On November 17, Paramount is releasing the highest-grossing Star Trek movie of all time on DVD and BluRay. The DVD version has considerably less than the BluRay — the latter version has "branching pods" embedded in the special features. Think of it like a non-hidden Easter Egg, a special featurette within the features.

Disc One of the two-disc DVD version contains the film, along with commentary from J.J. Abrams, Robert Orci and Alex Kurtzman, executive producer Bryan Burk and producer Damon Lindelof. There's also a special called "A New Vision," featuring Abrams' style and drive to make the film real and relatable, as well as a gag reel.

In addition, the second disc is of course more fun stuff, including four features, DVD-ROM accessible content (free trials of Star Trek D-A-C for XBOX 360, PC and PlayStation network), and deleted scenes.

The deleted scenes include optional commentary and are:

o Spock Birth
o Klingons Take Over Narada
o Young Kirk, Johnny and Uncle Frank
o Amanda and Sarek Argue After Spock Fights
o Prison Interrogation and Breakout
o Sarek Gets Amanda
o Dorm Room and Kobayashi Maru (original version)
o Kirk Apologizes to the Green Girl
o Sarek Sees Spock

Abrams said that he was always thinking about the DVD, saying he was constantly making sure things were being filmed and recorded specifically for the DVD, getting video crews in the mix as early as possible.

And that prevalence of cameras is wildly apparent on the Blu-Ray edition.

The first disc of the Blu-Ray edition has the film and the same commentary as the DVD, as well as a BD Live feature giving viewers access to the latest NASA news about space. It has an RSS feed of the news as well as a space pic of the day. The second disc has the same specials as the DVD's disc two above, plus six (!) others and those crazy "branching pods."

Disc two of the Blu-Ray adds on these special features.

• Starships - An in-depth look at the creation of the film's starships and vessels.
• Planets - How the art department created the look for planets such as Delta Vega.
• Props and Costumes - Paying homage to the original series was very important with this update, and here's how they did it.
• Ben Burtt and the Sounds of Star Trek - Sound designer Ben Burtt shares the music he created for the newest Trek.
• Gene Roddenberry's Vision - The vision of Gene Roddenberry as told by J.J. Abrams, Leonard Nimoy, previous Star Trek writers and producers, and scientific consultant Carolyn Porco.
• Starfleet Vessel Simulator -Here you can see a 360˚ model of the Enterprise and the Narada including some looks inside as well some fun firing their weapons onscreen.

Most of the features contain extra content within. "To Boldly Go" contains some of these mini-specials, including "The Shatner Conundrum," accessible while watching the overarching main special or by the menu, as seen above.

There is also a digital copy of the movie included with both releases.

In any case, suffice it to say any Trekkie worth his or her weight who doesn't own a Blu-Ray player (especially this poor college girl) is definitely pining for one right now.

If you've been following the movie's press lately, you'll already be aware that the film's big love story is between Spock and Uhura. We know, some of you are running from this scary change right now, but before you grab your phaser rifles, we went directly to writers Alex Kurtzman and Roberto Orci, and asked them about it.

How did you go about deciding and executing such a huge canon-changing relationship?

Orci: A lot of the things in the movie could conceivably match with what happened in any Universe. We know that Kirk cheated on the Kobayashi Maru, [for example]. In the original series, the first interracial kiss was Kirk and Uhura. One of the things we tried to do with this movie was, try to play with keeping some things the same - and other things, maybe the exact opposite.

That was one of those scenarios where we thought, "If that's in the original universe, maybe this one becomes Spock and Uhura." It brings out his human side, it fits Spock's arc for the surprise of the fact that he does share humanity and in the revelation that his father did love his mother, and therefore Spock himself is then capable of that and you see that with him and Uhura. It fits him.

Kurtzman: Knowing that it was a really controversial decision, the most important thing for us was, to not be cute or try to be clever about how we were going to reveal it, but to actually provide genuine emotional context. And I think whether or not you agree with our choice, what you can't argue with is: You just watched this man, who you really care about, show that he's struggling with his identity, lose his mother, and watch his planet blow up. And because he's a Vulcan, he has to be stoic about it.

When you as an audience want somebody to give the man a hug, you want some connection for him. So when Uhura does that, you're simultaneously taken aback, but also a bit relieved that he has somewhere to take that. So we felt like that would be the best access point to reveal that to the audience. We built it up in those earlier scenes, [so] you get that sense. There are little seeds planted along the way.

But what about the rest of the crew? What do they think? At this weekend's press conference, we got the chance to hear Zoe Saldana and Zachary Quinto's impressions on a love that could potentially change the universe..

