Without even showing the hidden threads on this page, I can search and find 18 instances of the word "racist."
Meanwhile, I can find exactly zero cases of anyone actually asserting that anything about this clip IS racist.
I dream of a world in which people can watch a 5-minute bit of video and NOT immediately post in defense of it, insisting that it's not racist... even though no one has actually asserted that it is racist. Defensive much?
It's good that little kids will see a movie that makes them feel the unfairness of segregation in our recent history. And it's good to see that that unfairness isn't being overplayed: the underprivileged family aren't letting themselves be victims; instead they're happy for what they have, and focus on how they can reach their dreams with honest hard work.
Introducing kids to these ideas in simple, understandable ways seems to me exactly the sort of thing that Disney should be doing. I hope that the movie becomes a classic for this generation of kids the way Beauty & the Beast and Aladdin were for mine.
@IQpierce:
It isn't...but it is. It's not racist in the fact that Disney is once again portraying a non-white as the lead character, which is something they've really only started doing starting with Aladdin. But it is in that ever since The Wiz, it's become something of a new custom that whenever you're dealing with characters in early America where it's a key plot-point that they happen to be poor, you can show how non-racist you are by making them black. You know, because that shows that you also write stories about minority characters. Except that it also shows that you tend not to write stories about black characters unless they're _poor_ black characters.
Now, yes, the flip side of this is to point out that given the timeframe, they're basically getting into Huck Finn territory, where blacks were by and large the financial lower class, and whites predominated the middle class and were pretty much the entire upper class, but that still doesn't get around the appearance that the only reason they elected to make the main character black is because the main character also happened to be poor. It's an odd form of racism, given how much flak Hollywood has taken for simply not casting minority characters in general, but isn't it a form of racism nonetheless?
All that said, I still plan to go watch this, and hope that the movie itself will far surpass any apparent racism. #theprincessandthefrog
I'll probably see it out of nostalgia and it looks cute. As for the racism cries? Well, I remember when The Lion King was called racist as was Alladdin. Surprisingly I think Mulan was pretty well received in the Asian community (I don't remember hearing any cries of it and I don't remember thinking anything terrible about it). I also remember them taking Victor Hugo's tragic and massively not kid friendly Hunchback of Notre Damme and putting singing gargoyles in it.
But what do I know? My favorite Disney animated was 101 Dalmatians. There were puppies in it! And they watched TV!
Doesn't she get transformed into a frog in order to see the world from a perspective other than a human point of view? What's wrong with that? And good lord man, hot sauce is part of Southern Culture. If the movie was set in Texas they would reference barbecue. If it was set in New Mexico she would be looking for chili powder. And besides her father is a cook who wants to become a chef and open his own restaurant. This column is too PC for it's own good.
It's set in New Orleans in the 1930s how racist! Wait, no it's not. The heroine's parents are hardworking and loving. Her mother is the best seamstress in New Orleans. Her father is ambitious. The neighbors friendly...There's nothing to complain about here.
@Bill-Lee: Disney heroes can't have two living, loving parents. They'll be dead soon.
Or possibly kidnapped / turned to frogs / otherwise misplaced, since Disney parents always die before the movie starts. The exceptions (Mufasa, Bambi's mom) are non-human.
I still dont see anything special with Disney animation nor storytelling.
In the past they might have been masters, but now they really are nothing special.
@Sakurafire: It's not about political correctness here. She is just not a slave. She don't belong to him, she gets paid, and she said "my best client", meaning she has other clients. Also, she didn't seem to be raped or beaten or anything you would traditionally associate with a slave. She is not a slave, she is a worker. a low-class one, maybe, but not a slave.
And I agrre with Cash907Censored. The white girl has a big dress, but I don't think she's obese.
@Cash907Censored: Are you historically illiterate or just stupid? The clothing, street car, and the art work that the heroine's father has for a sample menu all scream late 1920s or early 1930s. It is the time of segregation but after the time of slavery. And since when does a round face automatically mean a character has Down's Syndrome?
I watched this entirely without the benefit of dialogue (being deaf)... so my views are all based off the visuals.
I wouldn't be surprised there are those who will try to pull the 'I'm offended' card, but I saw very little in those 5 mins (w/o sound) that would actually merit any outrage, IMO.
The girls are adorable. Tiana's mum is gorgeous- and I thought it was a positive portrayal that she was shown as an independent businesswoman rather than a live-in cook or cleaning lady (which I think could have proven a lot more iffy). Sure, they live in a different economic situation and location- but that is realistic for the time period in that area. What's not as realistic is the ostentation of Charlotte's home- very few places, even in the South would have been like that during the depression, even the old planter families. I wonder if it is not meant to be tongue in cheek poking at those stereotypes.
