Small Beer's parody imprints, Easymark Books and Upchuck Press, do a better job of pointing out the shoddiness of Harlequin's vanity publishing scheme than most of the other critics. Here's part of the pitch for Easymark Books:

We're not interested in monetizing the slushpile, we're interested in getting you to pay to publish it for our profit!*

1. Let us help you get your book out to your real readership: your family and friends.

2. See you book on bookshelves (if not in bookstores-see #1).

3. For a mere $599 we will send you 5 copies of your book printed on our state of the art Print on Demand system. (Which sounds just like Lulu.com but isn't, ok?) It will even have a color picture on the cover-with, and sit down because this is about to get awesome, Your Name Right There On the Cover!

But that's not all — for an added fee, you can have access to such amazing services as spellchecking! And an intern who will tell you to remove most of the adverbs from your prose! It sounds almost too good to be true. If actually honing your writing to the point where a real agent and real editors might be interested in it sounds like too much work, and too much like buying into the system — be a cool rebel and send all your money to Easymark Press. You know it's where you belong. [Small Beer Press]

Tachyon Books

This publisher, specializing in short fiction, has been around for close to 15 years. But it's expanded tremendously in recent years, growing to put out ten books per year. Authors in the Tachyon stable now include the late Thomas Disch, Cory Doctorow, Peter S. Beagle, Terry Bisson and Charles de Lint among many others. Known for single-author short story collections, Tachyon has started making more of a mark recently with anthologies like Steampunk, The Secret History Of Science Fiction, Feeling Very Strange: The Slipstream Anthology and The New Weird. A lot of the most challenging and thrilling short fiction today is appearing in Tachyon's titles, one way or another. You can read our interview with Tachyon's Jacob Weisman here.

Night Shade Books

Another San Francisco press, Night Shade has been around for a dozen years. The company originally published only about four books a year, but now puts out 30-35 titles every year. And now Night Shade is putting out books from the likes of Iain M. Banks, Jay Lake, Neal Asher, Kage Baker, Paolo Bacigalupi, Walter Jon Williams and Greg Egan. And just like Tachyon, Night Shade has made huge inroads into the anthology market, with anthologies like The Living Dead, By Blood We Live and Wastelands. They've also put out Jonathan Strahan's "best of the year" anthologies and the Eclipse series, which we've been following with much excitement. Not to mention Ellen Datlow's Best Horror Of The Year anthologies. They've recently joined forces with the award-winning small press magazine Electric Velocipede. You can read our interview with Night Shade's Jeremy Lassen here.

ChiZine publishing

ChiZine started out as a webzine called Chiaroscuro, publishing horror, dark fiction and weird-ass shit, a decade ago. They started putting out books in spring 2008, and already they're up to 12 titles a year. And judging from recent offerings, they seem to be upholding their proud tradition of freakgnosis and terror. Recent books include Katya From The Punk Band by Simon Logan, A Book Of Tongues by Gemma Files, Chimerascope by Douglas Smith and The World More Full Of Weeping by Robert J. Wiersema.

Edge Science Fiction & Fantasy Publishing (and Tesseract Books)

This indy has been around since 2000, and now includes Tesseract Books. They seem to put out a lot of horror, including the Tesseracts anthology series, but also a fair amount of regular science fiction and fantasy. One of their recent releases is the intriguingly titled Time Machines Repaired While U Wait by K.A. Benford. That seems to be a kid-friendly title, and some of their books, like A Petrified World, are labeled as aimed at children ages eight and up.

Subterranean Press

Specializing in the horror, suspense and dark mystery genres, this publisher puts out tons of books by Poppy Z. Brite, Caitlin R. Kiernan, Ray Bradbury and Kage Baker. Fans of Alastair Reynolds will need to track down their recent flipbook of two novellas: Thousandth Night (set in the same world as House Of Suns) and Minla's Flowers. Coming soon: The Best Of Peter S. Beagle, which looks amazing. They have a close relationship with Joe Lansdale, allowing them to put out limited editions of many of his books. Their limited editions, generally, are fantastic and often have great illustrations, recently including Dan Simmons' The Terror and John Scalzi's The Last Colony.

