San Francisco, 8:04 AM
Thu Dec 17
24 posts in the last 24 hours
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I think the writer is mistaking cause and effect, sort of.
People want to have something they can point to as wacky and futuristic. If they don't examine Japanese culture closely, not only does it fill this niche, it also involves way less effort than understanding Japanese culture.
Win/win!
They already understand their own culture, relegating it's wackiness to boring/annoying/loathsome.
-Kle.
"Why do so many love to gawk at this mysterious, foreign [Other?]... There are plenty of strange things going on [in My Crazy-Ass Culture,] but when it happens [in Your Crazy-Ass Culture,] it's suddenly incomprehensible, despicable, awesome, and crazy... Over the last couple of decades, it has spawned a huge industry of magazines, blogs, and products themed around [Your Crazy-Ass Culture, by those of My Crazy-Ass Culture that think Your Crazy-Ass Culture is The Bomb] . . . [But the fact is] that none of this is meant to be taken seriously. One important premise [of Our Crazy-Ass Culture] is the commitment to have fun and not take offense [, because the Ultimate Sin of any Crazy Culture is to be Taken Too Seriously]. [Our Crazy-Ass Culture's] humor works on many different levels and its nuances can be hard to explain to people who didn't grow up with it."
I'm reminded of the One, the Only, Douglas Adams, who said:
"Listen, bud," said Ford, "if I had one Altairian dollar for every time I heard one bit of the Universe look at another bit of the Universe and say 'That's terrible [or fucked up, or strange, or weird, or whatever],' I would be sitting here like a lemon looking for a gin. But I haven't and I am."
So: In the words of my forefathers -- who wouldn't recognize me if they saw me -- Hoist a fucking pint, already.
Not to contradict you here Annalee, but Bladerunner took it's influence from Beijing, not Japan. Listen to the various commentaries on the Bluray, the writers and Ridley Scott mention China and Beijing specifically on a couple of occasions.
Pretty sure The Sprawl was modeled on Beijing as well, although I can't find a specific reference to back that up at the moment.
I do think that a plausible explanation for why we fetishize Japanese super-futurism is because they themselves nurture it both in their media and in real life. In media, I have literally lost count of the number of anime I've watched that take place in Neo-Tokyo, apocalyptic or otherwise. Giant robots, biotech, transhumanism, retro-futurism... In media they simply have had the edge on populating the future with cool stuff. Then they have to go ahead and actually MAKE super-futuristic, ultra-cool stuff FOR REAL.
It would be naive to insist that the "otherness" of Japanese culture isn't one of the appeals, dating all the way back to the Japonisme movement even, but like people have said it works both ways. One Canadian author who lived in Japan for a while speculated that the reason Canadians and Japanese people are so fascinated by one another is that were opposites in almost everything, from geography to work ethic. That fascination doesn't automatically assume a negative comparison.
Though, that said, something I found quite interesting when I did go to Japan this past November (another life's ambition knocked down!) was how familiar it was. I had been fed on such a diet of Japanese media that I found it very easy to adjust. The only thing I found particularly difficult was the lack of communication, because I'm lousy at languages and could only speak one-word caveman-Japanese.
It may be that we're not in on the joke and that the entire Japanese robotics industry and rail system is a big lark. But something rings odd about the thesis, insofar as it picks up on the xenophobic dregs who can't even understand their 3rd generation American or Canadian neighbours let alone a truly foreign culture. I'm not sure that this is entirely useful for people who are actually interested in and informed about Japanese culture.
That's pretty crazy, how people notice strangeness in unfamiliar cultures, but overlook the strangeness of things familiar to them. I've never heard of such a thing before.
@braak: Unfamiliar things are strange. Familiar things are not. That's kind of what the word "strange" means.
I don't think that Japanese culture is strange. I think it's fascinating and different and interesting, but I'm probably not supposed to think that. I should just accept it as perfectly normal and not try to appreciate it for how it's different from my own. At least, that's what I got from the article...which, by the way, seemed awfully "majime" itself...
@braak: You are, as usual, completely correct.: Yeah, and what's so weird about being able to buy used panties and beer out of the same vending machine, and a cultural carte blanche to molest girls on the subway? EXPAND YOUR MINDS PEOPLE
@JimBonJovi: I know, right? Or a holiday about killing all the native people of your country that you celebrate by gorging yourself on the food that they taught you how to grow?
@moofie: Well, "strange" is kind of ambiguous in meaning, isn't it? It can mean "counter-intuitive" or even "opposite of normal", but it can also mean "distant" or "alien". I was playing on...and I guess this isn't quite clear...that a thing can be weird (counter-intuitive, maybe), but you don't notice it because it's familiar--that is, it's nearby--but when a thing is counter-intuitive and alien suddenly it seems like a crazy thing.
