they were somehow a "scientific" method of making Gamera come hang out with me, or helping me reach my dead mother. Pretending that something unscientific from a horror movie IS science in order to sell people movie tickets and expensive cameras is, as Penn and Teller would say, bullshit.

And it's the crappiest kind of viral marketing, too.

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Thu, 13 Mar 2008 10:20:56 PDT Annalee Newitz http://io9.com/index.php?op=postcommentfeed&postId=367535&view=rss&microfeed=true
<![CDATA[ Mind Control Is Just a Click Away ]]> The goal of most advertisers is, frankly, to bypass your rational brain and reach down into the murky depths of your limbic system to control your desires. And the Web has given advertisers powerful new mind-control tools, allowing them to generate fake "buzz" for products by implanting references to, say, Hewlett Packard on YouTube or Cisco on Wikipedia. The idea is to make people think that their "friends" online like a product and artificially jumpstart a word-of-mouth recommendation for the product. At a South by Southwest panel Friday about the worst viral media advertising, several marketers and critics gathered to discuss the most heinous and failed examples of ads that are turning our mediascape into a William Gibson or Philip K. Dick nightmare. Two ad campaigns stood out as the worst.

Hewlett Packard used a service called PayPerPost to pay bloggers to create posts or viral videos to promote Hewlett Packard's new digital camera. One woman had her children smash a Fuji camera with a hammer, filmed it, and put it on YouTube. The video didn't actually catch on virally, but did represent a strange and disturbing new phase in the evolution of advertising. A woman who clearly just wanted to feed her kids actually used her kids in a specious ad campaign in order to earn cash. This isn't the only time companies have tried this kind of stunt — paying bloggers a pittance to develop advertising for rich advertising firms — and it's bound to become more popular as more people get their entertainment via places like YouTube. In fact, Hewlett Packard had a much more successful viral ad campaign two years ago, in which people playing "finger soccer" on their desks at work and uploading the vids to YouTube were eventually outed as part of an ad campaign to make HP seem as cool and fun as Apple. By the time the outing happened, however, hundreds of people had spontaneously joined the "finger soccer" campaign just for fun, not realizing that the videos they uploaded were part of a viral advertising effort.

Another recent ad campaign that tried to use Web communities to generate artificial buzz was internet hardware manufacturer Cisco's "human network" campaign. You may remember seeing the phrase "human network" in Cisco ads, but Cisco wanted to do more than create a slogan. They wanted people to start using the phrase "human network" as everyday slang for the internet — the idea, I think, would be to cement a connection in people's unconscious minds between Cisco, the internet, and a kind of Utopian "human network" (which Cisco hardly is, given that its technology is what makes the Great Firewall of China possible). According to digital marketing blog ChasNote:

Since the "human network" isn't yet a well-defined phrase, [Cisco] enlisted thought leaders to volunteer their own definitions, without guidance from Cisco or Ogilvy. Contributors included a handful of FM authors, such as Boing Boing's David Pescovitz, 43Folders's Merlin Mann, Metafilter's Matt Haughey, GigaOM's Om Malik, Wi-Fi Networking News's Glenn Fleishman, Newsvine's Mike Davidson, XYZ Computing's Sal Cangeloso, TechCrunch's Mike Arrington, Searchblog's John Battelle and Make's Phil Torrone. These authors penned their thoughts and plugged them into Cisco ads on their own sites. The ads then invite readers to visit a Cisco landing page that hosts definitions from other thought leaders and gives them an opportunity to vote for a favorite. If they don't see a definition that gets it right, they can also click to the "human network" page at Wikia (a collection of freely-hosted wiki communities built on the same software as Wikipedia) to edit the definition there.
The line between advertising and mind control here is quite blurred: it was as if Cisco was trying to retcon a phrase into existence, with the help of several popular cultural commentators, and then lay claim to it. Luckily, the campaign didn't really work. The phrase "human network" in Wikipedia redirects to "social network," and the phrase was relegated to a mere advertising slogan rather than popular geek slang.

Why are these campaigns a harbinger of things to come? First of all, they are directly engaged with a form of media — social networks — that are only likely to grow bigger as time goes on. Advertising can't only be those little tiny Google ads that go up the side of the page, and advertisers are going to do everything they can to become part of the content on a YouTube or Facebook so that they are more closely woven into the fabric of those networks. After all, you go to YouTube to see wacky videos, not to read the ads. So if advertisers can infiltrate the videos and make you watch their stuff, it's as if you've voluntarily tuned into a TV ad.

This is more disturbing than what I guess you could call traditional advertising mainly because a lot of it is extremely misleading. Ads that are "teasers" are one thing — you know, putting some cool phrase or image out there, only to reveal that it's an Altoids ad three weeks later. But ads that pretend to be real endorsements from regular people? That hide their corporate sponsorship, and use the ideas of underpaid people? It's like turning YouTube into a marketing sweatshop. Advertising dystopia, here we come.

