The story starts out in the 1950s, and heroes like Superman and Wonder Woman are fighting in Korea and Indochina, but she takes a mucher harsher stand than he does, letting victimized women deal out there own brand of murderous justice. He warns her that's the reason Batman is now a fugitive and the Justice Society is disbanded.

We're also introduced to both The Martian Manhunter and Hal "Green Lantern" Jordan in short order, long before they become the heroes we've come to know. We find out how the Manhunter comes to Earth, and how Hal loses his nerve during the Korean war and spends time in a psych hospital. While the Manhunter is trapped on Earth and spends his time watching television (there's an amusing scene where he emulates Groucho Marx and Bugs Bunny), Jordan tries to get into the space program, and eventually gets hired by the Ferris company, run by the boss' wife Carol Ferris.

Over the course of the film, while Jordan develops into a stand-up test pilot and gets drafted into a mission to Mars (sans ring), and the Manhunter fights crime as detective John Jones, different heroes begin unraveling a plot by something called The Center. At first it's not clear if it's a cult, some form of mind-control, or an alien invasion. Additionally, certain heroes like The Flash are being sought by the government, who want to unmask them and expose them and have them register, just like in the recent Civil War series from Marvel. The trouble is, it feels tacked on and cheesy, even though it's the most interesting idea in the film.

In the climactic ending, a whole slew of heroes including Batman, Superman, Wonder Woman, The Flash, Martian Manhunter, Adam Strange, the Blackhawks, and a ton of others do battle with the Cthulhu-like Center. When things are at their bleakest, Hal Jordan finally accepts the role of Green Lantern, and the ring he was given by the dying alien Abin Sur comes to his aid and gives him a little instruction manual brain-video lesson. They triumph over the dinosaur-spewing baddie, and thus the Justice League is formed. Montages of many more heroes (including the Teen Titans) and villains scroll by as portions of John F. Kennedy's 1960 Democratic National Convention speech play in the background.

Darwyn's art-style is retro-vintage hipster cool, and the heroes are extremely well voice acted (by a pretty impressive list of stars including everyone from Kyle MacLachlan to Lucy Lawless to Neil Patrick Harris... who aren't distracting), but the plot feels mish-mashed together, and needed to be either a miniseries, or a two-part movie. The Flash's "the government is oppressing us!" speech on television could have been the start of a terrific storyline about the persecution of heroes, but it ends up feeling like it was excised far too early.

Also, there are a lot of heroes tossed into the mix who aren't given any lines at all, like Green Arrow and Ted "Wildcat" Grant, and fleeting scenes of folks like Adam Strange. There's a lot of DC comics history being presented in only an hour and a half, and as a result it feels lacking. Some of the animated scenes feel a bit like afternoon cartoons, but other sequences (especially those in space or with planes in flight) are extremely well-done, which add to the feeling that the whole project is uneven.

It'll be interesting to see this when it comes out on DVD, seeing as how they excised certain scenes and changed the story from the graphic novel. There are a slew of extra materials and interviews on the disc, which will hopefully fill some holes. While it's not perfect, it's much preferable to the nothing, which is all we've had in the form of original animated films based on DC Comics properties. If they could spend some more time hammering out the stories and improving the animation, this could be a series that lasts for years. Just give us some Kingdom Come pretty darn soon.

Sadly, the above video contains a few boring interviews, saying things like "Most of Batman's adventures take place at night." But the animation itself is great. The direct-to-DVD Batman anime is similar to The Animatrix, the DVD which tied in with Matrix sequels. Warners is also working on a version called Termination in tandem with Terminator Salvation: The Future Begins. The segments are written by Josh Olson, David Goyer, Brian Azzarello, Greg Rucka, Jordan Goldberg, and Alan Burnett, and will each have their own distinctive look. Just think of it as an animated version of Batman: Black and White except you know, with color.

In fact, it would really be worthwhile to see DC just hand over the reins to anime directors like Satoshi Kon, to see what they could do with characters ranging from Green Lantern to Captain Marvel. In fact, maybe the entire Justice League film that's been put on hold could be saved, just by making a big-budget anime version. As excited as we are about Darwyn Cooke's The New Frontier DVD, it's still a very Western style of animation. Bring on the anime heroes.

Today we're not impressed unless our science fiction involves explosions, boobs, mutants, or all three, but back in the 60s when science fiction became science fact, it seemed like the country could unite to do anything. I caught this film last year at Sundance sandwiched between melancholy indie art films that make you pray that you might choke on your own tongue, and I was blown away. It's a great testament to the entire space program, and what might be one of the last memorable looks at the surviving men who have walked on the moon.

If you're looking for a trippier moon experience, however, pick up the Brian Eno scored For All Mankind, which was culled from the massive amounts of film that NASA shot on flybys of the moon. You'll recognize the "Deep Blue Day" track immediately from the time Ewan McGregor had to go diving in that shit-encrusted toilet in Scottish junkie flick Trainspotting to fetch his opium suppositories.

io9: the only place that will take you from the surface of the moon to a feces-covered toilet in Scotland. Sorry, it had to be said.

