San Francisco, 10:12 PM
Thu Dec 10
26 posts in the last 24 hours
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No, hells no, and damn hells no. The best thing he ever did for Babylon 5 was to act as an "advisor", which cleanly prevented him from actually contributing anything to the series.
Then again, Abrams didn't exactly knock my socks off with Star Trek 90210, so what the heck do I care with what happens to it from here on out?
@Purple Dave: Oh come on now. After Enterprise we fans no longer where in control of the future of the series. Yes the new Trek was dumbed down, sexed up and mass marketed to those that do not have bookshelves riddled with TNG boxsets and DS9 action figures.
However, at the same time there was a brief moment there when the series seemed doomed to continue on. If it took a Star Trek Degrassi high to reinvigorate the franchise and introduce the young ones to the series then really its hard to complain about it no?
@Patient:
Babylon 5, Star Wars, Futurama, Stargate, and then Star Trek. I would have been fine with Enterprise being the closing chapter on Star Trek, though I think putting the two least interesting characters from TNG in the final shot was a pretty crap decision.
i'm for it! that just might be a very smart move. the only reason i can see it not happening, is that they already have their own close knit team. and that usually trumps any sense of good reason in that town
@Golem100: Yet another reason to hate Ellison: his trampling of the immortal great P.M.A.Linebarger's memory.
Besides, I find that "City on the Edge" does not really fit into the tone and texture of TOS. It's a great story and very dramatic, but really discordant with the series as a whole.
I'd rather give someone like Chabon a shot at the next script.
Film, theater, and TV are collaborative mediums. No script is ever produced in the same manner as it was written but is subject to input from directors, producers, and actors. The problem I have with Ellison is that he thinks that these rules don't apply to him. Every writer who submits a script to a TV show does so with the understanding that the producers will likely rework it so that it fits in their vision of the show. Not so the great Harlan Ellison! He is apparently above such collaborative effort or re-writes. He's built an entire new career out of griping about his involvement with Star Trek. First he was made about the re-writes to "City on the Edge of Forever", so mad that he almost disowned it altogether. He even published a book to prove how awesome his script was. Now he's mad that he didn't get as many royalty payments as he thinks he's entitled to. Now he thinks he should a chance to work on the next movie simply because he is the great Harlan Ellison!
@Bill-Lee: I have that book, and, hilarious as it is, it does more to paint Ellison as a control freak than to to win some praise for his original script. Mind you it also tears Roddenberry and Shatner three new assholes, which I've always been in favor of, despite my Star Trek obsession.
@NerD: Blattella: I kind of wish James Cameron would have kept his mouth shut about the connection between "Demon with a Glass Hand" and "The Terminator".
I wasn't aware Harlan was such a Abrams fan! That's a lot of enthusiasm.
Harlan's one of the few writers who also narrates his work with punchy quality: if you've played the IHNMAIMS computer game, his depiction of A.M. is saliciously lurid. I would enjoy him seeing him, even briefly, as a walk-on character in upcoming Trek.
Sorry, but it ain't gonna happen. Just paying the army of lawyers it would take to come up with a contract ironclad enough to prevent Ellison from suing would double the film's budget.
The only exposure I have to Ellison is "Repent, Harlequin!" said the Ticktockman and "I Have No Mouth, and I Must Scream", the latter being a HG101 look at the adventure game it was based on.
His writing is pretty good, but I don't know how well he'd handle Star Trek. Maybe I'll take a look at that episode and see if it clears my doubt.
@tamahome: The paperbacks are taking FOREVER to come out in America, I only managed to read the first one a year ago because I picked up what I think was the last copy available in Iceland.
I'm not trying to slight Ellison (nor enrage any of his diehard fans) with this question, but... has he written anything particularly noteworthy in the past two decades, even three? I ask because, if you look at any artist, their greatest period of creativity is generally in their youth. The older they get, the more unlikely it is that they'll do anything on par with their earlier endeavors.
With that in mind, I'm highly skeptical that Ellison could catch "City..." lightning in a bottle twice at this point in his career. If I were Abrams, I'd send Ellison a gracious but firm "no thank you" and put my efforts into finding a more modern, up-and-coming writer with a flair for thinking outside the sci-fi box. Heck, you're telling me none of the writers currently working on Abrams' various projects have thought-provoking Trek ideas floating around in their heads?
Then again, if I were Abrams I'd also be sleeping with a lot more super models than I do now, especially given that I currently sleep with none of them.
