Let's start with Electropolis, the new Dark Horse collection of Dean Motter's Retrofuture Deco Noir story (Preview here). Filled with robot detectives, femme fatales and the power of electricity, it's just one of many off-beat genre books appearing at comic book stores this week.

And if Electropolis' pulp fiction is your thing, then maybe the Batman/Doc Savage Special (Dark Knight Detective versus Man of Bronze!) will also float your boat, after all. Or maybe Sky Doll: Doll Factory, a collection of unseen material from the awesome European strip Sky Doll, will provide your reading material for the next few days.

But if you prefer your heroines a little less suggestible than Sky Doll, the first issue of Tank Girl: Skidmarks is probably more your speed. Unsurprisingly, we'd also point you in the direction of the debut of Locke & Key: Crown of Shadows, but we're biased.

Maybe you're looking for something you've already seen in major motion pictures? That's okay; not only is there a preview issue of the new series of Wall-E, but there's also Star Wars Purge: Seconds To Die, which follows a young Darth Vader killing off as many Jedi as possible, post Revenge of The Sith. And that's not all! There's also a paperback collection of DC/Wildstorm's recent The X-Files series.

For those who can't get enough of those superheroes, then I'd recommend the first issue of Warren Ellis' Supergod, his latest "What if superheroes were bastards?" series. Or, on the opposite end of the superhero spectrum, the Absolute Justice hardcover, collecting Alex Ross' expansive love letter to the Super Friends (No, really).

In between those two extremes, there's Dynamite's Project Superpowers: The Black Terror Vol. 1 collection, DC's Green Lantern: Agent Orange collection, which leads into the current Blackest Night storyline, Supergirl: Who Is Superwoman? (in which Sterling Gates and Jamil Igle manage to undo years of abuse and make Supergirl a likable, working character again - good job, people) and the Authority: The Lost Year Reader (reprinting Grant Morrison and Gene Ha's two completed issues of their abandoned run, ahead of Keith Giffen and other artists aiming to complete the story in their absence).

There's also Marvel's PunisherMax (Yes, one word. It's the new "mature readers" title for the character, and maybe Marvel thinks pushing words together is more adult?), Green Hulk/Red Hulk collection (Heroes' writer Jeph Loeb writes a couple of gamma-irradiated monsters in a couple of adventures), the first issue of Strange (Mark Waid's reboot of the former Doctor Strange, Sorcerer Supreme). And also, there's all manner of X-Men books: the Dark Avengers/X-Men: Utopia collection, as well as collections of Wolverine: Tales of Weapon X, Wolverine Weapon X: Adamantium Men and Wolverine/Gambit. All your Wolverine needs should definitely be met this week, let's face it.

If there are any other needs looking unserviced, I'd recommend checking out the complete list of books shipping from Diamond Distributors this week, and then remembering that your local comic book store can be found here. If this week seems overly expensive, don't worry; there's an entire skip week at the end of the year to get some of that money back. Look at it as a loan. Or something.

Grier will join the long-lived superhero soap later this season for a multi-episode arc playing Amanda Waller, better known to readers of DC Comics' Suicide Squad and Checkmate as the uber-manipulative schemer behind various US Government agencies that use superhumans as cannon fodder on black-ops missions that just so happen to advance her own agenda. Does this mean that Clark is going to end up drafted into service, or will we see the return of various Kryptonite-powered former villains-of-the-week acting under shady orders?

Grier's first appearance in the show will be in the second half of the season's Justice Society two-parter, at the start of next year.

'Smallville' lands Pam Grier! [Entertainment Weekly]

If you're not familiar with Kate Beaton and her hysterical (and often historical) comics, go go go to Hark! A Vagrant! or Beaton's LiveJournal for more comic goodness. She even has more Wonder Women for you to ogle.

Be a Hero [Kate Beaton's Livejournal]

IDW's official PR for Joe Hill and Gabriel Rodriguez' 32 page first issue goes a little something like this:

Sam Lesser may be dead and gone, but Dodge still has uses for him, and in the first chill days of October, will make contact with him again. The dead know things the living may not, and Sam's restless spirit has had time to discover the thing Dodge wants to know most of all... where to find the key to the black door. The third storyline in the Eisner-nominated series begins here!

