Looking over a decade of superhero storylines, it's easy to see two things: The repetition of ideas, and the genre trying to come to grips with what's happening in the real world (and often failing badly); just look at the increase of terrorist attacks post-9/11. The headlines below - matched to publication date where possible - may not be exactly how the last ten years played out in the real world, but it's possibly the way it happened in our collective subconscious. Well, apart from restarting reality four times, of course.

2000
January - Part of America literally becomes city of the future thanks to time-traveling evil robot (Superman: Y2K storyline).

February - Humanity defeats, kills "God," who is revealed to be a gigantic organic pyramid responsible for life on Earth. 20th Century ends late/early depending on who you talk to with death of Jenny Sparks (The Authority #12).

February - All of humanity temporarily gains superpowers as result of superhero from another dimension powering miracle machine that enables humanity en masse to defeat extra-dimensional being driving the world to the brink of destruction (JLA #41).

June - Earth is hit by artificially-induced natural disasters (New York hit by giant tidal wave, San Francisco partially destroyed by volcano, areas of Africa and Australia face plague of insects, etc.) as result of insane criminal with godlike power (The Authority, "Earth Inferno" storyline).

June-July - World transformed into alternate reality ruled by cartoon laws of physics as result of insane criminal receiving godlike power (Superman: Emperor Joker storyline).

July - New York attacked by alien terrorist whose path of destruction, when viewed from above, spells out "Fuck You" (Marvel Boy #2).

October-November - Earth temporarily designated a prison planet by consortium of alien races, becomes overwhelmed by amount of extra-terrestrial criminals (Maximum Security storyline).

November: Lex Luthor becomes President of the United States of America (Superman: Lex 2000 storyline).

2001
May - A time-traveling despot reveals horrific future if he is not given control of Earth, resulting in international wars as nations disagree on response (Avengers #42).

June - A terrorist attack decimates the homo superior population of Earth, killing hundreds of thousands in one sweep (New X-Men #115).

June-August - Earth becomes centerpoint for alien attempt to destroy the universe, resulting in universe-wide war (Our Worlds At War storyline).

September - The World Trade Center and Pentagon are targeted by terrorists, resulting in the destruction of the former and a worldwide reaction and rescue effort (Amazing Spider-Man #36).

September - A time-traveling despot declares war on humanity (Avengers #46).

October - Large numbers of people/animals become infected by "Joker" virus temporarily, resulting in worldwide insanity (Joker: The Last Laugh storyline).

2002
January - Earth surrenders control to time-traveling despot; large numbers of humanity placed within concentration camps (Avengers #50).

June - The mythical realm of Norse Gods, Asgard, takes up temporary residence above New York City (Thor #50).

July - Every male of every species on Earth dies suddenly. Well, almost every male (Y: The Last Man #1).

August - Capital cities across the globe disappear, only to be revealed to have become part of a giant uber-city as the result of a cosmic entity representing the concept of order (Avengers #57).

October - LA is attacked by giant black sperm as the result of a terrorist attack on behalf of an insane former pornstar (The Filth #5).

December - Mutant terrorists attack New York City, destroy the Brooklyn Bridge and kill eight hundred (Ultimate War #1).

2003
January - Norse Gods invade European nation to ensure religious freedoms (Thor, Iron Man, Avengers: Standoff storyline).

March - 1 in 1000 Americans gains superpowers due to alien virus (Action Comics #801).

March - Mount Rushmore and other areas of South Dakota are attacked by biological weapons (Avengers #65).

May - The island of Micronesia is destroyed in a nuclear explosion, an act that launches an invasion on Earth by alien forces (The Ultimates #10).

September - World transformed into alternate reality with alternate history merging it with parallel Earth as result of godlike beings indulging in wager (JLA/Avengers #3).

September - Mutant terrorists attack New York City, killing thousands and also manage to reverse the polarity of Earth's magnetic poles (New X-Men #147).

2004
February - San Diego plunges into Pacific Ocean, renamed "Sub Diego" after some inhabitants survive as mer-people (Aquaman #15).

February - The White House is attacked by superpowered terrorists (Ultimate Six #5).

February - American Government overthrown by superpowered terrorists (Coup D'Etat storyline).

April - One million people mysteriously vanish from Earth suddenly (Superman #204).

June - Superpowered beings invade Arab nation of Mazikhandar, depose ruler and install new democratic government (Avengers #83).

July-October - New York is attacked by indestructible robots, terrorist organizations and aliens as the result of a delusional superhero with godlike powers (Avengers: Disassembled storyline).

August - New York is invaded by aliens (Fantastic Four #517).

August - Thousands of people kill themselves as result of international broadcast from unknown source (Ultimate Nightmare #1).

2005
March - Europe erupts into riots against a newly announced European Union plan to create super-powered soldiers (Ultimates 2 #5).

March - Military installation is attacked by aliens seeking to prevent humanity from achieving space travel (Ultimate Secret #1).

April - Tens of thousands of people discovered to be nanotech-controlled drones in service to evil satellite orbiting the Earth (The OMAC Project #1).

June-October - World temporarily transformed into alternate reality as result of insane superhero with godlike powers (House of M storyline).

October - Genetic evolution is reversed worldwide by insane superhero with godlike powers, undoing homo superior strain granting superhuman abilities to thousands of people worldwide (House of M #8).

November - Tokyo is attacked by a collection of giant monsters (Fantastic Four/Iron Man: Big In Japan #1).