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Mon, 10 Mar 2008 11:40:09 PDT Annalee Newitz http://io9.com/index.php?op=postcommentfeed&postId=365939&view=rss&microfeed=true
<![CDATA[ Marvel/ABC Cross-Promo Brings You a Second Iron Man Ad During Lost ]]> Marvel Comics have announced that the next trailer for its big summer blockbuster Iron Man will first be seen during this Thursday's episode of ABC's Lost. The publisher makes sure to tell fans just when to tune into the show, which seems a more interesting tact to take in light of the Marvel/ABC advertising deal that has seen Marvel books filled with references to the new season of Lost.New Iron Man Movie Trailer Debuts During Lost [Marvel.com]

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Mon, 25 Feb 2008 08:00:50 PST Graeme McMillan http://io9.com/index.php?op=postcommentfeed&postId=360200&view=rss&microfeed=true
<![CDATA[ Animal-Cyborg Soccer Slaves Of 2178 ]]> This new ad for Puma's v1.08 soccer boot freaks me out. In the year 2178, soccer players will have their legs ripped off and replaced with weird cyber-horse legs, so they can trot around and do kangaroo jumps for the amusement of their beer-swilling orthohuman masters. Until then, the ad says, the closest you can get to being a deformed cyber-beast athlete is to buy Puma's newest model. It's just the latest in a long line of freaky dystopian adverts.

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Mon, 04 Feb 2008 12:00:23 PST charliejane http://io9.com/index.php?op=postcommentfeed&postId=351993&view=rss&microfeed=true
<![CDATA[ Marvel Surrenders to Cheesy "Lost" Crossover Marketing ]]> Wondering just how many references there are to ABC's Lost in recent Marvel comic books, as per ABC's mysterious advertising deal with the publisher? Fansite Find 815 has posted a gallery of all of the known ones to date, and the answer turns out to be "More than you expected." When does viral marketing become overly intrusive? Possibly at the point where the X-Men's alien spacecraft is now named after Desmond's shipwrecked boat. Marvel Comics and Lost Crossover Archive [Find 815.blogspot.com]

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Fri, 01 Feb 2008 06:15:40 PST grae http://io9.com/index.php?op=postcommentfeed&postId=351443&view=rss&microfeed=true
<![CDATA[ Let the Machine Overlords Hear Your Cry in Our Demographic Survey ]]> It's been nearly a month since io9 lowered its shields and initiated signal transmission. Now we want to know more about you, our readers. We've posted a brief demographic survey to harvest your innermost thoughts — but we don't want to know anything privacy-invading like your address or phone number. If you fill it out, you will be entered to win some credits with Amazon. So what will we do with the information on this survey, other than feed it to our machine overlords?

Well, basically, here's the deal. io9 is free to you because advertisers are going to start buying ads that will run on the site. You already knew this, so don't act all shocked. Usually advertisers want to know who the audience is that they're reaching with their ads — that helps them decide if they want to give us money to run their ads. So, in part, the demographic information is for advertisers (minus your names and email addresses, which we don't give out to anybody). So if you like io9 and want us to keep zooming, please support us by filling out the survey.

It may not make sense, but it is the way of consumer capitalism, my humanoids. In this region of this planet, it is our way of allocating resources — though many of our wise ones believe it will not always be. Still, it is how your friendly editors and writers at io9 are compensated for their labor, and earn money for spaghetti.

And so, take the freakin survey people. Jeez.

Demographic Survey for io9 [via io9 Master Control Program]

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Thu, 31 Jan 2008 08:40:51 PST Annalee Newitz http://io9.com/index.php?op=postcommentfeed&postId=350861&view=rss&microfeed=true
<![CDATA[ Be Kind Rewind Opens A Hole In The Space-Time Continuum ]]> By now you've probably seen a few commercials for Michel Gondry's Be Kind Rewind, where Jack Black accidentally magnetizes the movies in buddy Mos Def's store. They decide to create fanfilm versions of movies like Ghostbusters, Robocop, and 2001: A Space Odyssey and pass them off to unsuspecting customers. However, now the director himself has gone and "sweded" the trailer for the film on his own (with Swedish actors), opening up a meta-reference that might cause the universe to implode. Check out the video above, but just hold onto something in case a freak wormhole opens up near you.

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Tue, 29 Jan 2008 16:30:10 PST Kevin Kelly http://io9.com/index.php?op=postcommentfeed&postId=350331&view=rss&microfeed=true
<![CDATA[ Cybervertising Proves Cyber May Not Be So Punk Anymore ]]> Last week we asked you which science we should "punk" next because cyberpunk is, well, not very hardcore any more. And here's proof. We've rounded up six commercials saturated in cyberpunk imagery, including ones for a Hummer SUV, Phillips razors, Mountain Dew, a dairy company, and of course the PS2. I think it's safe to say that once SUV manifacturers and Mountain Dew are using cyber imagery in their ads, it's time to punk something else. Here you can see the ad for the SUV Hummer: The blur of techno-gear in a stark metal landscape isn't just cyberpunk, but it's also a little bit electronica — for the geriatric raver console cowboy in you. Five more commercials below make it even more obvious that cyber hasn't ever been less punk.