Locke & Key: Crown Of Shadows #1 is released this week.

Spock
Died: Sacrificing himself by bringing the warp engines back online at the end of Star Trek II: The Wrath of Khan, leading to his dying from exposure to radiation.
Undied: His body was resurrected in Star Trek III: The Search For Spock thanks to the Deus Ex Machina powers of the Genesis Planet, and it turned out that his soul had lived on all along thanks to mind melding with Bones.
Cause of Undeath: Mind-meld and blatant plot ridiculousness in order to keep the fans happy. Admittedly, it was all set up in Star Trek II, but still.
Does It Count As Death?: Well, his soul was alive the entire time in Bones, but his body had enough time to go through a funeral and being shot off into space, so... 50/50? But not really, let's face it.

Ellen Tigh
Died: Poisoned by her husband after (in his eyes) betraying humanity in "Exodus, Part II" at the start of Battlestar Galactica's third season.
Undied: Instantly downloaded into a new body as part of the Fifth Cylon retcon, as revealed in the fourth season's "Sometimes A Great Notion."
Cause of Undeath: Traditional cylon download/rebirth.
Does It Count As Death?: Well, she was instantly reborn, which suggests that she was never actually dead as such, but the whole Fifth Cylon thing muddies the waters... especially when she was reborn as someone who wasn't exactly the Ellen she was when she died. We're going with "Kinda, but not really."

Boba Fett
Died: Falling into the Sarlacc's mouth in Return Of The Jedi.
Undied: Climbing back out of the Sarlacc's mouth in comic sequel Star Wars: Dark Empire.
Cause of Undeath: He was swallowed by apparently never chewed or digested and climbed his way out, apparently.
Does It Count As Death?: If you believe Dark Empire, not in the slightest. George Lucas apparently disagrees, however; it's said that he edited Fett's last appearance in the special edition of Return Of The Jedi to make it clearer that it's meant to be the end of the character.

John Sheridan
Died: Avoiding certain death by nuclear explosion at the end of Babylon 5's third season finale, "Z'ha'dum," by jumping into a pit so deep that it was impossible to survive. Oh, and then there was that nuclear explosion, which presumably would've destroyed the pit and everything within it anyway.
Undied: At the start of the show's fourth season, Sheridan was revealed to be in a limbo between life and death because of his love for Delenn. With the help of - and 20 years worth of lifeforce from - helpful fellow limbo-ite Lorien, he comes back to the land of the living.
Cause of Undeath: As Ewan McGregor in Trainspotting would say, choosing life. Who knew it was that simple?
Does It Count As Death?: Nope. Think of it as getting as far as death's foyer, before deciding to turn back because you'd changed your mind.

Tasha Yar
Died: Wanting out of her Starfleet contract early, Denise Crosby got her character killed at the hands of a gloopy, ooky oil monster in the first season episode of Star Trek: The Next Generation "Skin of Evil."
Undied: Thanks to time travel shenanigans, turns out never to have died in the alternate timeline of third season episode "Yesterday's Enterprise," and then manages to return to the past of the original timeline at the end of the episode in a way that still doesn't make a lot of sense.
Cause of Undeath: Alternate timelines having prevented her from dying in the first place.
Does It Count As Death?: Well, a Tasha Yar definitely died. In fact, as we learn upon the appearance of the second Yar's daughter Sela, the other Tasha was killed unsuccessfully trying to escape from the Romulans, so it looks as if any and all Tashas would end up dead one way or another.

Superman
Died: At the hands of the apparently unstoppable Doomsday in 1993's The Death of Superman storyline.
Undied: Midway through the follow-on The Return of Superman storyline, when it's been revealed that none of the four characters who've taken up the mantle are the real thing.
Cause of Undeath: He woke up. No, really; the audience is pretty much told that he'd never died in the first place, he'd just gone into superhibernation in order to heal from the fight.
Does It Count As Death?: Not at all, but it definitely counted as a moneyspinner for DC Comics, who went on to kill Green Arrow and Green Lantern within the next couple of years, as well as teasing deaths for the Flash and breaking Batman's back.

