@Jose Fortuna: Watchmen, like most mainstream comics, was done as "work for hire"; it is wholly owned by DC Comics. That means that Moore and Gibbons had zero control over the property from the start, including merchandising and movie rights. It was this very lack of control over his creations that led to Moore's dissatisfaction with the industry in the late '80s.
@CodenameV: Silhouette = The Boba Fett of the Watchmen film universe. Never identified by name in the movie, has maybe one line of dialogue, dies ignominiously and is forgotten by most of the viewing public.
@lightninglouie: This is nitpicky, but Rorschach identifies Silhouette when he is breaking into Rockefeller Military Base. As he retells the fate of the Minutemen, he says that Silhouette was a "victim of her indecent lifestyle."
That being said, I appreciate your comparison. I love Boba Fett and I love Silhouette.
@Benguin: Honestly, I couldn't bear to put up another Rorschach, Silk Spectre, or Dr. Manhattan image. Wanted a Watchmen image we hadn't seen a lot before.
I like Alan Moore's work a great deal, but a two-decade tantrum about wicked ol' DC retaining the right to publish one's most famous work by continuing to publish it seems a little odd.
@Rasselas: I think it has more to do with the fact that ANY of Alan Moore's material has been horrible misconstrued by the Hollywood process. V for Vendetta may have been a modest success, but the circumstances surrounding The League of Extraordinary Gentlemen would leave any person to be embittered for the rest of their lives.
@UmitSea horse: No question -- I was referring to the note that "Moore doesn't own a copy of Watchmen, or any of his other writings that he doesn't own the rights to."
@Dejanus: I enjoyed the movie, but found it oddly inert compared to the comic book. The cross-cutting works better in a 3x3 panel grid than in a movie.
call him a curmudgeon, bitter...whatever...the fact is that he's right.
the Uslan interview is interesting...and reveals a major flaw in the thinking of Hollywood with regard to comic books - they look like they do for reasons that have nothing to do with creativity - four colour process? - 'cause it's cheap, not because that's what they wanted...
@goldfarb: Yeah, well the "comics as frozen movies" shows Uslan's lack of understanding in this regard, though it's worth pointing out that movie people tend to understand everything only in terms of other movies. There's this notion that all other mediums of storytelling are, to borrow a phrase of William Gibson's, a "grubby chrysalis" out of which the final cinematic produt is refined. (Unfortunately, since movies and TV are the dominant media today, that's how most "end-users" will experience the work of novelists and cartoonists.)
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Moore is a broken record. STFU, you cranky old tiresome insane git.
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That being said, I appreciate your comparison. I love Boba Fett and I love Silhouette.
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the Uslan interview is interesting...and reveals a major flaw in the thinking of Hollywood with regard to comic books - they look like they do for reasons that have nothing to do with creativity - four colour process? - 'cause it's cheap, not because that's what they wanted...
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