San Francisco, 7:22 AM
Wed Dec 16
25 posts in the last 24 hours
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So, let's be clear. The front cover is ashamed to admit it's science fiction. But the back cover isn't ashamed to admit it's got a character in it called "Dake Sureblood"?
Is it still called Disassociative Identity Disorder when it's books?
@Ruthless, If you let me: That is true. However, sometimes if you do that, the text and the images run together weirdly. When I include the "click here for galleries" thing, that partly means that I've gone thru and added a bit of extra formatting so it'll look okay in non-gallery format. :)
@Ruthless, If you let me: I've been using the "delete /gallery" trick for a while but it doesn't always work right, so I was thanking Charlie for doing the extra formatting so the text matches up correctly.
I couldn't resist, so after reading this article I got the movie and watched it.
I wouldn't call it a great movie. It's... the weirdest, yet most imaginative movie I've seen in a long time. Great visuals and some really hilarious scenes. The story kinda sucked though.
@Roklimber: I agree, I just saw it and it wasn't underrated in my opinion, it ranked mediocre as with other films. It did have for me some awkward bits of social commentary that weren't discussed at all so hated it for that...
@cletar: Mr Fox was amazing. That was one of the funniest scripts I've seen in years. It's a pretty complex storyline. I'd be surprised if a young child could sit through the entire movie.
THE SEPARATION by Christopher Priest is the best SF book of the decade, to my mind. Its complex use of real history, alternate history, parallel worlds and human consciousness is simply fascinating.
Mieville I can get behind. Stephenson I'm torn on, as whilst the Baroque Cycle has SF elements, overall it is a historical fiction with a high amount of historical fidelity (moreso than most straight historical works).
ASH: A SECRET HISTORY by Mary Gentle should also be a contender for the list. As an alt-history with magic and an interesting language style, I would rank it as superior to JONATHAN STRANGE AND MR. NORRELL.
For fantasy I think we do need A STORM OF SWORDS on there. A book with so many memorable moments, characters and lines that it's almost overwhelming, along with at least two of the most jaw-dropping "Are you kidding me?" moments in modern fantasy fiction. Probably the moment that post-Tolkien secondary world fantasy stopped aping the old master and finally said, "Right, now things are going to be little bit different," and followed up on in style by the likes of Bakker, Abercrombie and Lynch.
For fantasy of a slightly different stripe, Steven Erikson's DEADHOUSE GATES and MEMORIES OF ICE are pretty impressive works, constantly imaginative and thought-provoking. Later books in the series have proved disappointing, even formulaic, but these two books remain very impressive.
Alastair Reynolds, for me, would be a strong contender for individual best SF writer of the decade. Individual works by other writers have been better than any of his output, but his high rate of output (nine novels and three story collections this decade alone) and its very high quality should be respected. CHASM CITY and PUSHING ICE are classic works of modern SF in their own right.
Ian McDonald's RIVER OF GODS and BRASYL are also very good, and refreshingly show that the future won't just be set in Los Angeles and New York, but that countries like India and Brazil have dazzling, high-tech futures and dangers to deal with as well.
A couple of years ago I watched a presentation about Saturn and its moons, given by Carolyn Porco, the lady in charge of the Cassini mission. Her presentation brought tears of joy to my eyes not only because of the sheer beauty of the pictures and facts that she presented but because of her passionate call for the recognition that science - true science - is soooooooo much more interesting than fantasy, so much more beautiful, so much more fantastic and unexpected, so much more poetic. It's a must-see presentation. I'll post a link as soon as I locate it. Stay tuned.
Also, more recently, I watched another presentation, a TED talk, about something called biomimicry, a new field of technology where an attempt is made to utilize the principles found in nature to solve big problems. I'll also add a link in a moment. This is another must-see talk.
The point of my mentioning these two talks is that if sci-fi authors at large spent some time getting acquainted with true science, they'd have a much richer canvas to draw their ink from.
07:14 AM
Is it still called Disassociative Identity Disorder when it's books?
07:11 AM
Okay...
12/15/09
[www.taschen.com]
:)
12/15/09
Thanks also for the non-gallery versions!
12/15/09
12/15/09
12/15/09
07:15 AM
12/15/09
12/15/09
I wouldn't call it a great movie. It's... the weirdest, yet most imaginative movie I've seen in a long time. Great visuals and some really hilarious scenes. The story kinda sucked though.
12/15/09
12/15/09
I need a Nikola Tesla: Rockstar Scientist poster.
12/15/09
12/15/09
12/15/09
12/15/09
Mr Fox is good, too.
12/15/09
Few-few-tic tic!
12/15/09
12/15/09
12/15/09
Just saw Fox tonight. Probably the best thing I've seen in a long time.
Though admittedly after I got done with it I'd question taking a child to it.
Great movie though.
12/15/09
12/15/09
12/15/09
12/14/09
Mieville I can get behind. Stephenson I'm torn on, as whilst the Baroque Cycle has SF elements, overall it is a historical fiction with a high amount of historical fidelity (moreso than most straight historical works).
ASH: A SECRET HISTORY by Mary Gentle should also be a contender for the list. As an alt-history with magic and an interesting language style, I would rank it as superior to JONATHAN STRANGE AND MR. NORRELL.
For fantasy I think we do need A STORM OF SWORDS on there. A book with so many memorable moments, characters and lines that it's almost overwhelming, along with at least two of the most jaw-dropping "Are you kidding me?" moments in modern fantasy fiction. Probably the moment that post-Tolkien secondary world fantasy stopped aping the old master and finally said, "Right, now things are going to be little bit different," and followed up on in style by the likes of Bakker, Abercrombie and Lynch.
For fantasy of a slightly different stripe, Steven Erikson's DEADHOUSE GATES and MEMORIES OF ICE are pretty impressive works, constantly imaginative and thought-provoking. Later books in the series have proved disappointing, even formulaic, but these two books remain very impressive.
Alastair Reynolds, for me, would be a strong contender for individual best SF writer of the decade. Individual works by other writers have been better than any of his output, but his high rate of output (nine novels and three story collections this decade alone) and its very high quality should be respected. CHASM CITY and PUSHING ICE are classic works of modern SF in their own right.
Ian McDonald's RIVER OF GODS and BRASYL are also very good, and refreshingly show that the future won't just be set in Los Angeles and New York, but that countries like India and Brazil have dazzling, high-tech futures and dangers to deal with as well.
12/13/09
Also, more recently, I watched another presentation, a TED talk, about something called biomimicry, a new field of technology where an attempt is made to utilize the principles found in nature to solve big problems. I'll also add a link in a moment. This is another must-see talk.
The point of my mentioning these two talks is that if sci-fi authors at large spent some time getting acquainted with true science, they'd have a much richer canvas to draw their ink from.
Biomimicry:
This is the one I mentioned
[www.ted.com]
This one I haven't seen yet, but it's on the same subject and by the same person (with different examples, it seems)
[www.ted.com]
Carolyn Porco's talk on Beyond Belief 2006
Part 1
[www.youtube.com]
Part 2
[www.youtube.com]
Part 3
[www.youtube.com]
Part 4
[www.youtube.com]
Carolyn Porco's TED talk on Saturn and the Cassini mission
[www.ted.com]