December - Earth overrun by zombie plague (Marvel Zombies #1).

2006
January - Multiple Earths appear in orbit around Earth (Infinite Crisis #4).

April - Reality is restarted, resulting in a new Earth with altered history (Infinite Crisis #7).

May - Humanity defeats "Galactus," a swarm of alien ships known for destroying planets (Ultimate Extinction #5).

May - Hundreds die in Stamford, Connecticut as a result of superhero negligence; in response, the US Government announces the Superhero Registration Act which will regulate superhuman activity (Civil War #1).

June - Reality is restarted, resulting in a new Earth with altered history (Captain Atom: Armageddon #9).

September - "The Everyman Project" is announced, which can give people synthetic superpowers (52 #21).

October - A cosmic event known as "The White Event" occurs, resulting in people around the world manifesting superpowers (newuniversal #1).

2007
January - All participants in "The Everyman Project" simultaneously lose their powers, resulting in worldwide destruction and death (52 #35).

February - The 50-State Initiative is unveiled, with each state of America given its own superhero team (Civil War: The Initiative #1).

April - Washington DC is invaded by mythical, warlike women (Amazons Attack! #1).

May - Earth is discovered to be one of 52 parallel Earths with alternate histories (52 #52).

August - Earth is invaded by alien gladiators led by the Hulk, returning from interplanetary exile (World War Hulk #1).

August - The mythical realm of Norse Gods, Asgard, takes up temporary residence above the state of Oklahoma (Thor #2).

September - November: Earth is invaded by aliens with magical rings (Green Lantern: The Sinestro Corps War storyline).

December - History is altered after ill-considered pact between satanic demon and naive superhero and wife (Amazing Spider-Man #545).

December - Alien body-snatching conspiracy is uncovered (New Avengers #37).

2008
April - Alien body-snatching conspiracy turns into full-blown invasion of Earth by shape-changing aliens (Secret Invasion #1).

July - Earth becomes a post-nuclear wasteland (Number Of The Beast #8).

July - Humanity loses free will as result of arrival of godlike entity on Earth (Final Crisis #3).

August-November - World temporarily transformed into alternate reality with alternate history as result of criminals assuming godlike power (Trinity series).

August - Now an endangered species, homo superiors declare San Francisco, CA, to be their new home (Uncanny X-Men #500).

October - Earth becomes home to 1,000,000 refugee aliens (Action Comics #870).

November - Alien shapechanging invasion is finally repelled, ushering in a new era of corrupted authority in incredibly ill-timed political metaphor (Secret Invasion #8).

November - The world is hit by multiple seemingly-natural disasters, including a tidal wave that floods and partially destroys New York City, as first wave of attack by superpowered terrorists (Ultimatum #1).

2009
January - Reality is restarted, resulting in a new Earth with altered history (Final Crisis #7).

March - The United Kingdom is invaded by a vampire army (Captain Britain and MI-13 #11).

August - (ongoing): Earth becomes overrun by reanimated corpses of the dead (Blackest Night storyline)

Thor and The Avengers

Someone posted a ton of rumors about the plot of these upcoming Marvel movies. Thor apparently starts with six warriors in Asgard: Thor, Loki, the Warriors Three and Sif. Loki, Odin's adopted son, usurps the throne and Thor is cast down to Earth. Thor crashlands in the desert, where he's run over by a PhD cosmology student (Natalie Portman) and her Norwegian professor (Stellan Skarsgard), who are driving out to study a strange cloud in the cosmos through a telescope.

When they realize that Thor really is the Norse thunder god, Skarsgard, who grew up with Norse mythology, can't deal with it and he goes on a drinking binge.

The screenplay ends with a five-page battle, showcasing Thor's and Loki's contrasting fighting styles — Thor is all about raw power, but Loki is all about the fluid grace and slipperiness. And the closing battle is the first thing they'll film.

But Loki survives the end of that movie, to become either the main villain in The Avengers, or one of the main villains. The Avengers opens with twenty minutes of Loki mind-controlling Bruce Banner and sending the Hulk on a murderous rampage, thus causing Captain America, Iron Man and Thor to come together.

Bear in mind, these are Internet rumors, so the usual wheelbarrow full of salt is indicated. [Comic Book Movie Fansites]

Elsewhere, fresh off being unspeakably awesome in The Hurt Locker, Jeremy Renner is apparently in serious talks to play Hawkeye in both Thor and The Avengers. Apparently he would cameo in two movies before The Avengers, and then have a proper role in that one. Considering Iron Man 2 has almost finished production, that would likely mean appearances in Thor and Captain America. [Slashfilm]

Lost:

EW.com has a status report on the show's final season. The first episode is definitely "LA X" and the key question fans should ask heading into the season is whether Juliet succeeded in changing history, pointing to that famous continuity-rewriting Oceanic Airlines safety video from ComicCon as a key clue. The article confirms Claire is coming back for a big arc, after haunting Kate's dreams and hanging out in Jacob's shack, while Charlie, Boone, and Charlotte will all be putting in somewhat inexplicable reappearances. Juliet is indeed dead, but that doesn't mean Elizabeth Mitchell won't come back in some capacity, and in fact she's set to return at least twice.