It's obvious to all that Charlotte is one spoilt 'princess'... When I saw them, I immediately identified more with Tiana, and I feel like most little girls would as well... Charlotte is an overdressed, baby doll-like character. Tiana is closer to a 'normal' girl, yet prettier. I can already see girls wanting to dress up as Tiana for Halloween- Charlotte- being a portrayal of a generic princess- not so much. Plus, you know what? They did not show Charlotte's mother in those minutes, whereas Tiana is shown with her father and mother in a loving family relationship, absent of substitutes like dresses and puppies and kitties. If there's something 'racist' about that bit, I am at a loss to see it.
@vuffiraa: I don't know about the house. There are a lot of houses dating to that period or even older in the Garden District of the crescent city. But I definitely agree that I saw nothing to get upset about, at least in this clip.
Personally, I thought the details really captured it. The two vastly different architectures both looked like what you can see today, and the streetcar was picture-perfect.
@DrMathochist: And there is a different between being racist and showing racism. We may not be proud of it, but racism existed and stil exist everywhere in the world.
Is The Color Purple racist because it shows racism? Is a movie about the Klu Klux Klan racist because it talks about a racist group? Is Downfall a Nazi movie because it talks about Hitler?
@DrMathochist: Oh, I was replying to the entire thread. I replied to you because you were the last guy to comment on it...@ Erda I don't know, from what I've seen so far, both good and bad characters have black-like feature. The father for example, has big lips.Tiara also has bigger lips than the white girl.Also, big lips are a staple of villain, not just black one. Look at every witches out there. Huge lips.As for the toothless firefly, I mostly pictured a white hobo when I saw him. But maybe that's just me.As for voodoo, well, let's just say it's something I don't know enough to comment about. But voodoo is associated with killing chicken and zombies. Is that really racism on the movie creator's part or on the society's part?
After watching this, it didn't seem too bad.
Sounds like a Disney story. And to the people who have suggested that Disney doesn't make good stories, i believe you are entirely wrong. (The latest 2-D movie I seen from them Lilo and Stitch was great and their classics are just as good)
imho
@br4nd0n: Lilo and Stitch was one of the -only- good things they did recently.
(and even then they milked it to death)
Try watching some of the others.
Empiours New Groove, for example, is awfull I couldn't watch more then 15 minutes before my brain melted.
Uttery, utterly predictable. Sterotyped ugly witch villian, arrogant protagonist slowly learning to be better etc.
Like 90% of disney things.
Lilo was an exception, but Disney storytelling still hasnt evolved overall.
Ghibli, Pixar and..well..most other studios these days make vastely better films.
@twDarkflame: Wow. You didn't like Emperor's New Groove? Most people I've talked to liked it because it wasn't the typical Disney movie. In fact, it was more of a Warner Brothers cartoon than Disney. Yes, the characters were pretty cookie cutter. You had your average joe, the spoiled brat, the cackling villain and her less than bright henchman but everything was played for comedy rather than drama. And because of this everything was over the top, even down to the stereotypical Disney woodland creature. (Anyone talk squirrel?) Which was a new one for Disney. Have they ever done a straight ha-ha comedy animated movie?
@mekki: The Emperor's New Groove is my favorite Disney movie. The way they tricked me into thinking they would pull off another Maleficent only to pull a trick shot impressed me the most. The only problem I can see with the movie is that feminists don't like the nuclear family sitcom portrayal, or the pregnant mother portrayal. Which is kind of sad seeing how the character was probably the first mother to stay pregnant throughout the film and seem competent.
@twDarkflame: Heh, to be honest, I thought Emperor's New Groove was on the side of "last few good things Disney recently animated". Not for the story-line, which like most kid movies is pretty predictable, but for the amusing characters.
For more obviously bad examples, you have all the sequels released since Lilo and Stitch. Direct-to-video junk like "Little Mermaid 2," "Mulan 2," "Lion King 2" are far better proof of the franchise-milking mentality that replaced their earlier dominance in innovative animation.
@TickMan: Why wouldn't feminist like the nuclear family portrayal? I am pretty feminist and that didn't bother me one bit. In fact, I was rather shocked. A Disney movie where both parents are alive? How novel. As far as her being pregnant, I thought that was cute. But then I thought the entire family was adorable.
@TickMan: Uh. Hi. Feminist here. LOVED the mom in Emperor's. Thought she was one of the more spot on portrayals of a woman in any Disney movie ever. Please watch the blanket pronouncements.