I, of course, DO think Japanese culture is strange. But then I would, wouldn't I? I grew up in America, where everything is different.
I also think a lot of Americans are strange, though, and there's no reason at all for that.
@Evil Tortie's Mom: R.O.A.C.H.: Not in my world they don't. Although really in my world one leads to the other (it can be either way depending on your gender!).
In 1995, I spent a month in China. In 2007, I spent three weeks in Japan. Traveling around in Europe, Australia, and French Polynesia were all amazing experiences. But traveling around Asia was a life changing experience. China was the closest I could get to feeling like I was on an alien planet. Japan was the same, but a more advanced planet. Japan has a sense of otherness about it. It's so beyond the Western culture with which I've been indoctrinated since birth. It's the same feeling, I think, that drew me to science fiction in the first place. Hard not to be fascinated by it.
I have a great deal of respect for Japanese culture and Eastern culture generally, but recognizing that quite a lot of what goes on in Japan I'm not going to understand, I think it's fair to say "WTF?!" from time to time, without being considered a racist.
I mean, I say it at least as often when I think about major aspects of American culture, or even my own Canadian culture. Hell, I even say "WTF?!" about quite a lot of my own behaviour.
People are strange, and really the only motivations we truly understand are our own--and often not even then. I think it's okay to express a little shock and disbelief, as long as it's not sustained, and as long as it's not hostile.
@Anekanta - Go Play!: Yup. "WTF???" is a totally valid reaction to another person's culture, as long as a sense of openmindedness and playfulness is maintained. Then you can laugh and understand at the same time.
The Japanese are not guiltless. They've fetishized their fair share of Western/American culture. I can think of literally dozens of anime/manga with whole story lines, themes, symbols, and characters lifted from Western mythology and history. Some of these would include Heroic Age, Neon Genesis Evangelion, Hellsing, Bartender, and Code Geass. In fact the distinctive and now stereotypical anime/manga art style is based on Osamu Tezuka's interpretation of American cartooning styles from Disney and Fleischer Studios. Japanese fashion incorporates many elements of Western style. Lolita and Oji fashions, for example, are based almost entirely on Western styles.
@Bill-Lee: I agree. Traveling in Japan, it struck me that they are as fascinated by the West as Westerners are with them. Our cultures are so different, and we are each richer, and stronger, IMO, for adopting elements of the other.
@Bill-Lee: Oh they totally do. You see Americans on ads all the time and English is everywhere because it's cool although they often have no clue what it means.
I once stopped a girl at a university in Japan who had FUCK written multiple times all over the bag she was carrying to ask her if she knew what the word on her bag meant. She didn't and was shocked to find out.
Many times in Japan I would have people stare or point or even out and out make comments 'Look a foreigner! Cool!'. Actually the word they use, gaijin, more literally translates to outsider. Gaikokujin ('other country person') is more polite but no one ever uses it.
I had one friend on the subway once doze off and her head accidentally hit the shoulder of the guy next to her so she said excuse me IN JAPANESE. Then the guy immediately turns to his friend and says 'That foreigner just spoke to me!' and the friend excitedly replied 'Really? What did she say?!'
I'm of course not saying all Japanese are like this and I made some great friends and contacts when I lived there, but fetishism of all Western people and culture is very common.
Actually, I had an interesting experience while reading Neuromancer for the first time a few years ago (yeah, I know, pathetic.) Around that time I was listening to a lot of Fela Kuti, and I began thinking about an African view of the future. Seeing District 9 brought this into fruition.
I'd hate to see it become a cliche that the future is either Japanese (crowded and dystopian) or African (barren and exploited by corporations). But what other visions are there out there? I recall a recent book suggesting that Mexico and Poland will be superpowers in the future. Should we be looking to Eastern Europe or down South for our future visions?
So this means I no longer have permission to think that the futuristic, crazy things the Japanese come up with are really cool?
And that means I'm somehow racist? I literally don't get it. People think it's cool because it IS cool. They built a life-size Gundam for crying out loud. Me admiring it means I'm not "getting it"?
Why is acknowledging that it is creative and cool a bad thing?
Are they fearing gentrification or something? Last I heard rents in Tokyo are $$$$$$$.
@cylon_conspiracy:
"I believe that the Odaiba Gundam will serve the same purpose as the Statue of Liberty — something to instill hope and inspiration in people."
Gundam creator Yoshiyuki Tomino thinks it's like the statue of liberty or something.
ooooh japan~
Honestly though, I know nothing of Japan outside of what I've been told by others and what I've read in their exported movies, games, cartoons, and comics. From my experience, Japanese science fiction seems to do a lot of the same things we do to their culture with German culture.
You want to make something look cool or imposing? Slap a German aesthetic on it.
