@Evil Tortie's Mom: R.O.A.C.H.:
Anyone who follows CanLit has heard of the Canada Reads contest on CBC. I have always hoped that someone would have the guts to suggest Neuromancer, which was written in Vancouver (as I believe all Gibson's works have been) To those who gripe that none of the novel takes place in Canada, or that Gibson was born in the US, I would say a) Michael Ondaatje wasn't born in Canada and b) none of the English Patient takes place in Canada. It's elitism, pure and simple.
Atwood's nonsensical, elitist attitude towards classifying these works of hers is my single biggest pet peeve in CanLit, and I'm very glad to see someone of Le Guin's stature call her on it.
As others have said, it's not as if Atwood has anything to worry about in her career, so (even though we can't look into her mind and know for sure) any reason other than literary snobbery for these weird distinctions seems somewhat baffling.
@Evil Tortie's Mom: R.O.A.C.H.: If she were a CanLit up-and-comer, I might be able to understand that sort of fear, but at this point in her career? Why would she still think her place in the Canadian literary canon isn't assured?
If anything, acknowledging that a few of her works are in this genre would get her fannish accolades as well as all of the prestige she already has...
Shorter Margret Atwood: "My book about a genetically modified, post apocalyptic world is not science fiction!" right.
But if we judge it by the standards of literary fiction, it utterly fails, because it disregards the tropes of that genre and adopts the tropes of speculative fiction. She's trying to have her cake and eat it too. (And as we who are familiar with sci-fi tropes know, the cake is in fact, a lie).
Why do people want to stay away from the genre? It is more popular today than ever. I believe Atwood is being pretentious and I think Le Guin is pulling hairs as far as the review.
@Zyg: Because SF is perceived as a marginal genre, certainly in England as the home of bad special effects, bad plots, aliens from the planet Zebbo and people with names like Lord Overstrax.
Cases in point:
-If you write an episode of Old Tricks, one of the BBC's detective shows, you get about forty grand. If you write an episode of Torchwood, it's half that.
-The average advance for an SF book in this country is three thousand pounds. The average advance for a crime novel is fifteen thousand.
-I've had a DJ contest the fact that Doctor Who is science fiction because, basically, normal people watch it.
It's an unlovely combination of massively popular and commercially slightly unviable. And, frankly, the deserved reputation some SF fandom subgroups have does absolutely nothing to help matters.
Science Fiction is a genre made up by publishers and book sellers in order to better market the product...which forces writers to conform to these categories in order to get published and readers to actually find the kinds of books they like in the store.
that the contents of a book can sometimes be easily placed within a genre doesn't validate the general usefulness of that genre.
the definition of any genre is a moving target...more support for it's lack of real world (outside the fiction industry) applicability.
on my bookshelves there are two categories:
fiction and non-fiction
Philip K. Dick is right beside Charles Dickens and Hawthorne right beside Heinlein.
Lots of writers have attempted to avoid the "ghetto" of science fiction by claiming that their books are something else. Michael Crichton might be writing books about bringing dinosaurs to life but you'll see it shelved under fiction. Same with Harlan Ellison and (newer) Greg Bear novels.
It's good to see Ursula K. LeGuin call Atwood out onto the carpet for this, though. I've always liked LeGuin's stuff.
And if you've never read The Dispossessed, please give it a shot. Great book.
The real problem is the tyranny of genre that exists in all art. If it's good it's good dammit, I don't care what you want to call it. Something like the Jeeves stories take place in a world just as unfamiliar and impossible as any science fiction.
If a writer puts their story in the future or an alternate reality and there's some scientific element to it (like genetically modified humanoids) then, dammit, it's science fiction. Atwood is fooling only herself.
By Atwood's definition the Handmade's Tail is not Sci Fi and she would be correct. Several of the themes of the novel occur to women each and everyday in this world.
@Jason Moreland-Basconcillo: I know it's a typo and I know it's being unfair but, frankly, if the Handmaid had a Tail it most certainly would be science-fiction (or at the very least a satire on evolutionary theory).
