Collider has picked up on a rumor that Hawkman will be the next DC superhero to get the movie treatment. Given the continued lack of success of a Hawkman comic - Like Aquaman, he's one of those characters who keeps getting relaunched without ever really gaining a lot of traction in terms of sales - we're unconvinced, but it's not impossible considering former Hawkman writer Geoff Johns being part of DC Comics' movie braintrust. Maybe we should wait and see how popular his upcoming Smallville guest appearance is.

Meanwhile, Latino Review is reporting that Green Lantern's girlfriend Carol Ferris is close to being cast, and that the choice for the role is between Bond Girl Eva Green, Keri Russell, Gossip Girl's Blake Lively, former Elektra Jennifer Garner and Inglourious Basterds' Diane Kruger. With the movie slated to begin production next month, expect an announcement any day now. We just hope that whoever gets picked knows that she'll probably end up in Star Sapphire's revealing costume in a future sequel...

Comics have a grand problem of continuity. Long-lived characters have been starring in multiple monthly titles for years, amounting to thousands of issues, not counting guest stars, crossovers, and tie-ins. And every single one of those issues counts. With retroactive continuity, maybe our heroes fought a clone; or it was a dream; or the whole thing took place in a parallel reality; or someone didn't die, and instead someone took their unconscious body and healed them. Sometimes it's handled well, with good characterisation and a soft touch. But mostly, it isn't. Here are some of the worst, most ham-fisted and generally clumsy ways of dealing with problems in the history of your character.

One More Day/Brand New Day

During the events of Marvel's Civil War crossover, Spider-man revealed his secret identity to the public, making him and his family a massive target for all the would-be assassins, crime-lords and supervillains around. At the same time, Marvel Editor-in-Chief Joe Queseda had been publicly expressing his distaste for Spider-Man's marraige to Mary Jane for years, on the grounds that it aged the character too much.

Quesada wanted to return Spidey to his roots, bring back down-on-his-luck Peter Parker, still living with his Aunt May, still struggling to pay for webfluid and get by day-to-day. And of course, he did it in the clumsiest way possible. He took over writing this series when outgoing writer, J. Michael Straczynski didn't want to pen the revisions Quesada proposed. In "One More Day," Aunt May gets accidentally shot by a sniper, and lays in hospital, on the verge of death. And Spider-man makes a deal with the devil, literally. Mephisto, Marvel's Satan stand-in, saves Aunt May, but in exchange he would take the happy marriage of Peter and MJ, and make it as though it had never happened. So, Peter gave up his beautiful, loving wife in order to extend the life of his already elderly and frequently ill Aunt. In the process, the entire planet forgot his identity, and Peter and Mary Jane's daughter would never come to be. Well, to be fair, MJ made the final decision, but the whole concept made no sense, and avoided any explanations by just saying "it's magic!"

Xornneto

When Grant Morrison took over X-Men, he introduced some radical changes, including the concept of secondary mutations, and the idea that at their current rate, Mutants would soon out-populate normal humans. He also introduced into Xavier's school the character of Xorn, a Chinese mutant with a star for a head, who had spent years imprisoned, and became a teacher for some of the more troubled students at the institute. Xorn eventually revealed he was Magneto in disguise, and died in a giant battle, along with Jean Grey.

However, almost immediately afterwards, it was decided that Magneto was too high-profile to kill for real — so a retcon established that Xorn was NOT Magneto (who was alive and kicking in Genosha). Instead, Xorn was a real person under the influence of another mutant. Then, just for kicks, they introduced another Xorn, a twin to the first, so they could keep the character around. So rather than sticking with a dramatic and powerful moment, as originally written by Morrison, the new writers tossed out the crux of his final arc to preserve the status quo.

