<![CDATA[io9: astro city]]> http://tags.lifehacker.com/assets/base/img/thumbs140x140/io9.com.png <![CDATA[io9: astro city]]> http://io9.com/tag/astrocity http://io9.com/tag/astrocity <![CDATA[When Science Fiction Fans Go Bad]]> Most fans of science fiction and comic books just want to enjoy their hobby in peace, or maybe one day don a costume and save the world. But every now and then, a fan turns to the Dark Side instead.

Syndrome (The Incredibles)

You, sir, truly are Mr. Incredible! You know, I was right to idolize you. I always knew you were tough, but tricking the probe by hiding under the bones of another super?! Oh, man! I'm still geeking out about it!

Fannish Traits: Fashioning himself as Mr. Incredible's sidekick Incredi-Boy for one, but even the business of making the ultimate superhero-killing machine and luring Mr. Incredible to his island lair to fight it was fannish in its own warped way.
What Drove Him to Evil: A demoralizing rejection at the hands of Mr. Incredible left him with a inferiority complex and bitter grudge against the superpowered community.

Henchman #21 (The Venture Bros.)

Dude I can't believe we didn't get blown up. We're like those guys on TV who never get shot. Yeah we're like main characters.

Fannish Traits: He keeps a closet full of collectible weapons, has a side job with the Atomic Comic Collection Connection, and debates whether the Smurfs are mammals. Fortunately, #21 lives in a comic book world, and his genre savvy is one of the things that keeps him alive.
What Drove Him to Evil: #21 was actually kidnapped and pressed into the Monarch's service at age 15, but he keeps up his henching because he finds it kind of awesome.

The Trio (Buffy the Vampire Slayer)

Warren: What the hell is that?
Andrew: Death Star, dude! Wicked, huh?
Jonathan: Uh, thermal exhaust port's above the main port, numbnuts.
Andrew: For your information, I'm using the Empire's revised design from Return of the Jedi.
Jonathan: That's a flawed design!

Fannish Traits: In addition the van with the Death Star mural, dialogue amongst the Trio (Andrew and Jonathan in particular) is a constant stream of science fiction and comic book references (notably, Jonathan claims fluency in Klingon). And their attempts at bank robbery and Slayer killing are pretty much straight out of the supervillain handbook.
What Drove Them to Evil: Repeated social, scientific, and mystical missteps, which required the Scooby Gang's constant meddling. That, and they hoped it would get them girls.

Superboy-Prime (DC Comics)

On my Earth, I read all about you, Polar Boy. You were a substitute Legionnaire who was let into the clubhouse because people felt sorry for you. Y'know, I almost feel sorry for you. Almost.

Fannish Traits: Raised in our universe reading comic books (and named after Clark Kent), Superboy-Prime is so distraught with the current direction of the DC Universe, that he tries to retcon the universe so it resembles the DC comics of his childhood.
What Drove Him to Evil: Pretty much the entire DC writing staff.

Control Freak (Teen Titans)

All these would've worked on the real Titans. It's just, your powers are... stupid! I don't wanna fight you anymore.

Fannish Traits: It's no surprise that, with his obsession with science fiction and television, Control Freak becomes an accidental fan of the Titans themselves. He's genuinely miffed when he has to face off against the Titans East instead of the main Teen Titans, and he's pissed when he realizes he's not on the list of their most notorious villains — after all, he's a recurring character.
What Drives Him to Evil: Mostly, because villains look cool.

Joe Jackson Stevens (Powers)

Every time they report about her, they ruin her. Every time they say her name, they chip away at her soul. The Indians say that a photograph steals your soul. Imagine if they are right. The world has no rights to her soul. If only I could get her attention.

Fannish Traits: Despite an avowed hatred of capes, Stevens has a profound obsession with Retro Girl, as evidenced by his diary entries and some rather sticky photos found in his apartment.
What Drove Him to Evil: Stevens is just plain unbalanced. He goes Mark David Chapman on Retro Girl because he wants to preserve her unblemished memory for the masses.

Red Mist (Kick-Ass)

Seriously. This whole superhero thing's been bubbling away for years, but you were the first to get out there and have the balls to do it, man. I'm your biggest fan. This is like meeting Elvis or something.

