For Whedonites, there's a simple choice of Single Issue Of The Week, and that's Angel: A Hole In The World #1, the first issue of a mini-series adapting the episode of the television series where Fred said goodbye and Illyria said hello. In a week weirdly quiet on the single issue front, it'd be a strong contender for everyone else as well.

Other single-issue choices would include DC's two Batman anthologies, Batman 80-Page Giant and Batman: Arkham Asylum Special, and IDW's Transformers: Bumblebee #1). But then there's also the first issue of Boom! Studios' Incorruptible, a companion to their Irredeemable series that asks what happens when a bad guy decides to go good (Clue: It's not as easy as you'd hope). Superhero thrills and spills will be yours.

Elsewhere, take out the credit card for some impressive trades and collections: Dark Horse Comics has a couple of coffee table art books (The Art of Emily The Strange and Drawing Down The Moon: The Art of Charles Vess). But there's also Star Wars: The Thrawn Trilogy, a hardcover collecting the comic versions of Timothy Zahn's three follow-ups to George Lucas' better cinematic threesome.

But while we're mentioning art books, IDW also has a great collection of mid-century sci-fi in the oversized The Art of Steve Ditko hardcover.

In similar media mode, Dynamite's Battlestar Galactica: Cylon War fills in some backstory of the Sci-Fi Channel incarnation of the show, and DC's Fringe collection does the same for those wondering what the deal was with William Bell and Walter Bishop in their younger days.

Those looking for violent superheroics can find their fill with Marvel's output for the week, which includes paperback versions of Secret Warriors Vol. 1 and the demonic X-Men book X-Infernus, as well as a hardcover collection of Thunderbolts: Widowmaker. Tis the season, after all.

Just like last week, next week and every other week of the year - well, except the week after next, because of the holidays - the complete list of everything hitting stores tomorrow is right here for your perusal, and you can find your local comic store here. Just remember: Start planning your skip week activities right now, before it's too late.

Spinning out of IDW's new Transformers monthly, the new series sees the littlest Autobot in charge of everyone, which isn't exactly where he wanted to be. For those who've found themselves missing the old school Transformers in the midst of Michael Bay's movie mania, this may be exactly what you're looking for:

Transformers: Bumblebee #1 is released tomorrow.

Click on the pic to see the full get-up over at UGO. The more we see from Mark Millar's live-adaptation comic book movie, the more we like. In theaters April 16, 2010.

Launching next March with a reprint of 2008's Invincible Iron Man #1, Marvel's Greatest Comics will reprint first chapters of critically-acclaimed series or storylines for just a dollar. According to Marvel's VP of Sales, David Gabriel:

We're proud of the books Marvel publishes and now not only are we giving retailers a great way to promote our top collections, but also giving consumers a chance to sample some of our top comics, maybe for the first time and at an unbeatable price.

After the Iron Man reprint (which, as a special launch promotion, will actually be free), the line will move onto the first issues of Ed Brubaker's Captain America run, Marvel's (incredible) new Wonderful Wizard Of Oz adaptation, J. Michael Straczynski's Thor and Garth Ennis' Punisher Max. Given the crossmedia opportunities afforded by all so far, we'd expect Spider-Man and X-Men before too long.

Start Here with Marvel's Greatest Comics For Only $1.00 [Marvel]

In this era of franchises based on pre-existing... well, franchises, really, it should be tough for brand new characters to make any significant impression, but I feel like we've been spoiled for choice in some ways; beyond the five mentioned below, I could've also gone for Y The Last Man's Yorick Brown, Scott Pilgrim's Kim Pine (Because, really, it's all about Kim. Admit it), Fringe's Walter Bishop or Dollhouse's Adelle DeWitt, to name just a few more. I'm not talking about the most important characters of the last ten years, or even the most popular, please understand; this is purely a (selfish and subjective) question of quality, for once. These, however, are my top 5:

Benjamin Linus
Color me one of those people who drifted in and out of Lost throughout the first two seasons of the show... Well, until Ben entered the picture. Michael Emerson's smarmy, knowing performance as "Henry Gale" brought something that the show had needed since the beginning: A Bad Guy. Or, at least, someone who we didn't know much about, but were pretty sure we shouldn't be trusting nonetheless. As we've learned more about the character since then, it's been Emerson's performance that's led the way, convincing us about a control freak who likes to think that he's one step ahead of everyone even though he's lost sight of the bigger picture. In a show filled with great characters - Locke was so close to making my top 5 - Ben stands apart as the best of them all.