@Jason Moreland-Basconcillo: "In her essay collection Moving Targets Atwood explains that she doesn't consider the books she writes...a genre she defines as 'fiction in which things happen that are not possible today.' "
OK, so your suggestion works for The Handmaid's Tale. But in Oryx and Crake, she is clearly not making fiction containing things that are possible today. The story has crazy genetically engineered monstrosities that are far too complex for modern genetics to create, and there's no guarantee we'd ever be able to create organisms like the ones in her book.
Sorry Margaret, but if you're writing fiction, and there is science involved that is beyond the limits of modern technology, you're writing science fiction.
Just another example why any author's opinion of their own work should be immediately discarded. Atwood can, obviously, think whatever she likes if it's going to help her write or fuel her imagination, or what have you; but of what value is the propagation of that opinion?
Maybe this is a personal issue for me; I've never found an author's opinion on their own work to be anything other than kind of annoying.
I'd say it's not Sci-Fi, because it just isn't. But it wants to be... like The Road (Atwood and McCarthy might be good writers of literature, but they can't do Sci-Fi). OAs others have siad, there are many who can... just not these two...
This kind of makes me feel bad for Atwood. I’ve really enjoyed a lot of her books, but I just don’t know what she could have been thinking when she said this. It could insult a large number of her fans. Besides, it’s a fiction book about science. There really aren’t many other names you can use for it.
It reminds me of the author who said he didn’t want to do science fiction because of all the weird names using "x" and "z". It’s like they can’t get past the stereotypical idea of what science fiction is. Don’t they realise that some of the best writers of the past century (Orwell, Huxley, Bradbury, Vonnegurt, Wells) wrote books that are considered science fiction?
*Edit: Ok, so the list of great authors is really just a list of authors I really like. But I think my point stands.
Who cares? She gets to see her own books however she likes. Just like everyone else gets to talk about them the way that they want. C'est la vie. She's writing the books she writes so she obviously respects and enjoys looking at the future. If you're going to be insulted because she doesn't specifically call what she does "science fiction", then I suppose that's your choice.
@Pope John Peeps II: when the authors themselves are acquiescing to social pressures to call their works something other than what they are to avoid literary derision from elitists i think it's patently obvious the fans are who loses. how are we, as readers, supposed to defend sci-fi as good, smart literature when there are authors too ashamed to call their work sci-fi?
@tetracycloide: What possible social pressure? She's at the end of her long and extremely successful career. She's written poetry, theory, fiction... everything. She's pretty much entitled to have whatever opinion she wants to have of her writing. She's not overtly criticizing science fiction as a genre, but is simply stating how she sees it. It is in fact LEGUIN who is attributing motives to Atwood, i.e. the desire for prizes, the desire to appeal to a readership. There's a little bitterness in Leguin here, as she's hanging out Atwood to dry in a way that's so subtle, she even caught you up in it unawares.
@Pope John Peeps II: Huh, I hadn’t realised I’d said I was personally offended by it. Thanks for letting me know, otherwise I might have never realised.
I’ll still be purchasing "The Year of the Flood". My comment was mostly addressing the fact that so many authors (and other media types) feel the need to distance themselves from science fiction.
@RandomFrequentFlierDent: Well I just figured that since you mentioned that something could be seen as insulting, that means that you found it insulting yourself.
@Pope John Peeps II: what makes you think i wasn't aware? i know exactly what leguin is doing and i agree with her because were i in her postion i'd do the same thing. frankly i don't see it as being all the subtle either as it's pretty obvious what she's getting at
@tetracycloide: Well then you agree with what is essentially a tiresome, personal libel. And you do so based on... what... exactly? A desire to see Atwood as some sort of ancient, evil hag who's somehow your enemy?
I don't know. That little acid aside makes me think a LOT less of Leguin. It's pretty snide and petty, to be honest. Unless there's an interview out there I'm not aware of in which Atwood has admitted she's only in the game for prizes and lauds, in which case I am certainly on the wrong side of this argument.
@Pope John Peeps II: That's fair. But for the record, when I find something insulting I generally say "I am insulted by this".