Fannish Traits: Mist claims to be such a huge fan of Kick-Ass (and superhero comics), that he follows Kick-Ass's lead and dons a ridiculous red suit to fight crime.
What Drove Him to Evil: It's not clear that Red Mist was ever on Kick-Ass's side, but whatever the case, he was probably getting paid good money to turn on his fellow vigilante.

Tim the Fanboy (Fans!)

These guys are the president and vice-president of a very cool club! They've fought a vampire, a mind-control conspiracy, and an ancient god! Share in the coolness! Join now!

Fannish Traits: Whereas most members of Bilberg University's Science Fiction Club are fans of science fiction, Tim is a devotee of the Club itself, turning down a spot at Harvard so he could worship at their feet. That, and he dresses like Harry Potter.
What Drove Him to Evil: Tim tends to become utterly devoted to a cause, only to turn on it completely when it lets him down in the slightest. When the Science Fiction Club is overwhelmed by the time traveling warlord General Maximillianna, Tim decides that she must be the superior moral force, and quickly joins her forces.

Ray Thompson (Justice League "Legends")

"Holy hijacking, Catman!"

Fannish Traits: Ray is so nostalgic for the superheroes of his childhood, that after they perished in a nuclear holocaust, he psychically resurrects them so they can continue their adventures.
What Drove Him to Evil: The sole survivor of the nuclear holocaust, Ray just wants to recreate the world of his idealized childhood. But when his illusion is shattered, he goes on a rampage that threatens to destroy reality.

The Mad Hatter (Batman)

As the great Lewis Carroll said: "One, two, one, two, and through and through the vorpal blade went snicker-snack! He left it dead, and with its head, he went galumphing back!"

Fannish Traits: Jarvis Tetch is so obsessed with Lewis Carroll's Alice books that he dresses as the Mad Hatter, only eats hat-themed food, and constantly quotes Carroll.
What Drove Him to Evil: Psychosis. The Hatter has trouble distinguishing between Wonderland and reality, and has developed a frightening obsession with girls named Alice.

Mock Turtle (Astro City)

There was Narnia, with Caer Paravel. And Alice's Wonderland. And more. And children could find them, children like me. If I could find the right wardrobe, go through the right looking glass —

Fannish Traits: Like the Batman villain above, Martin Chefwick was obsessed with fantasy realms, including Wonderland, Narnia, and Oz. And, while he didn't mistake the real world for Wonderland, as a child he often went off in search of a gateway to a fantastical realm all his own.
What Drove Him to Evil: He wanted to impress a girl.

Stewie Griffin (Family Guy "Not All Dogs Go to Heaven")

No way, I'm getting Patrick Stewart to sign it. Picard has it all over Kirk. He's poised and measured and doesn't wear a cheap rug. Rather, he accepts even baldness with a quiet cool that says, "I am in command. You are safe with me. I will cradle you in my arms through any crisis in any galaxy."

Fannish Traits: From our list of convention disasters, Stewie built a working transporter for the sole purpose of kidnapping the entire cast of Star Trek: The Next Generation.
What Drove Him to Evil: Stewie has always been evil, but in this case, he was simply annoyed he didn't get to ask his question at the convention.

Melllvar (Futurama "Where No Fan Has Gone Before")

Fry: Melllvar's got a spaceship.
Melllvar: Yes, in mint condition... and you made me take it out of the package!

Fannish Traits: Another from our convention disasters list, Melllvar creates a paradise for the cast of the original Star Trek so he can hold his own private convention. Then he makes them battle the Planet Express crew to the death for his fanboy affection.
What Drove Him to Evil: Non-corporeal beings only seem evil until you learn that they're harmless 34 year-olds still living in their parents' basements.

Ben Meyers (Smallville "Action")

I'm sorry, Lana. But there's a hero living among us, and there's only one way he'll accept his calling. You need to die.

Fannish Traits: A fan of the Warrior Angel comic books, Meyers is upset when he learns that the hero's love interest won't die in the film adaptation like she does in the book. To maintain the purity of the movie, Meyers decides to simply kill off the actress playing the love interest himself. And, when he discovers Clark's unusual abilities, he believes Lana must endure the same fate.
What Drove Him to Evil: Hollywood's obsession with happy endings.

