Props for featuring Ultraman. I rented the entire original series from Netflix (old DVD set) and I was surprised how much fun I had. I actually had watched the English dub on TV as a wee tot, and for the DVDs I watched with Japanese audio and subtitles. Since the dub was a pretty faithful translation, the stories were familiar. And as an adult I know that in the episode where Ultraman fights what looks like Godzilla, it actually IS the Godzilla suit (so ... I guess it's a cameo? :)
I've mentioned on here a few weeks ago that I'd be willing to add more straight sci-fi to my Netflix Horror, Exploit, and Cult cinema new release lists if you guys were going to use them, but never go an answer. I'll throw the idea out there again just in case.
As it stands, I've carried those list out to Nov. As titles are added to the NF database, I'll add them. just click to see what's doin': [www.netflix.com]
@Roklimber: I won't be buying it - I really loved BSG up until the final episode - but I hated that final hour so much, it has poisoned my love for the series. I watched that finale three times, and with each watching my disgust kept growing. Now I can't stand to watch the series, or listen to the soundtrack, or even think about it. I can't explain it - as much as I loathe the Special Editions of the Star Wars films and as disappointed as I am with the Star Wars prequels I just feel a thousand times more let down by Ronald D. Moore than I ever was by George Lucas. That final hour of BSG negated everything that happened in the entire series.
Do socialists like horror movies that lower the bar for suspension of disbelief?
When a possessed talking goat is more believable than the actions of the human characters, you failed. Yes, even for a horror movie, the story was unbelieveable.
You left off one glaring and amazing movie from this list, Black Sheep. It's a horror film, from New Zealand, about killer sheep. How can it not be awesome? Plus one of the main characters is part of these eco warriors and the entire movie is about genetically engineering sheep.
@HalenPolyhymnia: That was a great film, scary and funny! However, environmentalism and fears about GM livestock do not equal socialism. Both maybe espoused by the same yogurt-swilling pinko hippie types but they are not the same thing.
I Walked with A Zombie is brilliant, even if it is a Carribean Jane Eyre. It was directed by Jacques Tourneur, who directed it while working in Val Lewton's production unit at Universal Studios. Tourneur also directed Cat People and Curse of the Cat People while working with Lewton, and later directed one of the greatest horror movies I've ever seen, Curse of the Demon.
Missing one of the classics - understandably, I suppose, 'cos King dissected it at length in _Danse Macabre_ - but, still, _The Amityville Horror_ (original film - I haven't seen the remake(s)) is an economic horror. Home ownership as horror text.
Then there's _Homebodies_ - people about to get evicted to make way for development get a bit testy. And also _Freaks_ - don't take the poor and outcast for everything they've got, otherwise you too can wind up on _The Kids in the Hall_. _The Stuff_ - companies will sell you dangerous consumer goods and there's not a damn thing you can do about it. _C.H.U.D.s_ - the underclass is getting dicked over AND THEY'RE PISSED. _Bad Taste_ - the rich actively want to eat you.
Economic horror, particularly related to homes, isn't a huge genre, but it never seems to go away entirely. I wonder if someone's looked for a correlation between economic horror films and economic trouble.
@capnrob: I almost included Amityville horror! I didn't realize Stephen king had already talked about the class implications, but it doesn't surprise me. A lot of his books are about class too.
It just so happens that I have written an entire book about the connection between economic horror and economic trouble. It's called _pretend we're dead_ and you can find it on your friendly local Amazon.
@Sam Hawken: to be fair, I did call it out as a miniseries. And it certainly has elements of gothic horror. You can call it horror-fantasy if you like.
Socialism is the lizard-brain hermeneutic of the adjunct professor class, but that doesn't mean these interpretations are unpersuasive. Except for Blade II. That one was sort of a reach.
@Annalee Newitz: That wasn't what I intended -- my point was that although socialism is the reflexive position of a plurality of the analyzing community and has thus gotten a little threadbare on the Internet, where analysis is available by the bushel, the interpretations in the post are interesting. Except for Blade II: Blade and Whistler and everybody talk about how powerful the vampires are and all, but the vampires never seem to rule anybody but other vampires and a small class of wannabes. It's not like the movie shows vampire cities.
@Rasselas: True. On the other hand, at least in the first Blade, vampires are very aristocratic, with pure-bloods lording over "converts." Moreover, they are or consider themselves utterly superior to non-vampires.
@Trystero: In the first one, Deacon Frost (correctly) calls humans "food," but the other vampires-in-charge don't seem willing to take him up on the possibilities. Maybe a sidelong condemnation of the decadence of hereditary aristocracies?
@acrobatic rabbit: The book was awesome. The miniseries... well, the production values looked better on the static-covered overly-dark VHS bootleg copy I had than they were on the DVD's. Some things are not improved by visual clarity. (Yes, I bought a bootleg VHS copy once. I bought the DVD's as soon as they came out, so eventually I managed to give them their money.)
09/15/09
09/13/09
As it stands, I've carried those list out to Nov. As titles are added to the NF database, I'll add them. just click to see what's doin': [www.netflix.com]
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06/19/09
When a possessed talking goat is more believable than the actions of the human characters, you failed. Yes, even for a horror movie, the story was unbelieveable.
06/19/09
Thanks.
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People Under the Stairs, Tales from the Hood and Candyman - ghetto triple threat.
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Then there's _Homebodies_ - people about to get evicted to make way for development get a bit testy. And also _Freaks_ - don't take the poor and outcast for everything they've got, otherwise you too can wind up on _The Kids in the Hall_. _The Stuff_ - companies will sell you dangerous consumer goods and there's not a damn thing you can do about it. _C.H.U.D.s_ - the underclass is getting dicked over AND THEY'RE PISSED. _Bad Taste_ - the rich actively want to eat you.
Economic horror, particularly related to homes, isn't a huge genre, but it never seems to go away entirely. I wonder if someone's looked for a correlation between economic horror films and economic trouble.
06/19/09
It just so happens that I have written an entire book about the connection between economic horror and economic trouble. It's called _pretend we're dead_ and you can find it on your friendly local Amazon.
06/19/09
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Neverwhere Is pretty Awesome though!
06/19/09
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06/19/09
(spoilers)
The Great Beast of the Underground turned out to be a cow. Not even a bull, a cow.