Thaddeus S. "Rusty" Venture
Cynical, selfish and entirely delusional when it comes to his importance in the world, The Venture Bros.'s patriarchal figure may be one of the most oddly complex, nuanced character on television these days. On the surface, he's a self-centered coward emotionally scarred from a childhood as a Boy Adventurer who resents his life, his family and pretty much the rest of the world, but the longer the show goes on, the more we see a different Rusty: The father who's grooming Dean in his image - because there's no way that could go wrong - excited about sharing his passion for prog rock and science (and, surprisingly, offering support and advice in times of need), for one thing, or the man who's so pissed off by trouble ruining his plans that he ends up doing heroic deeds just to make his own life easier. Never mind that he's also genius enough to successfully clone his kids for years, replacing them if and when they died... Rusty Venture isn't the kind of man you could rely on, but he certainly makes for entertaining viewing.

Gaius Baltar
And talking of people you can't rely on, Battlestar Galactica's Baltar may have been chosen by God/The Gods/Some Higher Power/Ronald D. Moore to lead humanity towards its new home, along the way discovering a spiritual side, falling in love and growing as a human being, but that wasn't why we loved him so much. No, with Baltar, it was all about the weasel. Whether he was trying to maneuver himself into even greater positions of power, trying to stay alive after surrendering the colonies to the cylons on New Caprica or just trying to seduce whatever character had caught his attentions that week, Baltar was never better than when he was being weak and giving in to his worst impulses. James Callis' performance was one of the best things throughout the entire series, giving us a character that we Loved To Hate To Love, as well as some of the few moments of genuine comedy throughout the entire run. You just know that he'd have given up that whole farming thing within a month of the finale, don't you?

Donna Noble
She didn't fall in love with the Doctor. It's worth repeating: She didn't fall in love with the Doctor. After Rose and Martha, that fact alone made this particular Doctor Who companion feel like a breath of fresh air, but there was so much more to her than that: Her enthusiasm, and heart. Her ability to say the wrong thing in almost any occasion. Her self-confidence, misplacing in many ways, but making her feel like the Doctor's peer and friend instead of someone who believes everything he says and puts him on a pedestal (Catherine Tate deserves all credit for making that charming and irritating at once). Given her (intentionally) annoying first appearance in "The Runaway Bride," it's surprising that Donna turned into the companion I'll miss most from this new run, but it's definitely true; her exit was heartbreaking, entirely fitting and proof that Russell T. Davies loved her too much to kill her off. I'm selfishly hoping she survives "The End Of Time," too.

Kate Kane/Batwoman
Still relatively new, there's something fascinating about DC Comics' latest Batman spin-off. Under writer Greg Rucka's control - and, given her few appearances elsewhere, only under Rucka's control - Kate Kane is at once a reminder of, and refusal of, Bat-cliches. Yes, she was born of family tragedy, but her response wasn't to focus her entire life towards justice, but instead run off the rails in self-destructive behavior. Like Batman, she sees herself as a soldier, but she actually approaches her missions in that mindset, no doubt helped by her father and their shared military background. Most refreshingly, Batwoman is wonderfully fallible - Misunderstanding a prophecy to be about her own death in the recent "Elegy" storyline - and, at times, unlikable. Given her relatively few appearances since her debut in 2006's 52, it's surprising that she comes across as so rounded and real a character, but she does - and we hope her career is as long-lived as her male counterpart.

But enough about our love of Dr. Zachary Smith updates and redheaded women - What're your choices for the character who's made the greatest impression on you after appearing for the first time at some point during the last ten years? The comments are there for a purpose, after all...

