I love PKD and with all of the crap movies that have been made from his books (I'm talking to you Affleck), it is a pleasure to be reminded how great a film can be.
My Dad took me to see the film in theatres back in 1982, I was so in awe of the film . When Roy Batty was chasing Deckard , it gave me a sense of true horror .
Putting on the 20/20 hindsight goggles, do we agree Dick is correct? He sounds like a flugelhorn for a PR machine, but the hyperbole is just eagerness and enthusiasm.
I think Dick was right to a degree. We are measuring other sci-fi products to the Blade Runner and PKD standard.
That, and if I have to say it again, pick up the damn remastered soundtrack by Vangelis. That album is a masterpiece in and of itself, and is still inspiring tech/downtempo/glitch music.
@gods-n-clods: I agree, click back to the main page, scroll down to the morning spoilers, and look at the "sci/fi" we are presented with today, garbage if you ask me. PKD represents a different kind of science fiction, the kind not to be taken lightly.
@disatess: I think he was right to an extent. Blade Runner defines the pop culture conception of science fiction. However, I think that there were probably amazing science fiction novels and short stories being written and perhaps published at this time - I find it hard to believe that the genre was ever "dead" or "dying".
People are always writing interesting stuff. It just doesn't always get a lot of attention.
@LovelyHue: there was a point before star wars , sci-fi movies seem to be a great joke and not taken seriously ,which almost made it die out or be come stale .
PS: Do not take this letter as implicit permission to rape my bibliography. For example, I would hate to see Paycheck turned into a mindless action movie. Seriously, I will haunt you, Hollywood.
@txtphile: If ever there was a PKD-based film I would love to see re-made, it's Paycheck. Seriously Woo and Affleck f-ing ruined this film that had such a great premise.
I wouldn't call it a commercial failure. A box office failure, yes. After you consider all the video, DVDs, Director's Cut DVDs, Special Edition DVDs, Final Cut DVDs, and Blu-Ray editions sold, I'm sure someone has made money off of this movie.
@Batmanuel: it didn't make back it's budget at the box office = commercial failure
that it, much later, was big on VHS and later DVD doesn't change that.
and while it's aesthetic/design/cultural etc influence can go without saying, it had a negative impact on sci-fi film at the time because of that commercial failure.
@rebelminion: Hell yes, and it looks GREAT. Well, it was actually remastered and recut for theatrical release as "The Final Cut". I see small details in this version that I never saw before. It is well worth picking up.
This is great to see. I love that movie, and it may well have started my sci-fi fascination when I was a kid. I'm glad that PKD thought it was great, too.
@Evil Tortie's Mom: R.O.A.C.H.:
Anyone who follows CanLit has heard of the Canada Reads contest on CBC. I have always hoped that someone would have the guts to suggest Neuromancer, which was written in Vancouver (as I believe all Gibson's works have been) To those who gripe that none of the novel takes place in Canada, or that Gibson was born in the US, I would say a) Michael Ondaatje wasn't born in Canada and b) none of the English Patient takes place in Canada. It's elitism, pure and simple.
Atwood's nonsensical, elitist attitude towards classifying these works of hers is my single biggest pet peeve in CanLit, and I'm very glad to see someone of Le Guin's stature call her on it.
As others have said, it's not as if Atwood has anything to worry about in her career, so (even though we can't look into her mind and know for sure) any reason other than literary snobbery for these weird distinctions seems somewhat baffling.
@Evil Tortie's Mom: R.O.A.C.H.: If she were a CanLit up-and-comer, I might be able to understand that sort of fear, but at this point in her career? Why would she still think her place in the Canadian literary canon isn't assured?
If anything, acknowledging that a few of her works are in this genre would get her fannish accolades as well as all of the prestige she already has...
Shorter Margret Atwood: "My book about a genetically modified, post apocalyptic world is not science fiction!" right.
But if we judge it by the standards of literary fiction, it utterly fails, because it disregards the tropes of that genre and adopts the tropes of speculative fiction. She's trying to have her cake and eat it too. (And as we who are familiar with sci-fi tropes know, the cake is in fact, a lie).
10/13/09
10/13/09
10/13/09
I think Dick was right to a degree. We are measuring other sci-fi products to the Blade Runner and PKD standard.
That, and if I have to say it again, pick up the damn remastered soundtrack by Vangelis. That album is a masterpiece in and of itself, and is still inspiring tech/downtempo/glitch music.
10/13/09
10/13/09
10/13/09
People are always writing interesting stuff. It just doesn't always get a lot of attention.
10/14/09
10/13/09
10/13/09
10/13/09
10/13/09
10/13/09
10/13/09
an amazing letter...all he got wrong was the commercial success part..but then, so did everyone else.
10/13/09
I wouldn't call it a commercial failure. A box office failure, yes. After you consider all the video, DVDs, Director's Cut DVDs, Special Edition DVDs, Final Cut DVDs, and Blu-Ray editions sold, I'm sure someone has made money off of this movie.
10/13/09
that it, much later, was big on VHS and later DVD doesn't change that.
and while it's aesthetic/design/cultural etc influence can go without saying, it had a negative impact on sci-fi film at the time because of that commercial failure.
10/14/09
10/13/09
10/13/09
10/13/09
10/13/09
10/13/09
10/13/09
09/01/09
08/31/09
Everyone (esp. in CanLit) needs to read this.
09/24/09
Anyone who follows CanLit has heard of the Canada Reads contest on CBC. I have always hoped that someone would have the guts to suggest Neuromancer, which was written in Vancouver (as I believe all Gibson's works have been) To those who gripe that none of the novel takes place in Canada, or that Gibson was born in the US, I would say a) Michael Ondaatje wasn't born in Canada and b) none of the English Patient takes place in Canada. It's elitism, pure and simple.
08/31/09
As others have said, it's not as if Atwood has anything to worry about in her career, so (even though we can't look into her mind and know for sure) any reason other than literary snobbery for these weird distinctions seems somewhat baffling.
08/31/09
That's why Atwood protests too much.
08/31/09
If anything, acknowledging that a few of her works are in this genre would get her fannish accolades as well as all of the prestige she already has...
08/31/09
But if we judge it by the standards of literary fiction, it utterly fails, because it disregards the tropes of that genre and adopts the tropes of speculative fiction. She's trying to have her cake and eat it too. (And as we who are familiar with sci-fi tropes know, the cake is in fact, a lie).
08/31/09
08/31/09