If it's the end of a decade, then it's time for multiple Best Of The Decade lists. This isn't exactly one of them, though, despite what it looks like; for one thing, even if it was, you'd all disagree with it and complain that we left off something essential - although anyone arguing for the inclusion of Ultimatum, we believe that can be disproven through the use of science and charts - and for another, we've not read every single thing published in the last decade, so for all we know, there's something really obvious that we'll have somehow overlooked through accident instead of malice. Instead of The Ten Best, then, these are Ten Of The Best (Click on the titles for our explanations why and, in some cases, runners-up to the list that we couldn't help but sneak in):

100% by Paul Pope (DC/Vertigo)
All Star Superman by Grant Morrison and Frank Quitely (DC Comics)
Black Hole by Charles Burns (Pantheon)
Casanova by Matt Fraction, Gabriel Ba and Fabio Moon (Image Comics)
Laika by Nick Abadzis (First Second Books)
Planetes by Makoto Yukimura (Tokyopop)
Pluto by Osamu Tazuka and Naoki Urasawa (Viz Media)
Scott Pilgrim by Bryan Lee O'Malley (Oni Press)
We3 by Grant Morrison and Frank Quitely (DC/Vertigo)
Y The Last Man by Brian K. Vaughan, Pia Guerra and many more (DC/Vertigo)

(Thanks to Lauren, David Brothers, Jeff Lester and all who offered advice and good reasons why we were entirely wrong in some original choices.)

Next: Planetes

Hidden in the wasteland of Culver City, CA, is the Museum of Jurassic Technology. This marvelous museum of modern antiquity perfectly blurs the line between science and fiction, displaying both the real and surreal with equal care. The MJT is a present-day version of a sixteenth-century tradition;The Wunderkammer,or Cabinet of Wonders.

Like Warehouse 13, the MJT has an eccentric curator with a penchant for the paranormal and being mysterious. Museum curator and creator David Wilson's philosophy seems strangely akin to Artie's:

There's a whole hermetic tradition of the transmission of knowledge, which is very often done through a guide, where you gain access to information at the time that you need it. At a certain point in a person's development it becomes exactly what they need to know and before that it's meaningless. I think it happens all the time to people here at the museum. It's the only way to account for the huge variety of responses that people have. Some are ready to see this material in a certain way - it brings up a certain kind of knowledge or understanding in them - whereas for others it doesn't at all.

The exhibits are, to quote Lewis Carrol's Alice, curiouser and curiouser. The Lives of Perfect Creatures salutes the canines of the Soviet space program, while Tell The Bees is an exploration of domestic superstitions. Marvel at the Micromosaics of Henry Dalton, constructed entirely of butterfly wings, and a Flemish landscape carved from an almond. Yes, an almond.

Many of the museum exhibits leave you puzzled as to how much fact lies within each fiction. Consider the evidence surrounding the Deprong Mori of the Tripiscum Pleateau, a bat which can supposedly pass through solid objects using x-ray rather than sonar. Ponder the Horn of Mary Davis of Saughall, one of supposedly several humans to sprout such appendages in the middle-ages. If such things tickle your fancy, horn earrings can be purchased in the museum gift shop.

Also available in gift shop is Lawrence Weschler's book, Mr. Wilson's Cabinet Of Wonder , which tries to unravel the mysteries of the museum and David Wilson's work. The book opens with same image that you encounter when you first step inside the Museum of Jurassic Technology, that of the Megolaponera Foetens, The Stink Ant Of Cameroon. The ant's story is true science, but seems more like science fiction than many of the museum's other oddities:

In the rain forest of the Cameroon in West Central Africa lives a floor dwelling ant known as Megaloponera foetens, or more commonly, the stink ant. This large ant - one of the very few to produce a cry audible to the human ear - lives by foraging for food among the fallen leaves and undergrowth of the extraordinarily rich rain forest floor.

