Wow, look at how evenly spread the voting was! Excellent poll, io9, maybe Best. Poll. Ever. Now if you'll excuse me, i'll be imagining an Earth on which producers instantly began shooting their own continuation of the Doctor Who story about 10 minutes after "The Five Doctors" ended -- imagine the continuity obsessers in that universe!
I think if IP law was like that, things would change enormously and ways we simply don't expect. Probably a lot of good things would happen (Disney wouldn't be able to extend copyright to that damn mouse for another 6 billion years, for starts.) and a lot of bad things would happen (Maybe a lot of deserving artists wouldn't get credit or adequately paid for their work.)
I don't think it would lead to outright collapse, nor do I think it would lead to some kind of artistic flowering but it certainly would shake things up a lot in good and bad ways.
IP law is a balancing act. We have to continuously adjust things one way or another so that creativity flourishes. If it's only public domain, creativity dies. If everything is straitjacketed in a repressive copyright, patent, trademark regime where only middlemen benefit, creativity dies.
One of best explanations I've seen recently about IP law and what needs to be fixed about it is a web comic called "Bound By Law"
@corpore-metal: Why didnt anyone tell me when I was wasting my time on the internet instead of studying for my IP final that I could have been wasting my time on the internet and studying for my IP final?
Realistically, not much would change in how things are done. The timetables would just get sped up. Hell, these days studios don't even wait twenty years to do a remake. What happens to most Hollywood products after two entire decades would be irrelevant to most modern creative heads, except as a chance to whine about royalties if someone else tries to use it.
Look at Mickey Mouse. Disney's going to hold copyright on that rodent till hell freezes over, but how much of their revenue is actually generated, specifically, by the guy? Almost nothing! He's not in any films, he's not in any ads outside Disney bumpers - and even then only rarely anymore - and he's not a major component of their merchendising branch anymore, either. Hell by the time the mid fifties rolled around, most Disney shorts involved Donald's friends anyway. The Mouse had already taken a back seat. Had they lost him then, it wouldn't have been much of a big deal.
The primary reason copyrights last so long is so that people can protect the potential to make money on it in the distant future. Almost no product ever actually does this, though. And the few times they do, you can trace it back to a lack of imagination or foresight on the creators' part.
@Sproing: I miss the R2-ey character. Inexplicably my favorite. I think I convinced myself at some point that it was actually a secret character from Star Wars.
The main character in Heinlein's "Door into Summer" wakes from cryogenic sleep, designs some inventions, but finds them already patented years ago. As it turns out, he patented them himself after going back in time. If that's a spoiler, get over it, the book's been out for decades. Patent law is not treated as bad or good, but just another tool that can be used or misused, like a gun or a hammer or a karaoke machine.
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I don't think it would lead to outright collapse, nor do I think it would lead to some kind of artistic flowering but it certainly would shake things up a lot in good and bad ways.
IP law is a balancing act. We have to continuously adjust things one way or another so that creativity flourishes. If it's only public domain, creativity dies. If everything is straitjacketed in a repressive copyright, patent, trademark regime where only middlemen benefit, creativity dies.
One of best explanations I've seen recently about IP law and what needs to be fixed about it is a web comic called "Bound By Law"
[www.law.duke.edu]
Read it.
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Look at Mickey Mouse. Disney's going to hold copyright on that rodent till hell freezes over, but how much of their revenue is actually generated, specifically, by the guy? Almost nothing! He's not in any films, he's not in any ads outside Disney bumpers - and even then only rarely anymore - and he's not a major component of their merchendising branch anymore, either. Hell by the time the mid fifties rolled around, most Disney shorts involved Donald's friends anyway. The Mouse had already taken a back seat. Had they lost him then, it wouldn't have been much of a big deal.
The primary reason copyrights last so long is so that people can protect the potential to make money on it in the distant future. Almost no product ever actually does this, though. And the few times they do, you can trace it back to a lack of imagination or foresight on the creators' part.
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Probably due to a confused Aunt I'd guess.
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[www.plaidstallions.com]
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@Jrsy is the dude, playing the dude, disguised as another dude: I bow down to the extent of your off-brand 70's toy collection good Sir.
01/09/09
It's a pity none of them survived me. So many toys, so many violent, destructive endings....
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