<![CDATA[io9: Darwyn Cooke]]> http://cache.gawker.com/assets/base/img/thumbs140x140/io9.com.png <![CDATA[io9: Darwyn Cooke]]> http://io9.com/tag/darwyn cooke http://io9.com/tag/darwyn cooke <![CDATA[ Justice League Movie Takes Us Back to the Origins of Green Lantern and the Martian Manhunter ]]> Justice League: The New Frontier comes out on DVD tomorrow, a straight-to-DVD release based on writer/artist Darwyn Cooke's series DC: The New Frontier. This is part of a trend of Warner and DC releasing original animated films on disc that might never have seen the light of day otherwise, beginning with last year's Superman: Doomsday. We got a sneak peek at The New Frontier at WonderCon, and we loved the setting in space. But the flick gets mired in the origin stories of Green Lantern and The Martian Manhunter. We've got a full report, with clips, below.

The story starts out in the 1950s, and heroes like Superman and Wonder Woman are fighting in Korea and Indochina, but she takes a mucher harsher stand than he does, letting victimized women deal out there own brand of murderous justice. He warns her that's the reason Batman is now a fugitive and the Justice Society is disbanded.

We're also introduced to both The Martian Manhunter and Hal "Green Lantern" Jordan in short order, long before they become the heroes we've come to know. We find out how the Manhunter comes to Earth, and how Hal loses his nerve during the Korean war and spends time in a psych hospital. While the Manhunter is trapped on Earth and spends his time watching television (there's an amusing scene where he emulates Groucho Marx and Bugs Bunny), Jordan tries to get into the space program, and eventually gets hired by the Ferris company, run by the boss' wife Carol Ferris.

Over the course of the film, while Jordan develops into a stand-up test pilot and gets drafted into a mission to Mars (sans ring), and the Manhunter fights crime as detective John Jones, different heroes begin unraveling a plot by something called The Center. At first it's not clear if it's a cult, some form of mind-control, or an alien invasion. Additionally, certain heroes like The Flash are being sought by the government, who want to unmask them and expose them and have them register, just like in the recent Civil War series from Marvel. The trouble is, it feels tacked on and cheesy, even though it's the most interesting idea in the film.

In the climactic ending, a whole slew of heroes including Batman, Superman, Wonder Woman, The Flash, Martian Manhunter, Adam Strange, the Blackhawks, and a ton of others do battle with the Cthulhu-like Center. When things are at their bleakest, Hal Jordan finally accepts the role of Green Lantern, and the ring he was given by the dying alien Abin Sur comes to his aid and gives him a little instruction manual brain-video lesson. They triumph over the dinosaur-spewing baddie, and thus the Justice League is formed. Montages of many more heroes (including the Teen Titans) and villains scroll by as portions of John F. Kennedy's 1960 Democratic National Convention speech play in the background.

Darwyn's art-style is retro-vintage hipster cool, and the heroes are extremely well voice acted (by a pretty impressive list of stars including everyone from Kyle MacLachlan to Lucy Lawless to Neil Patrick Harris... who aren't distracting), but the plot feels mish-mashed together, and needed to be either a miniseries, or a two-part movie. The Flash's "the government is oppressing us!" speech on television could have been the start of a terrific storyline about the persecution of heroes, but it ends up feeling like it was excised far too early.

Also, there are a lot of heroes tossed into the mix who aren't given any lines at all, like Green Arrow and Ted "Wildcat" Grant, and fleeting scenes of folks like Adam Strange. There's a lot of DC comics history being presented in only an hour and a half, and as a result it feels lacking. Some of the animated scenes feel a bit like afternoon cartoons, but other sequences (especially those in space or with planes in flight) are extremely well-done, which add to the feeling that the whole project is uneven.

It'll be interesting to see this when it comes out on DVD, seeing as how they excised certain scenes and changed the story from the graphic novel. There are a slew of extra materials and interviews on the disc, which will hopefully fill some holes. While it's not perfect, it's much preferable to the nothing, which is all we've had in the form of original animated films based on DC Comics properties. If they could spend some more time hammering out the stories and improving the animation, this could be a series that lasts for years. Just give us some Kingdom Come pretty darn soon.