Richard Alpert is now a regular, although Desmond Hume isn't. Still, we'll probably see some more of him, too. New faces this season include Hiroyuki Sanada, a Japanese actor best known stateside for his work in Speed Racer, as Dogen, John Hawkes of Deadwood as Lennon, along with Sheila Kelley and William Atherton. [EW.com]

Here's another Twitter-based filming update:

Lost film production on North Shore of Oahu near Turtle Bay beach scene with Evangeline Lilly (Kate), Matthew Fox (Jack) & Terry O'Quinn (John Locke) filming on Tue, 11/24/09 & Wed, 11/25/09

[DarkUFO]

The title of episode 6.9 will be "Ab Aeterno." [Lyly Ford]

Caprica:

Sci Fi Wire has a preview of one of the five behind-the-scenes videos SyFy is releasing over the next couple of days to promote Caprica. In this one, Esai Morales and Eric Stoltz discuss the complex relationship their two characters share: [Sci Fi Wire]

Chuck:

NBC has released a couple more promos for the upcoming season of Chuck:

[ChuckTV.net]

FlashForward:

Here are five sneak peeks for the upcoming tenth episode "A561984", set to air on December 3: [FlashForward.PL]

V:

Robert Englund of Nightmare on Elm Street fame revealed he might make a cameo appearance in an upcoming episode. Englund played the good-hearted alien Willie in the original 1983 miniseries. [HeyUGuys]

Stargate Universe:

A press release is out with more details of "Justice", the tenth and final episode of this half of the show's first season:

Everyone is shocked when a member of the crew is found dead from a gunshot wound. While at first glance it appears to be suicide, the gun is nowhere to be found. The crew is confined to quarters while a search is performed and when the gun shows up in Col. Young's (LOUIS FERREIRA) quarters, he becomes the number one suspect. Fearing a mob scene, Young agrees to a trial and cedes command to Camile Wray (MING-NA).

Dr. Rush (ROBERT CARLYLE) convinces Wray to give him control of the science team and carte blanche with the new Ancient interface, previously kept under guard. But before Rush can unlock its secret, or Young's trial can conclude, both are needed to explore a planet hiding a secret that threatens the Destiny and her crew.

The episode is set to air December 4. [Spoiler TV]

Wolfman:

Two more new international posters have been released: [Shock Till You Drop]

Additional reporting by Charlie Jane Anders.

Although his name may be unfamiliar to many, D'Esposito has been "President of Physical Production" for Marvel Studios since the beginning, overseeing the budget and timeline of Iron Man, Incredible Hulk and the upcoming Thor, Captain America and Avengers movies (Feige has called D'Esposito an "incredible friend and collaborator" in the past; we hope he still feels that way now that the two share job titles and responsibilities).

The most interesting part of this story is probably the questions it raises: Why does Marvel need a second Studio President now? Is Feige looking to take on more responsibilities elsewhere, or are we about to hear of an increased slate of post-Avengers plans already?

Marvel Studios appoints new co-president [Hollywood Reporter]

Let's start with Electropolis, the new Dark Horse collection of Dean Motter's Retrofuture Deco Noir story (Preview here). Filled with robot detectives, femme fatales and the power of electricity, it's just one of many off-beat genre books appearing at comic book stores this week.

And if Electropolis' pulp fiction is your thing, then maybe the Batman/Doc Savage Special (Dark Knight Detective versus Man of Bronze!) will also float your boat, after all. Or maybe Sky Doll: Doll Factory, a collection of unseen material from the awesome European strip Sky Doll, will provide your reading material for the next few days.

But if you prefer your heroines a little less suggestible than Sky Doll, the first issue of Tank Girl: Skidmarks is probably more your speed. Unsurprisingly, we'd also point you in the direction of the debut of Locke & Key: Crown of Shadows, but we're biased.

Maybe you're looking for something you've already seen in major motion pictures? That's okay; not only is there a preview issue of the new series of Wall-E, but there's also Star Wars Purge: Seconds To Die, which follows a young Darth Vader killing off as many Jedi as possible, post Revenge of The Sith. And that's not all! There's also a paperback collection of DC/Wildstorm's recent The X-Files series.

For those who can't get enough of those superheroes, then I'd recommend the first issue of Warren Ellis' Supergod, his latest "What if superheroes were bastards?" series. Or, on the opposite end of the superhero spectrum, the Absolute Justice hardcover, collecting Alex Ross' expansive love letter to the Super Friends (No, really).

In between those two extremes, there's Dynamite's Project Superpowers: The Black Terror Vol. 1 collection, DC's Green Lantern: Agent Orange collection, which leads into the current Blackest Night storyline, Supergirl: Who Is Superwoman? (in which Sterling Gates and Jamil Igle manage to undo years of abuse and make Supergirl a likable, working character again - good job, people) and the Authority: The Lost Year Reader (reprinting Grant Morrison and Gene Ha's two completed issues of their abandoned run, ahead of Keith Giffen and other artists aiming to complete the story in their absence).

There's also Marvel's PunisherMax (Yes, one word. It's the new "mature readers" title for the character, and maybe Marvel thinks pushing words together is more adult?), Green Hulk/Red Hulk collection (Heroes' writer Jeph Loeb writes a couple of gamma-irradiated monsters in a couple of adventures), the first issue of Strange (Mark Waid's reboot of the former Doctor Strange, Sorcerer Supreme). And also, there's all manner of X-Men books: the Dark Avengers/X-Men: Utopia collection, as well as collections of Wolverine: Tales of Weapon X, Wolverine Weapon X: Adamantium Men and Wolverine/Gambit. All your Wolverine needs should definitely be met this week, let's face it.

