<![CDATA[io9: israel]]> http://tags.lifehacker.com/assets/base/img/thumbs140x140/io9.com.png <![CDATA[io9: israel]]> http://io9.com/tag/israel http://io9.com/tag/israel <![CDATA[Avatar Sparks New Trend In Protest Chic [Political Science (fiction)]]]> James Cameron's Avatar apparently touched lives in ways that went beyond 3D-inspired headaches, judging from these pictures of Palestinian protesters on the West Bank from this weekend. Cosplay is the new Che t-shirt, we're calling it now. [Telegraph.co.uk] (Thanks, John!)




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<![CDATA[Science Fiction Can Solve The Israeli-Palestinian Conflict [Political Science (fiction)]]]> Back in the 1970s, Palestinians were using science fiction to solve their geopolitical problems. The Secret Life of Saeed: The Pessoptimist is a 1972 novel written by Palestinian writer Emile Habibi. There aren't many Palestinian novels in the Western canon, nor many that use elements of science fiction, so we're hard-pressed to understand why The Secret Life of Saeed isn't taught in schools from here to Tel Aviv. Visit an extraordinary life after the jump.

Emile Habibi was born in Haifa in 1922. He grew up in a Protestant family and was immediately an outsider in the world he would occupy his entire life. When Habibi was born, Israel was ruled by the British Mandate, and during his stay in the country, he'd deal with more than one power that claimed rule over him. The Pessoptimist tells his story from space, where he's been taken by extraterrestrials, and where it is easier to deal with the problem of his entire life.

As a youth, Habibi was involved in the political movement against the British, and when Israel won the War of 1948, he didn't go into exile — he stayed in the place he was from. Habibi founded the Israeli Communist Party, but he was far from a hard-liner. He was a member of the Israeli Knesset, their acting legislative body, for almost 20 years ending in 1972.

Habibi didn't start writing fiction until he was in his fifties. His first novel Saraya, the Ogre's Daughter: A Palestinian Fairy Tale verged more on light fantasy, and was translated for the first time in 2006. The fact that Habibi came to writing late in his life means there isn't much unpolished work out there from him — it is all delicately informed by the life he lived.

Then came Habibi's masterwork, The Secret Life of Saeed: The Pessoptimist. Habibi's partly autobiographical novel about an Israeli Arab who finds himself in space is every bit the equal of The Little Prince or Slaughterhouse Five. Patterned after Voltaire's Candide, the writing is at least as sharp, and the lessons of the Israeli desert are if anything more worthwhile.

Habibi's alter-ego is a constant victim of fate. He cannot truly become an Israeli because he is an Arab, and he cannot truly become an Arab because he is an Israeli. When things are that silly, anything's possible:

One of the major features of this trippy odyssey is the humor. More reminiscent of Douglas Adams than anything, what happens to Saeed introduces the concept of resigned irony to the Palestinian plight, a method of cultural expression that transcends nationality. Saeed isn't a fighter, and his loyalties aren't what drive him — it's his family and self-preservation instinct that pushes him onwards in a landscape that makes little objective sense. As a nonbeliever and an authentic Palestinian, he spoke from a place that both sides had to respect — here that place is literally out in space.

Habibi accepted the Israel Prize in 1992 for his body of work, a recognition that emphasizes how important his work is to the literature of both sides of the conflict. Stepping back from the vantage point of space, the difference between Arab and Israeli seems very small. And that's Saeed's joke - in remembering what exactly happened to him, he can barely see the difference either. This is perhaps why his final allegiance was only to place, the place that he was born, not the culture he was born into. A man from Haifa went all the way to space and back again.

The Secret Life of Saeed [via Amazon]

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<![CDATA[A Suspension Bridge Built to Be a Musical Instrument [Architecture]]]> calatravaside.jpg As we understand more and more about the materials to build suspension bridges, their shapes are going to become more bizarre and seemingly impossible. Architect Santiago Calatrava made this suspension bridge in Jerusalem to resemble the shape of a lyre, a stringed instrument popular during classical antiquity. This oddly-shaped suspension bridge will be completed this month, and stands at the gateway to the city, where it crosses over top of traffic so that pedestrians can cross the crowded roads without danger. It's the only suspension bridge to ever take this kind of shape.

calatravanight.jpg According to Architectural Record:

Its gently curving span is suspended by 66 cables from a tilted 387-foot mast, anchored in concrete, that resembles a bolt of lightning. The mast is set at an angle to the deck of the bridge and it bends roughly halfway up, so the entire mast forms an angle of roughly 150 degrees. Cables are attached at various heights on its tapered top half, creating cross-hatched visual patterns as they seem to swirl out from the mast. At the sharpest bend of the bridge, the slightly concave, boat-shaped deck and the shape of the bend transfer the load to the ends of the bridge, which is 525 feet long; access ramps, clad in stone, add another 656 feet. A walkway on its southern side has glass decking and a glass railing.
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Calatrava's Bridge in Jerusalem Incites Controversy [Architectural Record]]]>
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<![CDATA[Insect Automata Burst from Robot Eggs in the Street [Art]]]> insectess%20yaniv%20sarig.png If robots learned how to procreate, they'd probably lay eggs that look like these installations created by Israeli multimedia artist Tomer Sapir. What you're seeing here is actually made of real egg shells, along with concrete, glass, sponge, and parts of a lamp.

egg%20leonid-padrul%20kwitkowski.png These eggs are made of porcelain, but they're in much better shape than the previous set of robot eggs. They're still plugged into their incubating source, and they are glowing healthily. Sapir is also known for making things like eyeball-shaped alarm clocks built into bedside tables. Top image by Yaniv Sarig and bottom image by Leonid-Padrul Kwitkowski

Tomer Sapir main page via Moco Loco

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<![CDATA[Israeli Bomb Disposal Robot Has a Terrible Job Cleaning Up After Humans [Robots]]]> 79503457.jpg Yesterday in Israel, a bomb disposal robot inspected the scene of a suicide bombing at a shopping mall in the town of Dimona. The bot is remote controlled, and used an articulated arm to remove the jacket of the alleged bomber to be sure he doesn't have more explosives on his body. Want to see what else the robot does as it finishes its inspection of the area? (Warning: Images of a corpse may be disturbing.)

Here the bot rolls over the body of the purported bomber, in a final attempt to be sure there are no more explosives on his person. 79503560.jpg And here the bot inspects debris. One Israeli was killed in the attack, which was claimed by a group of Palestinian militants. 79501468.jpg Photos by HAIM HORENSTEIN/AFP/Getty Images.

In related news, a bomb scare today at a courthouse in Auckland, NZ, was also inspected by a bomb disposal robot of a slightly different make and model. Here you can see a guy driving the bot by remote control. Luckily, nobody was harmed — the bot retrieved a suspicious package that turned out to contain nothing dangerous. 79515254.jpg Photo by Phil Walter/Getty Images.

Suicide Bomber Strikes in Southern Israel [Toronto Globe and Mail]

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