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San Francisco, 10:44 PM
Mon Dec 7
26 posts in the last 24 hours

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12/06/09
Then again, Abrams didn't exactly knock my socks off with Star Trek 90210, so what the heck do I care with what happens to it from here on out?
12/06/09
However, at the same time there was a brief moment there when the series seemed doomed to continue on. If it took a Star Trek Degrassi high to reinvigorate the franchise and introduce the young ones to the series then really its hard to complain about it no?
The alternative? No Trek at all.
You are right on about Harlan by the way.
12/06/09
Babylon 5, Star Wars, Futurama, Stargate, and then Star Trek. I would have been fine with Enterprise being the closing chapter on Star Trek, though I think putting the two least interesting characters from TNG in the final shot was a pretty crap decision.
12/05/09
12/05/09
11:59 AM
Besides, I find that "City on the Edge" does not really fit into the tone and texture of TOS. It's a great story and very dramatic, but really discordant with the series as a whole.
I'd rather give someone like Chabon a shot at the next script.
12/05/09
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12/05/09
I also loved Angry Candy.
I'd like to see if 30 years has added some gravitas to his work.
12/05/09
12/05/09
The Terminator's timeline of
Cyberdine's AI destroying the world is ripped right from "I Have No Mouth and I Must Scream"
12/05/09
12/05/09
I wont spoil it for you.
12/05/09
Harlan's one of the few writers who also narrates his work with punchy quality: if you've played the IHNMAIMS computer game, his depiction of A.M. is saliciously lurid. I would enjoy him seeing him, even briefly, as a walk-on character in upcoming Trek.
12/05/09
12/05/09
The only exposure I have to Ellison is "Repent, Harlequin!" said the Ticktockman and "I Have No Mouth, and I Must Scream", the latter being a HG101 look at the adventure game it was based on.
His writing is pretty good, but I don't know how well he'd handle Star Trek. Maybe I'll take a look at that episode and see if it clears my doubt.
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12/05/09
[www.startreknewvoyages.com]
Here is the opening. I love it.
12/05/09
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12/05/09
They should get Peter F. Hamilton. The red matter was a ripoff of his Hawking M-sink from the Void series anyway.
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12/05/09
With that in mind, I'm highly skeptical that Ellison could catch "City..." lightning in a bottle twice at this point in his career. If I were Abrams, I'd send Ellison a gracious but firm "no thank you" and put my efforts into finding a more modern, up-and-coming writer with a flair for thinking outside the sci-fi box. Heck, you're telling me none of the writers currently working on Abrams' various projects have thought-provoking Trek ideas floating around in their heads?
Then again, if I were Abrams I'd also be sleeping with a lot more super models than I do now, especially given that I currently sleep with none of them.
12/05/09
The main argument against Ellison is that Pantagruelian mountain of wet festering dreck called I, Robot. (His screenplay adaptation). Mark Zug, I love you, but: wow.
12/06/09
12/06/09
So, no, you didn't "prove me wrong" in the least. You misread or misunderstood what I wrote and then answered questions I never asked. If anything, the people you mentioned are "prove-me-rights," as they prove that not all artists are incapable of the genius of their youth as they sail into their elder years. Which is exactly what I said!
Now, if you can show that every artist is always more creative later rather than earlier, than you will prove my non-absolute belief regarding the opposite wrong. Good luck to you.
12/05/09
doesn't this suggest that such a collaboration isn't such a good idea?
Ellison is very overrated and Abrams/Kurtzman/Orci/Lindelof are very much style over substance, as much as I like (read enjoyed) their Star Trek /film/ the script was ridiculous shit...writers strike not withstanding...
doesn't Ellison have an anthology to finish?
12/05/09
12/05/09
compared to me?
Yes, compared to me Ellison is overrated.
sheesh....
he's overrated because the only things that people ever mention when talking about Ellison is that he wrote some 'classic' Star Trek and Outer Limits episodes and some good short stories...and that he has a temper etc...
that's about it...
it seems to me that many people are very quick to agree that he's brilliant and an influential force in Science Fiction...but no one really mentions any of his work...
calling him overrated says nothing about Ellison...it says something about the people who shout his name from the rooftops, likely without having read much of his work. (obviously I'm not referring to you FrankenPC)
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12/06/09
Seriously, I've read some Ellison after JMS getting all fanboyish over him, and it was alright - some really good concepts in some of his more famous stories, but like goldfarb says, not all of his work is on the same level.
I do agree that the main issue the industry has with him however is that he expects straightfowardness and that he has little time for the 'suits'. If you believe what he writes (and I'm a little skeptical at points) then all power to him. However as good as Soldier and Demon with a Glass Hand were, I preferred Terminator. And it really isn't that similar to I Have No Mouth And Yet I must Scream beyond the AI revolution.
Everything I read was very, very bleak - which I like mostly, but don't feel that it's quite what I' d like to see in Star Trek. Concepts could be good.
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