That's how we've come to have those lovely Zeon from Mobile Suit Gundam and the Galactic Empire from Legend of the Galactic Heroes and to a lesser extent, nearly every prosecutor in the Phoenix Wright games. They're the de facto cool foreigners, much like how the Asian aesthetic was used to bring future cool to Bladerunner.
As for Katayama, after reading her piece on the guys who carry around body pillows, I think it kind of conflicts with what she's saying here. There are a lot of instances in that article where she mentions some of the odd looks the body pillow/2D love guys get when they go out in public but here it sounds like she's trying to say 2D love is some kind of joke or alternative lifestyle in Japan. As I said earlier, I have no real experience with Japanese culture. So, is she trying to say this sort of thing is socially acceptable there and people are being culturally insensitive, or is she trying to shatter social stigmas 2D love all over the world?
@cylon_conspiracy: I was so disappointed when I found out that this was dismantled by the time I actually got to Japan. I so wanted to see a giant robot!
@ManchuCandidate: But to be fair, drawing a Venn diagram to show the overlap between the Furries and Anime-liking subculture and you'll only be left with a small sliver of the furries sticking out. Plus we're only talking about Japan here, not really all of Asia (okay, mention was made in the io9 writeup near the end here, but from what I remember of Firefly the Chinese bits weren't really used as "weirdness" but more as a logical outcome of present trends and as a way to get swearing past the censors).
@ManchuCandidate: I think that would provide an accurate enough image, if you added nationally televised dancing contests, crime shows and testimonials from an urban hospitals weekend night staff. Do you think I'm joking?
I'm reading yet another book about John Boyd, the U.S. air force officer who, among many other amazing accomplishments any one of which would have been sufficient for one career, convinced everyone that fighter planes still needed guns, in an era where everyone else thought that dogfights would devolve into planes firing missiles at each other from miles away. (This led to the development of the F-16, which is small, light, and nimble, when official doctrine at the time called for further, higher, and faster, which meant heavier and awkward.)
Anyway, I'm becoming convinced that it's impossible to know what space battles will really look like. Maybe it will be ships of the line pounding away at one another broadsides. (Cool!) Or fighters doing high-G dogfights while firing guns at one another. (Awesome!) Or moon-sized space stations with planet-destroying anti-proton beams in an x-ray containment laser. (Yeah, baby!)
04:37 AM
People want to have something they can point to as wacky and futuristic. If they don't examine Japanese culture closely, not only does it fill this niche, it also involves way less effort than understanding Japanese culture.
Win/win!
They already understand their own culture, relegating it's wackiness to boring/annoying/loathsome.
-Kle.
01:37 AM
"Why do so many love to gawk at this mysterious, foreign [Other?]... There are plenty of strange things going on [in My Crazy-Ass Culture,] but when it happens [in Your Crazy-Ass Culture,] it's suddenly incomprehensible, despicable, awesome, and crazy... Over the last couple of decades, it has spawned a huge industry of magazines, blogs, and products themed around [Your Crazy-Ass Culture, by those of My Crazy-Ass Culture that think Your Crazy-Ass Culture is The Bomb] . . . [But the fact is] that none of this is meant to be taken seriously. One important premise [of Our Crazy-Ass Culture] is the commitment to have fun and not take offense [, because the Ultimate Sin of any Crazy Culture is to be Taken Too Seriously]. [Our Crazy-Ass Culture's] humor works on many different levels and its nuances can be hard to explain to people who didn't grow up with it."
I'm reminded of the One, the Only, Douglas Adams, who said:
"Listen, bud," said Ford, "if I had one Altairian dollar for every time I heard one bit of the Universe look at another bit of the Universe and say 'That's terrible [or fucked up, or strange, or weird, or whatever],' I would be sitting here like a lemon looking for a gin. But I haven't and I am."
So: In the words of my forefathers -- who wouldn't recognize me if they saw me -- Hoist a fucking pint, already.
12:21 AM
Pretty sure The Sprawl was modeled on Beijing as well, although I can't find a specific reference to back that up at the moment.
12/16/09
It would be naive to insist that the "otherness" of Japanese culture isn't one of the appeals, dating all the way back to the Japonisme movement even, but like people have said it works both ways. One Canadian author who lived in Japan for a while speculated that the reason Canadians and Japanese people are so fascinated by one another is that were opposites in almost everything, from geography to work ethic. That fascination doesn't automatically assume a negative comparison.
Though, that said, something I found quite interesting when I did go to Japan this past November (another life's ambition knocked down!) was how familiar it was. I had been fed on such a diet of Japanese media that I found it very easy to adjust. The only thing I found particularly difficult was the lack of communication, because I'm lousy at languages and could only speak one-word caveman-Japanese.