Superboy Prime Punches Reality

DC's continuity has always been plagued by issues of multiple realities, which were used as the original way to differentiate Golden Age versions of characters from the Silver Age. During DCs Crisis on Infinite Earth, through the cataclysmic arrival of the Anti-Monitor, all of these timelines were merged into one, dealing away with all the confusion once and for all. Several characters from these dead universes were tucked away in a pocket universe, including Superboy Prime, who came for a reality where he was the only superpowered character. He and Kal-L, the Golden Age Superman, eventually become so angry at the dark and gritty nature of the current DC universe, that Superboy Prime punches a hole through reality. Yup, he punches reality so hard, that it shatters, creating the multiverse, and retconning various story problems, including bringing the 1980s Robin, Jason Todd, back to life. That is the power of the retcon punch.

As a side note, an absolutely excellent version of the Superboy Prime story was told a few years ago in Superman: Secret Identity by Kurt Busiek and Stuart Immonen, which is well worth tracking down.

Power Girl's Origin
Originally, Power Girl was the Earth-2 version of Supergirl, a cousin to Superman who arrived long after he did, but with the same sort of powers. However, after the aforementioned Crisis on Infinite Earths, there was no more Earth-2, nor had there ever been. However, Power Girl existed on the main Earth, so she needed a new origin. So instead of making her another Kryptonian survivor (or something similar),she was revealed to be a descendant of the Atlantean sorcerer Arion, who lay in suspended animation for a thousand years before being revived in the current day. Did this make any sense? Nope. Did it gel at all with her old background? Not in the slightest. This stupidity was thankfully forgotten, and during Infinite Crisis, they just decided she was Supergirl from another dimension, and left it at that.

Gwen Stacy Slept With Norman Osborn

Gwen Stacy's death at the hands of the Green Goblin is considered one of the pivotal moments in Spider-man's history, and remains an incredibly poignant scene. However, during JMS's run on Spider-man, he gave her two children. Originally, his plan was that they be Peter's, and that she had them in secret. However, the editorial team decided that giving Spider-man two grown children would — wait for it — age Peter Parker too much.

Instead, they decided that Norman Osborn would be the father. That's right, Gwen Stacy hooked up with creepy old billionaire Osborn, got pregnant with twins, and kept them from Osborn — which is why he killed her. Then, he trained the twins to become assassins, to hunt down Spider-man.

Wolverine

Wolverine's entire history is just one crappy retcon piled on top of another. How's this for a start? Wolverine was originally meant to be an actual wolverine, who had been turned into a human by the high evolutionary, and his claws were part of his gloves. Then the claws became implants created by Weapon X, and he was a mutant. Then he was meant to be Sabertooth's son. Then it turns out he'd had bone claws all along, and they were just covered up with metal. Recently, however, things have started getting even weirder for Logan.

It turns out Wolverine now isn't a mutant, but rather a Lupine, a human looking species that evolved in parallel to humans — but from wolves, not apes. And there are two tribes: one with blond hair, the other with dark hair, and they hate each other — which is why Sabertooth hates Wolverine so much. They're not the only two, either — other Lupine's include Wolfsbane, Feral, Wild Child and Thornn. So pretty much ever feral mutant isn't actually a mutant, but a wolf person. They're all being manipulated by an almost immortal elder Lupine called Romulus.

Wolverine's healing factor has also suffered from major power creep over the years, expanding from "he can heal faster than most", to "was left as a skeleton after a major explosion, and healed completely within seconds." So to de-power him slightly, a retcon established that every time he dies, Wolverine has to fight the spirit of death to return to the living. Since WWI, he has been in constant combat with a being known as Lazaer (the worst anagram since Alucard), and his soul cannot return to his body unless he defeats Lazaer in limbo, each time. After some jiggerypokery with the resurrected version Shingen, Lazaer and Wolverine ended their constant battle — so if Wolverine dies again, it's for real.

Jean Grey and the Phoenix Force

This one is the great Grandaddy of weird retcons. Phoenix/Jean Grey took her own life after losing control of the awesome magnitude of the Phoenix Force, and accidentally devouring an inhabited planet. Cyclops was unsurprisingly bummed, hooked up with a clone of Jean, had a baby, which was then sent to the future to become Cable. However, a few years later, the writers wanted to bring Jean Grey back. So they decided that she was never Phoenix, instead the Phoenix Force created a simulacrum of her, and the real one was kept in stasis, deep beneath the ocean. Problem solved.

