The eagle eyed folks over at Slashfilm pointed out a major detail from the new Iron Man 2 trailer. It seems that for a split second in the new trailer Black Widow exposes a S.H.I.E.L.D. badge on her catsuit. The badge was previously removed from any official stills, as it would expose the secret of who she is and why she's working inside Stark's company. Here's the picture...

When we spoke with Scarlett Johansson back in the comic con the actresses played especially coy about her character's ties in the film.

What is your relationship to the other characters in the film?

Well I'll tell you that um, my character... there are two sides to my character. She's a bit of a shape shifter, I suppose. There's a side of the character that's kind of demure and covert - I wouldn't say that she's submissive, but she's blending in to the Stark Industries [team, as an assistant]. Then the other part of the character is a really aggressive, bad-ass character, that is sure of herself and is going to kick the shit out of you if you get in her way. So that's as about as much as I can tell you, and how that relates to the other characters.

I'm curious as to how your character balances out Whiplash and the other villains. A lot of people are saying two villains is too many, what does your character bring?

We don't know whether the character is villainous. She does have a dark past, and she is very seductive and distracting. We are not sure exactly where she's coming from, and what her intentions are, I'm not saying that will all be revealed. But there are a lot of characters in this movie, and a lot of new characters. And it is a balancing act. I think that between the huge explosive action, the romance, the battle of good versus evil - even within one's self - there's a nice balance between all of us. And I think fans will be excited to be taken down all these different journeys. They all really play into one another, and it doesn't feel like a lot of different films coming together. It feels like an ensemble. And you know, who can have too many villains?

In the comics your character works with Sam Jackson, do you have any scenes with Sam?

Um, I have worked with Sam Jackson.

She kept a tight lid on the plot details there, but this assumption seems to go along with comic books, and the "duality" issues that Scarjo is talking about above. Not a huge surprise, but a welcomed addition that keeps in canon with the comics.

Mr. Incredible's trip down memory lane.

Verdict: Worth it. The art on the Incredible magazine covers is absolutely frame worthy.

2012 had crazy Woody and his pull-down chart of conspiracy. Planning to write about climate change? Whoops, you're now dead — see, he put a line through each scientist's name.

Verdict: Worthless, the wall of clippings and the crazy person blog was overkill. But then again this is 2012, so at least it's staying in its wheelhouse.

Mulder's office is papered with clippings and UFO sightings in the last X-Files film, thus hitting us over the head one last time with the fact that he's a BELIEVER.

Verdict: Worthless. Anyone going to this movie already knew all about Mulder's beliefs. They didn't need the "crazy obsession" wall, but they can keep the wrinkled poster from the original X-Files show.

In The Children of Men you get a quickie recap, not only of the Jasper character and his comatose wife but of the present day situation as well.

Verdict: Worthless. If Jasper's wife was indeed tortured by the oppressive new government regime, would they really keep the giant reminder posted on their wall of that horrible experience? Go on down the line, lovely pictures of friends, interesting and telling news clips of something they probably worked on, awards explaining their characters — and then a giant full-page story detailing the brutal torture your wife, thus making her completely unresponsive. Ah, memories.

Here's another newspaper moment in Children of Men that wasn't really used to portray obsession or honor, but it was nice that the production crew made sure all the headlines were relevant to the story.

Verdict: Worth it, even if it was just an aesthetic.

Halloween! Michael will never die, and neither will his victim's memory of him.

Verdict: Worth it. It's a horror movie, it's expected.

The Hills Have Eyes remake had a quickie wall of foreshadowing, and filled us in that the Hills were definitely full of mutant kid eyes.

Verdict: Worth it, it was great build up to the horrible nuclear family reveal. That little girl haunted me for days, and I needed a little build-up to the character, cliché though it may be.

Whip Lash's lair in Iron Man 2 is all about obsession.

Verdict: Worthless, for now. Until we see more. We didn't need the clippings to prove that Whiplash wants to kill Tony, because all he literally does, from the looks of things, is try to kill Tony. But maybe it will flesh out some backstory , although it's highly unlikely as all those clippings are pretty modern.

Mr. Glass' wall of destruction in Unbreakable.

Verdict: Worthless and Worth It. Samuel L. Jackson was scary enough in this as is, but it did help catch you up if you hadn't already called him as the bad guy hours earlier. Also, I believe there may be some flaws in these clips.

Original Nite Owl's den was a museum to Watchmen.

Verdict: Worth It. This is the kind of thing director Zack Snyder excels at. And when it's good it's very, very good. Everything on this wall has a back story. Even with its other shortcomings, Watchmen did have a very well thought-out set. Even if it was ripped from the novel, it looked good.

Willy Wonka's pops reveals to the audience that he didn't hate his son at all, because he framed all his newspaper articles. This was actually more creepy than exciting, but then again it is the remake of Willy Wonka, where Depp gives pale death face smiles for half the film, so it least it fits the tone.

Verdict: Worth it, since it fits in with the crazy theme of the film.

The 1990s were a pretty weak time for movies based on both video games and superhero comics. On the video game side, there were Super Mario Bros., Street Fighter and a couple of Mortal Kombat films. And on the superhero front, Batman acted out the law of diminishing returns. And that was about it. (I'm going to pretend Steel didn't exist.)

And then in the 2000s, CG visual effects caught up to the amazing superpowered spectacles that comics and games had led us to expect. In 2000, Bryan Singer, well-regarded director of The Usual Suspects, directed X-Men, which was a huge success. And the floodgates of superhero movies opened. Meanwhile, we got movies based on Tomb Raider, Final Fantasy, Resident Evil, and a ton of others.

But superhero movies have vastly outgrossed video-game movies, according to Box Office Mojo: $7.2 billion to $900 million. (And to be fair, the site lists 77 superhero films, and only 28 video-game films.) Not only that, but directors like Singer, Christopher Nolan, Sam Raimi, Jon Favreau and Ang Lee have been willing to venture into superhero films. By contrast, the most well-known video-game directors are people like Paul W.S. Anderson, and... Uwe Boll.

