We asked Browder if he'd ever appear on Stargate Atlantis, and he hauled producer Brad Wright over to help answer the question. Wright wouldn't make any promises, but did say he hoped to feature Browder in another direct-to-DVD Stargate movie soon.

When we asked Browder how he feels embodying heroic archetypes like Farscape's Crichton and Stargate's Mitchell. He was super modest: "I let someone like Brad write it, and I just say the words. My job, in a lot of ways is the easy job... my job is just the fun part. I get to go out and do the boy stuff and do the fun stuff, I don't think I think about the heroic archetype. That's something the writers take care of, and the directors and the editors."

Browder had some practice being villainous when he was being mind-controlled by Scorpius in Farscape. Would he like to play an out-and-out villain sometime? Yes, he said. "I think it'd be a lot of fun. Now, wearing prosthetics on a full-time basis — that's not fun."

We asked Tapping about the difference between the gadget heavy Stargate and the more low-tech setting on Sanctuary, and she said Sanctuary is much more "steampunk." Actually, the making of Sanctuary is much more high-tech, because it's entirely shot in greenscreen. But there's less technobabble and fewer gadgets, because her character is 157 years old, and she borrows from all different eras. She said it's a bit weird to be shooting in greenscreen all the time, and she gets a "green chromakey headache." But the good news is that the show's art department shows the actors a really good representation of what the scenes will look like when they're done, so they know what they're reacting to.

In Sanctuary, Tapping plays Dr. Helen Magnus, who protects the "abnormals" (the mutants that society has deemed deviations, but who may actually be the next step in human evolution.) So she's sort of like Professor X from the X-Men, except not bald, "and hopefully prettier," she said.

And she confirmed that she'll be in at least a couple more episodes of Stargate Atlantis this season, plus a third direct-to-DVD Stargate movie.

Coolness of the old Farscape:

What made the original Farscape interesting was its vision of a human stranded among aliens. Unlike your typical ensemble space opera, humans were in the minority and we had a lot of chances to explore weird alien worlds. With Brian Hensen's production house behind its alien creatures, Farscape pretty much always had lovely concept design. We see this world through the eyes of John Crichton (Ben Browder), an astronaut accidentally sucked through a wormhole and deposited on the far side of the universe among warring alien factions. He takes refuge on a sentient ship called Moya, among escaped convicts.

How to Reboot:

A rebooted show could play up the criminal backgrounds of Moya's crew. Who can be trusted? Have alliances shifted? The tut-tutting little puppet Rygel once ruled 600 billion subjects of the Hynerian empire, but was sold out to the evil Peacekeepers by his cousin. Maybe we could give him a more ambiguous history — perhaps he was a cruel dictator, and we can see his cousin's side of the story. Meanwhile, we know the zen yoga lady Zhaan assassinated her lover because he helped the Peacekeepers take over her home planet. Let's make her more of a ninja assassin type: Let her use those powers of invisibility more, and do more explosives work. And let's make the anarchist thief Chiana into more of a Warren Ellis-style character who spouts political opinions between bursts of ass-kickery.

Cooness of the old Farscape:

One of the central issues in Farscape was the nature of Crichton's identity. Stranded among aliens, of course he begins to lose his humanness. More importantly, one of the big issues for Crichton throughout seasons two and three was whether he could control his own actions and thoughts after the evil Scorpius puts a chip in his brain. We've got shades of Battlestar here already, since Scorpius would often appear as a vision in his head. Because the old Farscape was often a little goofy, Crichton nicknames his head Scorpius "Harvey" (after the invisible bunny in the movie Harvey).

How to reboot:

Get rid of the silliness with this plot and make it dark as pitch, with some real gothic horror elements. Crichton is losing his mind and being enslaved by a chip that can't be removed. Also, let's give Scorpius a makeover — no more campy leatherboy zombie guy. Instead of making his wormhole technology into his "take over the universe" technology, make the killer app his mind-control chips. He should be a smooth, scary politician who wants to gain power by "changing people's minds" — literally. That way the Peacekeepers really can keep people peaceful, by chipping them all. The crew of Moya is fighting not just to free Crichton's mind, but to keep everyone's minds free.

Coolness of the old Farscape:

Browder was perfect as Crichton, who is both a himbo and a smartass. He was always getting mixed up in sexytime with various aliens, but not in a Captain Kirk way — Crichton is led astray by sex, and gets his heart broken. When he does swagger, it's always with a bit of irony. As his shipmate and love interest Aeryn Sun, Claudia Black was the perfect pre-Sarah Connor Chronicles beautiful, hard-bitten hero. She's feminine, smart, and tough — and she would never wear high heels to a fight.

How to Reboot:

Keep Browder and Black together, but give them new roles and a tragic past that's made them bitter. Perhaps their son was killed by the Peacekeepers and they adopted Moya in his place. Now the spaceship is their "child," and the two of them share duties as "pilot." So we have a new dynamic in place right away, one that makes the ship even more of a character than in the original series. And we can bring in a new person to play the Crichton role, plus recreate the original characters while adding some new ones. Since two of the characters in the original series were anarchists, and all of them were rebels, the reboot needs to foreground this cosmo-political side of the series to make for a more sophisticated tale.

In Summary:

What the original Farscape had going for it was that it was story about how a team of outcasts overcome obstacles that are both political and psychological in order to defeat an oppressive police state. This left a lot of room for space battles, as well as character development. A new, darker show might touch a nerve by delving deeper into the violence caused by political factions and splinter groups. And by focusing on the brain chip technology, instead of the wormhole technology, we open up space for genuinely scary episodes with a texture of conspiracy (who is controlling who? are our minds our own?). Plus, we get a chance to reinvent the cool aliens and sentient spaceships of the old show, using better special effects technology. As long as the new show tweaks the old show's tone by replacing camp with bitter irony, and goofy sex with danger sex, I think we've got a potential hit on our hands.

And if that doesn't persuade you, how about a little gratuitous squee . . .