Bucky
Died: Trapped on a bomb that mentor and Nazi-fighting partner Captain America had managed to jump off of before it exploded, as explained way back in 1963's Avengers series.
Undied: In 2005's "Winter Soldier" storyline of Captain America, where he got reintroduced and prepped to become the new Captain America in 2007.
Cause of Undeath: Turns out that Bucky was, in fact, blown to bits by the exploding bomb... It's just that they were pretty large bits. Large enough to rebuild him into a brainwashed no-good commie assassin who gets put on ice between missions, until he meets Cap, goes rogue, remembers who he is, and then uses his mighty Russian technology for the good of American mankind.
Does It Count As Death?: What's brainwashed Russian assassin for no?

The Flash
Died: Which one? Barry Allen died in 1985's Crisis On Infinite Earths. Wally West disappeared and was, at various times, presumed dead/missing/no-one could make up their mind in 2004's Infinite Crisis, and Bart Allen kicked the bucket in 2007's The Flash: The Fastest Man Alive #13.
Undied: Wally came back in 2007's Justice League of America #10, Barry in 2008's Final Crisis #1 and Bart in 2009's Final Crisis: Legion of Three Worlds #4.
Cause of Undeath: Both Barry and Wally had, it turns out, never died. Barry had been swallowed into the Speed Force, which is the cosmic... thing... that gives all super-speed characters their powers in the DC Universe, while Wally's fate was ultimately (after a couple of failed attempts that were quickly contradicted) decided upon a variation of "He took his family on vacation to an alien planet and didn't tell anyone." Don't ask. Bart, meanwhile, did die, kind of... but his teenage self was trapped in a futuristic lightning rod and then magically released in the 31st century to fight Superboy Prime. Again, it's probably better if you didn't ask.
Does It Count As Death?: No question for either Barry or Wally (No), but Bart... I have no idea. I've read Legion of Three Worlds multiple times, and still don't understand the explanation that's given there; let's just never mention it again and pretend it didn't happen.

Jason Todd
Died: As the result of a real-life phone vote to see if Todd, the second Robin (as in Batman and), should be killed at the hands of the Joker. Seriously, 1988's comic industry, what the hell were you thinking?
Undied: 2004's Batman revealed that Todd was not only not dead, but had magically aged more than most other characters in the DC Universe in his off-panel absence.
Cause of Undeath: Superboy was punching the walls of reality, and things went a bit weird. You know how it is with these superheroes and their punching the walls of reality; history gets rewritten all over the place. Just be glad that Batman didn't end up as Batdinosaur. Although, now that we think about it, that'd be awesome.
Does It Count As Death?: Magically contradicting Schrodinger and his cat, Jason Todd both did and didn't die. His official history has it that he died, and then just came back to life thanks to the punching of reality, meaning that he was still alive. So, while it ultimately doesn't count as permanent death, there was a death in there somewhere.

Jean Grey
Died: In 1980's famous Uncanny X-Men #137, where she sacrifices herself for the good of the universe to stop herself from becoming overwhelmed by the godlike power she possessed that might lead her to eat a couple of planets if she got peckish.
Undied: It's revealed in 1986's Fantastic Four #286 that the Jean Grey who killed herself was never actually Jean Grey at all, but the Phoenix force, who's been cosmically imprinted with Jean's personality. Don't worry; the Phoenix force was already back by that point anyway.
Cause of Undeath: Jean hadn't died (at that point), and the resurrection of the Phoenix force was somewhat implied by the name - The official explanation was that the Phoenix force hadn't actually died either, just lain dormant until someone else (Jean's daughter from an alternate timeline. If you don't already know, don't ask) claimed it.
Does It Count As Death?: Before the retcon and ruined Chris Claremont's X-Men once and for all you bastards, it did. Now? No-one died until years later, when Jean really got the Phoenix power and then ended up dying anyway. Guess there's something unlucky about the name or something.