Why is this? There seem to be a few reasons. For one thing, many of the most successful video games haven't yet made the leap to movies. Neill Blomkamp's Halo film could have been the X-Men of video-game movies, but it fell apart. Ditto for Gore Verbinski's BioShock movie, which seems to have stalled out due to budgetary concerns.

And it's possible that translating video games to movies requires a higher level of CG mastery than translating comic books — the CG renditions of superhero comics just have to live up to our memories of 2-D pen-and-ink drawings. A live-action CG rendition of a video game, meanwhile, has to look cooler than the already impressive computer graphics most games serve up these days.

But also, movie adaptations of video-game films have generally employed the same kinds of story logic you used to see in the Joel Schumacher Batman films. Like, really — the Doom film, which featured evil alien parasites whose tongues could tell if you were genetically evil or not. Let me just repeat that: They had tongues that could genetically scan you and figure out if you were evil. No superhero movie in the past decade has shown that level of disrespect for the audience or the material. Sure, the Tomb Raider and Resident Evil films were a lot better — but even the mediocre superhero films showed a certain commitment to telling a semi-coherent story. Most comic-book heroes have decades of stories in the bank, however contradictory and full of holes, and the films have gotten slightly better about drawing on them.

But maybe the crux of it is that superhero films learned the difference between respect for the format, and respect for the characters. In some superhero films earlier in the decade, you saw some half-assed attempts at making "comic book panels" and captions on the screen — this was especially heinous in Ang Lee's Hulk. But as the decade went on, superhero films learned that the format wasn't what made these worlds awesome. Meanwhile, even as video games became more cinematic, the movies based on them haven't been able to distinguish between paying homage to video-game action, versus translating it to the different format.

But the other thing that becomes apparent, after you look at all of the superhero and video-game films of the past decade, is that the overall level of quality of both has been pretty bad. For every X-Men 2, Spider-Man or The Dark Knight, there are plenty of films like X-Men 3, Wolverine, Catwoman, Daredevil, and so on. Uwe Boll would have to work overtime and weekends to make a film half as bad as Catwoman. Superhero movies have won, in part, due to sheer quantity — if you generate a large enough mountain of crap, some good stuff will rise out of it. But also, a movie doesn't have to be good to make ten squillion quatloos.

But one thing's for sure: The House That Bryan Singer Built won't stand forever. Something's going to come along and knock superhero movies off their perch, establishing a new Hollywood feeding frenzy. Will it be video-game films? Maybe, if the ten video game movies that are in the pipeline actually get made, and achieve Dark Knight/Iron Man levels of success. It really only takes one movie to make half a billion dollars to turn on the firehose of copycats and sequels.

And even though Avatar isn't based on a video game, it's enough like a video game that if it has a strong enough second and third weekend, you could see the gears (of war) turning in the studio execs' heads. Avatar could turn out to be the movie that supercharged the video-game movie genre, since its strengths can so easily translate to recreating Dead Space or Bioshock. And of course if Tron Legacy does gangbusters next year, it could also provide a shot in the arm.

But right now, the up-and-coming genre seems to be toy movies instead. The two Transformers movies did superhero numbers, and appealed to a similar sense of nostalgia and escapism to superheroes. And there are tons and tons of toys out there waiting for their moment on the big screen — and unlike video-game companies, toy companies don't have any concerns about making sure the movies do justice to their existing stories. A toy movie doesn't have to tie in with existing continuity or jibe with the stories that have already told. A toy movie has one purpose only: To sell toys.

And that means toy movies can be dumber, and yet also more spectacular, than superhero films and video-game films combined. Just look at the Transformers films — they're so overstuffed and bloated with nonsense, they can barely move, but they have the power to spew crap for miles in all directions. And now there are films based on Monopoly, Battleship, Viewmaster, Stretch Armstrong, Battle Bots, and countless others on the way. Actual directors, like Ridley Scott (Monopoly) and Peter Berg (Battleship), are signing on to these projects.

Toy movies could well win out in the next decade, because the key to success will be casting the widest net for nostalgia among adults aged 18-49. Everybody feels vaguely nostalgic for Monopoly or Battleship — and it's just a matter of time before we get Steven Spielberg's Sorry! or David Lynch's Yahtzee. It's like the perfect combination: Everybody feels nostalgic, but nobody will complain that they got it wrong. How on Earth do you get a Yahtzee movie wrong?

It already seems like we're maxed out on superhero films, when Warner Bros. puts the kibosh on Superman and Wonder Woman movies and a Green Lantern film starring "it" boy Ryan Reynolds struggles to get made. If Marvel follows through on its plans to put out four movies a year, we could discover just how many superheroic origins the movie-going audience can stand. So maybe we'll see more of a blend of action/nostalgia pics, with films based on comics, toys, video games and other sources. Or maybe toy movies will just crush every other film genre, until there's nothing but massive CG recreations of your old plastic playthings, as far as the eye can see.

We researched the vacation time allotted by present-day corporations, and used that data to figure out how many days off you'd get in an alternate reality or future world.

The Daily Planet (compare with: The New York Times)

Sorry, Clark — The only days you'll have off at the Daily Planet's corporate offices are Christmas Eve, Christmas Day and New Year's Day. It doesn't leave a lot of time to get back and forth to Kansas, but you might be able to make it if you're more powerful than a locomotive.

Stark Industries (compare with:Lockheed Martin)

A source within Lockheed Martin informs us that the holidays are represented by days off on Christmas Eve, Christmas Day and New Year's Day. You'll have limited resources to sketch out your War Machine plans at home, but you'll have plenty of time in the office for experimentation.