If there are any other needs looking unserviced, I'd recommend checking out the complete list of books shipping from Diamond Distributors this week, and then remembering that your local comic book store can be found here. If this week seems overly expensive, don't worry; there's an entire skip week at the end of the year to get some of that money back. Look at it as a loan. Or something.

Marvel's latest teaser for their December-launching Siege storyline (Officially, the series launches in January, but December brings a prologue issue, Siege: The Cabal) suggests that not only has everything in the publisher's recent history been leading up to their new return to happier times, but also that voiceover artists can get bored every now and again.

Marvel's official PR for the event:

SIEGE is coming! It's all been leading up to this universe shattering four issue limited series from the superstar team of Brian Michael Bendis and Olivier Coipel! Following the events of Dark Reign: The List, Norman Osborn sets his sights set on Asgard and nothing will stop him from completing his mission. But what does he want? How do Loki and Thor figure in? And just how does this relate to the inner strife between the Cabal? Marvel's greatest heroes unite against the deadliest threat they've ever faced, but even they have no idea what's coming next. It's time for the most jaw dropping comic book event of the decade begins in December with Siege: The Cabal and continues in January's SIEGE #1!

Well, watching the movies? Not necessarily a bad idea. Watching Ultimate Avengers: The Movie, Ultimate Avengers 2: Rise Of The Panther (Well, kind of. See below), The Invincible Iron Man, Doctor Strange, Next Avengers and the Hulk Vs. movies in one sitting? One of the dumber ideas I've had in a long time. I love superheroes as much as the next man - even if the next man is Stan Lee himself - but I now believe that the human mind has a limit when it comes to this kind of thing. And that that limit is somewhere around four hours... Which, considering these DVDs average 70 minutes each, is a shame.

Ultimate Avengers: The Movie


On the one hand, I can understand why Marvel went with this for their first direct-to-DVD animated movie: It's pretty much a straight adaptation of the first volume of a critically-acclaimed reworking of the origins of a franchise featuring some of their biggest names. On the other, much of the reason for that critical acclaim had to do with the "mature" tone that's pretty much stripped away in this movie, leaving what really feels pretty much like a particularly grim, overlong episode of a generic superhero cartoon show. There's no real excitement here in the writing, performances or visuals; it's just... there. I have the feeling that, if I was fourteen and hated the world but still thought Captain America was awesome, it might be better, but as it is...? Not the greatest start to the viewing marathon.

Ultimate Avengers 2: Rise Of The Panther


And here's a bad sign for the rest of the movie marathon. Perhaps sensing how little I enjoyed Ultimate Avengers, the DVD Gods took pity on me: The review copy of this disc wouldn't play. But judging by the trailer, this is a weird mash-up of the Black Panther's first appearance in Fantastic Four and a retread of the Ultimates villains, which is... um... interesting, perhaps? I'm not feeling too bad for missing this.

The Invincible Iron Man


If nothing else, this movie makes you appreciate Jon Favreau and Robert Downey Jr. just that little bit more by how clumsily it handles Tony Stark's origins at That Guy In The Robot Suit. Yes, bringing in the Mandarin gives the movie more visual impact, but almost everything else that they change - whether it's the "I'm under investigation by the FBI so I'll just hang out in the alley beside my work" scenes or the "I hate you, Dad! I hate you I hate you I've bought the company somehow and you can run it because I love you" plot - would bring you as close to nerdtears as it did me. It's at this point that I start to wonder how much Marvel Animation is/was being used as a testing ground for the live-action movies, and whether the Iron Man movie was so good because they looked at this and saw what didn't work. Meanwhile, visually, everyone still looks very generic. For a comic book company with such strong artists, it's really surprising that Marvel seemed to be happy with such dull visuals for their animated movies (Compare and contrast with any of the DC animated projects of, what, the last two decades? Or most of Cartoon Network's output, for that matter).

Doctor Strange: The Sorceror Supreme


Here's the first piece of magic about the Doctor Strange movie: It seemed like it would never end. Also, and maybe it's because I was struggling to pay attention at this point, I'm not sure that it really made sense. It's another origin story with additions to make it more like a movie and less like something Stan Lee and Steve Ditko came up with in a mix of inspiration and deadline sweat but, just like in Invincible Iron Man, the new stuff - like the addition of a magical super team that recruits Strange so that he can learn about magic - just serves to confuse and bog down the movie and fill it with non-descript characters it's hard to care about. Watching so many of these in a row, I've started to realize how bad the characterization has been in these movies so far - either it's pretty much non-existant (the super team here are cannon fodder, really) or done with no subtlety whatsoever (Strange's switch from asshole to good guy, complete with "What about the children?" dialogue). Fans of the crazy Steve Ditko designs of the original comic will want to stay away; this is another - and, thankfully, the last - of the visually boring movies, completely lacking the off-kilter plasticity of the comic at its best.

Next Avengers: Heroes Of Tomorrow


Is it so wrong to want to kiss a movie? Probably, particularly an animated movie full of kids. But, really; after the last four movies, Next Avengers seemed like the greatest thing in the world - Fast-moving, original (Well, as original as a mash-up of Young Avengers and Avengers Next could be, but not an adaptation, at least) and with some interesting character design? I'll take several, please. Yes, it theoretically skews younger than the other movies, but somehow felt like it was pandering less (And, really, starting a movie with "Oh, all your favorite superheroes? They're either dead, abandoning their offspring - Yeah, really, nice move Thor - or enslaved by the bad guy" shows that this isn't exactly the most comforting movie you can imagine for kids) and if skewing younger means more enjoyable, then I'd be happy if Marvel kept doing movies for young'uns. The first genuinely good movie of the bunch, although I may be grading on a curve and/or lost whatever critical faculties I've had by this point.