Mysterious Fan Boy (X-Statix)

If we're really being honest here, and I hope we are, I'd started to love the new X-Force, even though their high mortality rate did unsettle my bowels. And now they go and change the whole thing. If that was all they'd done I might be able to forgive them. But they have done the unforgivable. They've killed the best of them. I mean, how do those people expect us fans to react?

Fannish Traits: Arnie Lundberg wears his fandom proudly. He is such a huge fan of X-Force in general and U-Go Girl in particular that when his favorite team member gets killed off, he takes an entire town hostage, controlling and disfiguring its citizens, a la the Twilight Zone episode "It's a Good Life."
What Drove Him to Evil: A combination of childhood taunting, relative omnipotence, and U-Go Girl's death. But it all works out for him since he joins the newly renamed X-Statix team so they can keep an eye on him.

Comic Book Guy (The Simpsons)

Lucite...hardening. Must end life...in classic...Lorne Greene pose...from...Battlestar Galactica. Best...death...ever!

Fannish Traits: There's very little in the Comic Book Guy's life that doesn't center around fandom. And, in the Treehouse of Horror episode "Desperately Xeeking Xena," he becomes a villain known as "The Collector," who steals his favorite celebrities and places them in PET bags for safe keeping.
What Drove Him to Evil: The desire to preserve his favorite actors in mint condition.

The Catgirl Menace (Something Positive)

I'm tired of you comic creators thinking just because you make something you own it! You don't! It's ours the minute we read it! And the fans know better than you do what's right, otherwise we'd be making comics, not reading them!

Fannish Traits: Not precisely scifi, but too powerful to be ignored, the Catgirls walk around in adorable cat ears and will read anything with the word "Neko" in the title.
What Drove Them to Evil: Someone dissed their obsession du jour, Neko Neko Holy-Chan. Fortunately, they lost interest when they realized the comic creators were changing the comic in a way that disagreed with their fan fiction and shattered their little yaoi fantasies. Some creators just like their straw fans to smack you in the face.

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<![CDATA[Science Fiction's Scariest Priests and Preachers]]>
Thirst's vampiric priest is hardly the first man of the cloth to fall prey to his darkest urges. We found plenty of soul-stealing, blood-sucking, eye-gouging, and just plain creepifying priests and preachers who haunt the churches of scifi and horror.


Sang-hyun (Thirst): If the path to Hell is paved with good intentions, Sang-hyun sprinted down the road and locked the gate behind him. In attempt to reduce the whole of human suffering, he volunteers to be a guinea pig for the Emmanuel Virus vaccine, but the experiment goes awry, leaving the priest with an unnatural thirst for human blood. And, though he tries to keep himself from killing, the comatose patients in the hospital where he works are almost too delectable to bear.

Ivan Isaacs (Priest): There are bad-ass priests...then there are bad-ass priests who sell their souls to the devil to become even more bad-ass. Fallen priest Ivan Issacs sells his soul to Belial for a second chance at life — and vengeance. Now an undead revenant sustained by only by his rage, Isaacs stalks the midwest with a blade, a sawed-off shotgun, and his superhuman strength.

Jesse Custer (Preacher): Jesse Custer may be one of the good guys, but get him in the wrong mood, and even God Himself shakes in His cowboy boots. He starts fights at the drop of a hat, is best friends with a vampire, and when he's bound to Genesis — granting him the powers of the Word of God — he drives his foes to suicide and even commands a fellow to do unspeakable things with his own genitalia. And he's on an ultraviolent mission to find God and make Him answer for His crimes against the world.

Reverend William Stryker (X-Men): Nothing says "scary" like an imagined genocidal mission from God. As if it weren't bad enough that Stryker is on a personal mission to exterminate all mutantkind, he has to use his televangelism to recruit new hatemongers. In fact, Stryker's power and charisma as a preacher are far more frightening weapons than the Sentinel arm he picks up in his anti-mutant travels.