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Mon, 25 Feb 2008 11:20:29 PST Kevin Kelly http://io9.com/index.php?op=postcommentfeed&postId=360182&view=rss&microfeed=true
<![CDATA[ No KKK In Cartoon Version Of Justice League Comic ]]> newfrontierwc.jpgDarwyn Cooke spent his Wondercon panel talking about The New Frontier, both his original comic series and the animated adaptation that premieres here at the con tomorrow night. While the comic's subplot about black superhero John Henry fighting against the KKK in 1950s America didn't make it to the finished movie - although fans of the Superman/Wonder Woman confrontation in Indochina will be happy to know that that scene is intact and, in Cooke's words, "one of the most powerful scenes in the movie" - the character still has an important presence in the animated version, causing protagonist J'Onn J'Onnz to try to leave the planet.

Cooke talked about Henry's reduced role as plot catalyst:

When he sees what happens to John Henry, [J'Onn] thinks "What kind of world is this?" ...[John Henry] is still an important person in the story.

Cooke also talked about how his politics ("I'm an independent and, even further, I'm a Canadian," he explained) influenced the story:
Something happened in the third book... It occured to me that none of these characters were bad, it's just where they draw the line... The minute I stopped thinking of them as 'This guy's the Republican' and 'This guy's the Democrat,' then they became much more interesting characters. Partisan thinking is nonsense. It's ridiculous. There are good people on every side of every argument.

Finishing his panel by inviting people to the world premiere of the movie tomorrow night, he told people that he expects the cartoon version of his retro comic to blow fans away. Expect a review tomorrow night to tell you whether or not any blowing happens.

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Fri, 22 Feb 2008 18:55:35 PST Graeme McMillan http://io9.com/index.php?op=postcommentfeed&postId=359948&view=rss&microfeed=true
<![CDATA[ New Justice League Flick Puts Green Lantern in the Korean War ]]> The award-winning retro-futurist graphic novel DC: The New Frontier will become a stylish movie, judging from this newly released trailer. This direct-to-DVD animated film, based on the Darwyn Cooke graphic novel, follows Green Lantern (voiced by David "Angel" Boreanaz) from the Korean War to the Kennedy administration. It's also part of a trend toward putting DC Comics characters back in the bygone eras that spawned them. More comic book journeys into U.S. history after the jump.



The New Frontier DVD follows Hal Jordan from the Korean War to the Kennedy era, and he becomes Green Lantern along the way. Jordan and the Martian Manhunter are the stars of the new DVD film, according to the screenwriter. Putting "Silver Age" characters back into the 1950s and 1960s makes them seem less dated, and also lets Cooke comment on issues like racism and McCarthyism. The movie hits multiple DVD formats on February 26th, 2008.

But The New Frontier isn't the only classic graphic novel to use this technique. James (Starman) Robinson won plaudits for The Golden Age, a graphic novel which followed a group of classic 1940s heroes as they coped with (once again) McCarthyism in the early 1950s. His comic starred Starman, Robotman, the original Atom and Johnny Thunder.

And then there's John Byrne's underrated Superman & Batman: Generations, which showed both heroes starting their careers in 1939, the year they originally appeared. Byrne placed the heroes in a classic setting (at the 1939 World's Fair), then showed them aging in real time. Both Superman and Batman deal with aging and handing over their responsibilities to their kids and sidekicks. (Later installments follow them into the present day and beyond.)

DC has also published several "Elseworlds" stories taking place in alternate universes, featuring Batman in the 1930s and 1940s. These include Detective 27, Citizen Wayne (a Citizen Kane riff), and Gotham Noir.

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Mon, 24 Dec 2007 10:00:23 PST Kevin Kelly http://io9.com/index.php?op=postcommentfeed&postId=336519&view=rss&microfeed=true