Xavier's School for Gifted Youngsters (compare with: Solebury School)

Unlike Xavier's school, Solebury has never been destroyed. On the other hand, it merged with the Holmquist School for Girls in 1949, so it has had at least one name-change* in its history since 1925. It's set way back in Bucks County farmland and hosts 220 students this year, none of whom have exhibited a mutant healing factor — Yet. Solebury's Diane Sugden informs us that the Danger Room will be unavailable from December 21st to January 5th.

* Xavier's School for Gifted Youngsters became the Xavier Institute of Higher Learning in X-Men Volume 2, Issue 38.

Starfleet Academy (compare with: The United States Naval Academy)

The holiday break at Annapolis starts with the last day of exams, which runs to December 22nd this year according to spokeswoman Deborah Goode. Classes start up again on January 7th, so you'll have a little over two weeks to prepare for the Kobayashi Maru.

Utopia Planitia Fleet Yards (compare with: Derecktor Shipyards)

If you're looking for lots of time off while putting Galaxy-class starships together, you won't find it; Derecktor Shipyards is only down for Christmas and New Year's Day, according to Marketing Director Kathy Kennedy. Hope you enjoyed your vacation time at the academy, cadet — When it comes to shipbuilding, your time is limited.

Uh oh, Pepper looks pissed. And Tony looks alone. What happened to all his friends?

Garry Shandling makes his big debut as Senator Stern, so Tony mocks him, naturally.

See Tony is alone. Empty chairs. Empty soul. It's lonely at the top.

But wait, it's Rhodey, he's back...and he looks pissed. And who's that to Rhodey's left? It's Sam Rockwell, as Justin Hammer. Did they walk in together? And where did Pepper go? Where's Happy?

Same sexual chemistry between Pepper and Tony, check. But then again I think RDJ is so charming he could have chemistry with a lamp post... lucky lamp post.

Iron Man is America, and a rock star. And look in the background — it's the Iron Man dancers, thus proving the slutty Halloween rule to be true: any outfit can be made whorish.

These gloves could very well be the best little party favors ever. Please hand these out at Comic Con!

Whiplash is obsessed. See? See? He has newspaper clippings. And newspaper clipping are to stalkers what glasses are to shy mousy girls with a hot girl dying to get out inside: stereotypical. But let's assume that since he's spent so much time cataloguing the family story, that this grudge may go way, way back. Since he's had time to make a scrap book.

Who hit Tony?

The garage is all cleaned up and stocked with new rich guy toys. Bruce Wayne who?

What is happening to Tony's neck?

Yikes it's spreading. Tony is literally turning into an Iron Man. Also, he could be turning into a human computer, which has happened in the Iron Man comics before.

More Justin Hammer, and in perfect timing with Whiplash's "shark" comment.

Nick Fury just wants to get motherfucking Tony onto the motherfucking team.

More Iron Man-ettes. I suspect this may be a banner year for the cosplay fans.

Scarlett Johansson as Natasha Romanoff in her Black Widow "business casual" attire.

War Machine prototype!

Is the Black Widow working for Rhodey? Is that her in the background?

Black Widow in her ass kicking attire, is she beating up Happy? I bet Jon Favreau just loved that.

Whiplash finally shows us what his lightsaber whips can do — which is break Tony's car.

Which he does.

I'm still not sold on the Whiplash outfit, but it does look pretty bad ass from behind.

Uh oh — will Tony be Whiplashed in half, or will the bad guy just show off some more? Answer: Show off.

Whiplash has nasty metal mouth.

What is this flying contraption? It looks like it's shooting at Iron Man? Multiple Mecha suits?

A first look at War Machine, and Tony's new suit, with a triangle chest plate. Is this due to the metal veins? Also the background is filled with power suits, almost like an Armor War...

War Machine and Tony fight other mechas and you get a faceful of War Machines shoulder gun, and Tony's fully reconstructed suit, Mark VI. Very nice. So who thinks they are filming the Armor Wars story?

Iron Man 2:

So you've noticed that press clippings about Tony Stark are a big part of this sequel — and three of them have been appearing on various sites. The clippings talk about Tony Stark "coming out" as Iron Man, but they each have a different word highlighted: Secret, Stark, and Confession. Is Tony going to confess something else besides being Iron Man in the next film? [MTV]

John Carter Of Mars:

Mark Strong plays the villain, Matai Shang, and he's not doing any motion-capture — although his character is a shape-shifter, so he's had to be photographed by a 360 degree camera, so he can shift into things. He mostly turns into other people, says Strong. [ComingSoon]

Avatar:

Here's a new clip of dragon-flying excitement. [MTV]

And Sam Worthington and Sigourney Weaver were talking the film up on The View:

Dangerous Species:

Apparently Eli Roth's Cloverfield-esque film is no longer called Endangered Species. Or else somebody misheard him. [Collider]

Daybreakers:

Wondering just how crazy it gets when the future vampire population starts to run out of blood? Behold for yourself, in a new clip:

Doctor Who:

Another new trailer includes a bit of new footage of John Simm's Master rocking the weird bottle-blond/hoodie/collar look. [Thanks again CJ!]

Lost:

Michael Emerson says:

I think next year, after the conclusion of the final season, when people see the strength and style of how we go out, I expect Lost to have more recognition.

And he says Terry O'Quinn is continuing to do staggering work in the final season, and Josh Holloway is also having a really strong final season, with a gripping, moving storyline. [TV Guide Magazine]

Says Carlton Cuse:

I think we're doing something new in this final season narratively, so we have that combination of fear and giddiness. The fear is, oh, what if people don't like it, what if the audience doesn't like what we're doing?

