Before really digging into my question, let me offer a few disclaimers. The "First Thanksgiving", as it is popularly known, is a mix of real history and folklore, and most accounts gloss over the complex nuances of early relations between the Pilgrims of the Plymouth Colony and the Pokanoket Tribe. And even if the First Thanksgiving does help promote an image of peaceful relations between Europeans and Native Americans, it's hard to ignore that centuries worth of disease, war, and oppression were to follow that idyllic scene in 1621.

But even so, for all these complications, it's surprising how rarely media science fiction has been willing to consider first contact between humans and aliens that is premised on peaceful settlement and coexistence, rather than invasion and occupation, as depicted in the popular conception of the First Thanksgiving.

By my count, five films this year deal with human-alien relations — the pleasantly diverting Monsters & Aliens, the vaguely didactic Battle for Terra, the awesome District 9, the kinda stupid Planet 51, and the, um, Avatar-ilicious Avatar. Oh, and I guess I shouldn't forget television's V.

Beyond suggesting that no one is willing to depict aliens in full live action anymore, these six works all have similar conceptions of how aliens and humans would interact: One is going to invade the other. (District 9 is the only exception, but then we never do learn what the aliens' original goals in coming to Earth were.) Indeed, in most cases, the invasion is militaristic in character, whether it's General Hemmer in Battle for Terra or SecFor in Avatar.

There are some recent works of popular science fiction that fit the pilgrim archetype, but only imperfectly. The inhabitants of the Outer Rim in Firefly don't just act like Pilgrims; they also dress and talk like them. Indeed, Joss Whedon has famously described the "River almost gets burned at the stake as a witch" episode "Safe" as "The Crucible in space."

Malcolm Reynolds talks a lot about moving just a little bit further into space to escape Alliance oppression, something meant to recall the pioneer spirit of the 19th century that just as easily fits the ethos of the Plymouth colonists, who fled first to the Netherlands and then to the New World in search of religious freedom. The Pilgrims might be there, but with the exception of an upside down cow fetus, there weren't any aliens to complete the setup.

It's the same problem with Battlestar Galactica. The 50,000 survivors of the destruction of the Twelve Colonies were fleeing a rather more tangible threat than the religious policies of King Charles I, but the opening titles always made their real objective clear: they were looking for a home. Again, that's a decent fit with the Pilgrims' goals, and the on-ship tensions that led to the creation of the Mayflower Compact recall the factional tension that formed a key part of BSG's dramatic backbone. (And that's not even mentioning all the religious zealotry.)

But again, since the Cylons remained fundamentally tied to their human origins, the humans never really encountered any aliens. Well, unless you want to get into some rather tedious arguments about the humans in the finale. But that part was over with in about thirty seconds.

So what's left? Even an old warhorse like Doctor Who hasn't really explored the notion of peaceful coexistence between humans and aliens. Last year's "The Doctor's Daughter" at least ends on a hopeful note, but a lot of Hath had to be slaughtered to get there. Probably the best example of this sort of idea is 1971's Colony in Space, in which humans fled the polluted, overcrowded Earth in favor of Uxarius, where they eke out a living as farmers and live in an uneasy truce with the planet's "primitive" indigenous inhabitants.

The only problem is that the serial is just as much about an evil mining company, ferocious reptiles, and the Master trying to get his hands on an ancient super-weapon, and as such the human-alien relations angle doesn't get to be developed quite as much as it deserves.

And even in Star Trek, where the complexities of human-alien interaction is at the franchise's core, that pesky Prime Directive keeps humans from just up and settling any already inhabited rock, vastly limiting the space pilgrim potential.

Perhaps part of the reason science fiction has eschewed this approach is that the Pilgrims don't feel terribly relevant today. The age of exploration and colonization is now in our past (and, if we're lucky, maybe our future), and in a world where pretty much all territory is already known and claimed, invasion and forceful conquest seems a far more plausible way for boundary lines to be redrawn between humans and aliens.

Well, maybe it's just the tryptophan talking, but I think science fiction is seriously missing a beat here. Recent works ranging from Battlestar Galactica to District 9 have intelligently explored how hoary old science fiction cliches might work when approached realistically, but all have pretty much assumed it would be impossible for all parties to approach such situations in good faith. After all, even when attempting to forge a truce with the humans, the Cylons always (allegedly) have a plan.