On occasion one of these ants, while looking for food is infected by inhaling a microscopic spore from a fungus of the genus Tomentella. After being inhaled, the spore seats in the ant's tiny brain and begins to grow, causing changes in the ant's patterns of behavior. The Ant appears troubled and confused; for the first time in its life the ant leaves the forest floor and begins to climb. Driven on by the growth of the fungus, the ant embarks on a long and exhaustive climb. Completely spent and having reached a prescribed height, the ant impales the plant with its mandibles. Thus affixed, the ant waits to die. Ants that have met their ends in this fashion are quite common in some sections of the forest.

The fungus continues to consume first the nerve cells and finally all the soft tissue that remains of the ant. After approximately two weeks a spike appears from what had been the head of the ant. This spike is about an inch and a half in length and has a bright orange tip heavy with spores which rain down onto the rain forest floor for other unsuspecting ants to inhale.

This story, and the ant, has come to be seen as a mascot of the museum, a morbid metaphor of the transmission of knowledge, and a perfect example of truth being far stranger than fiction.

Sky Doll:
This French story about a sexbot who stows away with space truckers to find her true destiny reads like a more enjoyable The Fifth Element, mixing spirituality, sexuality and awkward humor to create a beautifully-illustrated not-so-guilty pleasure.
(Published by Marvel Comics, $24.99.)

Jack Kirby's Fourth World Omnibus:
This four-volume series of hardcovers collects all of the various comics that made up X-Men and Fantastic Four co-creator Kirby's 1970s magnum opus about godlike aliens bringing their war to Earth. Ignored and cancelled due to low sales at the time, these have since taken their place as some of the all-time best American SF comics.
(Published by DC Comics, each volume $49.99.)

The Babysitter Collection:
You probably won't have heard of Andy Ristaino's mind-bending story of Setsuko Kagaku, the Japanese schoolgirl who happens to be the world's greatest babysitter, but once you've seen this amazing, mind-bending book that gleefully rewrites the rulebook on how comics work and questions the nature of reality, you'll never be able to forget it.
(Published by SLG, $29.95.)

Buffy, The Vampire Slayer Season 8:
Surely you need no explanation why the official comic continuation of the TV series - overseen and written in part by Joss Whedon, with the other writers including Cloverfield's Drew Goddard - makes this list. If you have to pick just one of the four collections to date, we'd suggest the Brian K. Vaughan-written "No Future For You", which brings back Faith and Giles for some ass-kicking in good ol' Blighty that doesn't rely too heavily on the uber-arc for the season.
(Published by Dark Horse, each volume $15.95.)

Laika:
Nick Abadzis' semi-fictional biography of the First Dog In Space is subtle, beautiful and enough to break the heart of even the most cynical bastard. If you're an animal lover, then you'll probably be in tears by the end.
(Published by First Second, $17.95.)

Scott Pilgrim:
Bryan Lee O'Malley's enjoyable series of graphic novels - Probably my favorite current series, not that that really matters to you - blends twenty-something ennui, surreal humor (Wait until you meet the vegan in the third volume), video game references, and some wonderful artwork to create something that's both timeless and effortless contemporary. Plus, where else do you get to read about a boy who has to fight his girlfriend's Seven Evil Ex-Boyfriends in order to win her heart?
(Published by Oni Press, each volume $11.95.)

All-Star Superman, Vol. 1:
Superhero comics may not get much better than this recently-completed series by Grant Morrison and Frank Quitely; pulling the genre away from angst-ridden punchfests, ASS - yes, I know - instead offers a more contemplative and imaginative Superman who falls victim to Lex Luthor's ultimate masterplan and still tries to save the day, every day. This volume collects the first half of the series; a second is due next year, so you can give it to someone this time in 2009.
(Published by DC Comics, $12.99.)

100%:
Yes, I'm stretching the "recent" thing for this 2005 collection of Paul Pope's series about life in a future New York, full of love stories and artists and people in the wrong place at the wrong time, but it'll always be an amazing book, the closest we'll ever get to Robert Altman directing a science fiction Bukowski. Or something.
(Published by DC Comics/Vertigo, $24.99.)