Hulk Vs.

Easily the best of the bunch, Hulk Vs. is a weird split-DVD, offering two 45-ish minute movies, Hulk Vs. Wolverine and Hulk Vs. Thor and both of them are better than... well, everything else I've watched so far, apart from maybe Next Avengers. Ignore the title, though, because in both cases, the Hulk is kind of a bystander/McGuffin for the guest-star to jump off've and shine, and of the two episodes, the Thor one is by far the best. With a plot straight out of a mid-1970s issue of Marvel Team-Up (Loki brings the Hulk to Asgard to fuck with Thor! And it all goes wrong!) and a couple of unexpected twists (The death of one of the title characters, for example) packed into its short running time, it offers the kind of fast-paced thrills and spills I'd been looking for all along. Hulk Vs. Wolverine, meanwhile, feels like an odd mix of the comic book and movie versions of the character's history, as the rest of Weapon X try and take Wolverine back "home" and the Hulk complicates matters. It's... interesting, I guess, but feels more like the middle chapter of something instead of a standalone story by itself. But, again, it's better-written and more enjoyable than the earlier movies, and both Thor and Wolverine edge ever closed to a distinct visual style that the movies have lacked up to this point. Of the six DVDs, it's the only one I'd really recommend to anyone other than a Marvel completist, or animation masochist.

Watching all six of the movies so close together, you can see their evolution and understandable growing pains, from adaptations to all-new stories with Next Avengers and Hulk Vs., and also visually and in terms of trying to work out how to tell their stories - Both Next and Hulk feel rooted more in fan-friendly continuity, but that also makes them less bogged down with the need to explain everything, making them more enjoyable to watch for new viewers, ironically. Even though the movies are clearly improving, there's still a reverence to the original comics that holds the cartoons back in a way that, say, Batman: The Animated Series or The Brave and The Bold don't share - The people involved seem too concerned with keeping the spirit of continuity alive, at times, instead of the spirit of the characters, and the result is writing that feels lifeless at times, even in Hulk Vs. Wolverine. As soon as they can work out how to replicate the live-action movies' ability to pick and choose what works, and as soon as the powers that be look for bolder ways to visualize those stories, then they'll be in good shape. For now, what's there is a public growth from awkward beginnings to... well, an only slightly less awkward present.

The Marvel Animation 6 Film Set is available now.

Written by Avengers head writer Brian Michael Bendis and drawn by Thor and House of M artist Olivier Coipel, the Siege event (launching with December's Siege: The Cabal special issue) brings the stars of Marvel Studios' next three movies face-to-face for the first time in six years.

(In the meantime, two of them have "died" and been brought back to life, and Iron Man has become the head of the US intelligence community before being forced to induce a loss of intellect in order to save the world from someone misusing the files stored in his head. Or something),

The series also brings the Dark Reign status quo to an end, closing a storyline that's been running since 2006's Civil War series. But that's not all, according to Bendis:

What people may not know is that what happens at the end of SIEGE is as big a change to the Avengers franchise as when we Disassembled them and started the New Avengers. A decisive change for the Avengers franchise coming out of it will be completely different then what went into it. And that is something I'm very, very excited about.

A decisive change that might leave a team that resembles the yet-to-be-announced movie Avengers? Somehow, we wouldn't be too surprised.

Diamond Summit '09: Siege [Marvel]

Admittedly, it's not Satan Satan that's being fingered for the crime, but instead, Mephisto, his more child- (and copyright-) friendly Marvel Comics incarnation (Also known as the Devil That Ended Spider-Man's Marriage). With Dark Avengers, New Avengers and upcoming crossover Siege writer Brian Michael Bendis telling an audience at this weekend's Baltimore Comic Con that the currently-unseen figure behind Norman Osborn's control of the Marvel Universe will be unveiled in December, comic website Newsarama.com made the case for Mephisto yesterday:

It's sensible dramatic unity. It's sensible dramatic consequence. At some point, Peter Parker will have to pay the emotional cost of sacrificing his marriage to save Aunt May or else, to me, it totally invalidates what Peter Parker should be all about... From a practical standpoint, look at the original Cabal: Norman, [Doctor] Doom, Emma [Frost, the X-Men's White Queen], Namor, The Hood, and Loki. Emma and Namor have split, but who has the power to keep Doom, The Hood, and LOKI in check? You could probably convincingly occupy Doom with any number of things Reed-Richards-related ("WHAT?! Richards has a new 108″ plasma? None out-gear Doom! RICHARDS!!!!"), and any number of guys could take out Robbins if they separate him from the, well, hood. But Loki? You need a whole lot of gun for that, and the one that makes sense is the Big Evil.

While we can see Mephisto getting involved with a plan to screw the world over en masse (It's much more believable than "Here, let me void your marriage," if you ask us), we're unconvinced whether it'd go down so well with Marvel's fanbase, who may have problems with the overly religious iconography of the devil being behind everything. Not that the deus ex machina thing would be an issue; fans are already suggesting the Michael Jackson-hairstyled, all-powerful Beyonder as an alternative to Mephisto.