But since I'm pretty sure we're still supposed to be in a bold, optimistic new age, I'd like to see what happens when you take a bunch of human separatists, throw them in a rickety old spaceship, and have them try to coexist with those already living on the planet they choose to settle. I'm not saying it would end well - if history is any indication, it won't - but it would be interesting to see, just once, humans and aliens both start out with the best of intentions.

Deadgirl
What to do when you find a corpse chained to a table, and then discover that said corpse isn't actually dead? If nothing else, this dark comedy horror will make you realize that any answers you'd come up with to that question would be better than what happens here.

Doctor Who: The Next Doctor
Davids Tennant and Morrissey team up to take on Dervla Kirwan's villainous Miss Hartigan as the BBC mysteriously release last year's Christmas special after the already-out Planet Of The Dead special. Well, it is all time-travel, I guess...?

Primeval Vol. 2
The unintended end of the series can be found in this 3 disc box set that, despite the confusing title, actually contains the third season of the now-canceled show.

Sanctuary: The Complete First Season
See? This is how you name your DVD releases, clear and simple. Although, if they'd wanted to be completely descriptive, they would've called it The Complete First Season With Commentaries On All The Episodes, The Original Webisodes And Some Other Special Features. But that may have taken up too much room on the packaging.

Star Wars: The Clone Wars - Clone Commandos
A second selection of episodes from the first season of the Cartoon Network show that reminds people that, while war may be hell, Star Wars is just a pretty bad heck. Or perhaps a goshdarnit, at most.

X-Men Vol. 3: The Marvel Collection
X-Men Vol. 4: The Marvel Collection
Two more collections of episodes from the 1990s cartoon to remind people that, before there were X-Men movies that didn't match up to the Batman ones, there were X-Men cartoons that didn't match up to the Batman ones. But then again, I liked Spider-Man and His Amazing Friends, so what do I know?

X-Men Origins: Wolverine
Talking of X-Men movies, here's this summer's installment, allowing you to study the acting talents of Will-I-Am at your leisure. Also, with the ability to skip chapters, you can pretend that Gambit doesn't exist, which will immediately make the movie better.

Sept 22
Battle for Terra
It was the CGI movie you kept seeing trailers for, but don't actually remember seeing in theaters - and now it's out on DVD for you to ignore at home, too.

Clive Barker's Book Of Blood
Yes, yes; it was Books of Blood when the books were originally written, but times are hard for everyone, and movie didn't have the largest of budgets, so some cutbacks were inevitable (It's actually premiering on Syfy this week, for those who want a preview).

The Haunted World of El Superbeasto
If the idea of an animated movie based on a comic book about a superheroic masked wrestler created by Rob Zombie doesn't interest you, maybe the cast list - which includes Paul Giamatti, Rosario Dawson and Brian Posehn - will. Otherwise, we can't help you.

Scooby Doo: The Mystery Begins
Because, sometimes, you need a live action reboot of the Scooby Doo franchise by the man who directed the Flintstones live action movies. Of course, when we say "need," we may be using that word incorrectly. Nonetheless, this direct-to-DVD epic shows the first meeting of Fred, Daphne, Velma, Shaggy and Scoob, and without the disturbing presence of either Sarah Michelle Gellar or Freddie Prinze Jr. So... potential win after all?

Star Trek: Original Motion Picture Collection Box Set
Star Trek: The Next Generation Motion Picture Collection Box Set
Paramount finds a new way to recycle the Star Trek movies with these new era-specific box sets. We look forward to the inevitable Star Trek: The Good Ones, You Know What We Mean box set within a year (Also: Am I the only one who was surprised to find out that there were four TNG movies, even though I've actually seen them all? I think I subconsciously try to pretend that Insurrection and Nemesis don't actually exist).

Terminator: The Sarah Connor Chronicles: The Complete Second Season
Your chance to relive the only Terminator that mattered this year, despite that whole cancellation thing, with six discs full of episodes, commentaries and special features. Buy it in the hope that someone at Fox will change their mind when they see the sales figures.

Sept 29
Batman Collection: 4 Film Favorites Box Set
Those "film favorites" would be the Michael Keaton/Val Kilmer/George Clooney movies, by the way. It seems fair, because to add in either of the Chris Nolan-era movies - or even the 1966 Adam West one - would make any of these four seem somewhat lacking in comparison (Okay, maybe not Batman Returns).

