Sometimes a movie sparks everybody's imagination months before it comes out. When a film gets talked about, that's usually a good thing — and it's an even better thing when it becomes the subject of memes and ideas. Unless those memes totally misrepresent what the movie's about, and wind up killing all interest in…

Matt Reeves, director of Cloverfield and the U.S. remake of Let The Right One In, is in final talks to direct the new Twilight Zone movie. And he could be making it as soon as next summer. But it won't be what you might be expecting from a film adaptation of Rod Serling's television series.

This was a year of hard lessons. Movie attendance and ticket sales fell. Television shows struggled and died. Book publishers faced an electronic future. And through it all, some great works of the imagination thrived. What did 2010 teach us?

This year's best movies played with genres in ways that changed their audiences' perceptions. Video-game movies, action movies, heist movies and superhero movies — they all had dazzling reinventions. Here are the 10 best and worst SF/fantasy movies of 2010.

With The Tempest, opening tomorrow, Julie Taymor and Helen Mirren bring a splashy fantasy vibe to the Bard. But science fiction and fantasy have been playing with Shakespeare forever. Here are the greatest Shakespeare homages and cover versions in SF.

There's a lot of interesting reads in your comic shop this week, such as reprints of classic Planetary crossovers, the return of Odin in Matt Fraction's Thor, the 100th issue of Fables, and much more!

It's official: U.S. audiences decided not to let in Let Me In. The U.S. remake of the Swedish vampire classic crashed and burned. But most other domestic horror remakes have been critical or box-office failures. Check out our damning statistics.

We knew Let Me In's vampire girl had super-strength, but did you know that she can control minds as well? In our exclusive interview with the film's star, Kodi Smit-McPhee, he reveals how Abbey plays with his character's mind.

I don't know what's more astonishing: that Hammer Films is giving horror publishing a major jolt of life with its new deal with Arrow Books/Random House. Or that literary superstar Jeanette Winterson is writing the first title, a novella. [Guardian]

Let Me In, the unusual story of a child vampire and the human boy she comes to love, is moody and quiet. It's a movie whose horror slowly creeps up on you, leaving a profound feeling of disturbance behind.