It's a good point, and part of the reason I don't like TNG.
Well, okay, it's more like the fans taking this filler technobabble and pretending it was hard science that annoys me. Never live with a Trekker whose first Trek was TNG. It is as a fake technobabble religion onto them.
Well, I can see where he's coming from, but it's kind of a pointless thing to say. So, Star Trek TNG was often like a soap opera in space. Babylon 5 was like the UN meets Lord of the Rings, in space. So what?
These shows were still worth watching, even if the reason for watching them was a bit different than the reason I read a lot of the SF books I do.
My advice to Mr. Stross is to teach by example and leave it at that. I'm sure he's already writing the kind of fiction he would also like to read, and his fans love him for that.
But sweeping statements about the dismal state of science fiction TV just make him sound crotchety. I mean, it's TV, made for a mass audience who might not otherwise enjoy science fiction. There's no sense getting bent out of shape about it.
So, were these science advisers just a bunch of fans or something? It seems like they would just throw in words like reverse, override, transfer plasma, antimatter and field. They may have been hampered by the tech in the show bible, though.
I can see his point, but the over-generalization is unnecessary. The outline of the TNG script shows his disdain goes further than simple technobabble, it has deals with an integral part of science fiction.
It's true it's important seeing how the human condition reacts to new situations and tech, but isn't it just as important to establish the situation AND the tech in science fiction? The situation and tech influence the past, present and future of a character, particularly when it's fleshed out in a detailed and provocative manner.
A great example would be Mass Effect. Many of you may disagree, but Mass Effect established a *massive* universe explaining the history of the setting as well as the functionality of all the tech constantly being babbled on about.
I think Stross sets up a bit of a false dichotomy and it show in that script outline. Trek tech(say that a few times) usually seemed trite and overly simplified which detracted from my opinion of the shows. Don't get me wrong, I still consider TNG one of the best shows ever, but the would have improved on the show in certain areas.
One of my favorite TNG episodes is the one where Picard gets probed (bow chicka wow wow) by an alien satellite that causes him to live an entire life as part of some alien culture. The takeaway is that even though said culture died off long before the Enterprise ever encountered the satellite, Picard's experience ensures the culture lives on as long as he does.
First, that's more or less slapping Stross in the face, and its not the only episode of TNG (or Trek as a whole) that is like that. Some of the most loved episodes of all the series have a similar tone.
Second, I never understood why the satellite chose Picard (old man) over a younger crew member, but I suspect the answer is found somewhere between acting ability, cast schedule, and acting ability.
@icy_one: Another major challenge to Stross's particular attack against Star Trek is the basic premise; humans exploring the galaxy because energy, hunger, and money are no longer anyone's concern. This premise is founded on the idea of the replicator and warp technology, which pretty much solves humanity's problems. I think they do a decent job showing what would happen after: with no need for natural resources, we just start looking for more knowledge.
I still agree with him that good Sci-Fi shows and literature need to show implications like these, but his generalized attack against Star Trek might not hold water in everyone's eyes (though personally, a lot of Star Trek technobabble can get annoying...).
@disatess: This is my thought exactly. I think some people are just taking the genre entirely too seriously and trying to push out elements of it that - while obviously enjoyable - don't fit with their personal view of the genre.
That and with all due respect to Stross for the work he's delivered and the awards he's won, I find his books incredibly forgettable and not nearly as engaging as the work he's so adamantly opposed to.
LAFORGE: One on't cross beams gone owt askew on treadle.
PICARD: Pardon?
LAFORGE: One on't cross beams gone owt askew on treadle.
PICARD: I don't understand what you're saying.
LAFORGE: ONE OF THE CROSS BEAMS HAS GONE OUT ASKEW ON THE TREADLE.
@Grey_Area: Our chief weapon is fear and surprise...
Our TWO chief weapons are fear, surprise, and a fanatical devotion to the tenets of KahLess...
Amongst our weapons are such diverse elements as fear, surprise, a fanatical devotion to the tenets of Kahless, bat'leths, spirit gum, and ill-explained Romulan ships...
I'm in the same mold as lazlopink, a 47 year old guy who has been reading SF all his life. And I'm in the mold of Charlie Stross, someone who's pretty tired of the state of SF on film. Come on, would it kill someone to do an adventure story AND throw in a Big Idea? Larry Niven did it, so why not Hollywood?
So far, by the way, Stargate Universe has shown some promise in this direction. At least they've recognized that space travel can be inherently interesting. You don't need to make it the equivalent of the drive between the homes of Desperate Housewives.
@Kingdaddy8: Hardcore technological concepts would probably bog down your average TV show but it's worth a try.