Saldana described the moment she learned about it:

They locked us in the office at Bad Robot, so that we could read the script, and I dropped it and grabbed my Blackberry and kept saying, "This man's crazy! J.J.'s out of his mind. I'm not that aware about Star Trek, but I do know that [Spock and Uhura] never mingled. It's crazy!" But once I finished the script, it just made so much sense. They have the most similar characteristics. I almost feel like she had this admiration for Spock because he was older and sort of like a teacher, and there was this crush or platonic infatuation with someone that's wiser, wittier, handsome and had pointy ears. Why not?

Quinto went on to explain what he felt it meant to baby Spock to have this outlet.

The relationship between Spock and Uhura, that dynamic provides a lot of levity and humor between Kirk and Spock and between Kirk and Uhura. But between Spock and Uhura, I think it actually represents a depth, whereby Uhura is almost a canvas onto whom Spock can project the emotion that he is not able to express himself.

But of course Leonard Nimoy felt left out by Young Spock's conquest:

Frankly, I was extremely jealous of his scenes with Zoe Saldana, and I think it's totally unfair that I never got to do that. I will never forgive the writers and the director, for having put me in this position, to have to be watching that, rather than participating.

Talking to TrekMovie, Orci - one of the scriptwriters of next year's movie - explained that time travel explains away the changes between the Trek we know and the one we're about to meet:

It is the reason why some things are different, but not everything is different. Not everything is inconsistent with what might have actually happened, in canon. Some of the things that seem that they are totally different, I will argue, once the film comes out, fall well within what could have been the non-time travel version of this movie... [Whether or not fans believe these are "different" versions of the familiar characters] depends on whether or not you believe in nature or nurture and how much you believe in, for lack of a better word, their souls. I would argue that for the characters, their true nature does not change. Our motto for this movie was ’same ship, different day.’

Leaving aside the terrible pun - and, really, that was an appalling pun - part of me is left wondering why such efforts have been made to ensure this connection to the original continuity, as opposed to just creating a straight-ahead reboot, a la Battlestar Galactica or the Batman movies (Orci goes on to explain that the new movie's Enterprise crew exists in an alternate timeline to the original series, due to the time traveling, meaning that there's no kind of "Well, everything can go back to the ways of Shatner" at stake). Are Trek fans that married to the continuity instead of the characters and/or concept that that's the only way that they'd accept a revamp?

Bob Orci Explains How The New Star Trek Movie Fits With Trek Canon (and Real Science) [TrekMovie]

Abrams was doing the chat live, and running back and forth between setups. Just how much free time do these Hollywood directors have? He also had both Spocks, Quinto and Nimoy, standing over him. Nimoy was most likely saying "Get used to this," and Quinto was thinking "Good lord, is this what I signed up for?" Thankfully, everyone seems to have had a sense of humor (which is also has a presence in the film, see below) about the whole thing.

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• On the weight of responsibility from carrying the Trek torch:

  J.J. Abrams: It's funny that you phrased it that way — carrying the torch — because that's exactly what it feels like. Trek means a great deal to many people, and I fully appreciate that responsibility. But I have never been overwhelmed by that burden. Quite the opposite. The fans have been part of the inspiration. This experience has felt, from the beginning, like a truly unbelievable opportunity. We're only half-way through principal photography, but the torch is burning bright and we're running hard!

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• On when a real trailer will be out, as opposed to a fanwank version:

  Bryan Burk: Barring any thievery from our production office, we're working on our first trailer right now, which will hopefully be in theaters early to mid summer.

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• The greatest challenge faced when they first decided to take on the movie
  
  J.J. Abrams: This may not be a fair answer, but there were two greatest challenges: the first was getting a handle on the vision of the future. The fact that most of the tech that we use in our everyday lives seems modeled after — and actually more advanced than — TOS, made it tricky to find a way to make our movie's world far more advanced than where we currently are, and yet also consistent with the original show.

  The other challenge was, obviously, casting. How in the world were we ever going to find actors who can fill the shoes of that remarkable original cast? It was tough in theory and harder in practice. We couldn't — and wouldn't have — gone into production with a cast that simply didn't WORK.

  With the amazing efforts of April Webster and Alyssa Weisberg (our casting directors), we somehow did it. This cast is massively talented and smart as hell and funny and dedicated and completely inhabiting these roles. You will see. Kirk f'n LIVES. Spock is HERE, right now. I can see him. Uhura and Bones and Chekov and Sulu and Scotty are ON THE BRIDGE and they are wonderful.