It may be that we're not in on the joke and that the entire Japanese robotics industry and rail system is a big lark. But something rings odd about the thesis, insofar as it picks up on the xenophobic dregs who can't even understand their 3rd generation American or Canadian neighbours let alone a truly foreign culture. I'm not sure that this is entirely useful for people who are actually interested in and informed about Japanese culture.
12/16/09
12/16/09
12/16/09
I don't think that Japanese culture is strange. I think it's fascinating and different and interesting, but I'm probably not supposed to think that. I should just accept it as perfectly normal and not try to appreciate it for how it's different from my own. At least, that's what I got from the article...which, by the way, seemed awfully "majime" itself...
12/16/09
12/16/09
12/16/09
12/16/09
I, of course, DO think Japanese culture is strange. But then I would, wouldn't I? I grew up in America, where everything is different.
I also think a lot of Americans are strange, though, and there's no reason at all for that.
12/16/09
12/16/09
Most of them get it via catalog, the way any sensible person would.
12/16/09
12/16/09
12/16/09
12/16/09
Actually, to be REALLY fair I think all cultures are weird as hell.
12/16/09
[img.exegersis.com]
12/16/09
I mean, I say it at least as often when I think about major aspects of American culture, or even my own Canadian culture. Hell, I even say "WTF?!" about quite a lot of my own behaviour.
People are strange, and really the only motivations we truly understand are our own--and often not even then. I think it's okay to express a little shock and disbelief, as long as it's not sustained, and as long as it's not hostile.
02:38 AM
12/16/09
12/16/09
12/16/09
I once stopped a girl at a university in Japan who had FUCK written multiple times all over the bag she was carrying to ask her if she knew what the word on her bag meant. She didn't and was shocked to find out.
Many times in Japan I would have people stare or point or even out and out make comments 'Look a foreigner! Cool!'. Actually the word they use, gaijin, more literally translates to outsider. Gaikokujin ('other country person') is more polite but no one ever uses it.
I had one friend on the subway once doze off and her head accidentally hit the shoulder of the guy next to her so she said excuse me IN JAPANESE. Then the guy immediately turns to his friend and says 'That foreigner just spoke to me!' and the friend excitedly replied 'Really? What did she say?!'
I'm of course not saying all Japanese are like this and I made some great friends and contacts when I lived there, but fetishism of all Western people and culture is very common.
12/16/09
I'd hate to see it become a cliche that the future is either Japanese (crowded and dystopian) or African (barren and exploited by corporations). But what other visions are there out there? I recall a recent book suggesting that Mexico and Poland will be superpowers in the future. Should we be looking to Eastern Europe or down South for our future visions?
12/16/09
And that means I'm somehow racist? I literally don't get it. People think it's cool because it IS cool. They built a life-size Gundam for crying out loud. Me admiring it means I'm not "getting it"?
Why is acknowledging that it is creative and cool a bad thing?
Are they fearing gentrification or something? Last I heard rents in Tokyo are $$$$$$$.
12/16/09
12/16/09
12/16/09
"I believe that the Odaiba Gundam will serve the same purpose as the Statue of Liberty — something to instill hope and inspiration in people."
Gundam creator Yoshiyuki Tomino thinks it's like the statue of liberty or something.
ooooh japan~
Honestly though, I know nothing of Japan outside of what I've been told by others and what I've read in their exported movies, games, cartoons, and comics. From my experience, Japanese science fiction seems to do a lot of the same things we do to their culture with German culture.
You want to make something look cool or imposing? Slap a German aesthetic on it.
That's how we've come to have those lovely Zeon from Mobile Suit Gundam and the Galactic Empire from Legend of the Galactic Heroes and to a lesser extent, nearly every prosecutor in the Phoenix Wright games. They're the de facto cool foreigners, much like how the Asian aesthetic was used to bring future cool to Bladerunner.
As for Katayama, after reading her piece on the guys who carry around body pillows, I think it kind of conflicts with what she's saying here. There are a lot of instances in that article where she mentions some of the odd looks the body pillow/2D love guys get when they go out in public but here it sounds like she's trying to say 2D love is some kind of joke or alternative lifestyle in Japan. As I said earlier, I have no real experience with Japanese culture. So, is she trying to say this sort of thing is socially acceptable there and people are being culturally insensitive, or is she trying to shatter social stigmas 2D love all over the world?
12/16/09
12/16/09
12/16/09
12/16/09
12/16/09
12/16/09
12/13/09
Anyway, I'm becoming convinced that it's impossible to know what space battles will really look like. Maybe it will be ships of the line pounding away at one another broadsides. (Cool!) Or fighters doing high-G dogfights while firing guns at one another. (Awesome!) Or moon-sized space stations with planet-destroying anti-proton beams in an x-ray containment laser. (Yeah, baby!)
Bring it on.
12/13/09