The Warner corporate suits told us about the plans for this year's DVD releases, Warren Beatty told a few stories about meeting Rita Hayworth back in the day (and he shamelessly hit on the two female representatives from Amazon and Best Buy), and Richard Schickel showed off 10 minutes from his in-progress, five-hour documentary about the history of Warner Bros.

However, the real highlight was the party in the Warner Bros. Museum afterwards. Of course, we geeked out and headed straight to the superhero junk, like Wonder Woman's costume (with dress cape!) from the television years, although the bright blues have faded to purple. Plus we never realized just how generous that crotch was until we got close. It almost outshines Batman's codpiece, seen above.

They also had Superman's suit from Lois & Clark on display, as well as the Batman Begins batsuit and Superman's duds from Superman Returns. Did you know those super-boots have the S-shield on the heel? We didn't. Plus there are lines of satin-like piping running down the arms of the costume, which we also didn't know about. If only the public knew! It could have saved the film.

We also spoke with McG who talked about his upcoming Terminator Salvation film. He says he "wants to do what they did with Batman Begins, which is respectful of the previous movies, but is also something wholly new." He wants the film to explore "Asimov ideas and the Phillip K. Dick ideas. In a day and age where we can clone sheep and give someone a titanium shoulder, science fiction is becoming reality."

He also wouldn't spill on who his dream Terminator would be, although he admitted he loves Robert Patrick, whom he cast in Charlie's Angels: Full Throttle and We Are Marshall. He also loves actors like Eric Bana, although "at the end of the day, he's just not the right guy for it. That's a masculine role, and you really need someone to step in and fill those shoes." He promised us a sit-down sometime in the near future, although we could tell he wanted to punch us in the back of the head when we asked him to pose with the Superman Returns suit. Such missed opportunities.

Holy duplicates, Batman! This couldn't look more like Cloverfield unless they called it Cloverdale and set it in New York City instead of Tokyo. They even use the same font to plug to direct-to-DVD date of 01-15-08. I guess they're hoping that their three day lead on J.J. Abrams' film will fill up their coffers with bewildering video store browsers. Not surprisingly, it's from the same director who brought you Snakes on a Train. We can't wait to see his next flicks: Space Journey and Tungsten Man.

Movie Trailer: Monster - The Asylum's Cloverfield Knock-off [/Film]

The New Frontier DVD follows Hal Jordan from the Korean War to the Kennedy era, and he becomes Green Lantern along the way. Jordan and the Martian Manhunter are the stars of the new DVD film, according to the screenwriter. Putting "Silver Age" characters back into the 1950s and 1960s makes them seem less dated, and also lets Cooke comment on issues like racism and McCarthyism. The movie hits multiple DVD formats on February 26th, 2008.

But The New Frontier isn't the only classic graphic novel to use this technique. James (Starman) Robinson won plaudits for The Golden Age, a graphic novel which followed a group of classic 1940s heroes as they coped with (once again) McCarthyism in the early 1950s. His comic starred Starman, Robotman, the original Atom and Johnny Thunder.

And then there's John Byrne's underrated Superman & Batman: Generations, which showed both heroes starting their careers in 1939, the year they originally appeared. Byrne placed the heroes in a classic setting (at the 1939 World's Fair), then showed them aging in real time. Both Superman and Batman deal with aging and handing over their responsibilities to their kids and sidekicks. (Later installments follow them into the present day and beyond.)

DC has also published several "Elseworlds" stories taking place in alternate universes, featuring Batman in the 1930s and 1940s. These include Detective 27, Citizen Wayne (a Citizen Kane riff), and Gotham Noir.

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After a brief intro during which the retards at FOX are merciless slagged, killed and ground into a fine pink powder, the real action begins. Creator Matt Groening's old cast is fully revived, but the plot is built primarily around 20th-century refugee Fry, one-eyed love-interest Leela and, of course, Bender the alcoholic misanthropic robot. A time-travel storyline pushes everything forward (and back, and forward, and back-back, and... well, sometimes you just want to slap a guy like writer David X. Cohen), as a trio of nudist aliens enslave Bender and use him to raid the treasure-chest of human history. A subplot involves Leela, Fry, a guy who works at a museum of preserved heads, and a narwhal in a romantic quadrangle.

Thankfully, it all culminates it a magnificent battle sequence in which the Futurama crew takes to space and puts a hurt on the nudists aliens' fleet of solid-gold, jewel-encrusted Death Stars. Unfortunately, a late time-travel joke involving an infinity of Benders kicks off a cascade of temporal paradoxes and, we guess, initiates the obliteration of the space-time continuum. Har har!

Futurama was always kinda fun, but its was weighed down by show-offy writing, as if its staff needed to prove that they could be oh-so smarter and somehow more Harvardy than The Simpsons staff. Its overall ideology of humor had worn thin when it got the axe. Now, revived and strung out, it verges on embarrassing.

Peoples mentions he was brought in to work on the Blade Runner script after the studio had exhausted Hampton Fancher with multiple drafts. Then Hauer came in and added some of his own stuff to People's pages, ad-libbing the famous "tears in the rain" off the cuff. Nice to know that an ad-lib led to one of the most memorable lines from the film.