Bishop Antony Lilliman (V for Vendetta): Certainly the whole notion of a fascist party that constantly spies on the whole of Britain is frightening enough, but party member Bishop Lilliman is particularly creepifying with his participation in the Larkhill experiments and his penchant for ordering up little girls like they're entrees. He's so busy attempting to molest a jailbait-outfitted Evey that he can't even heed her warnings about V.


Reverend Henry Kane (Poltergeist II): Adults might be inclined to give the creepy old reverend who comes traipsing into their front yard the benefit of the doubt, but kids and dogs know when "creepy" crosses the line into "absurdly evil." Listen to your dogs, Mom and Dad, or else you'll never know when Pastor Overly Friendly is a Satanic cultist with a penchant for murdering his followers and stealing their souls.


Brother Justin Crowe (Carnivale): The Methodist answer to radio priest Charles Coughlin, Brother Justin has the added title of Creature of Darkness. He uses his radio program as a mass-scale vehicle for his supernatural powers of manipulation, bringing people's greatest sins and darkest desires to life in horrifying visions. And where manipulation fails, Justin can always draw his strength from violence, mowing innocents down with a not-so-subtle scythe.



Caleb (Buffy the Vampire Slayer): In seven seasons of villains, Caleb may have been the most chill-inducing of the lot. Nathan Fillion gave him sufficient charm to understand how he managed to lure two girls to his death, and his link with the First Evil gives him the power to defeat even the Slayers. But Caleb takes on-screen violence in the Buffyverse to an uncomfortable level when he unflinchingly stabs his thumb into Xander's eye.

Brother Blood (Teen Titans): For centuries, the Church of Blood consisted of two members: a father who held what might be the prayer shawl of Christ (and its powers of invulnerability) and a son who would eventually slay him and take his place. But one of these Brother Bloods eventually realized that religion could be used not only to attain superpowers, but to take over the world. His brainwashing, baby-stealing, no-exit cult even managed to attract powerful government officials, despite the distinctly Satanic-sounding name.

Paladin Alexander Anderson (Helsing): Alucard is the most powerful vampire on Earth, but even he is thrown off guard by the Vatican's top vampire hunter, Father Anderson. Engineered with superhuman abilities and the capacity to regenerate, Anderson himself seems, at times, more monster than man. And he'd be less fearsome if his hatred for vampires didn't extend to all non-Catholics — and if he lost that rictus grin.


Anthony Tipet (The X-Files): After getting out of prison for bludgeoning his wife to death, Tipet begins to preach the "Via Negativa," the notion that the path of darkness is the best way to get close to God. And he gets to put his philosophy into action when a super-amphetamine turns him into Freddy Krueger, granting him the ability to kill folks in their sleep, and — for creepy bonus points — opening his third eye.

The Confessor (Astro City): The Confessor may have been modeled on Batman, but he has something in common with one of the other priests on the list: Thirst's Sang-hyun. This one-time priest wears a cross to immolate his cursed flesh and focus his mind on something other than his relentless hunger for blood. But at least he's not too distracted to use his vampiric powers to fight crime.

Mr. Eko (Lost): Priest was only Mr. Eko's second job title. Earlier in life, he was a warlord and a drug smuggler, the sort of man who would threaten to burn down his own brother's church to get what he wants. And even after taking on the role of village priest to atone for a life of violence, Eko is still a man to be feared. When guerillas threaten his village and attack Eko, he still has, much to his dismay, the strength and killer instincts to take them down.

Father Grigori (Half-Life 2): Father Grigori is quite friendly when it comes to fellow zombie-killer Gordon Freeman, but he comes off as a bit unhinged as he wields his pump-action rifle (nicknamed Annabelle). Of course, if you watched your entire congregation get turned into headcrab zombies, you'd probably develop a few spooky characteristics, too.

Steve Newlin Jr. (True Blood): While not as eager to bloody his hands as the other preachers on this list, here's something creepy and off about televangelist Steve Newlin. It's not just his extreme hatred of vampires or his propensity for wearing t-shirts over button-downs. It's his unquestioning conviction in his moral and spiritual correctness, his ability to attract unfailingly like-minded worshipers, his ends-justify-the-means — and the sense that he's playing Dr. Jekyll to a gleeful (and possibly misogynistic) Mr. Hyde.