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• For one of the cast members, what's been your favorite moment on set so far?:
  
  Zachary Quinto: Definitely the first time Leonard and I were both in costume at the same time for the wardrobe test.
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• Do they follow what fans are saying on the internet at all?:
  
  The Entire Crew: Not really. We never take time to find out what fans on the net are thinking. Thanks for asking.
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• Will there be comedy in the new movie?:
  
  J.J. Abrams: I'm afraid to answer this question, because The Haters will think that I'm looking at Trek as a comedy. I am not. But humor is hugely important. Humor and humanity go hand-in-hand — there is such wit in the screenplay (kudos, Kurtzman/Orci), and the actors bring such intelligence and humor, that my job is just to keep the thing REAL. Dramatic as hell, but also LAUGHS. Without comedy (my fave TOS eps had GREAT wit), the audience finds their own places to laugh. And in a world of humans and aliens, that could be disastrous. So the short answer? It's very important.
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• Is Greg Grunberg of Alias and Heroes fame going to be in this movie?:
  
  J.J. Abrams: I am so pissed at Grunberg. The guy was about to be in the movie — had a GREAT PART — but had to bow out because of some LAME OTHER MOVIE HE'S DOING.

  All right, so I'm half-kidding and just disappointed: Grunny WAS gonna be in Trek, and he IS doing another movie, so he can't be in ours — but his movie isn't lame, it's funny, and he's producing and co-writing and long-time collaborator Larry Trilling is writing with him and directing, so I wish them all the best. Even though I hate Greg now. Who knows, maybe he'll be a tribble.

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• Do you have to pinch yourself to help believe this is real?:
  
  Roberto Orci: No kidding. I think I speak for many of us when I say that we pinch oursleves every day, and it still doesn't work. I'd ask Quinto or Nimoy to "pinch" me, but I just think that would make it more surreal...
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• Random script question... what is the 10th word on the 10th page of the ST script?:
  
  Bryan Burk: "...and..."
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• The Trek teaser trailer was very American focused, with all the sound bites from American space program (and none from anywhere else). Star Trek often seemed overly American. How will you make sure that Star Trek is a global film that appeals in Europe, Asia, Latin America, etc?:
  
  Bryan Burk: There were different versions around the world of the teaser trailer around the world to deal with exactly that.
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• How many visual effects shots will there be in the new movie?:
  
  Roger Guyett, Visual Effects Supervisor: We're anticipating about 1000.
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• Has there been a particular moment for any cast member while filming that has caught you off-guard and made you stand back and say "wow" or just made you think "how cool is this"?
  
  Chris Pine, Captain James T. Kirk: For me, I still get the chills every time I sit in "the" chair, and every time I say who I am in the movie.
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• Is there anything I can say to my girlfriend to convince her to go see a movie with me that is titled Star Trek?:
  
  J.J. Abrams: First of all, I'm relieved you have a girlfriend. Secondly, this movie is not being made solely for Trekkers — that is not to say we aren't giving the true believers the fix they want — but we're also making a movie for people (men AND women) who have never seen Trek once in any incarnation.

  What finally pushed me over the edge to direct and not just produce Star Trek was my wife, Katie's, reaction. She loved the characters. She confirmed my deep suspicions that I should direct this movie. The story is dramatic and funny and emotional and romantic and full of adventure. I know I'm biased — but I think people are going to love this experience. For some, perhaps, DESPITE the fact that it's called Star Trek. Who knows? Maybe your girlfriend will see the movie and become a fan of the show.

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• ILM is doing the effects for the film. Will it all be CGI or have they built a physical model of the New Enterprise?:
  
  J.J. Abrams: I was lucky enough to work with ILM on Mission: Impossible III. Roger Guyette and Sherri Hanson are geniuses who are also a true joy to work with. ILM has always been the best — but in recent years they have — remarkably — gotten even better, making the virtual photo-real.

  Having said that, my goal is to make Trek REAL — that is to say, not have it be camp — not have it be phony — not have it look like a scrap of green screen was used anywhere. Of course, this is Star Trek. We're using every trick in the book. But WHEREVER WE CAN, we are shooting on sets — either built on sound stages or expanding upon found locations. This is important. What this means is that the movie won't have that "actors performing in a blue or green void then placed in front of a spaceship set" feeling that makes me insane. One of our really talented designers recently commented online how we shot on a green screen set and what a shame that was, since we could have built something incredible. And she was right — for that one scene, which will last for maybe thirty seconds on screen, we built only pieces and were surrounded by green. But that is the exception. We can't build EVERYTHING, and need to make this film on a budget (partly because that's the $ we have, and partly because I want the studio to see Trek as viable!).

  The Enterprise will be a combo of the physical and the virtual. A photo is forthcoming!

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• Will the doors go swoosh when they open?:
  
  J.J. Abrams: Dude. Will they ever.
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