[TV Guide]

The show was filming a beach scene with Locke, Ben, four scientists... and Widmore? Is this on the Island, or just some random beach? [SpoilersLost]

Apparently clues in the latest Lost posters include a flaming ankh in Hurley's hand, and an upside-down Oceanic logo. [SpoilersLost]

Dollhouse:

Felicia Day says the final episode, which she co-stars in, "wrap[s] up the storyline in an amazing way and I'm blown away by the writing." But doesn't really go into specifics. [TV Guide Magazine]

Supernatural:

Rejoice! Ash, the mullet-sporting nerd, will be back soon, says actor Chad Lindberg via Twitter. [Twitter via SF Universe]

Chuck:

Chuck's new abilities may include speaking Thai and sky-diving, among other things. Someone else besides Awesome will learn Chuck's secret this season (my money's on Morgan). Robert Patrick is playing a soldier from Casey's past, and Stone Cold Steve Austin is a baddie that Chuck gets trapped on a plane with. [Sci Fi Wire]

And here is a sneak peek, plus some new promos!

Caprica:

Here are some new featurettes about this BSG prequel:

Heroes:

Remember this series? Well, it remembers you. And here's what's coming up when it returns:

As Claire becomes immersed in the world of the carnival, she becomes increasingly suspicious of Samuel's motives; Hiro goes on a mission to rescue one of his own; H.R.G. recruits Matt to help him take down Samuel.

[SpoilerTV]

Justice League: Crisis On Two Earths:

William Baldwin (Dirty Sexy Money) plays Batman, and here are some pictures of Bats from this new original animated film. [Warner Bros.]

Additional reporting by Mary Ratliff.

[via Apple]

Transformers 3:

That leaked script we mentioned yesterday, that we thought was probably a fake? It is, according to Nelson, an administrator at Michael Bay's Shoot For The Edit Forums. [Shoot For The Edit via TFW2005]

Avatar:

CCH Pounder reveals a bit more about her character, Moat:

Queen Moat is the queen of of the Na'Vi. She is married to Eytukan and has two children: Tsu'tey and Neytiri. Neytiri is her really valiant, extremely brave and very independent daughter. She tries to keep the peace between Neytiri and her father... [And] she in some way sort of creates the freedom for Neytiri to be with the protagonist.

[L.A. Times]

Iron Man 2:

Here's a new pic of Tony Stark, hard at work in his workshop on an alternative energy source or something. Cool glasses. [Cinemaspy]

Battle Angel Alita:

James Cameron indicates his adaptation of this manga classic would be in a similar 3-D blend of live-action and CG animation to Avatar. But so far, all he's got is some concept art and a good script. [MTV]

Lost:

Another filming report involves the alternate-universe versions of Sun, Jin and Sayid meeting with Keamy and Omar on the same golf course where Sayid originally met Keamy and Omar. And there's speculation, based on set reports, that Mikhail is involved with Keamy and Omar, and that Mikhail is the one calling the shots. Also, there's a suspicion that Mikhail, Keamy and Omar are the agents of the Man In Black in this alternate timeline. [SpoilersLost]

And here are a few more season six promo pics, featuring Hurley, Claire and Miles. [Lyly Ford]

And someone blonde and female who we thought was dead will turn out to be still alive, in the time period when we last saw her. And Sheila Kelly's new character interacts with more than one regular character, and Kelly says the role is "like a petal opening," and you slowly understand how her character intertwines with the existing storylines. [E! Online]

Dollhouse:

Here are some promo photos from this Friday's double dose of Dollhouse. [SpoilerTV]

True Blood:

A couple bits of casting news: Broadway veteran J. Smith-Cameron will play Melinda, Sam's estranged mother. And Tudors star James Frain will be starring as Franklin Mott, Tara's new overprotective vampire boyfriend. The two of them meet in the second episode, and have an "immediate and torrid" connection. [EW]

Supernatural:

Sam and Dean will find a town full of happy zombies — people's loved ones come back to life there, but they're friendly, non-brain-eating zombies. And they include Bobby's dead wife. Also, Sam will use his demonic powers at least once before the season ends, and Dean won't be happy about it. And Chuck will be back, but without his fangirl girlfriend. [E! Online]

Stargate Universe:

The second half of the first season will be more serialized and deal with tensions among the Destiny's crew, says producer Robert Cooper. We'll be spending less time on Earth (thank goodness), and meeting a new alien race.

The implications of leaving Rush on the planet, the real division that will cause amongst the crew, the judgment of those characters and their actions are going to have a big impact on the show. We have a lot of things planned for the second half of the season... There is a big story point coming up that does introduce an alien race. It's more along the line of a "District 9"-type alien. Our interaction is handled in a very "Universe" way; they're not the typical "Stargate" alien bad guys.

[Hollywood Reporter]

Chuck:

Ellie and Aweesome have moved out to an apartment across the way, so Chuck and Morgan share a bachelor pad now. [E! Online]

Additional reporting by Josh C. Snyder.

This is, of course, just our opinion, and feel free to disagree in comments. We went back and forth about several of these films, and there were a few others that we almost included instead, so we're not claiming infallibility here. If you want to view this in non-gallery format, click here, and I promise it'll work.

Pitch Black. This is nearly the perfect movie — a gritty anti-hero with weird eyes that can see in the dark is on a prison ship, which crashes on an alien planet. The lurking monsters are ominous and alarming, but the film's real mystery is Riddick himself — the Furyan inspires loathing, hero-worship and a desperate longing for the anti-hero to become a hero by the movie's end. Like Riddick's own eyes, our view of him only really works when we see him through total darkness.

Avatar. I'm going to post my review of this film in a few days, closer to its actual release date. But this is definitely one of the decade's most significant science-fiction films, both in its startling new look and in its elaborate alien world. Sigourney Weaver is one of the few heroic scientists we've seen in movies lately, and she fearlessly spouts facts about the science of Pandora. Avatar is by no means a perfect movie — it's a frustrating mixture of brilliance and utter cheese — but it's clearly an important movie in science-fiction history.

Slither. This movie sort of slid (I'm tempted to say slithered) under the radar, but it's one of the great all-time alien possession movies, and a brilliant metaphor for being trapped in a bad marriage. An alien parasite lands in a small town and takes over a woman's awful husband — and then it starts infecting everyone else in town, so that they all speak with the husband's voice. Wherever the wife goes, she hears her husband talking to her. And then people start getting grotesquely pregnant with alien offspring — this sort of thing is really why body horror was invented.