Golden Gryphon

Founded in 1997, this small press survived the death of its founder, Jim Turner, in 1999, and is still putting out books — including The Empire Of Ice Cream and The Fantasy Writer's Assistant by the great Jeffrey Ford. They also put out Nancy Kress' Nano Comes To Clifford Falls And Other Stories and George Alec Effinger's Budayeen Nights, plus books by Mike Resnick and George Zebrowski. Their website looks a bit like it was last redesigned in 1997, but their books are fantastic.

Damnation Books

I had not heard of this publisher until I started working on this feature, and now I'm utterly fascinated. Maybe it's the weird, off-beat nature of their books — like The One-Percenters, in which a society of serial killers goes around murdering those with weak genes, who are only being kept alive because of money and medicine. Or The Zombie Cookbook, a book of "stories, poems
and recipes" about cooking with zombies, or cooking zombies. (Eww?) Mostly, though, it's the way all of their books are rated (on a scale of one to five) for sex and violence, as well as reader response in some cases. Only one book has scored a "5" for both sex and violence: The Body Cartel by Alan Spencer. Other Damnation authors? Time to raise your game.

P.S. Publishing

This British small press has put out tons of award-winning titles, especially in horror and fantasy but also in science fiction. New books are coming up by both Stephen King and his son Joe Hill. They've championed the underrated horror author Ramsey Campbell, and published great authors like Gwyneth Jones, Stephen Baxter, and Graham Joyce. They also put out Postscripts, a quarterly anthology/magazine series edited by founder Peter Crowther and Nick Gevers.

Eraserhead Press

This indy press, started by Carlton Mellick III, keeps chugging along under the steady leadership of Rose O'Keefe and her gang. And they're keeping it weird: We saw a table of Eraserhead titles at World Fantasy Con, and were blown away by the sheer Dada-ness of it all. There's Mellick's The Faggiest Vampire, which is what it sounds like. There's Shatnerquake, in which the real-life William Shatner attends a convention and has to fight all the fictional characters he's ever played. (The cover blurb goes: "William Shatner? William Shatner. William Shatner!") But perhaps the best title actually is, Rampaging Fuckers of Everything on the Crazy Shitting Planet of the Vomit Atmosphere. How do you get any better than that? Like so many of the small presses on this list, they also put out a magazine, The Magazine Of Bizarro Fiction.

Apex Publications:

Like most of the small presses on this list, Apex also puts out a magazine — but the magazine, Apex Magazine, seems to be the biggest part of their publishing empire. They do also put out a number of horror/dark fantasy books, though, including B.J. Burrow's The Changed, which tells of a zombie outbreak from the zombie point of view. (The intriguing blurb goes, "It's not the end of the world. It's just zombies.")

Prime Books

This small press has been around since at least 2001, when they put out Catherynne M. Valente's The Labyrinth. Since then, they've put out books by KJ Bishop, Theodora Goss, Sarah Monette, Holly Phillips, Ekaterina Sedia, Jeff VanderMeer, and many more. And their books have made top ten lists from Amazon, Booklist and Publishers Weekly. Publisher Sean Wallace purchased the Prime Books imprint from Wildside Press, and relaunched it as a Recently, they've put out some great anthologies, like Federations and a forthcoming wizard-themed book (both edited by John Joseph Adams.) And they're putting out a new edition of Rudy Rucker's Ware tetralogy, with an introduction by William Gibson. A lot of the most interesting new books we've seen lately have come out from Prime. They also do their own annual Best Science Fiction & Fantasy anthology, edited by Rich Horton (full disclosure: I have a story in the new volume of this.) And they publish Fantasy magazine, which is now a webzine.