A bizarrely erotic ad for Phillips razors features a robot straight out of I, Robot and a futuristic house that reminds me of something from Greg Bear's classic novel Eon. Definitely cyber, definitely all about buying a razor.

An Israeli ad for a dairy is snatched right from Neal Stephenson's The Diamond Age. We see an old-fashioned factory, but then when the factory owner opens his doors we discover it's a tiny island of old-schooliness in the middle of an ultra-futuristic cyberworld.

A bizarro ad from Mountain Dew creates an early cyberpunk vision ripped straight from William Gibson's Neuromancer, with corporations ruling the world and high tech innovation the only hope for freedom. Except, of course, the rebels in this world are trying to create "the ultimate soft drink."

A Levis ad plays with imagery from Neal Stephenson's Snow Crash to create this futuristic wasteland where a guy lassos a car (think of the skateboarding pizza delivery punk in Snow Crash), which turns out to be self-driving (Transformers or KITT anyone?).

An ad for Playstation 2 depicts a Max Headroomish future of multinational media conspiracies:

Sure these ads are creative, and there's nothing wrong with getting inspiration from cool punked-out scifi subcultures. But once the subculture is smooshed all over SUVs and razors? Then it's just a hollowed-out shell of itself being used to sell stuff. Old-school cyberpunk novels are still great, but today's cyber is VH-1 material at best.

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Mon, 14 Jan 2008 12:15:35 PST Annalee Newitz http://io9.com/index.php?op=postcommentfeed&postId=344642&view=rss&microfeed=true
<![CDATA[ Jumper Teleporting Through Commercials ]]> Advertising has gone so meta that only teleportation can explain it. In this ad, Jumper star Hayden Christensen uses his teleporting gift to throw himself into Serena Williams' computer ad. So basically he's leaping out of a commercial for the film, which is about teleporting mutants, and into an old ad for Hewlett Packard, starring Williams. It's a new mutant kind of advertising synergy, more like cross-cannibalism than cross-promotion. Be very scared. 'Jumper' ad leaps between products [Variety]

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Tue, 08 Jan 2008 09:20:58 PST Kevin Kelly http://io9.com/index.php?op=postcommentfeed&postId=341954&view=rss&microfeed=true
<![CDATA[ Rocket Porn Sexes Up The Space Shuttle ]]> Why is there a rocket racing ahead of the space shuttle in this 1971 Tang ad? Maybe it's because the sleek-but-functional space shuttle concept art just doesn't look scifi enough on its own. Or maybe this is a symbolic baton-passing from the Apollo missions to the coming shuttle era. Either way, the space shuttle didn't look nearly this vivid and space-opera by the time it actually existed. Image by Wishbook. [Fanboy.com]

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Mon, 31 Dec 2007 06:30:34 PST charliejane http://io9.com/index.php?op=postcommentfeed&postId=338947&view=rss&microfeed=true
<![CDATA[ Retro-Futurist Postcards for Wall-E ]]> Comic book artist extraordinaire Eric Tan created these 1950s style postcards as promotional materials for Wall-E, Disney/Pixar's new wacky robot adventure. I love how they perfectly illustrate a conflict that promises to be key in this flick: the ultra-leisure society of the humans versus the junkyard-dwelling garbage robots who do nothing but scut work.

There are three more postcards in the set. Collect them all! [Kung Fu Rodeo] Or visit this freakish Wall-E tie-in site, allegedly belonging to Wall-E manufacturer Buy n Large, which does an eerily good parody of marketing speak at consumer robotics companies.

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Fri, 28 Dec 2007 08:00:08 PST Annalee Newitz http://io9.com/index.php?op=postcommentfeed&postId=338388&view=rss&microfeed=true
<![CDATA[ What if Sony Really Did Have Corporate DNA? ]]> sonysmall.jpg Synthetic biologist and science blogger Keith Robison is sick of seeing advertising campaigns for companies that say "such-and-such is in our corporate DNA." So he strikes back by explaining what it REALLY means for you to have something in your DNA. The results are hilarious. Find out what Sony is really saying about itself in this ad about HD being "in our DNA" after the jump.

Here are some more things that Sony might be trying to say about itself with this ad:

Most of our organization has no immediate obvious purpose . . . A lot of pieces of the organization resemble decayed portions of other pieces of our organization . . . Some pieces of our organization are non-functional, though they closely resemble functional pieces of related organizations . . . Our corporate practices are not the best designed, but rather reflect an accumulation of historical accidents . . . We retain bits of those who invade our corporate DNA, though with not much rhyme or reason.

Corporate DNA [Omics! Omics!]

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Fri, 14 Dec 2007 12:30:07 PST Annalee Newitz http://io9.com/index.php?op=postcommentfeed&postId=334254&view=rss&microfeed=true