Mondo Mephisto? [Newsarama.com]

For those scared off by the idea of dropping many clams on collected editions, I'd like to steer you in the direction of the first issues of The Unknown: The Devil Made Flesh (Mark Waid's supernatural super-science mystery series comes back for a second go-around). Also, there's Spider-Man: The Clone Saga (in which one of the 1990s' worst mistakes gets a second chance as original architects of the storyline Howard Mackie and Tom DeFalco do it over and try to do it right, this time.) And finally, the GI Joe: Cobra Special, which - as unlikely as it sounds - is a thriller that plays with the comic format surprisingly effectively as it fills in the background of the public face of the Cobra organization... But I'll tell you more about that in another post later today.

That said, this really is a week for collections. Dark Horse has the much-anticipated second volume of Gerard Way and Gabriel Ba's incredible Umbrella Academy (The Umbrella Academy: Dallas). Dynamite offers the obscure but ahead-of-its-time Power & Glory (by American Flagg's Howard Chaykin).

Meanwhile, from the opposite end of the superhero spectrum (which is to say, sound and fury signifying lack of critical approval) comes from Marvel's Ultimatum hardcover. (Marvel also has an accompanying epilogue collection, Ultimatum Requiem, as well as the Golden Age revival book Avengers/Invaders, hitting stores tomorrow).

The week, however, really belongs to DC Comics. DC offers the first collection of the Zuda strip High Moon (Vampires and werewolves in the old west, and if there's any justice, soon to be a major motion picture.) Also, two "deluxe" editions of classic comics are making a comeback with Absolute Promethea Vol. 1 and Fables: The Deluxe Edition Vol. 1. Promethea collects the first year of Alan Moore's post-feminist, post-deconstructionist take on the female superhero archetype, while Fables brings together the first two paperbacks for a suitable introduction to Bill Willingham's addictive updating of fairytales, myths and legends. Both are highly recommended in any format, but it has to be said... they do look great in these new oversized hardcovers.

As usual, the complete list of comics reaching your local comic store can be found here, and said local comic stores can be found here. Even if you're not looking for a massive slab of classic comics, you should take a look, anyway.

Asked by MTV whether the Hulk could show up as the villain in 2012's Avengers movie, Norton said,

In the comics, there was always a tension between [the Hulk and] the rest of the superhero community and he was always this problem... They treat him as this problem. I think that's a fun way to go with it.

That's a much more positive response than he gave to a similar question this summer, but that may be because Marvel Studios president has strongly hinted that the Hulk will likely appear in the movie. Here's hoping he's the unwitting foil of Thor's half-brother Loki, as per the original comics...

Edward Norton Likes The Idea Of Hulk As 'Avengers' Villain [MTV Splash Page]

The heirs to Kirby, who co-created the Fantastic Four, the X-Men, the Avengers, Iron Man, Hulk, Thor and Captain America - and had a hand in creating Spider-Man, pretty much completing the set - have sent out 45 notices of copyright termination to companies including Marvel Entertainment, Disney, Paramount (distributors for Iron Man, Hulk and the next five Marvel movies), Sony (the studio behind the Spider-Man movies, 20th Century Fox (X-Men and Fantastic Four) and others, expressing intent to own copyright on Kirby's creations. The notices did not only involve comic books and movies; apparently, Hasbro and Universal also received notices, for the toy and theme park rights as well.

The Kirby estate is taking the claim seriously, hiring Marc Toberoff, the attorney who's been representing the Siegel estate in the recent Superman/Superboy lawsuits. While Marvel itself has offered no comment on the notices yet, Disney issued a statement saying, essentially, that it's not a big deal:

The notices involved are an attempt to terminate rights seven to 10 years from now, and involve claims that were fully considered in the acquisition.

Considering Kirby's importance to the creation of the core characters in the Marvel Universe, losing any control over the rights of his creations could be costly at best, devastating at worst, for Marvel and Disney. Considering that the Kirby estate was on good terms with Marvel as recently as 2006, when Marvel released a series based upon the previously unseen Kirby concept Galactic Bounty Hunters, expect some form of negotiations to be taking place sooner rather than later.

In Wake of Disney-Marvel Deal, Cartoonist's Heirs Seek to Reclaim Rights [New York Times]

With the exception of Image Comics' Dead Space: Extraction special issue (tying in with the upcoming videogame from EA) and Harris' latest revival of Vampirella (Called, somewhat incorrectly, Vampirella: The Second Coming), Marvel Comics really owns the single issue market this week when it comes to new launches of interest.

From Marvel, there are the latest special issues in the ongoing Dark Reign storyline (Dark Avengers/Uncanny X-Men: Exodus or Dark Reign: The List: The Avengers). And then there's the launch of Marvel's latest Orson Scott Card adaptation (Ender's Game: Command School). Or even the surprise launch of a new series starring the sidekick of an alternate Earth Captain America (Nomad: Girl Without A World).

Besides Marvel, there's not really that much else for superhero fans looking for a first issue this week (Okay, there is DC Comics' The Shield, which is gritty Captain America from an idea by J. Michael Straczynski... but still).

(Actually, if you're looking for something superhero-ish and none of the above sound promising, I'd direct your attention to the seventh issue of DC's Superman: World Of New Krypton, which begins its second half with what looks like the slow march to war between Earth and Superman's new adopted home planet, offering as much fun politicking as it does fisticuffs. But that's just me.)