The Third Summers Brother?

Two of the X-Men, Cyclops and Havok, are brothers. At one point, the villainous Mr. Sinister dropped hints that there was in fact a third Summers brother, which would throw another powerful energy user into the X-Men universe. The originally planned extra brother was to be Adam X the X-Treme, also known as "the 90s personified". He had the power to combust blood, but only if someone was already cut, so he covered himself with blades (and wore a totally rad backwards cap). He was meant to be half human, half an alien Shi'ar, a product of the rape of his mother by the Shi'ar Emperor.

This origin story was used, instead, for the actual third Summers brother, Vulcan. He was retroactively introduced in 2006, when it was revealed that Charles Xavier sent him and a team to go rescue his missing X-Men decades ago. Unfortunately, the whole team was lost, and Xavier mind-wiped everyone to forget about it. The end product? Xavier was a dick, and Vulcan flew into space to become the Emperor of the Shi'ar.

Nightcrawler Is A Demon

Chuck Austen's run on X-Men is regarded by many readers as the low point for Marvel's mutant titles. In addition to adding a Mary Sue version of his wife, as well as making Havoc his own avatar; and having Angel have sex with the then underage Husk in front of her family, he also tweaked a couple of characters in a rather odd way. The most notable of these was to explain Nightcrawler's demonly looks as a result of him actually being part-demon. Turns out that Nightcrawler's mother, Mystique, hooked up with the demon Azazel, who sired a number of teleporting mutant babies, in the hopes of them breaking him out of Hell. So, Kurt Wagner, the almost priest and one of the most religious of the X-Men, was actually half demon

Rape Makes You Deep

Black Cat, Catwoman, Sue Dibny. What links these characters? They had rape retconned into their background as a way of making them edgier. It's lazy writing, offensive, and a cheap ploy to pad out the background of the characters. Sue Dibny's was particularly bad, because it was used as part of the Identity Crisis crossover, which helped turn DC into a far more dark 'n' gritty place, with almost no place for frivolity or fun.

Hal Jordan and The Space Bug

When Hal Jordan turned into the maniacal Parallax, it was originally a story of a superhero who cracked under the weight of his responsibilities. The entire population of his hometown, Coast City, was killed by the villainous Mongol, and Hal Jordan was driven mad with grief. Convinced that with more power he could bring them back to life, Jordan slaughters his way through the Green Lantern Corps and the Guardians of the Universe, and absorbs a huge amount of power, becoming the villain Parallax.

Hal eventually redeems himself, re-igniting the Sun and thus sacrificing his life, during a storyline called Final Night. The retcon was that Hal Jordan didn't break under the grief of the deaths of 7 million people that he'd sworn to protect, but rather he was under the influence of a yellow space bug called Parallax, which was the personification of fear. Thus, Hal Jordan came back as an unblemished character, who never did anything wrong.

Cassandra Cain Goes Evil, Gains Mastery of English Language

Cassandra Cain was the modern Batgirl. Trained as an assassin from a young age, she rebelled against her past to join the Bat family. She kicked ass and took names, but couldn't speak, read or write. Eventually, she managed to learn basic English, and became a core figure in the Bat books, and a tireless crime fighter. Then, during the One Year Later timeshift, she suddenly had a perfect grasp of English, and was the leader of the League of Assassins, the same organization that had brutally trained and abused her since her childhood, and from which she had escaped. This was eventually explained through mind control drugs, but was still completely out of character.

Hawkman, Reincarnated Egyptian or Space Cop?

Originally, Hawkman was an archaeologist who turned out to be the reincarnation of an Egyptian prince. He flew around with wings made of the mysterious Nth metal, and hit things with a mace. Accompanying him was his reincarnated girlfriend, Hawkgirl. Then, in the Silver Age, DC made Hawkman and Hawkgirl space cops from the planet Thanagar.