Marvel's latest teaser for their December-launching Siege storyline (Officially, the series launches in January, but December brings a prologue issue, Siege: The Cabal) suggests that not only has everything in the publisher's recent history been leading up to their new return to happier times, but also that voiceover artists can get bored every now and again.

Marvel's official PR for the event:

SIEGE is coming! It's all been leading up to this universe shattering four issue limited series from the superstar team of Brian Michael Bendis and Olivier Coipel! Following the events of Dark Reign: The List, Norman Osborn sets his sights set on Asgard and nothing will stop him from completing his mission. But what does he want? How do Loki and Thor figure in? And just how does this relate to the inner strife between the Cabal? Marvel's greatest heroes unite against the deadliest threat they've ever faced, but even they have no idea what's coming next. It's time for the most jaw dropping comic book event of the decade begins in December with Siege: The Cabal and continues in January's SIEGE #1!

Magical Realism
Air
What It's About: At its heart, Air is a love story between Blythe - a flight attendant who's afraid of flying - and Zayn, who is as much a mystery to himself as everyone else. But Air is much, much weirder, and more interesting, than that: For one thing, Blythe is a natural hyperpraxis pilot, which means that she can travel to places, times and ideas that don't, theoretically, exist... a skill she's honing with the help of Amelia Earhart, who by the way is still alive. For another, there's a war brewing between terrorists over control of the skies, and for a third, certain people may be very interested in that whole "hyperpraxis" thing. A series that's gentle, human, full of wonder and emotion, and at times just beautiful, Air is unlike most comics - and television shows and movies, for that matter - out there.
Where To Start: Two collections are available, Letters From Lost Countries and Flying Machine. Pick both up; the series is great, but the first collection (Letters) stops at a frustratingly bad point, and you need to read the second to fully appreciate what's going on.
Click here for a preview of Air.

Post-Invasion SF
Resurrection
What It's About: We've all seen stories about aliens invading Earth, but what happens after they leave? FlashForward producer and Green Lantern movie scriptwriter Marc Guggenheim's series starts with that idea and spins out a series that's part Y: The Last Man, part Lost and all-over fascinating. Why did the aliens invade? Where did they go? No-one knows yet, but considering they've left behind technology and even one of their own, you can sure that we'll probably find out somewhere down the line... but along the way, you can get sucked into the more down to earth stories of the humans left behind. Even if one of them is former president Bill Clinton, who was revealed to be more alive than everyone thought at the end of the most recent issue.
Where To Start: There's already a collection of the first black and white series out there, but we'd actually recommend waiting until the start of next year, when the 368 page Resurrection Vol 1: Deluxe Edition, featuring the complete first series and the first seven issues of the current series, hits the shelves.
Click here for a preview of Resurrection.

Urban Fantasy
Locke & Key
What It's About: Ignore the punniness of the premise - The Locke family move to the family estate of Keyhouse, wherein there are magic keys that can do various weird and wonderful things, which puts them right in the middle of some bad things that're about to happen - and instead, embrace and enjoy those weird and wonderful things that the keys can do: like open doors that turn people into ghosts or even open their own heads so that you can reach in and take out unpleasant memories. Mixing horror, fantasy, comedy and family drama and featuring moments that are genuinely unsettling, Locke & Key deserves all the praise it's gotten, and a lot more.
Where To Start: There're two collections out already; Welcome To Lovecraft and Head Games. Start at the beginning (Lovecraft), bearing in mind that Head Games is the better, and also the more freaky.
Click here for a preview of Locke & Key.

Nostalgia Done Right
Pluto: Urasawa x Tezuka
What It's About: A reimagining of Osamu Tezuka's Astro Boy (with some nods to his other work thrown in), Naoki Urasawa's Pluto is inventive, dramatic and in almost every single way, a lesson in how to take reboot and update an old concept the right way. Instead of retreading the old status quo, the series centers around robot detective Gesicht, who's investigating the murder of various high profile robots around the world... Murders that may have been committed by another robot. Even if you don't get sucked in by the economy and subtlety of the writing, there's no way you could fail to admire Urasawa's amazing artwork.
Where To Start: Unsurprisingly, Vol. 1. The seventh volume of the series is due in January, but that's still too far away; when you finish the first volume, you'll be hooked and get through the other five in days.
(No preview available, due to licensing issues. Sorry.)