Star Trek. A young hero reluctantly starts to claim his true destined greatness... only to find out that his whole life has been altered, and maybe wrecked, by time-traveling, tattooed maniacs from the future. It's a weird spin on a Star Trek movie, but considering how hard it was to imagine being thrilled by another Trek after Nemesis, this film is a marvel. Plot holes, frat-boy antics, "red matter" and all, it's still the film that recharged Star Trek and may have helped bring back space-opera as a genre. And Spock has never been so... fascinating.

Donnie Darko has garnered an enduring cult fan base, for good reason. Its blend of mysicism and weird physics has aged amazingly well, and we still get lost in its "tangent universes." We keep hoping Richard Kelly will make another film that's both as mind-blowing and as well-constructed as this one.

Robot Stories. Another great movie that didn't get enough props when it came out. Greg Pak, who went on to write the Planet Hulk storyline for Marvel Comics, creates an anthology of three stories about robots that show how much robots are connected to our emotional lives — and what will happen when robots get emotions. In one story, two office robots fall in love, only to find that robot love is forbidden. In another story, a mother becomes determined to help her dying son amass the perfect collection of robot action figures — at any cost, even stealing. You'll see robots in a whole new light after watching this film.

Spider-Man 2. There were a number of superhero films that managed to bring the greatness of comics' storylines to life in the first half of the decade, including two X-Men movies and two Spider-Man movies. For my money, though, this is the best of the bunch, particularly because of Alfred Molina's Doc Octopus. Peter Parker's superpowered angst collides with Doc Octopus' cyborg identity crisis, and both hero and villain seem to be clinging to their identities by a thread. Even though we wish Peter Parker could keep his damn mask on, it's still thrilling and maybe the most perfect straight-up superhero movie of all.

Sleep Dealer. Alex Rivera's look at the dark side of telecommuting is one of the most memorable and intense films we've seen lately. In the future, everything depends on the dollar — you can't even access water reservoirs in Mexico or speak to your family in another town without feeding dollars into a slot. And the only way to get dollars is to get cyber nodes all over your body, allowing your nervous system to pilot machines in the United States. That way the U.S. can import Mexican labor without bringing in actual Mexicans. It's beautifully filmed and harrowing look at the ultimate form of alienated labor.

The Incredibles. The other great straight-up superhero was one of several Pixar films that we wanted to pay tribute to from the past decade. If you were as disappointed as we were by the two Fantastic Four films, then rejoice that this film does the FF right. A surprisingly light-hearted look at super-mutants in a world that learns to fear them, this movie does a better job of portraying what makes superhero comics so awesome than almost any live-action film. And we love the Omnidroid.

The Host. Sorry, Cloverfield — this was the monster-rampage movie we loved from the past few years. Unlike Clovey, the Host actually has a decent if snarky origin story, including weird chemicals dropped in the water by a callous American, causing one of the local creatures to get a little too big (and rambunctious) for comfort. More than almost any other monster movie, this film sucks us into caring about its main characters, a hapless family who operate a failing fast-food stand on the beach — we laugh at their antics and then get hopelessly, tragically, wound up in their fate when they tangle with the monster. Rob and Hud just don't quite measure up.

28 Days Later. Purists may hate this film's "fast zombies," but they're not even really zombies — they're the victims of a "rage" virus that stupid animal-rights activists cause to be released onto an unsuspecting world. Of all the apocalyptic scenarios we've seen in the past decade, 28 Days provides the best dose of terror and the sheer horror of society unraveling. When Christopher Eccleston's vicious soldier says the words, "I promised them women," your gut sinks. And the idea that the rage-virus outbreak will cure itself because the quasi-zombies will starve is genuinely clever. We were tempted to include Danny Boyle's other great SF film of the decade, Sunshine, but 28 Days is clearly better.

Paprika. A parade of nonsense images stomps through a man's dreams, forcing him to jump out a window... and it's just the beginning of the mayhem as the dream world collides with reality, in Satoshi Kon's weird exploration of dreams and their potential to tear our world apart. A machine that allows you to enter someone's dreams therapeutically gets stolen, and soon reality itself is being torn apart. Trippy, insane and mind-expanding, this is a film you need to watch more than once.

Primer. Speaking of films you need to watch more than once... few, if any, science-fiction movies talk down to their audiences less than this one. You don't even realize, for a good chunk of the movie, that the geeky characters are building a time machine. and it comes with very realistic and fascinating limitations, even as it allows the main characters to cross their own timelines over and over again, rewriting history in more and more psychotic ways. The walkman scene makes the whole thing worthwhile, just by itself.

Moon. It's interesting how many of the great science-fiction movies of the past decade are about loneliness, one way or the other — but none of them delve into isolation as hauntingly as Duncan Jones' debut feature. Sam Rockwell is amazing as the two versions of Sam Bell, who's tantalizingly close to finishing out his contract on a lunary mining station — until he finds out that things aren't ever what they seem. Add paranoia to the list of things this film does better than almost any other.

Iron Man. As we wrote when this film came out, it's actually more of a cyborg narrative than a superhero one. Jon Favreau and company wisely chose to focus on the heart of Tony Stark's origin — literally, the fusion reactor that keeps his heart from stopping, and turns him into a part-machine badass whose armor is just a shell that goes over his cybernetic body. Tony Stark's uneasy relationship with the military technology that he created parallels his unease with his new technological body — he's like the heroic flipside of Spider-Man 2's Doctor Octopus. And yes, any movie that talks about our dependence on, and unease with, technology automatically gets to leap over the pile of by-the-numbers superhero films.

