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Sat Dec 5
24 posts in the last 24 hours
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Haha. Leguin is fun to speak to on the phone. She's super energetic and sweet and clearly has spoken to way too many interviewers in her time because she's got it down to a science.
@Rasselas: Eh yeah. I know he's a big name in influence, and I know he set some fantasy standards, but I just never ever liked the quality of his prose fiction. Just always hit me as sort of.... well, childish I guess.
@Pope John Peeps II: The prose in the Pyat books, Mother London and The Brothel in Rosenstrasse is substantially better than the speed-written Eternal Champion stuff and the more recent Elric books, I think, but de gustibus.
Also: Everyone Loves Arioch! Tuesdays on Nickelodeon, after SpongeBob!
I find the list rather dull. I can see the reasoning behind all of their choices- but it just seems rather "old school" in the way they came to their conclusions.
@Plague: Yeah, but I don't understand. You're talking about cities. What's "not dated" about cities.
There's no city that's like.... 35% cyborgs. I mean... You can only like certain things about cities. Are you really complaining? Or is this just a "I'm young, and old people SUCK! REVOLUTION!" kind of complaint.
As I'm not what you would consider young, that is certainly not it. As I said, I see the reasoning behind their choices, but they seem to lean to the scholarly and historical and less to the fantastical in my opinion. A city like HK, where you seem to be in a different world on each corner, is more to my way of thinking of a "fantastical city". That's all.
@Plague: Okay. But you're just doing what they're doing, right? Projecting the times and themes that you consider to be "the future" and then writing that onto a city? I don't see a lot of difference between what Hopkinson and Mieville are saying about their choices, and what you're saying about yours.
I guess it all comes down to what you consider the future to be. I mean, Leguin projects far far forward, looking at the degeneration of advanced societies, and their fight against sloughing down, so she'd obviously love Venice as a symbol.
I have been to only three of the five. I'd say that Hand overstates the alien qualities of Reyjavik; once you've been there a few hours, it starts to look pretty normal, albeit squat, but the minute-to-minute life in Venice is a pretty surprising contrast to the experience of anybody not from Venice.
@Rasselas: I loooove Reykjavik. Love it. I completely understand why a large percentage of the population believe in fairies. It feels slightly temporary and a little too new, and with all of the gorgeous surroundings it's one of the only places I get the feeling that nature could easily reassert itself and just skitter human habitation right off the island.
It just feels entirely different to me, and I've been to a lot of places -- Reykjavik is a place I return to a lot.
@limber: The feeling of nature in abeyance only increases when you leave Reykjavik and see the rest of the landscape: blasted volcanic fields, endless mossy valleys, etc. It's pretty memorable.
@Rasselas: It's one of my favourite places to drive, too, if you're mainly on primary roads. Very smooth.
And to be utterly touristy, it's stunning to hang out in the Blue Lagoon, then climb that flight of stairs and look out on what appears to be a lunar landscape.
Of course, that's leaving out the recent trend of exploding Range Rovers for insurance money and everyone owing fishermen-Viking-bankers millions of kroner (does the kroner even exist anymore?)
@His_Steveness: Yah, that's a pretty clumsy term. Personally I abhor all the labels and sub-genre classifications, but without them how will marketing people know what to sell us?
@His_Steveness: In literary theory terms, the word "post-" simply means something that claims to have absorbed and then succeeded past all the rules of a given genre. I.e. "post-modernism" refers to the literature that emerged when authors started to venture past the established parameters of "modernist" fiction. Same with "post-structuralist", which was largely a theoretical concern.
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Also she loves Mieville's work. She nice!
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Also: Everyone Loves Arioch! Tuesdays on Nickelodeon, after SpongeBob!
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06/17/09
I agree with you on HK, though, CJA.
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But I'm sure you knew that.
06/17/09
There's no city that's like.... 35% cyborgs. I mean... You can only like certain things about cities. Are you really complaining? Or is this just a "I'm young, and old people SUCK! REVOLUTION!" kind of complaint.
06/17/09
As I'm not what you would consider young, that is certainly not it. As I said, I see the reasoning behind their choices, but they seem to lean to the scholarly and historical and less to the fantastical in my opinion. A city like HK, where you seem to be in a different world on each corner, is more to my way of thinking of a "fantastical city". That's all.
06/17/09
I guess it all comes down to what you consider the future to be. I mean, Leguin projects far far forward, looking at the degeneration of advanced societies, and their fight against sloughing down, so she'd obviously love Venice as a symbol.
06/17/09
Oh, yes. It's entirely a personal preference.
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06/17/09
It just feels entirely different to me, and I've been to a lot of places -- Reykjavik is a place I return to a lot.
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06/17/09
And to be utterly touristy, it's stunning to hang out in the Blue Lagoon, then climb that flight of stairs and look out on what appears to be a lunar landscape.
Of course, that's leaving out the recent trend of exploding Range Rovers for insurance money and everyone owing fishermen-Viking-bankers millions of kroner (does the kroner even exist anymore?)
05/19/09
Since Fantasy is a genre that is still being written, a lot, how can something be "post"-fantasy? Inquiring minds want to know.
05/19/09
MiƩville novel is very different from any New Wierd/Urban Fantasy stuff I can think of, he's gone past elves on motorcycles of steampunky cities with monsters. I'll be reviewing it here soonish.
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