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San Francisco, 2:36 AM
Sat Nov 28
17 posts in the last 24 hours
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09/22/09
Why is it so gosh darn dark on that space ship? Couldn't they have painted the walls white or blue or anything other than gun-metal gray? The darkly lit and depressing gray metal space ship interior is such a tired cliche now. Hell even in Alien there were brightly lit areas meant for crew habitation that didn't look like the mechanical sections of the ship.
09/22/09
From a non-story POV, I'm guessing it's supposed to make things darker and scarier.
09/22/09
Imagine how much more original it would be if at the beginning of a film the ship is brightly lit and clean but as the film progresses more lights start to get knocked out and rooms start to have blood on the bulkheads from the mayhem and murder going on. As the environment all around the characters slowly gets trashed and brightly lit corridors give way to darkened halls with flickering lights or dim emergency lights things would start to feel more claustrophobic.
Also the idea that a horror movie needs to be mostly in the dark is not necessarily true in my opinion. I think a lot of horror film producers get confused between what is actually horrifying and what is just startling. Startling is when a creature pops out and grabs it's victim, horrifying would be when a creature paralyzes it's victim and buries them among the bodies of other victims to be eaten later while they're still conscious.
09/22/09
Gun metal gray seems to be the norm. I heard that battleships and aircraft carriers got coated in that because firstly its cheap on mass (Aircraft carriers are bloody huge) and secondly less distraction when using the ship in battle. A real life working ship. Ships in films like Aliens, Sunshine, Event Horizon and Pandorum are all bloody huge working ships. So they probably fit the real world rules around the design. I wouldnt want to paint a ship yellow if the tins cost 70 quid a pop. How would you afford the fuel.
09/22/09
Like I said; even the Nostromo from Alien isn't entirely drab throughout. I didn't mind the dark and menacing look of spaceships such as the Event Horizon either but now it's getting old.
Also I never said I was looking for a story about a luxury ship, just a ship that wasn't completely nasty so I don't know where the Starbucks remark came from but speaking of the shuttle it is quite well lit in there isn't it? Hmmmm.
09/22/09
09/21/09
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09/22/09
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09/21/09
The problem you have to watch out for, is that...maybe the panicky/scared guy is afraid because a *sane* person WOULD be afraid...
...and the outwardly calm guy has in fact, completely snapped.
***I.e., Sam Neil in "Event Horizon" isn't foaming at the mouth near the end, he's actually really calm....as he goes progressively more insane.
09/21/09
09/21/09
Long story short: we followed the Vorlons who represent "Order" and the Drakh were one of the servant races of the Shadows who represent "Chaos" (neither of which concept was entirely bad, it was supposed to be a mix of both)....or we were Gondor as to the Elves, and the Drakh were Harad as to Mordor.
Anyway, when both the Vorlons and Shadows leave the Galaxy, we effectively become the new Vorlons and the Drakh become the new Shadows.
09/21/09
09/21/09
08/20/09
Mutants? Anyone . . . Anyone . . . Beuller?
08/19/09
08/19/09
Or Possibly "everyone except the Puppeteers".
-Kle.
08/19/09
08/19/09
08/19/09
I didn't think it was so bad as an example (assuming you know the above), but almost any cover from the 'Man-Kzin Wars' series would've been far preferable...
08/19/09
08/19/09
[cache.gawker.com]" rel="lytebox" class="commentImageWhat about the Narns?
[cache.gawker.com]
Held in a position of slavery for a hundred years by the Centauri, treated like cattle, "Civilized" and then after losing the War in 2259, being constantly exicuted.
There's also the Telepaths, the Hyach-do, the Centarui themselves selling off their lower-classes as slaves.
The Minbari Worker Caste being constantly superseeded by the other two castes
Not to mention every race in the galaxy being opressed by the Shadows and the Vorlons into choosing one of their ways for thousands of years.
Babylon 5's rife with opression.