I'm liking the SGU show, but really? The whole kino-button pushing thing should have been addressed. If nothing more than Eli saying, "Oh crap, we shoulda done that! Sorry about your Dad dying and all..."
That would have made for some crazy tension and the fact that no matter how brilliant a boffin can be, they're bound to miss something.
@Kingdaddy8: About once an episode, Andromeda seemed to throw in one piece of good science that differed from regular science fiction. Then, of course, they would spend the rest of the episode in magic-as-technology land.
wow, if you read this thread one might come to the conclusion that sci-fi is ONE thing. When has that EVER been the case, sci fi takes all forms, comedy drama hard soft allegorical technical sociopolitical scatological. Nerds, hipsters, hippies, suits, adults and children would all claim it is something different. So Stross is a big sourpuss. His characters have less depth than bathroom countertop, but his fantastical ideas are wonderful, everyone has their faults...
I used to know a lady online who pretty much HATED Star Trek. She loved SciFi (or SF as she insisted), but the very idea of the transporter would just piss her off so much.
I'd as why.
"Because it's impossible."
And I would answer:
"It's science FICTION. Stuff we haven't invented yet and may never invent."
We never did find any common ground there.
She also hated the idea of mutants with superpowers. She called it 'ridiculous' - the idea of humans mutating from something and being strong or fast or whatever.
But she was a huge fan of 'Dune' - where humans eat a spice and mutate into a being that can fold space.
I never pointed that out. I didn't want to poke the volcano. :)
@HalOfBorg: She might have been a bit OCD, but in a way - narratively - Star Trek IS impossible. Not just hard science-wise, but writing-wise. Star Trek is full of average, modern-day people surrounded by futuristic technology. There's nothing about the way they act, speak, relax, etc that suggests they're from the same time period their tech is from. They just happen to be familiar with it somehow.
The way the shows constantly reference and refer to medieval and roman periods drives it home: the writers are convinced that people don't change as time periods change. Which is patently ridiculous.
@1Grand_Marquis: Have you read any thing written more than a century ago? The trappings might change, the details, sure. But people are still people. Jealousy, hatred, love, pride; that's just as relevant in Shakespeare or Pliny as it is today. There have always been, and likely always will be, people more, or less, competent than others. Somebody will do horrible things because they got greedy, or think themselves better than everyone else.
The fact that you have people acting utterly normal in the face of technology would be just as true then as it is now, and was 100 years ago.
@1Grand_Marquis: If anybody takes the time to read the translations of historical source material, people really don't change much generally. The changes tend to be in the specifics.
A large chunk of the earliest documents found are accounting records. That's right. Boring as heck inventories, business transactions (barter and later monetary-based sales and purchases), loans, contracts, etc. There's even complaints about the bureaucracy, lazy coworkers, and auditors. (Is it a coincidence one of the Sumerian words for "auditor" is that used for "demon"?) There are loads of Ancient Egyptian letters with essentially the same concerns as people have today.
And what was one of the things Queen Victoria use the newly invented telegraph for when she went to France? To check on the kids back home.
The problem with Star Trek as illustrated by Ron Moore is that of lazy writers filling out a formula by route. I had suspected as much; this admission just confirmed it.
@1Grand_Marquis: But that is the way it was meant to be. The networks were originally promised "Wagontrain to the Stars" - more of the same thing, with pointy ears.
The people on BSG pretty much act like people today do - and that was LONG ago. In a solar system nearby. :)
So - in order to get to the human interest part of the story, we should spend lots of time getting all the little details of the science perfect?
Isn't it better to just reverse the polarity and move on to the reasons for doing it - namely the big snarling alien with the glowing head, and why he's upset that we are building things on his nesting planet?
I agree to an extent-- which I don't particularly like the terms science fiction, or fantasy. I prefer "speculative fiction" because just because a movie/show/book is set in a more technologically advanced time/ place doesn't make it particularly "scientific." And really, ALL fiction is "fantasy," because it originates in the creator's imagination, whether it deals with aliens, dragons, or normal, modern day people.
However, I disagree that "science fiction is reduced to mere set dressing" in current "science fiction" (but, I'm not bothered by it, if it is-- future tech is entertaining, whether or not it's incidental to the story).
Science fiction is there to facilitate scenarios that wouldn't happen in other settings-- Like Dr. Who for example-- you wouldn't be able to have historical figures alongside aliens without time-travel or alternate dimensions. Sure, the science may not be factually based, but it makes for interesting storytelling in the right hands.
The part I do have agree with is Techno-gibberish. I was always bothered by Star Trek's Teching-tech talk. But that has nothing to do with the deteriorating state of science fiction, that has to do with using the gibberish as a crutch; to mask poor writing with a deus ex machina.