Following this, there were multiple interpretations of the characters, sometimes simultaneously — the Hawks were reincarnated Egyptian lovers, alien police officers, or some combination of both. New background and retcon piled on top of one another, until no one knew what the actual background of everyone's favorite flying violence users. Just when you thought they couldn't get any more confusing, a 1990s comic explained that Hawkman was actually a Native American shaman who talked to spirit guide animals.

Presently, it's been established that all incarnations, regardless of origin, are the reincarnated souls of those Egyptian lovers, who were then exposed to Thanagarian technology. Their love is so powerful that it's become the source of all energy for all the Star Sapphires, superpowered women, in the current run of Green Lantern.

Teenage Tony Stark

At some point in the terrifying decade of comics known as the 90s, we learned that Iron Man (Tony Stark) had been under the control of Kang the Conqueror for years. Tony turned evil and killed someone. (Later, it was retconned that this wasn't actually Kang the Conqueror, but another villain, Immortus, in disguise.)

So, naturally, the Avengers went into an alternate timeline, and brought a teenaged Tony Stark forward in time to the present to fight the older Tony. Don't ask. So for a while, Tony was a teenager, until teenage Tony was killed fighting Onslaught, and adult Tony was brought back to life in another parallel universe, during the Heroes Reborn event. Eventually, this was folded in to normal Marvel continuity, and everyone forgot it ever happened. Bad writing, covered with bad retcons, and best forgotten.

Spider-man, Avatar of The Spider God

Spider-man was originally a science hero. Bitten by a radioactive spider, Peter Parker gained the proportional strength of an arachnid, the ability to cling to walls, and the uncanny ability to sense danger. Fashioning mechanical web-shooters, he fought crime as the Spectacular/Amazing/Friendly Neighborhood Spider-man.

After the massive success of the first Spider-man film, though, he was given biological web shooters, to make him more in line with the movie version. Under the stewardship of writer J. Michael Straczynski, it was revealed that the bite that brought Peter his powers wasn't a coincidence, but rather Peter was linked to a totemic Spider God who influenced him. Shortly after, Peter was mortally wounded, built a cocoon, and came out with additional powers, including wrist stingers, a poisonous bite, the ability to talk to arthropods, and night vision. Another side effect of Brand New Day was everyone, including Spider-man, forgetting about his new powers.

Let us today pay tribute to the humble dinosaur. Without dinosaurs, Michael Crichton would have only been that complete loser who wrote The Andromeda Strain, museums would be tumbleweed-strewn burned-out shells of buildings, and The Land Before Time would have been ninety minutes worth of poignant shots of ‘tree-stars'. And comic books? Comic books would have gone the way of The Land Before Time. No other medium uses dinosaurs like comics uses dinosaurs. Below, see the top five dino-fights in comics and forget sad-eyed apatosauri forever.

5. The fifth-place dino fight wins a spot in this line-up through its originality and choice of dinosaur. When planning a dinosaur fight, so many people automatically go for the T-Rex. So many focus on conflict among dinosaurs, or among dinosaurs and humans. These people, while holding higher places on this list, will never understand the dignity, the good will, and yes, the poetry, of an organized pterodactyl strike.

(Some sticklers will recognize this as a still from the Batman: The Brave and the Bold animated series and say that it shouldn't be counted as it is not technically a comic. To you, I repeat Plastic Man's immortal words: "Are you seeing what I'm seeing? Because I'm seeing gorillas, riding pterodactyls, with harpoon guns, stealing a boat.")


That's right. Feel shame, pedants. Feel shame.

4. Our fourth-best dinosaur fight appears in Wolverine: Old Man Logan. Have a look.

‘What's so special about that,' you say? This:

A T-Rex chasing a jeep? Please. They did that in Jurassic Park.

A T-Rex chasing a jeep while people are shooting at it? Better.

A T-Rex chasing a jeep while a blind man shoots at it? By god, that's a good fight.