In terms of collections, it's actually fairly evenly split: IDW has Astro Boy Movie Prequel: Underground, allowing you to catch up on your robot Pinocchio before next month's movie.

Meanwhile, DC's Gotham Central Vol. 2: Jokers and Madmen offers up easily the best Joker story in comics in the last decade alongside some other, equally good, stories about Batman's hometown police force.

Rebellion puts out Strontium Dog: Traitor To His Kind, which reboots the 2000AD franchise back into fine shape courtesy of the character's creators. (Short version: He's a time-traveling mutant bounty hunter in the far future. His partner is a Viking. Surely that's all you need to know.)

And Marvel again, may have grabbed the win with Marvel Superhero Team-Up, the disappointingly-renamed (It was originally Marvel Bromance) anthology of male bonding stories from the company's long and rich history. Mickey and Donald would be proud.

As ever, the complete list of comics reaching your local stores this week can be found here before you decide to purchase your picks at your local comic store. Look on the bright side: Such a light week this week just lets you save up for all the goodies still to come next week.

Talking to Ireland Online, Favreau - one of the producers of the 2012 movie - said,

'The Avengers' might be the thing that helps rescue us from the inevitable sequel slump that you get into, because you're throwing everything on its ear. It might be a failed experiment or it might be something wonderful, but it allows you to add complexity in an organic way where you're culminating with something bigger, as opposed to trying to play out and not repeat the same story over and over again.

Well, until you're stuck with making Avengers 2, of course.

Favreau worries about 'Avengers' flop [Ireland Online]

From DC, there are two not-really-io9-but-still-worth-looking-into books in the new "Vertigo Crime" imprint: Brian Azzarello's Filthy Rich and novelist Ian Rankin's John Constantine story Dark Entries, although the latter isn't really a crime book per se.

But leaving those aside, DC's big releases of the week include Blackest Night: Superman, in which the Man of Steel has to come to terms with his daddy issues because, hey, his dad has risen from the dead (but which dad? That's why you have to buy it, people). And the first issue of the new Batgirl series, which will hopefully answer the question of who's taken on that name these days once and for all.

A week of new starts, then, but Marvel are taking the opposite tack with some great collections of old material. Okay, Astonishing X-Men: Ghost Boxes isn't really old - it's the start of Warren Ellis' run on the series. But for classic stuff, you can't really go wrong with Kurt Busiek's time-bending Avengers Forever. Or the Spider-Man/Mary Jane: You Just Hit The Jackpot collection, which brings together lots of stories of the comics couple that only Joe Quesada and a Satan analogue could tear apart. Less well-known but not less interesting, Black Widow: Sting Of The Widow offers a hardcover introduction to Scarlett Johannson's femme fatale before next year's Iron Man 2 hits theaters, collecting some of the character's earliest appearances.

Elsewhere, the idea of the Bad Girl gets two different hardcover takes. Image's exploitathon Bomb Queen gets her very own Omnibust (Get it? Because she has tits! Ah, subtlety...) And Boom!'s enjoyable Buffy with an attitude series Hexed gets a deluxe collection that's well worth picking up.

If you're looking for some movie action, IDW releases the first issue of its Astro Boy Movie Adaptation, while Dynamite brings Bruce and Barack together in the opener to Army of Darkness: Ash Saves Obama (Yes, really). Dynamite also has the first issue of Project Superpowers: Meet The Bad Guys, wherein Alex Ross' revamped Golden Age heroes meet their matches for the first time.

Most interesting book of the week has to be Days Missing, a new mini-series created by the production company owned by Gene Rodenberry's son, Rod. Pushing itself as being created "in the Roddenberry tradition of thoughtful, philosophical, and topical science fiction," the first issue boasts a good creative pedigree, with Phil Hester and Frazer Irving providing writing and art (Each issue will feature a different creative team), and a story about a mysterious figure who shows people their true potential... for a price. We'll have a review tomorrow, but it's definitely worth looking out for in the stores.

As always, you can find a list of all the books being released this week here, and then look for your local comic book store here. Just beware of mysterious figures offering to expose new sides to you that were unaware of; it never ends well.

There's an embarrassment of riches for you at your local comic book store this week. In the midst of their grim Blackest Night event (the second issue of which is released this week, alongside the first issue of Blackest Night: Batman), DC Comics launches what may be its most upbeat superhero series: Adventure Comics, about the recently-revived Superboy as well as the Legion of Super-Heroes, courtesy of Geoff Johns.

DC is also letting you catch up with what's going on in the Superman series with Superman Secret Files And Origins 2009. And pick up the first issue of new spy comedy Red Herring, with art by the severely underrated Philip Bond — which is reason enough to go and buy it already.

Marvel, meanwhile, is putting its eggs in the basket marked "Ultimate Comics." Well, not entirely — Jeff Parker's final issues of the incredibly enjoyable X-Men First Class are collected in X-Men First Class: Finals (If you've been burned out on mutant drama and angst, consider this a must-read). And there's European space opera to be had in Universal War One: Revelations, which collects the recent mini-series of the same name in smart hardcover format.