To go back to Dr. Who, first of all, that show never took itself as seriously as Star Trek, so I don't mind those writers using deus ex machina. Plus, the Doctor doesn't use a whole lot of Technogiberish, he chalks a lot of stuff up to "timey-wimey" stuff because he knows it would all just sound like gibberish to the silly humans.
Not that you asked for my two cents, but there they are.
@ignoramus012: So Star Trek writers use tech as deus ex machina, so what? The Greek tragedians who literally invented drama as we know it used deus ex machina (in a more literal sense than any modern writer) all of the time and they are considered the greatest writers who ever lived. Why should Star Trek's writers be held to a higher standard than Sophocles?
@Bill-Lee: First of all, I am a Star Trek fan, so I'm not necessarily bashing ST. I don't have a problem with deus ex machina if it is used well, but sometimes it's just silly: "Thank god we had that [get out of jail free] device or we would have never defeated the aliens!" #charlesstross
Star Trek, Babylon 5, Dr. Who, and Battlestar Galactica are space operas! Space opera has always used technology as an exotic backdrop for stories of action and adventure. They are set in worlds where the people have already accepted the technology. People tend to accept technology faster than Charles Stross seems to realize. Look at the space program: 40 years ago it was news when the Mercury 7 astronauts went into space or Apollo 11 landed on the moon. Today, who turns on the news just to watch a shuttle launch? We like that we have space shuttles and rockets because we like the results such as scientific discoveries or even more importantly, cell phone reception.
During the Renaissance, I'm sure the printing press was novel...for a couple of days. Then books started to flood the marketplace and people forgot the tech and looked forward to the results -- being able to read books that weren't copied by hand. The same is true today: the latest OS from Microsoft or Apple makes the news for about a week and then the novelty wears off as people play around with the tech and find its limits. People don't care about the tech, they care about what they can do with the tech.
Finally, I've always admired the system of collaboration between scientific advisers and writers developed by Star Trek. It meant the producers of Star Trek could hire writers who understood the medium of television and could tell a good story but they didn't have to have PhDs in quantum physics.
@Bill-Lee: I don't think Stross is calling for all characters in scifi to have a 'gee-whiz, look at how neat this is' attitude toward technology, just to acknowledge that it has an effect on us. The printing press and space travel may not be something we marvel every day, but they've had an incredible impact on what we do day-to-day. The huge technical advances in Star Trek seem to only have superficial impacts on society.
@jfpierce: I wouldn't argue that technology doesn't have an impact on our lives only that shows such as Star Trek aren't meant to be about that impact. Star Trek in particular is set in a Utopia where society has absorbed the impact of technology. The UFP is populated with responsible citizens. They dispose of their waste in a safe manner, they've dealt with issues of xenophobia, don't go around starting wars, and have largely avoided 23rd or 24th Century equivalents to atomic weapons.
My main argument with Stoss is his idea that the characters in a series like Star Trek should be substantially different from people today. Certainly their are differences between a man of 1600 and a man from 2009 such as manners, language, and mode of dress but those are superficial differences. Humans from 1600, 2000, and 2300 are all driven by the same basic motivations: food, shelter, procreation, health, pleasure, and emotional/spiritual fulfillment.
@Bill-Lee: But in the world of Star Trek, food and health are apparently given. Wouldn't this have a dramatic effect on the way on the way people behave? And without money, a big concern in the 1600s and today, what do people pursue? The introduction of cash economies is a huge change to a society, certainly its removal would be as well.
omfg.
This feller surely don't get it, do he?
I mean, the worst video sciffy is the stuff that does what he thinks is ideal.
If course Trek just uses tech as window dressing, that's entirely the point: in the Star Trek universe, the future is friendly and familiar, with magickal TECHNOLOGY that delivers everything we want and need and makes us gods. Trek was at its worst when it was trying to examine the implications of the tech (it tended to get pretty preachy, IMO), and at its best when examining broader human issues made safer by being surrounded by that tech-buffer. You want to discuss interracial sex, racism, socialism and the stupidity of war in the 1960s? You better have the folks wearing togas, painted half-n-half, and marching into execution chambers on order of a computer. You want crap? Have Paris devolve into a mudpuppy because he went past Warp Infinity.
Just sayin', is all.
10/14/09
Well, okay, it's more like the fans taking this filler technobabble and pretending it was hard science that annoys me. Never live with a Trekker whose first Trek was TNG. It is as a fake technobabble religion onto them.
10/14/09
These shows were still worth watching, even if the reason for watching them was a bit different than the reason I read a lot of the SF books I do.
My advice to Mr. Stross is to teach by example and leave it at that. I'm sure he's already writing the kind of fiction he would also like to read, and his fans love him for that.