If it's the end of a decade, then it's time for multiple Best Of The Decade lists. This isn't exactly one of them, though, despite what it looks like; for one thing, even if it was, you'd all disagree with it and complain that we left off something essential - although anyone arguing for the inclusion of Ultimatum, we believe that can be disproven through the use of science and charts - and for another, we've not read every single thing published in the last decade, so for all we know, there's something really obvious that we'll have somehow overlooked through accident instead of malice. Instead of The Ten Best, then, these are Ten Of The Best (Click on the titles for our explanations why and, in some cases, runners-up to the list that we couldn't help but sneak in):

100% by Paul Pope (DC/Vertigo)
All Star Superman by Grant Morrison and Frank Quitely (DC Comics)
Black Hole by Charles Burns (Pantheon)
Casanova by Matt Fraction, Gabriel Ba and Fabio Moon (Image Comics)
Laika by Nick Abadzis (First Second Books)
Planetes by Makoto Yukimura (Tokyopop)
Pluto by Osamu Tazuka and Naoki Urasawa (Viz Media)
Scott Pilgrim by Bryan Lee O'Malley (Oni Press)
We3 by Grant Morrison and Frank Quitely (DC/Vertigo)
Y The Last Man by Brian K. Vaughan, Pia Guerra and many more (DC/Vertigo)

(Thanks to Lauren, David Brothers, Jeff Lester and all who offered advice and good reasons why we were entirely wrong in some original choices.)

Back to start.

And, yes, we know that between this and Laika, we've got two animal-centric comics in our top 10. What can we say? We're pet people.

Next: Y: The Last Man

Next: We3

On a similar reboot theme, Marvel's Ultimate line reinvigorated the publisher's core franchises at the start of the decade with varying degrees of success - I'm not sure anyone would really be able to argue that either Ultimate X-Men or Ultimate Fantastic Four were overly revolutionary, for example. Although Mark Millar and Bryan Hitch's The Ultimates was, at the time, the critical favorite, we've got a soft spot for Brian Michael Bendis' Ultimate Spider-Man, which rebuilt the character as the teen soap opera where great power means great amounts of confusion, bad decisions and all kinds of responsibility that we never even knew we wanted. With art by Mark Bagley, Stuart Immonen and now the wonderful David LaFuente, it's been consistently entertaining for the last ten years, and consistency is worth something, right?

Next: Scott Pilgrim

Next: Pluto

Next: Planetes

Next: Laika

While The Zeroes/Aughts/That First Decade We Don't Have A Good Name For ended up as an undead clusterfuck, it's worth remembering the comic that got started before the mainstream got bitten by the zombie plague: Robert Kirkman's The Walking Dead isn't just the book that made his reputation (Or one of them, at least; Invincible did more than a little bit of the heavy-lifting as well), it's also the book that's been strong enough to withstand the onslaught of zombies in comics and all other forms of media. Slow, atmospheric and appropriately bleak, we have no idea where it's going next... but we're sure it's nowhere good.

Next: Casanova

Retro may have been the way to go with superheroes, this decade; our second choice for Best Superhero Book is DC: The New Frontier, where Darwyn Cooke makes the Justice League of America seem fresh and new again by simply returning the characters to their core concepts and, just as importantly, original time frame and contexts. Admittedly, again, it's all about the execution. Cooke's skill as a cartoonist is almost unmatched these days (Particularly amongst those who make their living in mainstream comics), and it's that level of quality - along with his obvious love for the characters - that makes The New Frontier such a joy to read.

Next: Black Hole

In a strange way, it reminds us of Brandon Graham's King City, which so almost made the list - It's still ongoing, so watch for it making Best Of Decade in 2019 - and also mixes international influences from inside and outside comics to come up with something fresh and vibrant. More openly comedic than Pope's work, King City is as much a story of life in a big city in the future, filled with romance, regrets and disreputable characters, even with magic cats who'll fit your every need with the right cocktail of drugs.

Next: All Star Superman

Just like all the best Christmas letters, Doom's - transcribed by loyal subject, creator of the Invincible Super-Blog and Twilight fan Chris Sims - doesn't just wish us good cheer, but also updates us all on what he's been up to this year:

Some of Doom's subjects may have claimed that it was a mistake for Doom to swap out his traditional armor for black slacks, a pair of foam gloves inspired by the early-90s WWF wrestler "The Undertaker," and a mismatched lightweight nylon cape, but those people have obviously never fought an orange rock monster in July and should've thought of that before they opened their stupid mouths. Doom hopes you enjoy your stay in the dungeons of Doomstadt, Karl.