@mekki: Don't know. The girls at my school seem to view momhood as some sort of weakness when work should be equally important, and I guess the traditional nuclear family threatens the sexual independence, and somehow only shows women as objects of fertility for males. I have no clue, but those issues were brought up when I included it in my Disney research paper for my English class in college.
Well, nothing terribly objectionable in the first five minutes, so that's good.
But either this isn't really the first five minutes, or someone forgot the cardinal rule of the 90s golden age - start with a glorious ensemble number / set piece. I think it's very likely that this is the second five minutes.
@Elizabeth Weinbloom: Let,s see about this cardinal rule: Lion King - Circle of Life, Alladin - The Merchant singing, but what about Te Little Mermaid? Don,t remember how it began...
I hope you're right. Nothing better than the new Circle of Life to begin a movie.
@collex: Little Mermaid is "Fathoms Below," and Beauty & the Beast is a brief prologue and then "Little Town." Of the Big Four, Aladdin's the only one that isn't an ensemble, but it's still a number and some GORGEOUS visuals. Lion King is the perfect opening.
You know, the complaints I've read about this movie seem a little forced; there's an air of "well, there's nothing terribly objectionable, but it's Disney so I have to find something."
It would be one thing if this played like Song Of The South Redux, full of "happy darkie" stereotypes with utterances like "oowee!" and "sho'nuff!" But the black characters, apart from economic status, were no different from the whites. Tiana didn't have a "black" accent, she had a New Orleans accent.
When it comes to the Disney company, there are positives and negatives that merit serious discussion. But, like George Lucas or any Democrat president, any attempt at a rational discussion get drowned out by reflexive, intellectually lazy bashing. *Yes*, Disney makes movies about princesses. *Yes*, Disney has merchandising down to an art. These aren't even subjects for debate anymore. You either accept them, and discuss within that framework, or you don't. And if you don't, why the hell are you in this thread to begin with?
People who scream about racism in everything will always scream about racism in everything, even once we've all intermixed and become a shade of gray.
"You didn't put enough light grays in the movie! You're racist in favor of dark grays!" etc etc on for eternity until the merciful universe snuffs out our annoying little rock.
@Alchemistmerlin: It's like those people who screams racism at King Kong because King Knog is "black" and fall in love with a "white" girl. If we replaced the white girl with a black girl or the black gorilla for an albino one, they would scream racism for not encouraging inter-racial relationship.
Those people also can't make the difference between a racist character and a racist author. I can write a racist character without being racist myself, you know.
@collex: I was working at a movie theater when Peter Jackson's King Kong came out. Two middle class white women in their late 20s came out of the auditorium where it was playing and had this very discussion about King Kong and race. They made the very statement "King Kong is like a black man and he fell in love with a white woman...that's just totally racist." And I remember thinking: Really? You just compared black men to apes and Peter Jackson is racist?
As far as the movie goes, nothing out of the ordinary for Disney. However, I think the one that will be point of controversy for this one is racism.
People aren't going to be paying any attention to the story, the animation, or message, they are just going to pick it apart and say that Disney is racist for their depiction of the black southerners and the southern culture in general.
We can all expect many racial debates to follow this one.
@I3ob the Lizard: This is true about most things. Look at Resident Evil 5 or District 9. Everyone was up in arms about their depiction of black people. In RE5's case, it was the killing of black zombies, which made no sense since the previous games had you kill zombies of other ethnicity. It's a strange cycle that people won't get over.
@MosesMonster: I think you are missing the point of the issue it wasn't that you were killing Black zombies it's that in south africa, there are white folks as well and the game holds a strong resemblence to that area, and you don't see any place where you fight huge hordes of white south africans. also there are some insensitive parts that show a lack of understanding on behalf of the japanese, of old american racial imagery specificly the tribesmen guys.
@MosesMonster: That's an oversimplification of the issues people had with Resident Evil 5. Tom Cross's article about the game ([www.gamasutra.com]) does a good job explaining a lot of the more subtle and subtextual elements that bothered people. As HelloChieftan said above, some topics cause knee-jerk reactions that stifle honest discussion, but I'd turn it around to point out that honest discussions of perceived racism and/or clumsy handling of cultural differences and stereotypes are very often dismissed without consideration as political correctness run amok. When any artist bases a work on a culture or group that they are not themselves a part of, especially one with a history of oppression, marginalization, and negative stereotyping, it behooves that artist to exercise the utmost care to avoid perpetuating those stereotypes. Even when the artist is part of the depicted group, they should take a step back and see what message their work is putting forth and be ready to deal with any objections that may arise when it reaches its audience. I don't believe that Disney or Capcom acted out of racism or malice (and I haven't even seen The Princess and the Frog), but if anyone walks away from the movie or RE5 feeling like their characterizations were unfair or rooted in racist stereotypes, there's ample call for honest discussion of that.