The Dark Knight. See here for our argument as to why this film really is science fiction. Shorter version: Batman's fantastical technology is at the heart of the story. If Batman Begins showed how Bruce Wayne used technology to become Gotham's fearsome crime-fighter, then The Dark Knight is about how far he's willing to take that approach in the face of a mad bomber.

District 9. Most science-fiction movies, you come out of furiously debating the science or the finer points of the storyline... but this one, people walked out of speechless and shellshocked. Perhaps the ultimate "humans oppress aliens" movie, this film confronts us with a perfect allegory of our own inhumanity, through the story of a crashlanded group of aliens who are forced into shantytowns. Even before the main character, Wikus, starts turning into one of the aliens, our loyalties are getting more and more divided.

Wall-E. The other Pixar movie we couldn't help including on the list, this may have been the greatest blend of post-apocalyptic dystopia and cute robots. The love between Wall-E and Eve is both lovable and genuinely moving, and the trademark Pixar humor is in full effect with Wall-E's junkyard slapstick and spaceship antics. The funniest, and maybe the best, robot uprising we've ever seen.

Serenity. Just pretend for a second that this wasn't the continuation of a beloved TV series, and that Joss Whedon had created a whole new universe from scratch just for this film — it would still be one of the most audacious, most memorable, science-fiction films of all time. The story of the Alliance, which maintains a tenuous grip on a sprawling star system after a brutal civil war, and the lengths to which the Alliance will go to try and make people "better," Serenity is one of the great action-adventure films as well as one of the neatest SF concepts ever. When you discover the secrets of Miranda and see how River Tam becomes both the messenger and the avenger of Miranda's people, it's hard not to jump up and down in your seat.

Eternal Sunshine Of The Spotless Mind. How far are you willing to go to get over a lost love? Are you willing to injure yourself — by erasing a huge chunk of your brief time on this planet from your own mind — just to get back at your former lover? This Charlie Kaufman/Michel Gondry joint does what all the best science fiction does: it creates a fictional technology that has the potential to change who we are as people, and then it uses it to tell a deeply personal story. The scenes where Jim Carrey and Kate Winslet are wandering through Carrey's childhood memories are both unsettling and poignant, as Carrey tries to hold on to the love he was in the process of throwing away — by letting her into more of his mind.

Launching next March with a reprint of 2008's Invincible Iron Man #1, Marvel's Greatest Comics will reprint first chapters of critically-acclaimed series or storylines for just a dollar. According to Marvel's VP of Sales, David Gabriel:

We're proud of the books Marvel publishes and now not only are we giving retailers a great way to promote our top collections, but also giving consumers a chance to sample some of our top comics, maybe for the first time and at an unbeatable price.

After the Iron Man reprint (which, as a special launch promotion, will actually be free), the line will move onto the first issues of Ed Brubaker's Captain America run, Marvel's (incredible) new Wonderful Wizard Of Oz adaptation, J. Michael Straczynski's Thor and Garth Ennis' Punisher Max. Given the crossmedia opportunities afforded by all so far, we'd expect Spider-Man and X-Men before too long.

Start Here with Marvel's Greatest Comics For Only $1.00 [Marvel]

Ghostbusters 3:

So you might have heard that Sigourney Weaver says that Venkman (Bill Murray) will be a ghost in the new movie? And that her character's son, Oscar, will have grown up to be a Ghostbuster? People who've been paying attention to the rumors and chatter around this film are pretty sure she's just repeating old rumors — like Bill Murray reportedly told someone four years ago that he would only be in the movie if he played a ghost. And Weaver probably hasn't actually seen a script, since nobody else has yet, either. On the other hand, Murray playing a ghost could be sort of fun. [Screen Rant]

Transformers 3:

People have been circulating a draft script for this upcoming masterpiece. I don't for a scond believe that this movie has a script yet, and even the people who are reposting the script thinks it might be a fake. On the other hand, apparently a similarly rough draft script of Revenge Of The Fallen popped up online long before it came out, and was viewed as similarly wild — but turned out to be real. Plus, it's always entertaining to read these things, and it's probably better than the real script will be.

So apparently this draft script includes the Aerialbots, the Combaticons, Perceptor, Wheeljack, Ultra Magnus, and Shockwave, and is a big love letter to fans of the 1984 animated series. As it begins, hostilities between the Autobots and the Decepticons have gotten worse, and calls for the Autobots to leave Earth have gotten more shrill. Sam (who's now an intern at the Large Hadron Collider) finds another fragment of the Allspark, which could give off enough energon to power all the Transformers forever, if bombarded with the right kind of particles. Optimus sends for the Ark, and Sam invites Mikaela to come join him there for a romantic evening, or something, and then proposes to her. Sam and Optimus Prime are all set to examine the Allspark fragment aboard the Ark, when Megatron attacks, but then Starscream betrays him. And somehow this leads to everyone traveling back in time to 1982, where Starscream steals the Allspark and kills Megatron "twice in one day," has he puts it.

This means that all of the Autobots have to disguise themselves as period cars (would GM even allow this?) meaning Optimus becomes a Peterbilt Semi, and Mirage becomes a Pontiac Trans Am, but also sometimes a Formula 1 race car. And Sam meets his own grandfather, and realizes that he can erase the Autobot/Decepticon war from history by getting rid of the Cube. But yeah, it's almost certainly a fake. Click here to read the whole thing. [Comic Book Movie and Allspark]

Iron Man 2:

Robert Downey Jr. says the thing that made the first movie work was that it was grounded in reality, and the high tech looked like something out of Popular Mechanics rather than a galaxy-spanning saga. And with the Marvel Universe as crazy as it is, it would be easy for the next movie to be too wild, but he and Jon Favreau want to keep it grounded. And he explains how they'll avoid sequel-itis:

My take - Jon [Favreau] was in agreement, and Marvel supported us - was that once you tell an [origin] story pretty well, that's usually where things start to get dull, and one or two or three things start to happen over and over again," Downey explained during an interview with Rotten Tomatoes. "So, we made Tony Stark's challenges very much outside the usual realm of activity. As much as anything else, it's much more of a side job for him the second time around.