Here's the link I posted below. As of 2005 Atwood was saying that both The Handmaid's Tale and Oryx and Crake were science fiction (after saying for years that they weren't). The back and forth seems to imply an effort to appeal to others, rather then simply seeing her own books however she likes.
@Pope John Peeps II: i don't see acidic asides directed at someone that's clearly ashamed of being what you yourself are as being petty. of course it's entirely possible that is atwood's genuine, unguarded opinion of her own work. that she doesn't realize she write science fiction, in which case i am on the wrong side of this argument. it seems we're each taking a leap of faith only in different directions.
"If you're writing about the future and you aren't doing forecast journalism, you'll probably be writing something people will call either science fiction or speculative fiction. I like to make a distinction between science fiction proper and speculative fiction. For me, the science fiction label belongs on books with things in them that we can't yet do, such as going through a wormhole in space to another universe; and speculative fiction means a work that employs the means already to hand, such as DNA identification and credit cards, and that takes place on Planet Earth. But the terms are fluid. Some use speculative fiction as an umbrella covering science fiction and all its hyphenated forms - science fiction fantasy, and so forth - and others choose the reverse.
I have written two works of science fiction or, if you prefer, speculative fiction: The Handmaid's Tale and Oryx and Crake. Here are some of the things these kinds of narratives can do that socially realistic novels cannot do."
I guess that answers our questions as to what these books are? If they're anything, it seems like Atwood would call them "speculative fiction", since they're near-to-present technology works.
Interestingly enough, Douglas Coupland's next book is a near-to-present spec. fic. I wonder what it is about Canadians and this genre.
@Pope John Peeps II: 2005-Atwood tells us that she likes to call her novels speculative fiction. She gives her personal opinion of what she thinks science fiction is, but seems to recognise that a lot of people would classify "The Handmaiden’s Tale" and "Oryx and Crake" as scifi (personally I wouldn’t call "The Handmaiden’s Tale" scifi, but that’s just my opinion).
Huh, I just looked up something that has changed my opinion of Le Guin. Le Guin bases her argument that Margaret Atwood "says she doesn’t write science fiction" on Atwood’s 2004 essay collection "Moving Targets". The article I linked was written by Atwood in 2005 (and I’m of the opinion that in the article Atwood is recognising that what she writes could be called science fiction). So the information and quotes that Le Guin used are pretty much moot.
So . . . I guess everyone is entitled to their own opinion and Le Guin is kind of a bad person. Especially considering that the review by Le Guin and Atwood’s 2005 article were both written for The Guardian.
@RandomFrequentFlierDent: Atwood has made plenty of comments in interviews more recently related to The Year of the Flood which echo her earlier comments...just Google "'Margaret Atwood' + 'not science fiction'" and I'm sure you can find many examples.
I would call her quote in The Guardian an outlier--and proof that she knows all about genre distinctions, but chooses to redefine them anyway to suit her own snobby purposes.
Isn't it nearly impossible for writers, fans, editors, publishers, critics, or IO9 to actually define Science Fiction? Evil Tortie's Mom once remarked something to the effect of when we say SF or Fantasy we really mean "fannish", meaning whatever tickles the fannish receptors in our brains. That's a pretty broad spectrum of material.
That's why the debate about HOUSE, M.D. Is McCarthy's THE ROAD science fiction? How about Chabon's THE YIDDISH POLICEMEN'S UNION? Fowler's SARAH CANARY? THE PRISONER? Any of Gibson's last few books? Damned if I know, but I know they all stimulate the fannish receptors in my brain, regardless of what their authors might claim to the contrary.
I don't envy Ms. Newitz's job in deciding what or what not to cover.
@Chip Overclock: But you should envy Annalee her job -- if readers agree something is SF, she wins! If they don't, she gets a bunch of comments and thus page views -- so she wins!
Now, the part of her job that involves keeping Meredith well fed and groomed, on the other hand...
@Chip Overclock: the revelation that genres are all made up words and phrases that mean whatever we want them to mean is actually quite liberating. it lets you make posts like 'House MD is Sci-Fi!' without worry.now as for someone's job i don't envy, that would be charlie. i don't think i have the willpower or the patience to get up every day and defend dollhouse.