Crime/Romance/SF/Everything
King City
What It's About: I've written before about Brandon Graham's stunning future crime book, but now that it's being re-released in an easier-to-find serialization by Image Comics, I'll use the opportunity to gush again; the bastard child of an orgy that included Moebius, Vaughn Bode, Jamie Hewlett and Osamu Tezuka (and maybe a little Alex Toth, come to think of it), King City is the tale of one thief, his broken heart, his cat that can literally do anything if given the right drugs, werewolves with war trauma, stolen organs, sidekicks in wrestling masks and pretty much all that's good in the world, all wrapped in something that takes noir's cliches and gives them a makeover laced with enough absurdity and love that it all seems new again. The whole thing manages to be both laid back and electrifyingly kinetic, and your heart will break for multiple reasons while reading it. Really, really worth tracking down.
Where To Start: The serialized reissue is on #2, so picking up back issues from the start really shouldn't be a problem. The original Tokyopop release may offer more story in one sitting, but the Image re-release comes with bigger pages and brand new material to accompany the serialized reprint.
Click here for a preview of King City.

With a budget estimated to be somewhere in the region of $50 million already, and a weekly running cost that may be in the budget of $1 million a week, Julie Taymor's musical version of Marvel's superhero may be too expensive to be allowed to fail. That might explain the addition of Michael Cohl as new lead producer. Cohl, a music industry veteran and former chairman of Live Nation, brings with him experience with ridiculous demands for stage sets and dealing with budgets out of control. Although it likely had nothing to do with him, the announcement on the same day that the show has found its Peter Parker in Reeve Carney, who has previously worked with Taymor on her movie version of The Tempest, does at least give the impression of the show slowly coming together.

Sadly, it's looking increasingly unlikely to come together quickly enough to make the projected February 2010 opening date; rumors are now that people should expect a midyear premiere.

'Spider-Man' lands producer, Peter Parker [Variety]

The man behind the Perry Bible Fellowship is Nicholas Gurewitch. He produced PBF strips for the Daily Orange, a college newspaper, and for his website for nearly a decade, but the whole strip's run has never been collected in print in one place.

Until, that is, the Perry Bible Fellowship Almanack came out earlier this year. The book collects nearly every strip produced for the Perry Bible Fellowship, including loving homages to famous comic artists, meditations on sex and death, and a healthy dose of science fiction and fantasy strips.

In fact, the science fictiony strips tend to be among the best in the book. Gurewitch is at his best when he's exploring the absurdity of life and death, and there's no better way to explore this absurdity than with a good apocalypse or a story of science gone mad.

For instance, in "Sun Love," seen above, the Sun and the Earth's love affair, coupled with their casual disregard for humanity, amounts to an almost Lovecraftian tale of the horrors of an indifferent universe. But at the same time, it's also pretty cute. And damn funny.

And Gurewitch always has a healthy sense of fun. If a strip calls for it, he isn't afraid of a straight-forward gag, but he also isn't afraid to stretch a premise beyond its obvious conclusion and into something darker and more absurd, all without forgetting that humor is humor, be it dark and biting or light and fun.

An example of the former is "Astronaut Fall." It starts as a horrible, tragic moment during a space walk, but with the simple addition of a joyful child catching a "snowflake" on their tongue, the strip becomes an absurd death with a horrendously squick-inducing punchline.

An example of the latter, called "Super League," uses a super hero team to tell a joke that wouldn't be out of place in a "Dilbert" strip: a company making hiring decisions based on the applicant's ability to provide good coffee, not their skills. It's a pretty straightforward gag, but it's expertly executed and beautifully illustrated.

One caveat: some of the early strips, before the Perry Bible Fellowship found its unique voice, rely a little too heavily on anatomical jokes and innuendo. But no book is perfect, and this collection comes pretty close; as the book progresses, the crude anatomical jokes and innuendo become very clever anatomical jokes and layered innuendo.

