iron man review
There's no way to make an apolitical movie out of Marvel Comics'
Iron Man, and director
Jon Favreau doesn't try. The story of a weapons manufacturer who's captured by a warlord in Afghanistan is clearly a metaphor for American power overseas. The great strength of
Iron Man, which opens tonight, is that it can be read in a variety of ways, in spite of a fair bit of speechifying. And how you read the movie's narrative of weapons proliferation depends on how you view the constantly half-naked cyborg torso of
Robert Downey, Jr. Spoilers ahead, Iron-fuckers!
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