@Communist Pope: Ageism sucks. Frank Lloyd Wright shook out the Guggenheim when he was 88. See also: Oscar Niemeyer, Picasso, Michelangelo, to name a few of the absolutely-prove-you-wrongs.
The main argument against Ellison is that Pantagruelian mountain of wet festering dreck called I, Robot. (His screenplay adaptation). Mark Zug, I love you, but: wow.
@Communist Pope: Agreed. He hasn't written or published anything in more than ten years. A collab with Harlan would have actually meant something thirty years ago.
@doxiadis: You know what else sucks? Lack of reading comprehension. You're throwing alleged "prove-you-wrongs" at me, but I never said that all artists are most creative in their youth. I said "generally," i.e. most but not all. I also said it is "unlikely" they'll do better work later as opposed to earlier, i.e. not "impossible." And of course, I asked if anyone knew of anything noteworthy that Ellison had done in the past two decades. i.e., I raised specific concerns about one specific artist and asked if anyone knew of anything that would assuage my misgivings about his current creative capabilities.
So, no, you didn't "prove me wrong" in the least. You misread or misunderstood what I wrote and then answered questions I never asked. If anything, the people you mentioned are "prove-me-rights," as they prove that not all artists are incapable of the genius of their youth as they sail into their elder years. Which is exactly what I said!
Now, if you can show that every artist is always more creative later rather than earlier, than you will prove my non-absolute belief regarding the opposite wrong. Good luck to you.
doesn't this suggest that such a collaboration isn't such a good idea?
Ellison is very overrated and Abrams/Kurtzman/Orci/Lindelof are very much style over substance, as much as I like (read enjoyed) their Star Trek /film/ the script was ridiculous shit...writers strike not withstanding...
@FrankenPC: why is it that any kind of criticism of anyone is immediately turned around like this?
compared to me?
Yes, compared to me Ellison is overrated.
sheesh....
he's overrated because the only things that people ever mention when talking about Ellison is that he wrote some 'classic' Star Trek and Outer Limits episodes and some good short stories...and that he has a temper etc...
that's about it...
it seems to me that many people are very quick to agree that he's brilliant and an influential force in Science Fiction...but no one really mentions any of his work...
calling him overrated says nothing about Ellison...it says something about the people who shout his name from the rooftops, likely without having read much of his work. (obviously I'm not referring to you FrankenPC)
@goldfarb: come on man, it's only been 30 years. Give him some time to clean it up. It's not like Wilson Tucker, Bertram Chandler and Mack Reynolds are still waiting for their stories to be published.
@goldfarb: Well said. Ok, I could have been a bit overtaken by Deathbird. Maybe too much so. Still...I love his work. It's brutal. Calling it "sci fi" is a bit much though. Fiction is more realistic.
@FrankenPC: No he's overrated compared to you because that was such an awesome putdown. :P (I read your later comment after writing this and you retracted your snarkyness, so kudos)
Seriously, I've read some Ellison after JMS getting all fanboyish over him, and it was alright - some really good concepts in some of his more famous stories, but like goldfarb says, not all of his work is on the same level.
I do agree that the main issue the industry has with him however is that he expects straightfowardness and that he has little time for the 'suits'. If you believe what he writes (and I'm a little skeptical at points) then all power to him. However as good as Soldier and Demon with a Glass Hand were, I preferred Terminator. And it really isn't that similar to I Have No Mouth And Yet I must Scream beyond the AI revolution.
Everything I read was very, very bleak - which I like mostly, but don't feel that it's quite what I' d like to see in Star Trek. Concepts could be good.
06:32 PM
I like how people complain Joss Whedon has to make his characters miserable, and completely the opposite about Abrams.
Christopher Nolan's GI Joe
[words]
I detect some subtext. Some repressed dislike. I'm not sure what it is, but...
12/06/09
Then again, Abrams didn't exactly knock my socks off with Star Trek 90210, so what the heck do I care with what happens to it from here on out?
12/06/09
However, at the same time there was a brief moment there when the series seemed doomed to continue on. If it took a Star Trek Degrassi high to reinvigorate the franchise and introduce the young ones to the series then really its hard to complain about it no?
The alternative? No Trek at all.
You are right on about Harlan by the way.
12/06/09
Babylon 5, Star Wars, Futurama, Stargate, and then Star Trek. I would have been fine with Enterprise being the closing chapter on Star Trek, though I think putting the two least interesting characters from TNG in the final shot was a pretty crap decision.