@karpar: I should add that artists always have the right to be offensive and can always choose not to consider how their works will be perceived, but they shouldn't be surprised by any backlash that occurs.
@Dash_Stryker: Hey, I've been away from the computer for a while otherwise I would of responded to this.
The latter scene involving blatant stereotypical depiction of African people was pretty dumb of Capcom to include and not at the very least research, but most people who were slandering the game weren't doing so in trying to keep the game Politically correct. I know plenty of people who thought the game was racist and had no knowledge on the subject matter other than what was in trailer. Most people on the outside looking in weren't aware of the geographical location of the game other than, "It's in Africa"
The general public had more to say about this game than the industry heads and because of that, the game got more publicity than it needed. There were talks about the games racism from the likes of CNBC and CNN (among others), and all failed to realize that the game itself wasn't about killing black people, it was about killing zombies. South Africa might be predominately white but there is still a huge population of black people that still reside there.
It's kind of disturbing to imagine the discussions that led Disney to choose the American South, with all that entails, over Southern Africa as the setting for their first black princess.
10/12/09
Meanwhile, I can find exactly zero cases of anyone actually asserting that anything about this clip IS racist.
I dream of a world in which people can watch a 5-minute bit of video and NOT immediately post in defense of it, insisting that it's not racist... even though no one has actually asserted that it is racist. Defensive much?
It's good that little kids will see a movie that makes them feel the unfairness of segregation in our recent history. And it's good to see that that unfairness isn't being overplayed: the underprivileged family aren't letting themselves be victims; instead they're happy for what they have, and focus on how they can reach their dreams with honest hard work.
Introducing kids to these ideas in simple, understandable ways seems to me exactly the sort of thing that Disney should be doing. I hope that the movie becomes a classic for this generation of kids the way Beauty & the Beast and Aladdin were for mine.
11/01/09
It isn't...but it is. It's not racist in the fact that Disney is once again portraying a non-white as the lead character, which is something they've really only started doing starting with Aladdin. But it is in that ever since The Wiz, it's become something of a new custom that whenever you're dealing with characters in early America where it's a key plot-point that they happen to be poor, you can show how non-racist you are by making them black. You know, because that shows that you also write stories about minority characters. Except that it also shows that you tend not to write stories about black characters unless they're _poor_ black characters.
Now, yes, the flip side of this is to point out that given the timeframe, they're basically getting into Huck Finn territory, where blacks were by and large the financial lower class, and whites predominated the middle class and were pretty much the entire upper class, but that still doesn't get around the appearance that the only reason they elected to make the main character black is because the main character also happened to be poor. It's an odd form of racism, given how much flak Hollywood has taken for simply not casting minority characters in general, but isn't it a form of racism nonetheless?
All that said, I still plan to go watch this, and hope that the movie itself will far surpass any apparent racism. #theprincessandthefrog
10/07/09
But what do I know? My favorite Disney animated was 101 Dalmatians. There were puppies in it! And they watched TV!
10/07/09
I mean, compare this to the openings for Aladdin, The Lion King, or even Beauty & The Beast.
It just screams, "Also ran."
10/07/09
"When this movie fails, and it will fail"
Oh Mr. All Knowing man from the future! Please tell me what the lottery numbers are for the rest of forever!
10/07/09
10/07/09
10/07/09
Or possibly kidnapped / turned to frogs / otherwise misplaced, since Disney parents always die before the movie starts. The exceptions (Mufasa, Bambi's mom) are non-human.
10/07/09
In the past they might have been masters, but now they really are nothing special.
10/07/09
Yup, this'll go over big.
10/07/09
10/07/09
10/07/09
And I agrre with Cash907Censored. The white girl has a big dress, but I don't think she's obese.
10/07/09
10/07/09
10/08/09
10/07/09
I wouldn't be surprised there are those who will try to pull the 'I'm offended' card, but I saw very little in those 5 mins (w/o sound) that would actually merit any outrage, IMO.
The girls are adorable. Tiana's mum is gorgeous- and I thought it was a positive portrayal that she was shown as an independent businesswoman rather than a live-in cook or cleaning lady (which I think could have proven a lot more iffy). Sure, they live in a different economic situation and location- but that is realistic for the time period in that area. What's not as realistic is the ostentation of Charlotte's home- very few places, even in the South would have been like that during the depression, even the old planter families. I wonder if it is not meant to be tongue in cheek poking at those stereotypes.