The Doctor Who Storybook 2009:
Is this too non-comic-booky? Possibly, but each year in the UK, a Doctor Who Storybook is released for kids, featuring brand new stories written by the TV show's writers (The 2006 edition featured the first version of "Blink," by Steven Moffat; this year, Mark Gatiss, Gareth Roberts and James Moran are all contributing), as well as a "Letter from the Doctor" written by the showrunner (This year is Moffat's first; Russell T Davies has done the last couple). If it helps, there's a comic strip in there too, but I don't think you'll need much more convincing.
(Published by Panini Books, price depending on whatever you pay on import; £7.99 in the UK.)

Any Showcase or Essential Collection:
Help a friend or family member relive their misspent childhood with these black and white phonebook collections of comics from the 1960s and '70s. DC's brand is "DC Showcase Presents", Marvel's is "Marvel Essential," but both offer over 500 pages of reprinted goodness for $16.99; you can find a list of each line here (Showcase) and here (Essentials).
(Published by DC Comics and Marvel Comics, $16.99.)

Two Additional Stocking Stuffers That Aren't Really Comics, But Still:
Fables: Covers by James Jean:
All eleven volumes to date of Bill Willingham's wonderful Fables would make ideal stocking stuffers as well, but the pride of place has to go to this stunningly beautiful collection of illustrator James Jean's covers to the first 75 issues (and ten collections) of the series. Breathtakingly illustrated in paint, pencil and digitally, the work contained in this book is awe-inspiring.
(Published by DC Comics/Vertigo, $39.99.)

Thrill Power Overload:
Another import that's well worth tracking down, David Bishop's history of the first thirty years of British comic 2000AD is both salacious and educational, filled with gossip and stories about the creation of characters like Judge Dredd and Rogue Trooper and the early careers of creators like Alan Moore, Grant Morrison and even Neil Gaiman. Enjoyable even if you've never read an issue of the comic itself.
(Published by Rebellion Books, price depending on whatever you pay on import; £34.99 in the UK.)

Based on Gaiman’s book, Coraline centers on a young girl (voiced by Dakota Fanning) who is bored with her life and frustrated by her well-meaning, but neglectful, parents (voiced by Teri Hatcher and John “I’m a PC” Hodgman). One day, she discovers a doorway to an alternate version of her world where things and people seem, at first, much more interesting and likable than in her own dimension (for example: her father turns into a one-man They Might Be Giants cover band).

Animation studio Laika is using physical models and figurines to film Coraline in stop-motion, creating a much richer experience than most computer animation studios have been able to accomplish. The featurettes introduce us to the main characters and show the stark contrast between Coraline’s real world and the more magical, but sinister world she enters:

Coraline comes to theaters in February 2009 and will be available in 3D.

[via The Animation Blog]

China's ramped-up space plans (and its airbrushed moon porn) are definitely making the U.S. twitchy. The U.S. government refused to help with the launch of China's Chang'e lunar orbiter.) But the U.S. has mostly been laid-back, and a little condescending. Like this L.A. Times article that says "There's Room For China In Space." Really? No way. (Here's another one.) Even the fact that Russia, Western Europe and Japan have all launched their own robot probes isn't freaking Americans out yet. So let's hope China steps up its game, without doing anything too evil, like when China blew up a satellite and doubled the size of the debris field orbiting Earth. But a Chinese astronaut on Mars would be just the thing we need to jolt us out of our complacency.

Who knows when the U.S. would have put a dude on the moon if Russia hadn't put a dog in space back in 1957? The U.S. government is pretty stingy when it comes to science funding, but there's always money for war and coping with outside threats. Space funding dropped sharply in the 1990s, and now we're retiring our space shuttle fleet. The only recent increase in space funding was $300 million for defending U.S. satellites after China destroyed that weather satellite. It sucks that we need an outside competitor to make us take space exploration seriously again.But on the other hand, a little more competition could be healthy for everyone. Images by AP.