Blade Collection: 4 Film Favorites Box Set
I know what you're thinking: "There were only three Blade movies, how can they have a 4 DVD box set?" The answer lies in including the pilot for the short-lived TV show in there, which seems like a slight cheat to me, but that's why I'm not a Warners Home Entertainment executive.

Hardware
Finally making it to DVD, Richard Stanley's 2000AD-inspired robot horror movie from 1990 finds a new, uncut and uncensored form to ensure that old-school fans will want to pick it up as well. If nothing else, how often do you see Iggy Pop and Lemmy in the same movie?

Monsters Vs. Aliens
Dreamworks Animation's love letter to old school B-movies proved to be much better than expected when it was released in theaters earlier this year, and the DVD - with special features on the making of the movie, deleted scenes and, bizarrely, a Dreamworks Animation Video Jukebox - aims on taking even more advantage of the impressionable hearts, minds and wallets of kids of all ages.

The Real Ghostbusters Complete Collection Box Set
25 discs of animated paranormal activity, as the entire five year run of the 1980s (and early '90s) cartoon (including Slimer spin-off) gets collected in this insanely comprehensive box set that also has twelve hours of special features. You may never have to leave the house again. Or, at least, not for a few weeks.

Superman/Batman: Public Enemies
The latest DC animated movie adapts Jeph Loeb and Ed McGuinness' fun, over the top tale of President Lex Luthor trying to turn the world against our favorite superheroes, only to (a) go insane in the process and (b) lead to the creation of a giant Superman/Batman composite robot. If they've not changed too much, this could be the guilty pleasure of the fall.

Ultraman: The Complete Series
...Or, perhaps, it could be this: A 4 disc box set collecting all 39 episodes of the mid-60s Japanese TV show that brought the madness and production values of Godzilla movies to television on a weekly basis. Robot superheroes versus monsters courtesy of Eiji Tsuburaya? Works for me.

Like the movie preview, we've split this preview into months (and, inside those months, into weekly releases), but with releases still unconfirmed and unannounced, we've pushed November and December together. Don't worry; it'll make sense when you click on the links below.

September
October
November/December

So in Aliens In The Attic (formerly known as They Came From Upstairs) a family goes on vacation in the countryside, only to find that four aliens have gotten there first. And these aliens are the vanguard of an alien invasion fleet, although one of them really just wants to make friends. There's Sparks, the friendly one, Skip, the mean one, Spike, the dumb one, and Razor, the female one. Here's the UK trailer, with more details on these incredibly vivid personalities. Plus mind-control and crotch shots!

So seriously, what's the deal with us having to battle cute aliens all the time? First there was Battle For Terra, where we invaded the planet of lovable ETs. Then there's this movie, where the cute aliens invade us back. And then there's Planet 51, where the Rock crashes on a planet of cute aliens and gets mistaken for an invader. And finally, there's James Cameron's Avatar, where we invade the cute aliens again. What gives?

Note: As with last year's similar poll, we're not including movies that are expected to be hits, like Star Trek or Terminator. If you want to make a case in the comments as to why you'd be surprised if Star Trek makes tons of money, go ahead. I was debating whether to include Wolverine, but a lot of people seem somewhat pessimistic about its chances now.

Have you never heard of some of these movies? More information about Pandorum is here. More info on District 9 is here. More about Moon is here. And here's Game.

We reviewed Terra last year at the Tribeca Film Festival (warning: spoilers). Bottom line: the storyline strains credulity a bit, especialy the ending, but a lot of the visuals are gorgeous. I'm especially intrigued to see it in 3-D.

[Sci Fi Cool]

There's a lot to like here, including super-splashy space battles that will probably look great in 3-D, and a dark storyline about a destroyed Earth. But the style of the animation, and the excessively loveable aliens, leave me a bit cold.

We reviewed Battle For Terra last May, when it was still called just plain Terra and it debuted at the Tribeca Film Festival. (The review is very spoilery, so be warned.) Short version: cute aliens, even cuter robot, but it gets super dark and weird with all the space battles, and the ending is hard to swallow. As we pointed out, this film is part of a mini-trend of movies where humans are the invaders and aliens are forced to defend their homelands from us.

It also seems like a very post-Wall-E movie: a grim post-apocalyptic future in which humanity is cast out into space, but somehow made palatable by extra loads of cuteness. [Giant Freakin Robot]