We wish you a happy holiday season, Doctor - and don't worry about your accursed foes: They're too busy having the origins of Hanukkah explained to them to stand in your way:

The Christmas Letter of Dr. Doom [Comics Alliance]

Since the mid-2000s, Mishka NYC has been at the vanguard of popular streetwear. A cornerstone of their success has been designing clothing influenced by gonzo horror, Z-grade sci-fi, and the overall dank and stanky underbelly of pop culture. Indeed, their gear is worn with equal aplomb by metalheads and hip-hoppers (Lil Jon and Lady Sovereign have sported Mishka in music videos), and the label's past collaborators have ranged from everyone from Iron Maiden album artist Derek Riggs to erotic photographer Ellen Stagg to electro-reggae supergroup Major Lazer.

Label heads Mikhail "Mike" Bortnik and Greg Rivera were nice enough to sit down with io9 and answer some questions about Mishka's design philosophy, winter line, and how Stan Lee cold lamps it at Comic-Con:

What's the Mishka origin story?

Mikhail Bortnik (left): It started sometime in '03. My job I was working at was going to close, so I decided to take a stab at t-shirt design, which I had wanted to do since college. This was about the same time I met Greg. A few months into it, I realized I was in over my head so I asked Greg to join on-board and sell the line. Greg immediately came on as a full-time partner. The basic idea was we wanted to sell street wear, but we soon realized there were so many fans who were into both street wear and scifi that there was absolutely no reason we couldn't incorporate these two things.

In terms of scifi, what were your earliest influences?

Greg Rivera (right): A lot of our influences have come from B-horror films, straight-up scifi films, and comic books, especially for Mike. I was big into horror comics when I was kid and also things like The Twilight Zone, Tales from the Darkside, anything with the ironic twist at the end. Both of us are also big toy fans. Being in our early thirties, we grew up with 1980s toys, which ended up being a huge influence in our designs.

MB: One example of this influence was in our Fall 2008 Skyway Trippers collection – we tweaked an Israeli Special Forces design to include the phrase "Spaceknights" in Russian, as a homage to the old Spaceknights comic and toy line.

ROM Spaceknight allusions? That's wild. On a similar note, Mishka has a roster of kaiju-like characters who appears on a lot of your apparel – i.e. the half-serpentine, half-ursine Death Adder and the Cyco Simon skull. What's the story behind them?

MB: Actually the notion of bringing characters into the clothing brand goes back to metal bands. Cyco Simon is a reference to [Megadeth's ] Vic Rattlehead and Eddie from Iron Maiden, and we wanted our own. As for the Death Adder, we use our designs to tell a story with him – he's often seen teaming up with our Soviet super-soldier character.

Are we going to see an Adult Swim series with these guys anytime soon?

MB: I'll be honest, Greg and I would love to be able to a comic book or cartoon series with them.

What was the first sci-fi influenced Mishka piece?

GR: "They Live" was probably one of the first ones. It's hard to remember since we've had so many designs over time.

One of my early favorites was your Judge Death-inspired "Kill Motherfucking Depeche Mode" logo.

MB: That was a mixing of the old Brian Bolland artwork with what people guessed [what the name of German industrial band] KMFDM stood for. KMFDM actually gave us a cease-and-desist for that one.

Really? Not the 2000 AD people?

MB: We figured we'd get something from them or Depeche Mode, but no, it was from the KMFDM people!

On a similar note, when was that moment when you said to yourselves, "Holy crap. We can't believe we just put that on a t-shirt."

MB: The "Tom of Eternia" t-shirt.

GR: Mike had the idea of doing a Tom of Finland-style shirt [featuring He-Man].

MB: If you've never hear of Tom of Finland, he's like the homoerotic artist. There was this impetus [to create this shirt] early on when someone made the comment that all we do is put naked girls and 80s cartoon characters on our shirts. Street wear on a whole seems more macho than we are as a brand, so Greg and I were like, let's do this.