3. The third fight in this series starts on an ordinary, average day. Batman and the Green Lantern are hanging out in the Batcave and an alien monster attacks. You know, the kind of thing that happens when there's no big crossover event going on but something needs to happen in the premiere issue of The Brave and the Bold.

Because the attacking alien is a glowing energy-creature fifty feet tall, batarangs don't do much. Fortunately, there is one thing that Batman keeps in his cave that might do the trick; a giant animatronic dinosaur that Green Lantern can control with his ring.

Look at that. You can see why it wins the bronze. This fight is pure technical perfection. Batcave: check. Aliens: check. Batman and Green Lantern: check. Dinosaur: check.

What's that you say? It's not a real dinosaur? That's right. It's a robot. Leading to my final point.

Robots: check.

The fight is so awesome that even Batman has to take cover.

2. The second place fight snuck into the back pages of the final issues of DC's recently-completed Wednesday Comics. Hawkman, the superhero with the silliest headgear in the comics universe, fought a T-Rex. Unfortunately for him, he chose to taunt said Rex, and it responded the way all Tyrannosaurs do when you taunt them, or even when you don't. It kicked the crap out of him, and chased him to the beach and into the ocean. As it turns out, that was his clever plan all along, because Aquaman had come along as back-up.

One little picture can capture so much. A man body-surfing. A giant seahorse. An unrecognizable blur that turns out to be a squid tangling around a tyrannosaurus's legs. But none of those things are what made this fight take the second-place spot.

Look at the T-Rex's tail.

Yes. That's a shark. It's true that sharks inspire a lot of terror, but that's only because in the water they are hundreds of pound of muscle, thousands of teeth, perfectly streamlined, and probably heading for your legs . . . right . . . now.

Out of the water, pretty much all they do is twitch and asphyxiate. That doesn't stop this shark, though. If all it can do is gnaw some dino tail-tip, then that is what is going happen. Never have I seen such a perfect tribute to both the viciousness and the nobility of these often misunderstood creatures. It is like a whole Shark Week squeezed into one panel. One panel with a dinosaur in it.

1. This is Devil Dinosaur from Marvel's Nextwave.

This is Devil Dinosaur shattering a champagne flute in anticipation of kicking the crap out of the protagonists.

This is the protagonists pushing Devil Dinosaur's perfectly round mansion off of its foundations in the two-mile-high floating city it rests on. (Just go with it.)

This is Devil Dinosaur's reaction.

This is Devil Dinosaur's house bouncing off a mountain like a marble off an anthill.

And exploding.

It has to be said that I'm more of a DC person than a Marvel person. It also has to be said that there is good-natured rivalry maintained between those two companies.

Most importantly, though, it has to be said that, without question, Marvel wins the gold in this competition. They had to. They left everything out on the field, and it shows.

Honestly, this fight would have placed if it had stopped at the champagne flute move, because when a Tyrannosaurus Rex in a smoking jacket shatters a champagne flute prior to a fight, the reader has to respect the artistry inherent in that image. But the floating city, the globe-house, the game of pinball with the Alps, the revolver in a dinosaur's claw; it all added up to the most incredible, awe-inspiring, and piss-your-pants funny dinosaur fight of all time. My hat is off to you, Marvel. If this is all you ever do to make the world a better place, be proud. You have succeeded.

It's pretty much impossible to discuss fictional archaeologists without talking about Indiana Jones, but until a year ago he arguably wouldn't have belonged on this list. If nothing else - and I'm pretty sure that that film didn't accomplish anything else - Kingdom of the Crystal Skull firmly ensconced Indy in the realm of science fiction. Which is probably a good thing, considering Dr. Jones is generally considered the quintessential fictional archaeologist, the iconic representative of everything alluring about the discipline - solving history's mysteries, going on exotic adventures, stealing priceless cultural artifacts...it's all there! That said, Indy can't really be considered the preeminent archaeologist in science fiction.