[Rotten Tomatoes]

Remember how we reported the first movie was totally improv, with almost no script to speak of? Olivia Munn (who's admittedly not one of the film's main actors) says it was much the same this time around. "There's a bunch of improv, over and over." And apparently Munn improv-ed so well, Downey Jr. stopped the filming to give her a round of applause.

Thor:

Ray Stevenson, who plays Volstagg, says he wears a fatsuit, but he's got muscles and isn't the "weeble-shaped" figure from the comics. And he says the character has a ton of "Falstaffian vigor," which makes sense given that Branagh is directing. [Superhero Hype]

The Sorcerer's Apprentice:

Apparently we first meet the apprentice as a young boy (Jake Cherry) and then later as a young adult (Jay Baruchel). And producer Jerry Bruckheimer explains why we should be excited:

"He's more like a rock star," producer Jerry Bruckheimer tells PEOPLE about the film, due in theaters July 10. Like the animated version, this Sorcerer's Apprentice will also feature those dancing brooms. "We did it in a realistic way," Bruckheimer says. "The [brooms] are really dancing and doing their thing."

How could it be bad? [People]

Daybreakers:

Here's an international trailer, which I don't think we've shown you before — it includes a bit more footage from this vampire-dominated future dystopia. [Reelz Channel]

The Wolfman:

A new international poster shows that the wolfman's powers include causing people's heads to float randomly and to be eaten by unnatural shadows. [ShockTillYou Drop]

Spider-Man 4:

Some have speculated that Bryce Dallas Howard could be back as Gwen Stacy, but she hasn't been contacted yet, which makes it seem less likely. Meanwhile, don't hold your breath for her to return as Kate Connor in Terminator 5 or 6 — she's not signed up for any further installments. (But she would defininitely consider it.) [Coming Soon]

Avatar:

The New York Daily News review has a pretty good summary of the film:

Sam Worthington is Jake Scully [sic], a paraplegic Marine in 2154 assigned to a deep-space moon called Pandora, where his consciousness controls an avatar, a clone of Pandora's indigenous, humanoid Na'vi people. As Jake lies in a high-tech tanning bed, his mind is in his blue Na'vi, which is 10 feet tall with pointy ears, cat eyes and a tail.

A scientist (a tough Sigourney Weaver) created the process to aid diplomatic relations with the Na'vi, since the air is poisonous to humans and space suits, apparently, get in the way. It's the last chance for the peaceful aliens - who know what the avatars really are - since a corporate goon (entertainingly weaselly Giovanni Ribisi) wants a valuable element buried deep under the "hometree," the Na'vi's spiritual center. And if diplomacy fails, a gung-ho sergeant (Stephen Lang, overdoing it) will get it at any cost.

Cameron counts too much on the connection we'll have to his goofy-looking blue man group, or with Neytiri (Zoe Saldana), the Na'vi warrior princess who helps Jake's heart go on. Saldana - Uhura in last summer's "Star Trek" - delivers a remarkably full-bodied motion-capture performance, but the mystic-tribal clichés around her suggest every Netflix queue on Pandora includes "Dances with Wolves" and "The Last of the Mohicans."

[NY Daily News]

And there's a new Czech TV spot, plus a big Panasonic tie-in commercial that you may actually have seen.

Harry Potter:

Tom Felton says Deathly Hallows will be truer to the book than any of the previous films. [Movies-Spoilers]

Doctor Who:

So Alexandra Moen, who plays the Master's wife Lucy Saxon, says she wasn't the one who picked up the Master's ring at the end of "Last Of The Time Lords." Since we last saw her, Lucy has been locked up in a big ominous castle-like prison, and it just got a new governor. And it sounds like she breaks out of there. She's decided to try and go straight, but she's not at peace — she's full of anger. And her scenes are mostly with the Master and a few other actors. [Digital Spy]

Lost:

Some more filming details: episode nine is definitely Alpert-centric, and the Black Rock is definitely a prison ship. Also, we see an Ilana scene taking place at an old hospital in Russia, suggesting that Ilana is tied in with Alpert's backstory somehow. Separately, there's a scene with Jin working in a hotel, and Sun was there too. Also filming in the same location was a Keamy/Omar scene, and Mikhail was there and spoke Korean. There was also a Jin scene involving the same community college where Hurley's asylum was filmed. And a scene at a nice house with Hurley and Alpert. [The Transmission via SpoilersLost]

Also, Sayid was filming a scene with a large group of the "temple Others," including Zoey, and probably Cindy and Zack. Also present: seven to 10 scientists, for some reason. [SpoilersLost]

The show is casting an E.R. doctor making rounds, an MRI tech, and an African American female lawyer who won't be pushed around, for its eleventh episode. [SpoilersLost]

And there's an extended version of the season six promo:

Fringe:

I really like these new wallpapers, which emphasize the "passing between universes" theme as well as more of Walter's oddness. [SpoilerTV]

Remember that set video we showed you last week that included Anna Torv getting blown around? Now it's her, plus a bunch of extras:

Supernatural:

I know we mentioned that Cupid would be showing up (along with Famine, one of the Four Horsemen) in the Valentine's Day episode "My Bloody Valentine." Apparently, he'll be doughy, out of shape and naked, and constantly giving everybody bear hugs. [TV Guide Magazine]

And we'll be meeting a holy man in episode 5x16, "Dark Side Of The Moon":

[JOSHUA] This benevolent — dignified, very Zen man in his 50's-70's is inflappable, simple, but not insincere. A Morgan Freemen type vibe. PLEASE SUBMIT ALL ETHNICITIES. GUEST STAR.

Could that actually be God? [SpoilerTV]

And after the rerun of "The End" the other day, they showed a new trailer for the next episode, coming January 21.