GR: Our friend Robin Nishio – who is this amazing illustrator – met up with us and Mike pitched him the idea. Robin actually went and bought two big books on Tom of Finland and aped the style exactly. That was the coolest because we got so much shit from our customers because it was like, "Here's Skeletor as the master and He-Man down on his knees, gay porn style."

What sort of pieces are in the pipeline at the moment?

GR: We did this series of shirts for [the new heavy metal-themed video game] Brutal Legend and we're working with Dark Horse Comics on a project.

Oh wow, are you at the liberty to talk about that right now?

MB: Not really, but if anyone has followed our brand, you'll know that one particular Dark Horse character particularly sticks out.

As far as the Winter 2009 line goes, you seem to have strong robot theme going. You have the Terminator cyclops, the Decepticon hearse, and my favorite, the Ultron bear. Why robots this season?

MB: We've gone so far doing themes that this season just happened to be robots. This was probably one of our most rigid designs themes. The Ultron shirt's been particularly popular.

You guys hit up the San Diego Comic-Con this year. How was it being a street wear brand at what's been historically a comic and scifi show?

MB: We were selling some things there, but we were mostly there as fans.

GR: It's been a little calculated – and not to reveal all our secrets – but if a lot more other brands saw the potential of that market, you'd see a lot more people doing it. It's hard for us to do business, because Mike and I go and we're just geeking out. Besides going out there to meet Tim and Eric [from Tim and Eric Awesome Show, Great Job!], we're both really into Japanese kaiju and we had the chance to show off our own kaiju designs.

MB: Comic-Con 2008 was my first one. We wanted to see the Lost panel, but after we saw it spilling into the street, we just said "fuck it" and went to the Battlestar Galactica panel. That crowd was pretty big too, but Dean Koontz was still speaking. So yeah, we killed two hours listening to Dean Koontz.

Any good Mishka Comic-Con party tales?

GR: We crashed an Activision party at the Hard Rock Café and saw Stan Lee. If you're at a Comic-Con party and you see Stan Lee, you know you're at the coolest party.

MB: He was just hanging out with this girl on his arm.

GR: (laughs) She looked like she was twenty years old.

MB: I don't if she was, like, hitting on him or he was hitting on her, but Stan Lee's exactly how you picture him. He really says "true believer."

I wouldn't want him any other way. Do you find yourselves getting calls from influences who've enjoyed your work?

MB: Other than the artists who we're huge fans of and end up working with – like Derek Riggs and L'Amour Supreme – no, not really. A lot of our influences are grumpy old men.

What would you say is the most quintessential Mishka design?

GR: On our first trip to Japan, we stayed in this little town outside of Tokyo and found all these old Japanese horror and sci-fi press kits. These kits would take the coolest part of the movie and turn it into poster art. We found this great Westworld kit and Mike added some comic book stuff, like Ultron and Cyborg from Teen Titans to the design. To this day, it's still one of my favorite ones.

MB: We also found this Motel Hell kit in which we used for our "Electric Funeral" shirt. We electrified the faces and it turned out great.

Alright guys - some final lightning round questions. Kim Cattrall in Big Trouble in Little China or Kirstie Alley in Wrath of Khan?

MB: Kim Cattrall. I'm a Next Generation fan, what can I say.

Zardoz or Troll 2?

GR: Troll 2.

MB: Zardoz.

Would you rather have John Carpenter compose you a personal theme song or direct a movie about your life?

MB: I'd rather have him direct the movie because then he'd have to compose the film's theme song.

Shit! I hadn't thought of that loophole. Any final words to io9 readers?

GR: By all means check Mishka out - you'll definitely find something you like.

Mishka apparel is available at their website and their Brooklyn store at 350 Broadway in Williamsburg, NYC. Store photography courtesy of Dave Digioia.

Sillof showcased his latest set of figures as part of this week's virtual Custom Con, and it looks like there are plenty of goggles and mad inventions to go around. You can also see the customs alongside their heroic counterparts at TheFwoosh.

[via Super Punch]