And layered innuendo is one of Gurewitche's specialties. In "Zarflax," a hostile alien resorts to drastic means to try to lure in a hapless space adventurer. The result is essentially a space-bound anatomical visual pun.

It's overall a fantastic read, but if the collection has a weakness as a whole, it's that the experience is over way too quickly. The strips are one per page, and even at 256 pages, the hardbound book flies by too quickly. The upside of this is that the book merits multiple readings. Each time through these strips, I see new details that I might have missed in previous readings.

So peruse the strips below, and If you enjoy the strips you see here, the book is worth picking up. It includes bonus sketches, an interview with Gurewitch, and strips no longer available online. Plus, it makes a great conversation starter as a coffee table book. But only if you don't mind your conversations being about sex, death, irony, violence, and utter destruction. And laughter!

Buy The Perry Bible Fellowship Almanack at Amazon

The Perry Bible Fellowship online

We talked to Cusack yesterday as part of 2012 interviews:

With comic book films being so huge right now in Hollywood and big-name actors like Robert Downey Jr. starring in films such as Iron Man, would you ever consider doing a comic book adaptation or a superhero film?

I don't know, but yeah, for sure. I think the adult comics are some of the best film ideas out there.

Are there any comics in particular out there that you'd like to make?

Not one that I particularly know that I would like to do, but whenever I've come across one, I've really liked them.

Are there any [comic book movies] you've seen floating around in Hollywood that you'd like to see made?

Yeah, I can, there was one or two that I heard of that sounded really cool. One of them was about, I think... it's a vampire and a killer, and they're on the road, and it's this really strange story. I thought that sounded pretty cool. Also some of the obscure ones, I don't know if there are any more superheroes left.

That sounds a little bit like Preacher?

I think it might have been Preacher.

You should get involved with that!

I'm trying to. I heard about that one, I like that.

Who would you want to play?

I'd say either the vampire or the priest. One of those two guys.

So just the two best characters in the comic?

Why not?

So I'm not 100% sure if Preacher is the script that Cusack saw, but the name definitely struck a chord with Cusack. I can't even imagine Cusack as an murderous Cassidy, but he could make a pretty bad ass Jesse or even Arseface's daddy. John August's screenplay may not even be finished yet, and it's possible Cusack was merely talking about it as an idea he'd heard floating around Hollywood.

Last we heard about the adaptation of Garth Ennis and Steve Dillon's comic series, Sam Mendes was possibly going to direct and the script was half finished in May. But at least Mendes said he was trying to translate it just right so there might be a second or a third.

Variety announced that Helen Mirren has joined the cast of the live adaptation movie of the comic Red.

The Time Traveler's Wife director Robert Schwentke is adapting Warren Ellis' three-issue comic series. The story follows a retied old black ops CIA agent who is forced back into the wild world of espionage, when he finds out he's marked for death. So he's got to rally his old retired CIA buddies to get behind the conspiracy theory surrounding the plot to kill him. With an "old people are so nutty and can murder you with their bare hands" twist. So what does Warren think of the new casting?

Warren Ellis replied via Twitter:

Current casting of the film adaptation of my graphic novel RED: Bruce Willis, Morgan Freeman and Helen Mirren. SO WEIRD.

But who will she be playing? Summit hopes Red will be in theaters Nov. 19, 2010.

Update: The Hollywood Reporter just added that John C. Reilly and Mary Louise Parker will also be joining the cast. Reilly will play a paranoid retired CIA agent convinced that everyone is out to kill him, and Parker will play Bruce Willis' love interest, a federal pension worker who gets caught up in his struggle to survive. [via /Film]

The company's net income dropped from $50.6 million to (a still impressive, let's face it) $20.4 million in Q3 of 2009, and it's not just down to the lack of a movie in theaters; earnings in every department, surprisingly including publishing, were down compared with the same period last year.