@tetracycloide: Yeah, but C-Jane and I are forever bonded over our mutual love for the SARAH CONNER CHRONICLES. As long as she tosses out some T:SCC love once in a while, I can forgive her just about any sin.
@Moff: Funny, I almost quoted an editor from a WorldCon panel saying exactly that ("I know it when I see it") without realizing what the original reference was.
@Chip Overclock: THANK YOU for being another old fart who's been to enough cons to know the correct term.
Other examples: CSI (original flavor) is a hugely popular TV show, yet there have been a bazillion panels about it at cons. Sherlock Holmes (and his "descendant" Greg House) are both beloved of fandom. Accurate recreations of various parts of history? Not SF, but forsooth, you see a lot of the same folks at cons and Ren Faires.
@tetracycloide: That's why I'm campaigning for the use of the correct term. "House MD is sci-fi!" can be argued for or against; "House MD is fannish!" you just nod in agreement.
09/01/09
08/31/09
Everyone (esp. in CanLit) needs to read this.
09/24/09
Anyone who follows CanLit has heard of the Canada Reads contest on CBC. I have always hoped that someone would have the guts to suggest Neuromancer, which was written in Vancouver (as I believe all Gibson's works have been) To those who gripe that none of the novel takes place in Canada, or that Gibson was born in the US, I would say a) Michael Ondaatje wasn't born in Canada and b) none of the English Patient takes place in Canada. It's elitism, pure and simple.
08/31/09
As others have said, it's not as if Atwood has anything to worry about in her career, so (even though we can't look into her mind and know for sure) any reason other than literary snobbery for these weird distinctions seems somewhat baffling.
08/31/09
That's why Atwood protests too much.
08/31/09
If anything, acknowledging that a few of her works are in this genre would get her fannish accolades as well as all of the prestige she already has...
08/31/09
But if we judge it by the standards of literary fiction, it utterly fails, because it disregards the tropes of that genre and adopts the tropes of speculative fiction. She's trying to have her cake and eat it too. (And as we who are familiar with sci-fi tropes know, the cake is in fact, a lie).
08/31/09
08/31/09
08/31/09
08/31/09
Cases in point:
-If you write an episode of Old Tricks, one of the BBC's detective shows, you get about forty grand. If you write an episode of Torchwood, it's half that.
-The average advance for an SF book in this country is three thousand pounds. The average advance for a crime novel is fifteen thousand.
-I've had a DJ contest the fact that Doctor Who is science fiction because, basically, normal people watch it.
It's an unlovely combination of massively popular and commercially slightly unviable. And, frankly, the deserved reputation some SF fandom subgroups have does absolutely nothing to help matters.
08/31/09
that the contents of a book can sometimes be easily placed within a genre doesn't validate the general usefulness of that genre.
the definition of any genre is a moving target...more support for it's lack of real world (outside the fiction industry) applicability.
on my bookshelves there are two categories:
fiction and non-fiction
Philip K. Dick is right beside Charles Dickens and Hawthorne right beside Heinlein.
08/31/09
It's good to see Ursula K. LeGuin call Atwood out onto the carpet for this, though. I've always liked LeGuin's stuff.
And if you've never read The Dispossessed, please give it a shot. Great book.
08/31/09
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08/31/09
Whether she believes it, has talked herself into believing it, or what, who knows.
08/31/09
08/31/09
08/31/09
OK, so your suggestion works for The Handmaid's Tale. But in Oryx and Crake, she is clearly not making fiction containing things that are possible today. The story has crazy genetically engineered monstrosities that are far too complex for modern genetics to create, and there's no guarantee we'd ever be able to create organisms like the ones in her book.
Sorry Margaret, but if you're writing fiction, and there is science involved that is beyond the limits of modern technology, you're writing science fiction.
08/31/09
Maybe this is a personal issue for me; I've never found an author's opinion on their own work to be anything other than kind of annoying.
08/31/09
08/31/09
08/31/09
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08/31/09
It reminds me of the author who said he didn’t want to do science fiction because of all the weird names using "x" and "z". It’s like they can’t get past the stereotypical idea of what science fiction is. Don’t they realise that some of the best writers of the past century (Orwell, Huxley, Bradbury, Vonnegurt, Wells) wrote books that are considered science fiction?