Circlet Press

Cecilia Tan started out putting out chapbooks of erotic science fiction in the early 1990s, with Telepaths Don't Need Safewords, which I still think is the best title ever. This grew into an empire of science-fictional smut, including the gay erotic SF anthology series Wired Hard and many other futuristic collections like Fetish Fantastic and Best Fantastic Erotica. These days, a lot of their titles are available at low cost as PDFs and e-reader volumes. If you've ever wanted to know how aliens and demigods practice safe and consensual BDSM, then these are the books for you.

Small Beer Press

Gavin J. Grant and Kelly Link have been putting out quirky, wonderful and bizarre books, alongside their zine Lady Churchill's Rosebud Wristlet, for a decade now. I remember when the only places I used to see them were in the used bookstore on Newberry Street in Boston. Now Small Beer titles are among the most highly respected, and anticipated, out there. And they are constantly doing great good works: Like when Laurie J. Marks' elemental logic trilogy got canceled by its original publisher before the final volume came out, fans clamored to be able to read the conclusion — and Small Beer stepped in to save the day. Small Beer has also put out the great Interfictions anthologies of genre-defying stories, and books by Benjamin Rosenbaum, Elizabeth Hand, Joan Aiken, Greer Gilman and Poppy Z. Brite. And not to be shallow or anything, but their books are usually among the most beautifully designed out there, with arrestingly lovely covers.

Note: Before anybody pipes up in comments, we thought about including Pyr Books on this list — but they were launched as an imprint of Prometheus Books, a publisher that's been around since 1969. So through a painstaking process involving snake entrails, we deemed they weren't quite as much of an indy as the others on this list. If you disagree, blame the snake — but also, feel free to pipe up in comments. I also wound up leaving out Cemetery Dance, just becuase they've been around for 20+ years. Let us know if we missed your favorite indy press!

Top image: cover of Monstrous Affections by David Nickle, from Chizine Publications.

"Six From Downtown" definitely reminds me of Link at her best, with its stark, dreamlike imagery. But it's more brutal, with a host of images including a man fishing for mermaids (and then grilling them), and another man working as an exotic dancer and showing off his prehensile tail (and then using it to strangle a customer). The exotic dancer segment is also reminiscent of Geek Love by Katherine Dunn, for obvious reasons. And in the last section, a man comes home to find his wife's upper half has flown away. Again:

Before 5AM, I ride a third cab home to the condo. I check to see if my wife is back but she isn't. The lower half of her body is still standing where she left it, next to the window, wearing only the floral patterned panties I don't like very much. I look out the window of our 33rd floor unit and see the grey skies slowly changing hues.

I know she'll fly back. She's on her way home.

I realize that I am desperately hungry, that everything in my system since midnight has been smoke and alcohol.

They're trying to have a baby, without much success, and you sense that they're not going to have much in the future, either.

I found "Six From Downtown" via poet Barbara Jane Reyes, who offers it up as an example of the burgeoning field of Philippine speculative fiction. (For more on SF in the Philippines, check out this summation by Charles A. Tan.) Reyes also offers a really provocative explanation of exactly what people mean by "magical realism" — they mean native superstition, filtered through a haze of exoticism:

I've been thinking that magical realism is that thing you call ethnic literature when you don't know what to do with their "folk" beliefs still existing and manifesting themselves in the modern day. You don't know why those old beliefs still exist, and why the mythical and spiritual are so incorporated or fused into their everyday modern lives.

It defies conventional logic in modern, secular societies, to still believe, but more so, it defies conventional logic in modern, secular societies for those old beliefs and mythical deities to manifest themselves in our modern daily lives. Advanced as we think we are, we decide that such conventionally unexplainable phenomena are the province of the superstitious, backward, third world, unenlightened. We hear their testimonies of encounters with the fantastic with an air of doubt, and we judge them. In high literature, these stories become exoticized, objectified, hence, magical realism. In poetry, perhaps it's also objectified and othered as the mythopoetic.