That title would probably have to go to Stargate's Daniel Jackson, who in his various incarnations headlined both the original movie and a decade's worth of television, making him arguably the most prominent archaeologist in all of science fiction. As a nice bonus, he even occasionally bordered on being a vaguely realistic depiction of an actual archaeologist, particularly when he used his linguistic know-how in the original movie to decipher the language on the other side of the Stargate. And honestly, who can resist the oddball charm of James Spader?

There are plenty more scifi archaeologists; in fact, far more than any one list can hope to capture. But here's a rundown of some of the most notable.

Doctor Who

Despite his stated policy of pointing and laughing at archaeologists, the Doctor does seem to spend a lot of time with them. If I had to guess, it's probably because nothing beats an archaeologist when you need to accidentally release an ancient evil. There's Professor Parry and his assistant Viner from the Patrick Troughton classic The Tomb of the Cybermen – I think you can guess which bunch of monsters they awaken (hint: it's not the Daleks). But nobody beats Marcus Scarman in Pyramids of Mars when it comes to unleashing evil; he lasts for maybe thirty seconds of episode one before the all-powerful alien Sutekh murders and possesses him.

The new series has only introduced one archaeologist, but Professor River Song is fairly important, what with her being the Doctor's wife and all (or not…I'm still not completely clear on that point). Still, she's not the first such scientist to play a major role in the Doctor's life – that honor goes to Professor Bernice "Benny" Summerfield, a hard-drinking, wise-cracking archaeologist from the 26th century. Originally created by new series scribe Paul Cornell in his novel Love and War, she both accompanied the seventh Doctor and had her own adventures in a horde of novels and audios.

Star Trek

Jean-Luc Picard was a huge archaeology buff, studying under the preeminent archaeologist of the 24th century, Richard Galen. He was even entrusted with completing Galen's final project, which revealed…well, I think I've dealt with that before. Picard also romanced the ethically dubious Vash, who was really more of a looter with a diploma than anything else.

Captain Kirk, on the other hand, showed no particular interest in the field. It probably didn't help that every archaeologist he ever encountered was a crazed degenerate with woman issues, whether it was Robert Crater in "The Man Trap" or Roger Korby in "What are Little Girls Made of?" It's almost as though the Federation's apparent policy of stranding one or two people on an uninhabited planet for years at a time to dig through the remains of a dead civilization was somehow flawed.

DC Comics

Want to become a superhero without all the hassle of locking yourself inside a nuclear reactor? Archaeology might just be the career for you! It's actually unclear whether there are any ancient idols in the DC Universe that won't give you superpowers. There's Carter Hall, who upon touching a stone knife remembered his past life as Prince Khufu and so becomes Hawkman. Rex Mason became Metamorpho when he was exposed to the radioactive Orb of Ra. The Silver Age Blue Beetle*, Dan Garrett, discovered the mystical scarab that gave him his powers during an excavation in Egypt. Adventurer Adam Strange was engaged in some archaeological work when the Zeta Beam transported him to the planet Rann. Sven Nelson died shortly after uncovering the Tomb of Nabu, but his son Kent would be trained by Nabu's spirit to become Doctor Fate. Oh, and the Tim "Robin" Drake's dad Jack was an archaeologist as well, but he somehow managed to never get any superpowers out of the deal.

*OK, technically a Charlton, not DC, character. But you get the idea.

Revelation Space, by Alastair Reynolds

In his 2000 novel, Reynolds follows Daniel Sylveste as his excavations on the planet Resurgam reveal newfound details about the long-dead Amarantin civilization. From this starting point, Reynolds weaves a tale of cyborgs, assassins, cosmic mysteries, and antimatter implants, all of which sounds pretty awesome. It's almost enough for me to forgive him for not knowing how to spell "Alasdair." Almost.