It's obvious to all that Charlotte is one spoilt 'princess'... When I saw them, I immediately identified more with Tiana, and I feel like most little girls would as well... Charlotte is an overdressed, baby doll-like character. Tiana is closer to a 'normal' girl, yet prettier. I can already see girls wanting to dress up as Tiana for Halloween- Charlotte- being a portrayal of a generic princess- not so much. Plus, you know what? They did not show Charlotte's mother in those minutes, whereas Tiana is shown with her father and mother in a loving family relationship, absent of substitutes like dresses and puppies and kitties. If there's something 'racist' about that bit, I am at a loss to see it.
10/07/09
Personally, I thought the details really captured it. The two vastly different architectures both looked like what you can see today, and the streetcar was picture-perfect.
10/07/09
Is The Color Purple racist because it shows racism? Is a movie about the Klu Klux Klan racist because it talks about a racist group? Is Downfall a Nazi movie because it talks about Hitler?
10/07/09
10/07/09
10/07/09
Sounds like a Disney story. And to the people who have suggested that Disney doesn't make good stories, i believe you are entirely wrong. (The latest 2-D movie I seen from them Lilo and Stitch was great and their classics are just as good)
imho
10/07/09
(and even then they milked it to death)
Try watching some of the others.
Empiours New Groove, for example, is awfull I couldn't watch more then 15 minutes before my brain melted.
Uttery, utterly predictable. Sterotyped ugly witch villian, arrogant protagonist slowly learning to be better etc.
Like 90% of disney things.
Lilo was an exception, but Disney storytelling still hasnt evolved overall.
Ghibli, Pixar and..well..most other studios these days make vastely better films.
10/07/09
10/07/09
10/07/09
For more obviously bad examples, you have all the sequels released since Lilo and Stitch. Direct-to-video junk like "Little Mermaid 2," "Mulan 2," "Lion King 2" are far better proof of the franchise-milking mentality that replaced their earlier dominance in innovative animation.
10/07/09
10/07/09
10/07/09
10/07/09
But either this isn't really the first five minutes, or someone forgot the cardinal rule of the 90s golden age - start with a glorious ensemble number / set piece. I think it's very likely that this is the second five minutes.
10/07/09
10/07/09
10/07/09
I hope you're right. Nothing better than the new Circle of Life to begin a movie.
10/07/09
10/07/09
It would be one thing if this played like Song Of The South Redux, full of "happy darkie" stereotypes with utterances like "oowee!" and "sho'nuff!" But the black characters, apart from economic status, were no different from the whites. Tiana didn't have a "black" accent, she had a New Orleans accent.
When it comes to the Disney company, there are positives and negatives that merit serious discussion. But, like George Lucas or any Democrat president, any attempt at a rational discussion get drowned out by reflexive, intellectually lazy bashing. *Yes*, Disney makes movies about princesses. *Yes*, Disney has merchandising down to an art. These aren't even subjects for debate anymore. You either accept them, and discuss within that framework, or you don't. And if you don't, why the hell are you in this thread to begin with?
10/07/09
People who scream about racism in everything will always scream about racism in everything, even once we've all intermixed and become a shade of gray.
"You didn't put enough light grays in the movie! You're racist in favor of dark grays!" etc etc on for eternity until the merciful universe snuffs out our annoying little rock.
10/07/09
@Alchemistmerlin: Gurr? Durk? Durk?
10/07/09
Those people also can't make the difference between a racist character and a racist author. I can write a racist character without being racist myself, you know.
10/07/09
10/07/09
10/07/09
10/07/09
People aren't going to be paying any attention to the story, the animation, or message, they are just going to pick it apart and say that Disney is racist for their depiction of the black southerners and the southern culture in general.
We can all expect many racial debates to follow this one.
10/07/09
10/07/09
10/07/09
10/07/09
10/12/09
The latter scene involving blatant stereotypical depiction of African people was pretty dumb of Capcom to include and not at the very least research, but most people who were slandering the game weren't doing so in trying to keep the game Politically correct. I know plenty of people who thought the game was racist and had no knowledge on the subject matter other than what was in trailer. Most people on the outside looking in weren't aware of the geographical location of the game other than, "It's in Africa"
The general public had more to say about this game than the industry heads and because of that, the game got more publicity than it needed. There were talks about the games racism from the likes of CNBC and CNN (among others), and all failed to realize that the game itself wasn't about killing black people, it was about killing zombies. South Africa might be predominately white but there is still a huge population of black people that still reside there.
10/07/09
10/07/09
10/07/09