<![CDATA[io9: jonah nolan]]> http://tags.lifehacker.com/assets/base/img/thumbs140x140/io9.com.png <![CDATA[io9: jonah nolan]]> http://io9.com/tag/jonahnolan http://io9.com/tag/jonahnolan <![CDATA[New Terminator 4 Footage Shows John Connor Out Of His Depth]]> Terminator Salvation will be "a dirty, difficult, grimy, [H.R.] Giger world," says director McG, who showed some new footage in London yesterday. The assembled journalists, who'd just seen 20 minutes of Star Trek with J.J. Abrams a few days earlier, came out of the screening optimistic about T4's chances of competing with Trek next May. With Dark Knight star Christian Bale and scribe Jonah Nolan on board, McG was very keen to compare his movie to this year's biggest — and darkest — film, but will the movie live up to the comparison? Spoilers ahead.

The contrast between the T4 and Trek footage was pretty apparent to the assembled journos. Terminator 4 is going to be a gritty world of killer robots and embattled resistance fighters hiding like rats underground. Trek, meanwhile, is shiny and optimistic.

Another contrast: J.J. was a bit brash, making a point of mentioning at every screening that he's never been a fan of Star Trek. McG, meanwhile, went out of his way to be humble, admitting he has a silly name and that Christian Bale told him to fuck off when he first asked him to be in Terminator 4. (Bale changed his mind when McG convinced him it could be a serious drama as well as an action movie.) Also, McG addressed the ongoing James Cameron controversy, saying Cameron didn't give the film his blessing, but "didn't shit all over it either."

In fact, McG admitted he didn't think the world needed another Terminator movie, until Nolan came up with the idea of making it a Batman Begins-style origin story of John Connor, who becomes the hero he's supposed to be. McG also compared his new movie to the Daniel Craig James Bond films, which reinvented the character.

So, about the new footage. First, McG showed the featurette about the special-effects work of Martin Laing that we posted a while back. Then, he brought up special effects supervisor John Rosengrant to talk about how the film's effects are a mixture of CG and real special effects. The primitive T-600 model will have a "gritty, nasty Soviet look," says Rosengrant. Also, McG wouldn't say whether Arnold Schwarzenegger would find a way to show up in the movie, but did say the T-800 model will have a big role.

Then he finally showed about five to seven minutes of new, unfinished footage, which had a Transformers-meets-Matrix vibe. Marcus Wright (Sam Worthington) opens his eyes and asks what date it is. Kyle Reese (Anton Yelchin) replies that it's 2018. Wright asks, "What happened? Judgment day?" And then Wright and Reese are being pursued by a giant Harvester Terminator, which smashes up a gas station in the desert. Then the Harvester chases them across the desert in a sequence full of explosions and "fairly standard Hollywood action."

Meanwhile, there's drama for John Connor, because he tries to step up as leader of the resistance, but there are more experienced military leaders (including one played by Michael Ironside) who don't want to let this young non-soldier take over. Connor discovers that the machines are collecting DNA and stem cells from humans to help create the human-looking T-800, and he warns that if the T-800 comes online this soon, then humanity has already lost the war. Also, there's the scene shown at Comic-Con, where Connor confronts up a chained-up Wright and says Wright killed his mother and his father, but won't kill him.

Crucial dialogue: Connor says, "This isn't the future that my mother told me about." And resistance pilot Blair Williams (Journeyman's Moon Bloodgood) replies, "If you saved us in another future, you can save us in this one."

Besides the John Connor stepping-up storyline, the film is also about where humanity ends and the machines begin, says McG — probably a reference to Marcus Wright, who's apparently a decommissioned Terminator.

McG said the rumored ending of the film, in which John Connor turns out to be a robot or is replaced by a robot, is completely false. Also, Christian Bale says the famous catch phrase, "I'll be back." But the context is 180 degrees reversed from the way it's said in the original. Bale is already signed up for two sequels, and McG and friends already have the next two movies "arced out."

Terminator set pics from VideoETA.
[Channel 4 and Guardian and IGN]

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<![CDATA[Spielberg Gets His "2001" On With Wormhole Saga]]> We've critiqued science fiction movies with bad science, but one project in development is supposed to have immaculate science, thanks to a script treatment by Caltech physics professor Kip S. Thorne. Interstellar, produced (and maybe directed) by Steven Spielberg, will deal with travel through a wormhole into an alternate dimension. Thorne insists the film won't violate any laws of physics, but will it ever actually get made? Click through for the latest info.

Interstellar is being written by Jonah Nolan, brother of Batman Begins director Christopher and writer of The Prestige, based on Thorne's treatment. (And the L.A. Times reported that Nolan proposed adding a time-travel element to the movie's wormhole plot.) I got in touch with Thorne, but other than confirming that Nolan is writing the script he wouldn't comment about the movie.

But presumably the script would be based on Thorne's past work, with his former grad student Michael Morris, on wormholes. Morris and Thorne theorized 20 years ago that an unstable wormhole could be held open using a sphere of "exotic matter," which has a negative mass. And then, in another paper, they theorized that you could indeed use a wormhole to travel in time. (One way this could work would be to accelerate one end of the wormhole to a high velocity relative to the other, and then bringing it back.) Says the abstract:

It is argued that, if the laws of physics permit an advanced civilization to create and maintain a wormhole in space for interstellar travel, then that wormhole can be converted into a time machine with which causality might be violatable. Whether wormholes can be created and maintained entails deep, ill-understood issues about cosmic censorship, quantum gravity, and quantum field theory, including the question of whether field theory enforces an averaged version of the weak energy condition.
In other words, it's theoretically possible, but we don't have enough data to say for sure. It sounds as though this would allow Nolan a lot of artistic license in the script for Interstellar, while still allowing Thorne to say the film violates no laws of physics.]]>
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