Peoples went on to write Ladyhwake, also starring Rutger Hauer, Unforgiven for Clint Eastwood, and the time-traveling viral classic, Twelve Monkeys. Looks like having Rutger Hauer drop in a few lines wasn't such a bad thing.

Sammon's remarks, which came during a recent interview about his updated book Future Noir: The Making of Blade Runner are sure to cause involuntary shudders and waves of nausea amongst fans of the original. Although the film is based on Philip K. Dick's classic Do Androids Dream Of Electric Sheep, author K.W. Jeter has written three novels as sequels to the movie. These novels have generally been panned by critics, and only enjoyed by rabid Blade Runner megafans who long for a return to this dystopian vision of the future, while the rest of us would like to see this film remain untouched, sequel-wise.

Ridley Scott hasn't made a sequel to any of his films, and would rather move on to new territory than revisit somewhere he's been before. Let's hope Sammon's words are just wishful thinking.

Blade Runner II? {SciFi Scanner]

Razor Flashbacks: The Sci Fi Channel has been airing original "flashbacks" in a desperate bid to get people to watch Flash Gordon. Er, we mean a thinly veiled marketing ploy to see what you'll get if you buy the DVD. Frak, actually we mean in an effort to bring the fans a little backstory about the First Cylon War. These short episodes can be seen on the Sci Fi website, and will also be part of the longer Razor which goes on sale December 4th. So what do these six clips tell us?

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• Day 4,571: Young rookie "Husker" Adama gets some action in his rack, and we find out that the familiar "What do you hear? Nothing but the rain" exchange came from his own commander. He fears that with rumors of a Cylon surrender on the horizon, he won't get to see any action in this war. Movie watching veterans know that's usually when the roof caves in.
• The Hangar: Husker's wish comes true as he prepares to launch out on his first combat mission. However, he spies his girlfriend on the floor of the flight deck, having just returned from her own patrol with half of her face blown off. He growls out "Let's do this" while waiting in the launch tube.
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• Operation Raptor Talon: One of the best battle scenes ever on BSG, webisode or not. Husker and his wingman shoot down several old school (yep, they look just like the ones from the old TV show) Cylon Raiders before witnessing the destruction of the Battlestar Columbia. An angry Husker chases two Raiders into the atmosphere of a nearby planet, which results in a catastrophic collision and his Viper plummets to the surface.
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• Free Fall: In a bit of a ridiculous scene, Husker bails out and goes toe-to-toe with a Cylon (old school too!) in mid-air while they both free fall. Remember the scene in Moonraker where Roger Moore's James Bond and Jaws fight in mid-air? You get the picture. Adama and his toaster-buddy crash through the ceiling of a building on the planet's surface and Adama goes medieval on the Cylon's ass (well, his face really) with an iron rod and "kills" it. Then he realizes he's in some sort of a Saw-like torture chamber and grabs the Cylon's gun.
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• The Lab: With gruesome Cylon/Human body parts hanging all over the place like a perverted flesh fair, Adama tries to figure out what he's stumbled into. He sticks his arm into some murky water in what looks like a Cylon birthing chamber, and of course something grabs him from underneath. A creepy looking man floats to the surface and looks at Adama before vanishing. Was he really there? A disembodied voice tells Adama "All of this has happened before, and will happen again.
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• Survivors: Adama struggles to free a group of humans from Gemenon locked inside the Cylon laboratory, but only succeeds in opening the door a few inches. As the room starts to come apart around him, they urge him to save himself and to remember them. He flees the collapsing laboratory, leaving the humans trapped behind.
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• Escape: Stumbling out of what turns out to be a Cylon ship, Adama watches as it takes off into the atmosphere with the humans still aboard. He tries to call in support, only to hear that the war is over: the Cylons have surrendered. Cut to an older Commander Adama on the flight deck of the Galactica, two days before the decommissioning ceremony. He surveys the museum-ready ship and reflects, standing in front of an old-school Cylon encased in lucite, not knowing that he's about to revisit the past in a big way.
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While these clips show us some cool scenes from the First Cylon War, they unfortunately show very little. Plus, isn't it a little coincidental that Adama just happens to be the one who discovered the first hybrid Cylon/Human and didn't see fit to mention it until now? But, there are a lot of coincidences in the BSG universe, so we'll take it in stride.

One thing to note: all of these flashbacks take place 41 years in the past, which means that Adama has to be about 60 years old or so by now, which sounds about right. Kudos to Nico Cortez, who plays a fairly convincing (and relatively smooth-cheeked) young Adama. He even gets the raspy voice right.

A supervillain, Annaka, is kidnapping sexy hookers and stealing their sexy parts to sell to rich people. It's up to supermodel/secret agent Starrbooty to put a stop to this scheme. Really, the film is a searing indictment of the commodification of body parts (Annaka wants to remove Starrbooty's legs and graft them onto a famous female rapper) and a warning about the nightmarish future of penis transplants. Oh, and there's drag queen incest.

Starrbooty