<![CDATA[io9: graph]]> http://tags.lifehacker.com/assets/base/img/thumbs140x140/io9.com.png <![CDATA[io9: graph]]> http://io9.com/tag/graph http://io9.com/tag/graph <![CDATA[At Last, A Graph That Explains Scifi TV After Star Trek]]> When have TV aliens been more popular than magic? Do shows featuring time travel fare better than those about space exploration? We chart the popularity of television's most common themes, and see how scifi television has changed since 1970.

We looked at over 300 science fiction and fantasy television shows from 1970, the year after the original Star Trek series ended, to the present. In this chart, we list a few of the most iconic shows, but those are just a sampling of the hundreds we surveyed.

Then we looked at which shows on the air in any given year featured any one of the most common science-fiction themes: aliens, space travel, robots, time travel, and magic.

(Shows that contain multiple themes were counted once in each category, so Star Trek: The Next Generation would add one point each to aliens, space travel, robots and time travel.)

One thing the graph tells us is that the popularity of the different themes are increasingly linked as time goes on. Space travel and aliens are closely linked throughout the graph, since shows about space travel almost always include aliens, but as the graph transitions from the 1970s into the 1980s, shows with robots are increasingly linked to shows with aliens. This is in part because the more recent shows featuring robots and more recent shows featuring aliens are more likely to be one and the same, whereas in the 1970s, shows like Batman and The Bionic Woman would feature artificial intelligence but not extraterrestrials.

But it's interesting to note the way magic trends as well. In 1970, the gap between shows featuring magic and shows featuring more science-based themes is fairly wide, which may be related to the relative cost of producing the different types of shows; Captain Kirk required pricey sets and a makeup crew while Samantha Stevens just needed a film editor and the ability to wiggle her nose. But as audience expectations for shows involving magic become analogous to their expectations for science fiction shows, magic's peaks and valleys start to correspond to those of other themes, though supernatural shows may be a bit more resilient to overall drops in television spending.

The time-travel line is especially interesting, less for what it indicates about the popularity of time travel than for what it says about the variety of stories being told. Although time travel is sometimes the focus of a show (as in Quantum Leap or Seven Days), it more frequently appears in a handful of episodes of a show that tells a diverse set of science fiction or fantasy stories. Shows like the various Star Trek series, Lois and Clark, and even Xena feature the occasional obligatory time travel episode.

But the graph's most striking feature is the boom all the themes apparently experienced in the 1990s, and which now seems to be on the decline. It seems to suggest a huge investment in genre television shows (and perhaps in television in general) that we simply aren't seeing any more.

Interestingly, space travel shows were the first to go as circumstances changed, and although shows about managed to hang on longer, they, too are on their way out. Does this indicate that science fiction and fantasy shows are on the decline? Or does it represent a shift to less expensive, near-future science fiction with different speculative priorities, shows like Dollhouse, Chuck, and Fringe?

Here is a full list of all the shows we surveyed to create this chart.

Graph by Steph Fox and additional reporting by Alexis Brown.

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<![CDATA[Doctor Who: Revolutionary Or Tool Of The Man?]]> Why didn't the Doctor do anything to fix the oppressive alien society he met in the Doctor Who Christmas special? Because most of the time, the Doctor only tries to preserve the status quo. But occasionally he visits a dystopia where he launches a revolution and smashes the system. Click through for our chart showing the Doctor's waxing and waning revolutionary tendencies over time.


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In general, we noticed the Doctor is more likely to overthrow the government on alien planets, or in the distant future. When he visits present-day Earth or our history, he's an arch-conservative. (He ousts Harriet Jones as prime minister of England in "The Christmas Invasion," but that's not the same as destroying the whole government.) Also, the Doctor acted out way more during the Thatcher era than any other period. During the Blair/Gordon Brown eras, he's been quite well-behaved.

Methods: We counted the number of stories in each season where the Doctor overthrows the status quo. (For example, in "The Savages" and "The Happiness Patrol," he encounters a stable society and leads a revolution.) Then we divided that number by the total number of stories in that season, for a percentage. Then we included other events at the time that could explain the Doctor's changing politics.

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<![CDATA[So You Wanna Be a SciFi Writer?]]> According to various unreliable surveys, 81% of the population "feels like they have a book in them." But only a very few ever write it. And of those few, even fewer make a living by writing science fiction. This chart tells you why. It shows how many books scifi great Isaac Asimov (author of I, Robot) published every year, for a grand total of 300 books. This is what it takes to live on words, kids. Of course, why Asimov had to churn out so many books in 1989 is a mystery. Maybe he bought a house that year? Or a Biodome? Graph by Tony Neilson.

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