Top image by Kevin LaPena. ["Six From Downtown" by Dean Francis Alfar, via Barbara Jane Reyes]

Link and Grant's STEAMPUNK!: An Anthology of Fantastically Rich and Strange Stories comes out in the fall of 2011 from Candlewick Press, one of the the fastest-growing children's publishers. Contributors, so far, include Link herself, plus China Mieville, Cassandra Clare, Holly Black, M.T. Anderson, Elizabeth Knox, Dylan Horrocks, Delia Sherman, and Ysabeau Wilce. Horrocks is best known as a comics writer, for his work on titles like Hicksville and Books Of Magic, but he's writing a short story for this book. Also, Grant says Wilce's Flora Segunda series is "un-put-downable."

So why a young-adult steampunk book? Grant explains:

We wanted to do this book because we realized that steampunk had completely overtaken the young adult field (Cassandra Clare, Scott Westerfeld, Jenny Davidson, Kenneth Oppel, etc., etc.) so maybe we could corral them into the same place and put together a fabulous book. (We may not be able to corral quite all of them!) Kelly really got me back into reading YA fiction a while ago and I'm a big fan and as we watched Holly Black and Cecil Castellucci put together their Geektastic anthology it just looked like so much fun that we wanted to try it. Especially the way they (in Geektastic) and Deborah Noyes (in Creepshow — she's also our editor!), brought in comics. Basically if we could get Alan Moore and Kevin O'Neill to write us a League of Extraordinary Gentlemen story, we'd be over the moon.

We've edited LCRW together since 1996 and did 5 years as the fantasy editors of The Year's Best Fantasy & Horror, so we know we can work together on it OK.

And why are we so fascinated with steampunk in the first place? Is it just nostalgia, or something else? Says Grant:

I have no idea why steampunk has the zeitgeist by the jabot but I love that it [does]. I love the modded-present day stuff and the hearkening back to the chunky, shiny designs of 100+ years ago. I think part of it has to be the pride of work well done. In steampunk you know that Captain Nemo's submarine isn't going to have a faulty starter: it will be a handmade, beautifully tooled piece of equipment. Maybe in our shoddy-mass-marketed-world of ever-lower-prices leading to ever-lower-quality there's an attraction to handmade materials? So, maybe it is just about the crazy machines? Or, maybe it's about secret histories? Science fiction is so prevalent in pop culture that maybe alternate history is a breath of fresh air? Who knows? Sure is fun, though.

Amazing Steampunk art by the mega-talented Suzanne Forbes.

You can now get every book ever published by Small Beer Press — including all of Kelly Link's short story collections, John Kessel's The Baum Plan for Financial Independence and Other Stories, and the genre-bending Interfictions — for $249. That's about half the retail price of their 26-book library, but if you can't stomach shelling out even that much, you'll be glad to know that Kelly Link's Magic for Beginners is now available as a free download. Michael Chabon thinks Magic for Beginners makes the world worth saving, so you can bet it's a fairly good read.

There's a lot of spectacular SF up for grabs right now, and when buying it could also help heal a seriously ailing country, it's almost impossible to resist. Go have fun.

Sale. [Not A Journal]

Here's an excerpt from her weird tale, which is as much about prison social networking websites as it is about zombies. Link's main character, an ex-con named Soap, is infatuated with zombies, and here he explains why:

Zombies weren’t complicated. It wasn’t like werewolves or ghosts or vampires. Vampires, for example, were the middle/upper-middle management of the supernatural world. Some people thought of vampires as rock stars, but really they were more like Martha Stewart. Vampires were prissy. They had to follow rules. They had to look good. Zombies weren’t like that. You couldn’t exorcise zombies. You didn’t need luxury items like silver bullets or crucifixes or holy water. You just shot zombies in the head, or set fire to them, or hit them over the head really hard . . .

Zombies didn’t discriminate. Everyone tasted equally good as far as zombies were concerned. And anyone could be a zombie. You didn’t have to be special, or good at sports, or good-looking. You didn’t have to smell good, or wear the right kind of clothes, or listen to the right kind of music. You just had to be slow.

Read the rest today at lunch.

Some Zombie Contingency Plans [via Living Dead]