Isaac Asimov

Archaeology forms a pretty big part of my second favorite Asimov book, the criminally underrated Pebble in the Sky. The Sirius-born Bel Arvadan comes to the primitive backwater known as Earth in the hopes of evaluating the local claims that humanity originated there. Naturally, he gets a bit distracted by a plot to wipe out all of humanity and never does get round to doing any excavating. Which is why Foundation, set millennia later, finds the foppish Lord Dorwin blathering on about some very promising leads regarding humanity's origins recently discovered in the Arcturus system. For obvious reasons, this line of inquiry doesn't pan out, and shortly thereafter galactic civilization pretty much collapses, which I'm guessing led to some serious budget crunches in a galaxy's worth of archaeology departments.

Babylon 5

Ian McShane took some valuable time out from being a total badass to play Dr. Robert Bryson in the B5 television movie The River of Souls. Dr. Bryson brings an orb on board Babylon 5 that apparently contains a billion tortured souls. For some reason, the orb holds the secret to immortality. Either way, this is a serious enough situation that Martin Sheen shows up as a Soul Hunter to demand the orb be returned to him. This eventually happens, but not before Dr. Bryson and the billion souls team up for some serious havoc-wreaking.

"Omnilingual", by H. Beam Piper

This 1957 short story centers on the efforts of an archaeological team to decipher the language of an ancient Martian civilization, a task that at first seems all but impossible. They eventually figure out a road to decipherment with the discovery of some linguistic common ground: the periodic table of elements.

Saga of Seven Suns, by Kevin Anderson

The husband-and-wife xenoarchaeological team of Louis and Margaret Colicos accidentally set off Anderson's seven-book battle royale of elemental forces when they discover ancient technology that can turn gas planets into stars. This is great news for lovers of solar energy, but bad news for the super-intelligent, all-powerful aliens that live on gas planets (it's also bad news for people who don't want to be wiped out by super-intelligent, all-powerful aliens). Not the greatest advertisement for archaeology I've ever heard, really.

Futurama

I'm fairly sure we've yet to see any actual archaeologists on Futurama. If I had to guess, they're probably hiding out of shame at the general terribleness of their work.

Mystery Science Theater 3000

Speaking of shame, the wonderfully, horribly Canadian MST3K entry The Final Sacrifice probably involved archaeology. The film isn't really coherent enough for me to speak with certainty, but I believe the father of hero person with the most lines Troy McGreggor got killed by an evil cult because he was investigating the ancient Ziox civilization. Although, on second thought, I think Crow and Servo clearly established Troy's father was really Miami Dolphins great Larry Csonka, who is not generally considered an archaeologist. Not yet, anyway.

There are plenty more, of course. Who are some of the biggest ones I missed?

The images appeared on the blog of cartoonist Kyle Baker, whose description of the potential project is tongue in cheek enough to make you wonder whether he's just making it up as he goes along:

'm working on a new Hawkman comic for DC, and decided to try a newer, more fan-friendly style... No title for the book yet that I know of. It's not due for another six months. Anyway, enjoy the wallpaper! By the way, just for the fans, I'm making this story the bloodiest and most depressing story ever! Full of realism! HAWKMAN'S WORLD WILL BE CHANGED FOREVER! I've revealed too much. I can say no more.

Even his later clarification seemed somewhat unconvincing:

The great comedian Sergio Aragones is writing serious cowboy stories for another artist. DARK KNIGHT was the biggest movie ever, and Warner's has announced they are going to make more superhero movies that are dark and depressing. Obviously, this is what people want. I will not do any more comedy in DC or Marvel comics. I have four children to feed. I have enough awards.

Me, I hope that he's serious about working on a new Hawkman book - those images are beautiful - and not so serious about being depressing; anyone who read his Plastic Man series should know that Baker's snarky commentary on superheroes is immensely enjoyable.

New HAWKMAN wallpaper [Funny Cartoon Podcast]

Thanks to decades of tangled comics continuity, there are multiple backstories that this version of Hawkman could have. Is he based on the original version (reincarnated Egyptian royalty) or the later version (policeman from the planet Thanagar)? Let's just hope he's not the WTF 1990s version. (Thanks again RRich for the heads up!) [TV Guide]