We've collected various book covers from a number of classic science fiction novels to see how different artists have interpreted the same book. The covers are sometimes surprisingly pulpy, others are elegantly minimalist, and still others are variations on the same theme. Some of these are actual covers from various editions of the books, and some are concept designs created by individuals — on spec, for a class project, or just for fun. Bear in mind that a few of the actual book covers may not be work-safe.

1984 by George Orwell:

Brave New World by Aldous Huxley:

Fahrenheit 451 by Ray Bradbury:

Day of the Triffids by John Wyndham:

The Midwich Cuckoos by John Wyndham:

Do Androids Dream of Electric Sheep? by Philip K. Dick:

A Scanner Darkly by Philip K. Dick:

Stranger in a Strange Land by Robert Heinlein:

The Handmaid's Tale by Margaret Atwood:

I, Robot by Isaac Asimov:

John Carter of Mars by Edgar Rice Burroughs:

Neuromancer by William Gibson:

We by Yevgeny Zamyain:

The Space Merchants by by Frederik Pohl and Cyril M. Kornbluth:

A Clockwork Orange by Anthony Burgess:

War of the Worlds by HG Wells:

Be glad that when you were a teenager, you didn't have an aunt like the person who wrote to the Journal's "Book Lover" column to ask this question:

My 13-year-old nephew is a voracious reader, but he tends to limit his reading to science fiction. He recently read "Brave New World," because he thought it was sci-fi. Any suggestions on how to expand his horizons to include other genres?

Anyone with half a lick of sense will know that a 13-year-old who's voluntarily reading Huxley is doing just fine and does not require an intervention. But the WSJ's book columnist, Cynthia Crossen, is a nicer person than I am, since she refrains from telling the aunt what an idiot she was being.

Instead, Crossen gives auntie a smart (if slightly muddled) lecture on the wrongness of misplaced snobbery, and admits that not all SF is equally great. Then she recommends that instead of stopping the allegedly trash-loving nephew from reading SF, the aunt should steer him towards the good stuff:

So Aunt B.'s mission is to gradually nudge the boy along the spectrum from Godzilla and 50-foot women to H. G. Wells, Mary Shelley, Jules Verne, Isaac Asimov, Philip K. Dick, Robert Heinlein and Douglas Adams.

Then he'll be ready for some great contemporary science-fiction writers: William Gibson, China Miéville, Neal Stephenson, Connie Willis, David Mitchell, Kazuo Ishiguro and Richard Powers.

Remembering an early encounter with science fiction, George Orwell wrote: "Back in the 1900s, it was a wonderful experience for a boy to discover H.G. Wells. There you were, in a world of pedants, clergymen and golfers…and here was this wonderful man who could tell you about the inhabitants of the sea, and who knew that the future was not going to be what respectable people imagined." That's a gift indeed.

The 1998 TV movie version of BNW is surprisingly great, with about as much crazy sex as television will allow. And I really like the conditioning sequences and all the debates over how much freedom to allow the "savage" visiting this allegedly perfect society, all of which feels pretty close to the book, based on my decade-old memories of it. [IMDB]http://www.imdb.com/title/tt0145600/

Why did you decide to adapt Brave New World into a movie, why do you want to make this story?

I didn't choose to do it, someone came to me with it. In fact it was Leo's [Leonardo DiCaprio's] production company that came to me with that. And it's a big challenge, in fact. Because when you look at the two players or visionaries in the field, at that moment [it] would be Huxley and it would be Orwell and that was 60 or 75 years ago. They were predictions in a way, they weren't aware at the time, but they were predictions. One could argue that Orwell kind of got there first and Orwell was closer to the notion of "big brother," [with the] Cold War. But I don't think that's it, I think that big brother may be the internet. I don't know but I think that's the way it's going to go. And so the Aldous Huxley's [novel] literally what is called Brave New World that's a very hard adaptation. So we're still dancing with that one, but it's a challenge.

Have you finished the script or are you close?

No, no no we're still struggling with that one. I have 40 things on the go at once. But that's a very important one. And sometimes, some surface faster than the others. It's partly luck of the draw. Even with a good writer, he'll do it and screw up. So then you go back to the table and start all over again, it's hard. The hardest single thing is getting it on paper.

I'm very excited about Leo's involvement.

Oh yeah, he is perfect for it.

So while we wait for what will undoubtedly be an amazing look into a classic story, and find out what kind of new spins Ridley will throw in (will there still the year of "our Ford"?) Scott's new movie Body of Lies is out October 10th.