12/05/09
12/05/09
12/07/09
Besides, I find that "City on the Edge" does not really fit into the tone and texture of TOS. It's a great story and very dramatic, but really discordant with the series as a whole.
I'd rather give someone like Chabon a shot at the next script.
12/05/09
12/05/09
12/05/09
12/05/09
I also loved Angry Candy.
I'd like to see if 30 years has added some gravitas to his work.
12/05/09
12/05/09
The Terminator's timeline of
Cyberdine's AI destroying the world is ripped right from "I Have No Mouth and I Must Scream"
12/05/09
12/05/09
I wont spoil it for you.
12/05/09
Harlan's one of the few writers who also narrates his work with punchy quality: if you've played the IHNMAIMS computer game, his depiction of A.M. is saliciously lurid. I would enjoy him seeing him, even briefly, as a walk-on character in upcoming Trek.
12/05/09
12/05/09
The only exposure I have to Ellison is "Repent, Harlequin!" said the Ticktockman and "I Have No Mouth, and I Must Scream", the latter being a HG101 look at the adventure game it was based on.
His writing is pretty good, but I don't know how well he'd handle Star Trek. Maybe I'll take a look at that episode and see if it clears my doubt.
12/05/09
12/05/09
12/05/09
12/05/09
12/05/09
12/05/09
12/05/09
12/05/09
12/05/09
[www.startreknewvoyages.com]
Here is the opening. I love it.
12/05/09
12/05/09
12/05/09
12/05/09
They should get Peter F. Hamilton. The red matter was a ripoff of his Hawking M-sink from the Void series anyway.
12/05/09
12/05/09
12/05/09
With that in mind, I'm highly skeptical that Ellison could catch "City..." lightning in a bottle twice at this point in his career. If I were Abrams, I'd send Ellison a gracious but firm "no thank you" and put my efforts into finding a more modern, up-and-coming writer with a flair for thinking outside the sci-fi box. Heck, you're telling me none of the writers currently working on Abrams' various projects have thought-provoking Trek ideas floating around in their heads?
Then again, if I were Abrams I'd also be sleeping with a lot more super models than I do now, especially given that I currently sleep with none of them.
12/05/09
The main argument against Ellison is that Pantagruelian mountain of wet festering dreck called I, Robot. (His screenplay adaptation). Mark Zug, I love you, but: wow.
12/06/09
12/06/09
So, no, you didn't "prove me wrong" in the least. You misread or misunderstood what I wrote and then answered questions I never asked. If anything, the people you mentioned are "prove-me-rights," as they prove that not all artists are incapable of the genius of their youth as they sail into their elder years. Which is exactly what I said!
Now, if you can show that every artist is always more creative later rather than earlier, than you will prove my non-absolute belief regarding the opposite wrong. Good luck to you.
12/05/09
doesn't this suggest that such a collaboration isn't such a good idea?
Ellison is very overrated and Abrams/Kurtzman/Orci/Lindelof are very much style over substance, as much as I like (read enjoyed) their Star Trek /film/ the script was ridiculous shit...writers strike not withstanding...
doesn't Ellison have an anthology to finish?
12/05/09
12/05/09
compared to me?
Yes, compared to me Ellison is overrated.
sheesh....
he's overrated because the only things that people ever mention when talking about Ellison is that he wrote some 'classic' Star Trek and Outer Limits episodes and some good short stories...and that he has a temper etc...
that's about it...
it seems to me that many people are very quick to agree that he's brilliant and an influential force in Science Fiction...but no one really mentions any of his work...
calling him overrated says nothing about Ellison...it says something about the people who shout his name from the rooftops, likely without having read much of his work. (obviously I'm not referring to you FrankenPC)
12/05/09
12/05/09
12/05/09
12/06/09
Seriously, I've read some Ellison after JMS getting all fanboyish over him, and it was alright - some really good concepts in some of his more famous stories, but like goldfarb says, not all of his work is on the same level.
I do agree that the main issue the industry has with him however is that he expects straightfowardness and that he has little time for the 'suits'. If you believe what he writes (and I'm a little skeptical at points) then all power to him. However as good as Soldier and Demon with a Glass Hand were, I preferred Terminator. And it really isn't that similar to I Have No Mouth And Yet I must Scream beyond the AI revolution.
Everything I read was very, very bleak - which I like mostly, but don't feel that it's quite what I' d like to see in Star Trek. Concepts could be good.
12/06/09