*Edit: Ok, so the list of great authors is really just a list of authors I really like. But I think my point stands.
08/31/09
Who cares? She gets to see her own books however she likes. Just like everyone else gets to talk about them the way that they want. C'est la vie. She's writing the books she writes so she obviously respects and enjoys looking at the future. If you're going to be insulted because she doesn't specifically call what she does "science fiction", then I suppose that's your choice.
08/31/09
08/31/09
08/31/09
I’ll still be purchasing "The Year of the Flood". My comment was mostly addressing the fact that so many authors (and other media types) feel the need to distance themselves from science fiction.
08/31/09
08/31/09
08/31/09
I don't know. That little acid aside makes me think a LOT less of Leguin. It's pretty snide and petty, to be honest. Unless there's an interview out there I'm not aware of in which Atwood has admitted she's only in the game for prizes and lauds, in which case I am certainly on the wrong side of this argument.
08/31/09
Here's the link I posted below. As of 2005 Atwood was saying that both The Handmaid's Tale and Oryx and Crake were science fiction (after saying for years that they weren't). The back and forth seems to imply an effort to appeal to others, rather then simply seeing her own books however she likes.
Edit: Here's the link
[www.guardian.co.uk]
08/31/09
08/31/09
"If you're writing about the future and you aren't doing forecast journalism, you'll probably be writing something people will call either science fiction or speculative fiction. I like to make a distinction between science fiction proper and speculative fiction. For me, the science fiction label belongs on books with things in them that we can't yet do, such as going through a wormhole in space to another universe; and speculative fiction means a work that employs the means already to hand, such as DNA identification and credit cards, and that takes place on Planet Earth. But the terms are fluid. Some use speculative fiction as an umbrella covering science fiction and all its hyphenated forms - science fiction fantasy, and so forth - and others choose the reverse.
I have written two works of science fiction or, if you prefer, speculative fiction: The Handmaid's Tale and Oryx and Crake. Here are some of the things these kinds of narratives can do that socially realistic novels cannot do."
I guess that answers our questions as to what these books are? If they're anything, it seems like Atwood would call them "speculative fiction", since they're near-to-present technology works.
Interestingly enough, Douglas Coupland's next book is a near-to-present spec. fic. I wonder what it is about Canadians and this genre.
08/31/09
Huh, I just looked up something that has changed my opinion of Le Guin. Le Guin bases her argument that Margaret Atwood "says she doesn’t write science fiction" on Atwood’s 2004 essay collection "Moving Targets". The article I linked was written by Atwood in 2005 (and I’m of the opinion that in the article Atwood is recognising that what she writes could be called science fiction). So the information and quotes that Le Guin used are pretty much moot.
So . . . I guess everyone is entitled to their own opinion and Le Guin is kind of a bad person. Especially considering that the review by Le Guin and Atwood’s 2005 article were both written for The Guardian.
08/31/09
I would call her quote in The Guardian an outlier--and proof that she knows all about genre distinctions, but chooses to redefine them anyway to suit her own snobby purposes.
08/31/09
That's why the debate about HOUSE, M.D. Is McCarthy's THE ROAD science fiction? How about Chabon's THE YIDDISH POLICEMEN'S UNION? Fowler's SARAH CANARY? THE PRISONER? Any of Gibson's last few books? Damned if I know, but I know they all stimulate the fannish receptors in my brain, regardless of what their authors might claim to the contrary.
I don't envy Ms. Newitz's job in deciding what or what not to cover.
08/31/09
08/31/09
Now, the part of her job that involves keeping Meredith well fed and groomed, on the other hand...
08/31/09
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08/31/09
I agree.
08/31/09
08/31/09
Other examples: CSI (original flavor) is a hugely popular TV show, yet there have been a bazillion panels about it at cons. Sherlock Holmes (and his "descendant" Greg House) are both beloved of fandom. Accurate recreations of various parts of history? Not SF, but forsooth, you see a lot of the same folks at cons and Ren Faires.
08/31/09
08/31/09