So, should Mickey and his friends be worried? Not panicking, perhaps, but the drop in publishing is concerning; while last summer had Marvel Comics' Secret Invasion mega-epic, this year has seen both an increase in the prices of individual issues as well as the volume of releases and successful "mini-events" like Dark Avengers/X-Men, Dark Reign, the relaunch of the Ultimate line and Captain America: Reborn, which most would've thought should've kept earnings level at least. Is this just another sign that Marvel's strength is now movie making and IP library? And if so, what happens if future movies are more Hulk or X-Men Origins: Wolverine than Iron Man?

Marvel Net Income Declines 60% on Lower Film Revenue [Bloomberg]

Summer, which was published from 2007 through 2008 by indie publisher Avatar Press, was Transmetropolitan and Planetary writer Ellis' attempt to break new ground for the superhero genre, stripping it of continuity and familiar characters and trying to rebuild it for a new audience. As he said in a 2007 interview:

There are still questions to be asked of the superhero genre, but, after all these years, most of the ones left are pretty esoteric and involved. I was looking for the simple question, the one that gets to the heart of the central notion of people disguising themselves and taking up arms to fight for justice with total commitment. And the one I found had political expression but was essentially ethical and moral. Where do you draw the line? Especially if you're a guy with the destructive potential of a fleet of Apache helicopters. If you're that guy, you're not in it to govern. You don't see that as your job, and, in fact, that would prevent you from doing your job. You operate outside society to keep it honest. So where do you draw the line? And where's the line before which you embody the outrage of the people and beyond which you become the fears of the people?

Here's a clue to where the answer to that last part may lie: The story begins with one of seven superheroes killing the President of the United States.

The movie adaptation will be the first project from the brand new Vigilante Enterprises. No studio, director or writers have been announced for the project yet.

Vigilante launching with 'Black Summer' [Variety]

Let's get the Mythical stuff out of the way first, shall we? Marvel's (Incredible) Hercules begins his latest and greatest storyline in this week's special one-shot, Assault On New Olympus, which guest-stars Spider-Man and leads into the regular series with plenty of other guest stars in issues ahead.

Not to be outdone, DC collects the recent Wonder Woman storyline Rise Of The Olympian in both hardcover and softcover, and it's well worth a look - I admit to being thrown by it when it was being published in single issues, but the destination is worth sticking around for; it's also the largest scale adventure for the character in years, as well. DC also has the first issue of Cinderella: From Fabletown With Love, a spin-off from Bill Willingham's Fables that sees fairytales' most deadly secret spy go globetrotting on her latest dangerous mission with wit, panache and some great art from Shawn McManus, for those who like characters who've been around before there were comics.

Talking of long-lasting characters, Ricardo Delgado's dinosaur epic Age of Reptiles returns this week with a new series, The Journey, which shows why dinosaur migration isn't as simple as it sounds. If you go in expecting an unusual, challenging but surprisingly beautiful read, you shouldn't be disappointed.

Much less beautiful (by design), Anthrax's Scott Ian writes Lobo: Highway To Hell, the first issue of which is out tomorrow and sure to be, uh, "heavy." Or something.

For those looking for more superheroic thrills, DC spins out The Great Ten from 52 (A plan only slightly flawed in that 52 finished over two years ago, and few people remember who The Great Ten were; they were the government-sponsored Chinese superteam). Marvel launches Paul Cornell's new Black Widow: Deadly Origin series, as well as a new Deathlok series (Deathlok: Pretty much, "What if Captain America was a cyborg with a bad attitude in the future?" It's as good/bad as that idea may sound to you).

And I guide you away from those in the tights and bright colors to my current hometown of Portland, where Greg Rucka's new series Strumptown is set. Yes, Stumptown (Rucka's new detective series, which he talks about right here, but comes from love of The Rockford Files and Magnum PI) may lack any sign of supernatural, sci-fi or urban fantasy hallmarks that would make it io9 material, but nonetheless, it's likely to be the best thing you could spend your money on at the comic store this week. Consider it recommended.

Just like last week, the week before that and every single one of these posts, you can meet all of the comics released to comic stores tomorrow on this here Diamond Distributors shipping list, and then find your closest comic store to purchase all the goodies mentioned here. You know it makes sense.