And here's a set video for 5x15, "Dead Men Don't Wear Plaid", in which all you can basically see is Sam and Dean walking inside a house:

True Blood:

The show is looking for someone to play Alcide, who's described as "rough looking but articulate and basically decent," and he takes a liking to Sookie and may even have some mutual attraction with her. It sounds like he takes her out, given that we meet a giant nightclub bouncer who knows Alcide but is suspicious of his guest, Sookie. Also, an old-school Ob/Gyn examines Arlene with an ultrasound, and a pastor officiates at Eggs' funeral service. [EW and SpoilerTV]

Chuck:

As you've probably heard, we're done with Chuck's "reluctant spy" act. He's now a fully gung-ho spy, but he's also aware of how much his career puts his family at risk. And Awesome will get drawn into Chuck's espionage world to a much greater extent — and we'll get to see how awesome Awesome really is. As season three starts, we'll realize something awful has happened between Chuck and Sarah in the mean time, and eventually we'll learn just what that is. We'll also learn how crucial Sarah is to whether Chuck makes a good spy. Carina, Sarah's old partner from season one, will be back. And Jeffster will perform again in a very special episode. [TV Guide]

Also, Casey is going to have a lot to deal with this season — a secret from his past is going to come to light, and it'll make his life complicated. Also, he'll get more responsibilities at the Buy More, and will start to discover that Buy More may actually be his future. Meanwhile, Lester has a "Fight Club" episode where he goes nuts. And we'll get to see Lester's bedroom and his pajamas. [ChuckTV]

FlashForward:

Episode 13 will be called "Better Angels." [SpoilerTV]

Smallville:

Here's a new trailer for the next batch of episodes, starting January 22:

Heroes:

It's the death that sticks — for now, anyway. Tim Kring says we definitely won't be seeing Nathan again for the rest of season four. [Fancast News]

Additional reporting by Mary Ratliff.

Superhero Hype were sent what they're calling a "clue" from the upcoming full metal sequel, but even they admit that they don't know what it's a clue to. Scanning what we can see from the article, there doesn't seem to be any new information given out that we don't already know from the first movie, but we're wondering if there's some special significance to "Secret" being highlighted. What do you think?

An Iron Man 2 Clue! [Superhero Hype]

Whiplash is in good company. Here are a few more counter-intuitive weapons from pop culture history.

The Guardian's Stuart Heritage thinks that what we already know about the second Iron Man movie sounds worryingly familiar:

This time Iron Man 2 will have to balance Robert Downey Jr with Sam Rockwell and Scarlett Johansson and Mickey Rourke and Don Cheadle and Samuel L Jackson and Gwyneth Paltrow, and a shedload of exploding robots. Plus, there's a good chance that Tony Stark's also going to be an alcoholic in this one. And that's where the worry starts to seep in.

A tangled love story? Too many villains? A hero struggling with his demons? Unless I'm mistaken, that sounds just like Spider-Man 3 – a superhero movie legendary in its bloated naffness.

We'll admit it; we're concerned about Iron Man 2 as well, but that's got more to do with Whiplash's costume than any story-related reason. After all, if Favreau and Downey Jr. could make the first movie as fun as it was despite not having a finished script, making two bad guys, two Iron Men and an alcoholic subplot work should be a piece of cake. But do we put too much faith in their talents? Let us know in the comments whether you're worried that IM2 may be too full for its own good.

Why I'm starting to worry about Iron Man 2 [Guardian.co.uk]

In an interview with InContention, Bridges explained that the Marvel superhero movie rushed into production to make its release date, with the director and star making up scenes as they went along:

"They had no script, man. They had an outline. We would show up for big scenes every day and we wouldn't know what we were going to say. We would have to go into our trailer and work on this scene and call up writers on the phone, 'You got any ideas?' Meanwhile the crew is tapping their foot on the stage waiting for us to come on."

Bridges, director Jon Favreau and Robert Downey Jr. would literally act out sequences during primitive rehearsals, Downey taking on Bridges's role and vice versa, to find and essentially improvise their way to full scenes, the actor recounts. Bridges says that the entire production was probably saved by the improv prowess of the film's director and star.

"You've got the suits from Marvel in the trailer with us saying, 'No, you wouldn't say that,'" Bridges continued. "You would think with a $200 million movie you'd have the shit together, but it was just the opposite. And the reason for that is because they get ahead of themselves. They have a release date before the script, ‘Oh, we'll have the script before that time,' and they don't have their shit together.

"Jon dealt with it so well," Bridges continues. "It freaked me out. I was very anxious. I like to be prepared. I like to know my lines, man, that's my school. Very prepared. That was very irritating, and then I just made this adjustment. It happens in movies a lot where something's rubbing against your fur and it's not feeling right, but it's just the way it is. You can spend a lot of energy bitching about that or you can figure out how you're going to do it, how you're going to play this hand you've been dealt. What you can control is how you perceive things and your thinking about it. So I said, ‘Oh, what we're doing here, we're making a $200 million student film. We're all just fuckin' around! We're playin'. Oh, great!' That took all the pressure off. ‘Oh, just jam, man, just play.' And it turned out great!"

First off, that's amazing that he called them "suits." He really is The Dude. And second, this is just hilarious. I can't believe they let Robert Downey Jr. and Jon Favreau just run with this stuff. But, thank goodness they did, because what came out was a pretty great action flick blended with biting humor. Still I can't imagine what it must have been for everyone else on set. [InContention via Worst Previews]

There's no word on how Disney's recent acquisition of Marvel (or Dubai's recent economic woes) will affect the development of the Marvel park in Dubai, but reportedly the plan is to open its doors in 2012. Off-site testing has already begun on at least three attractions: Flying with Spidey, Fantasticar and X-Men: Danger Room.

These concept illustrations come from Chimera Design, and show several designs from the park's planned City of Super Heroes, as well as a map of the park.

Dubai World Marvel Super Heroes Theme Park Concept [Disney and More via Neatorama]