Enter your username and password.
-
posts about #michaelstackpole more → The Best Way To Break Into Science Fiction Writing Is Online Publishing
| posts about #michaelstackpole more → |
The Best Way To Break Into Science Fiction Writing Is Online Publishing |
07/06/09
Finally, his approach to writing makes my soul BURN. As someone who's trying to legitimize genre writing, the sort of formulaic pandering described here is like my kryptonite. Only it's crap, because formula breeds crap. It's craptonite.
Online publishing is great if you've got a fan base, but it's a kiss of death when you're getting started. A few years ago you could find all sorts of articles about how self-publishing was a great way to break out, but nobody reads self-published shit. The whole point of publication is the vetting. All the awful horseshit that spews from the keyboards of countless untrained and brain-dead wannabes needs to be filtered out. Publishing is like the Nintendo Seal of Quality, only with meaning. Seeing a book on the bookshelf at borders indicates that somebody somewhere who's in the business of selling books decided that this book was worth the risk of investment.
I'm sure that e-publishing will become legitimate, but it will only do so through established channels. There will be virtual "houses" that essentially just endorse books for a cut, and nobody will bother to read the other crap.
07/06/09
07/06/09
Not to mention, the publisher, when they do find something worthwhile, put a lot of stock into it, with promotion and advance payment to the author and whatnot. They won't do that for just any story.
Also, the really worthwhile stories you may find floating around the Internet are few and far between. At least, something that's original. (Fanfic doesn't count as legitimate writing, sorry)
07/06/09
Well, yes and know. Sometimes, they know what makes a story work. Sometimes, they know what makes a story sell. Sometimes, magazines go out of business.
I think that one of the real problems with setting up online publishing is that, even if you get a group of people together to do some vetting, without any startup capital or anything like that, you can't afford to pay your writers. And who wants to work for free? No one, that's who.
07/06/09
07/06/09
07/06/09
07/06/09
The result is that they undervalue digital rights and digital delivery methods. This leaves an opening for authors able to use the marketing and audience building possibilities that major publishers can't (or aren't willing to) utilize to make their own mark and set their own terms.
07/06/09
They should learn from the RIAA. While they are busy chasing pirates, suing customers and alienating music fans, legal online distrubution of music is bringing in money for lots of people. They risk missing the boat.
07/06/09