But otherwise, Marvel's big news this week is the relaunch of their Ultimate line, with Ultimate Comics: Spider-Man and Ultimate Comics: Avengers, wherein Brian Michael Bendis and (the spectacular) David Lafuente (Spider-Man) and Mark Millar and Carlos Pacheco (Avengers) strip two of the publisher's big franchises down and start building them back up. Having seen previews of Spider-Man, it's the one I'm pushing: Beautiful art, smart writing and a Peter Parker you can't help but feel for.

We're not even done! Dynamite Entertainment collects the first year of its Battlestar Galactica comics in the Battlestar Galactica Omnibus Vol. 1 (Worth reading for the Greg Pak story that takes up the bulk of the book, which deals with concepts that were raised, but never properly dealt with, in the series itself). Meanwhile, Oni Press releases Stephen Colbert's Tek Jansen, the series that turns the fake newsman's fake SF character into a terrifying, if hilarious, reality.

IDW Publishing has your back if you enjoyed this cinematic summer, with first issues of both Star Trek: Nero (All the backstory you wanted and didn't get from the movie!) and Transformers: Tales of The Fallen. But the star of IDW's show this week — and definitely one of the comics you owe it to yourself to pick up tomorrow — is the first issue of Starstruck, which is almost indescribable but can be almost summed up by "Sexy, Space Opera-y, and at times Ridiculously Funny." But all of that is almost beside the point; you should want to buy it for the breathtaking Michael Kaluta art alone.

If all of the above isn't enough for you, check the complete list of books shipping from Diamond Distributors to see what else may take your fancy. Just remember to make sure that your wallet is fully charged when going to pick up your haul, though, because you'll probably find more than you anticipated tomorrow.

Talking to reporters at the Television Critics Association summer press tour in California, Norton dodged the question of his involvement or lack thereof in Marvel's superhero mashup movie:

I probably won't comment on that just because they keep a pretty tight rein on what they are letting out... I'll let them [address it].

The lack of a concrete "no" is leading many people to assume that he will make an appearance, especially in light of his deference to Marvel despite the rumored creative battles over last summer's Hulk movie. Given that the various comic origins of the Avengers team have always included the Hulk in one form or another, it'd make sense for Banner and his green-skinned alter ego to make an appearance, but only time will tell if Norton's coyness came from a positive place, or just a desire not to break fanboy hearts.

Hulk's Edward Norton mum on Avengers [SciFi Wire]

Although it doesn't say so anywhere on the ad itself, the image is for the final issue of Jeph Loeb's Ultimatum series, which has gleefully been killing off characters and wrecking landmarks in Marvel's "Ultimate" universe for the last few months - The date of 7/29/09 (The release date of Ultimatum's final issue) and recognizable style of series artist David Finch being the giveaways.

The biggest tease in the ad is really whose skeleton that is in the bottom right of the image... but fans could try to work out who it is based upon the already-released solicitations for the following months' series in the relaunched Ultimate line that follow in August and September: Ultimate Comics Avengers shows Captain America, Iron Man, Hawkeye and Nick Fury, while Ultimate Comics Spider-Man teases "maybe even a new Spider-Man", whereas series for both X-Men and Fantastic Four are entirely missing post-August. Would Marvel really permanently kill off books based on two of their biggest franchises, even in the alternate-reality "Ultimate" world? Apparently, we'll find out on the 29th.

The End [Marvel.com]

Talking to Crave Online, Marvel Studios' Head of Marketing, Doug Finberg, seemed both on-message about Iron Man 2 ("The combination of what Kevin [Feige, Marvel Studios President] has and what everybody at Marvel Studios brings to the table is really a winning formula that we look forward to repeating so we're really hopeful that audiences continue to come and that's our goal") and eager to drop hints about the studios other upcoming movies, Captain America and Avengers:

Let's get through Thor before we actually get that far [as to discuss casting of Captain America]... It's ultimately about we want to get Thor right and then move on and actually just really give that the time that it needs to develop it, get it on screen, bring it to the audience. Then we're going to move on to Captain America so we're a little far out [to finalize the line up of] The Avengers, so we'll get there.

If we're a little far out for Avengers, why is Zak Penn scripting the movie already?

I think that's a tribute to just how rich the Marvel universe is, that it actually is that deep and the fabric is that intertwined that it takes that long to actually develop the process before we can actually get to the point of shooting a script.

Doesn't having a rich, deep backstory mean that writing the script would be easier...?

Doug Finberg on Marvel Studios projects [Crave Online]

Penn told the audience at the Graphic Explosion panel that he had originally wanted to include other Marvel characters in his X-Men movies, but was unable to because of rights issues... A problem that doesn't exist in Marvel's shared universe of self-produced movies:

They're doing Captain American and Thor first, and then Avengers is coming out... They want to see that they're all connected, not like the Fantastic Four can't come into the X-Men world, like I was told. I'm taking a meeting next week with the Thor and Captain America people, and we are all going to get together, and I will see what is going to happen. I'll see where they are leaving the characters; it's pretty complicated. ... There's a board that is tracking what is happening. [We'll see] how this movie overlaps in that movie. ... Marvel is autonomous now. It is night and day: Everyone has read every comic. They know how to make a cool movie.

A cool movie, perhaps, but apparently not necessarily a good movie, as this later comment from Penn hinted at nerves over his Avengers script:

It's hard to make a good movie... We all have the best intentions, and it still might suck.

Sounds like he saw Mickey Rourke's Iron Man 2 costume during one of those cross-movie meetings...

X-Men writer Zak Penn breaks his silence about adapting The Avengers [Sci Fi Wire]