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<![CDATA[Why Do Aliens Among Us Always Go Native?]]> It never fails: an alien comes to Earth to study us, or spy on us, or hide from other aliens. And he/she always goes native. Just once, I'd like to see an unassimilated alien.



You might have noticed this trope in the recent Day The Earth Stood Still meh-fest, when Keanu/Klaatu goes to the McDonald's to hang out with a fellow alien, who's been hiding out here for decades trying to decide whether we suck or blow. And doggone it, the old guy has totally lost his alien perspective. He loves McDonald's, for one thing. For another, he's seen enough movies to pick up that thing where he speaks a foreign language, until he's saying something really important — and then he switches to English.

Okay, sure, he still recommends that Klaatu sterilize the Earth. But he also encourages Klaatu to try those crispy apple pies first.

But he's not the worst sell-out. The worst is the Doctor from Doctor Who, who's totally gone human the first time we see him, in 1963's "An Unearthly Child." He's ditched his Gallifreyan tunic, with the attractive posture collar, for some pastiche of an English gentleman outfit. (I totally blame the lack of the collar for William Hartnell's bad posture.) But the worst comes in the early 1970s, when the Doctor spends a few years stuck on Earth and starts actually driving a car and eating at Wimpy's Burgers. (In the novelization of "Invasion Of The Dinosaurs." I think.) Did you ever eat a Wimpy Burger? They're a great example of truth in advertising.

Commenter Hamslicer points out that I somehow missed the aliens in Third Rock From The Sun, who get so assimilated they not only eat our junk food, they also get obsessed with our human innovations, like shampoo and conditioner in the same bottle.

Rule #1: You can always tell when an alien has gone human. They start eating our crappy fast food.

Sometimes they even forget their true nature, like Beth in that one Torchwood episode. She's an alien sent here to gather intelligence for an invasion, but she believes she's human — despite the huge spikes and alien tech that pop out of her arm like a really bad rash.

That's also sort of the premise of The Stranded, a Virgin Comics title that's (supposedly) being developed as a Sci Fi Channel series. Five amazingly stylish people realize that their entire childhoods are a lie, because they're Sleepers, aliens who were stranded here on Earth, with secret superpowers and stuff. (I think the Sci Fi version may be dead, which is too bad, because both the comic and the TV pilot were written by the great Mike Carey.)

Rule #2: Aliens who forget they're aliens always have amazing superpowers, and pretty great hair.

And then there are the aliens who remember they're aliens, and even keep sight of their reason for being here... but they just get obsessed with human trivia. Like Bridwell, from Astro City #5. He's been sent to Earth to decide whether his matriarchal insect-people race, the Enelsians, should invade. And he gets caught up in our trivial dramas, and obsessed with our petty vices, especially boastfulness. It's unfortunate he happens to live in the same building as the braggart superhero Crackerjack. But even Crackerjack's habit of taking too much credit for his exploits isn't enough to make Bridwell turn against humanity — it's a group of gossipy old ladies boasting that they always knew who Crackerjack was, that finally makes Bridwell decide to wipe us out. Humans!

Rule #3: Aliens who spend too much time here always get a little too close to our bad side.

Let's face it, the best kind of aliens living secretly on Earth are the ones who take over, without any of this "going soft" business. Like the aliens in They Live, who finally use our mass media and pop culture for the proper purpose — controlling us and turning us into brainwashed slaves. (But that means they have to work in the television industry, which is a kind of punishment.) Ditto for those aliens in the story "Four Eyes" in the anthology The Nightmare Room.

Of course, even when sneaky aliens manage to take over the Earth without losing their edge or getting distracted by all our shiny nice human culture, they still end up taking on our foibles and obsessions — like the alien parasite/symbiote creatures in Stephenie Meyer's The Host. (By then, of course, they're not secret any more.)

Rule #4: You can't even rule humans in secret without becoming sorta human.

The manga and anime of Osamu Tezuka routinely feature "reformed alien spies" as supporting characters, according to this fansite.

The animated version of Ambassador Magma, features a similar theme, as Murakami Tomoko, is killed and replaced by an alien. Tomoko was the mother of Murakami Mamoru, the main human character of the series, and the alien eventually became so absorbed in the role, that she believed that she was Murakami Tomoko, so much so, that she defended her ‘family’ against attacks by her own kind, losing her life in the process.

The Irresponsible Captain Tylor features an android spy named Harumi. However, she is much more than a mere spy, for she is the alien’s best intelligence analyst, and even a saboteur. Despite her best attempts, her attempts at sabotage always fail in humorous encounters with Captain Tylor’s dumb luck. Though she is an android and should be devoid of emotions, she eventually succumbs to the title character’s kindness and charm, and decides to switch sides.

Rule #5: Aliens! Don't make your spies too cute. It'll just backfire when they decide they enjoy our human fussing, and our fancy Earth ribbons.

Additional reporting by Katharine Duckett.

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<![CDATA[Comics Epic Astro City Will End With Super-Pets Playing Poker]]> A big reason why the character names and designs are so cool in Kurt Busiek's Astro City is because Busiek reaches beyond comics for his retro characters. He pretends that Astro City Comics is a publisher that's operated since the 1940s, and reaches into broader trends in popular culture, from Liz Taylor's Cleopatra to Evel Knievel, to create characters who seem like they belong to a bygone era. More secrets of Astro City, from today's panel at Wondercon, after the jump.

Astro City is a town packed with superheroes, but we often see the action from the perspective of ordinary people, or criminals, or sidekicks. Busiek sees his book as responding to the wave of "deconstruction" comics such as Alan Moore's Watchmen, which took superheroes apart. Busiek sees his mission not to put superheroes back together, so much as to use the lessons from taking them apart to make them work better.

Want to know the secret, overarching meta-story behind Astro City? There isn't one, Busiek revealed at today's Astro City panel at Wondercon. He has no "roadmap," and no ending for all the comic's characters in mind. Instead, he plans to keep telling stories set in the superhero-filled city until he runs out of ideas and writes an issue about super-pets playing poker. Find out what's in store for Astro City, after the jump.

Astro City is in the middle of a 16-issue mega-story called "The Dark Age," set in the bleak 1970s when everybody experiences a crisis of conscience due to the Vietnam War, Watergate and a wave of distrust in society's institutions. A collection of the first eight issues of "The Dark Age" is coming soon, and it'll also include the prologue that was published as one half of a flipbook with Arrowsmith, plus some sketches and stuff.

Also coming soon: two "character specials" featuring Astra (daughter of superteam the First Family) and the Silver Agent.

Busiek said he has lots of story ideas he hasn't gotten around to writing, including:

  • the guy who used to be The Enforcer, who's now promoting a book about being the country's most famous hired super-muscle
  • four teen sidekicks who turn 18 the same year, renovate an old crime-fighting vehicle and travel across America to figure out what their adult identities will be
  • why two heroes, Crackerjack and Quarrel, are a couple

I asked Busiek if Astro City has changed its focus from how ordinary people viewed superheroes (which took up a lot of the first batch of issues) to a broader focus on superheroes interacting with society. He said his earlier award-winning series, Marvels, was much more about how an ordinary guy viewed superheroes. But that wasn't ever meant to be the focus of Astro City, per se. The first six issues of the comic were individual stories showing the superhero world from different perspectives, including a superhero's, but also that of a reporter, a petty criminal, an innocent bystander and an alien spy. "This series is not about any one person's perspectives," Busiek added. "The focus has never been simply about how ordinary people see the superheroes but about different perspectives on how people view the world."

He'd originally planned, after those first six issues, to go straight into the longer story arc about the Confessor, a Batman-like figure who turns out to be a vampire. But instead Astro City went on a six-month hiatus and then returned with a new publisher, so Busiek did some more single-issue stories, with different perspectives, to relaunch the series.

Don't give up on the massive The Dark Age storyline, Busiek said: it may feel as though it's not going anywhere, but it'll look different when you read the whole thing. The current second "volume" of four issues consists of the two protagonists, the brothers Charles (a cop) and Royal (a criminal) flailing around and getting nowhere. But the end of volume two contains a development that sets up everything that happens in volumes three and four, when the two brothers begin to change their circumstances.

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