But sweeping statements about the dismal state of science fiction TV just make him sound crotchety. I mean, it's TV, made for a mass audience who might not otherwise enjoy science fiction. There's no sense getting bent out of shape about it.
10/14/09
10/14/09
It's true it's important seeing how the human condition reacts to new situations and tech, but isn't it just as important to establish the situation AND the tech in science fiction? The situation and tech influence the past, present and future of a character, particularly when it's fleshed out in a detailed and provocative manner.
A great example would be Mass Effect. Many of you may disagree, but Mass Effect established a *massive* universe explaining the history of the setting as well as the functionality of all the tech constantly being babbled on about.
I think Stross sets up a bit of a false dichotomy and it show in that script outline. Trek tech(say that a few times) usually seemed trite and overly simplified which detracted from my opinion of the shows. Don't get me wrong, I still consider TNG one of the best shows ever, but the would have improved on the show in certain areas.
10/14/09
First, that's more or less slapping Stross in the face, and its not the only episode of TNG (or Trek as a whole) that is like that. Some of the most loved episodes of all the series have a similar tone.
Second, I never understood why the satellite chose Picard (old man) over a younger crew member, but I suspect the answer is found somewhere between acting ability, cast schedule, and acting ability.
10/14/09
I still agree with him that good Sci-Fi shows and literature need to show implications like these, but his generalized attack against Star Trek might not hold water in everyone's eyes (though personally, a lot of Star Trek technobabble can get annoying...).
10/14/09
10/14/09
10/14/09
Where people discover /invent new tech or new ideas to either save mankind or send them into deep space .
You get my point , I understand that tech -babble is a little much for some
people,
But thought or the idea intrigues others.
10/14/09
That and with all due respect to Stross for the work he's delivered and the awards he's won, I find his books incredibly forgettable and not nearly as engaging as the work he's so adamantly opposed to.
10/14/09
PICARD: Pardon?
LAFORGE: One on't cross beams gone owt askew on treadle.
PICARD: I don't understand what you're saying.
LAFORGE: ONE OF THE CROSS BEAMS HAS GONE OUT ASKEW ON THE TREADLE.
10/14/09
10/14/09
10/14/09
Our TWO chief weapons are fear, surprise, and a fanatical devotion to the tenets of KahLess...
Amongst our weapons are such diverse elements as fear, surprise, a fanatical devotion to the tenets of Kahless, bat'leths, spirit gum, and ill-explained Romulan ships...
We'll come in again.
10/14/09
So far, by the way, Stargate Universe has shown some promise in this direction. At least they've recognized that space travel can be inherently interesting. You don't need to make it the equivalent of the drive between the homes of Desperate Housewives.
10/14/09
I'm liking the SGU show, but really? The whole kino-button pushing thing should have been addressed. If nothing more than Eli saying, "Oh crap, we shoulda done that! Sorry about your Dad dying and all..."
That would have made for some crazy tension and the fact that no matter how brilliant a boffin can be, they're bound to miss something.
10/14/09
10/14/09
10/14/09
I'd as why.
"Because it's impossible."
And I would answer:
"It's science FICTION. Stuff we haven't invented yet and may never invent."
We never did find any common ground there.
She also hated the idea of mutants with superpowers. She called it 'ridiculous' - the idea of humans mutating from something and being strong or fast or whatever.
But she was a huge fan of 'Dune' - where humans eat a spice and mutate into a being that can fold space.
I never pointed that out. I didn't want to poke the volcano. :)
10/14/09
The way the shows constantly reference and refer to medieval and roman periods drives it home: the writers are convinced that people don't change as time periods change. Which is patently ridiculous.
10/14/09
10/14/09
The fact that you have people acting utterly normal in the face of technology would be just as true then as it is now, and was 100 years ago.
10/14/09
A large chunk of the earliest documents found are accounting records. That's right. Boring as heck inventories, business transactions (barter and later monetary-based sales and purchases), loans, contracts, etc. There's even complaints about the bureaucracy, lazy coworkers, and auditors. (Is it a coincidence one of the Sumerian words for "auditor" is that used for "demon"?) There are loads of Ancient Egyptian letters with essentially the same concerns as people have today.
And what was one of the things Queen Victoria use the newly invented telegraph for when she went to France? To check on the kids back home.
The problem with Star Trek as illustrated by Ron Moore is that of lazy writers filling out a formula by route. I had suspected as much; this admission just confirmed it.
10/14/09
The people on BSG pretty much act like people today do - and that was LONG ago. In a solar system nearby. :)
10/14/09
10/14/09
Isn't it better to just reverse the polarity and move on to the reasons for doing it - namely the big snarling alien with the glowing head, and why he's upset that we are building things on his nesting planet?
10/14/09
However, I disagree that "science fiction is reduced to mere set dressing" in current "science fiction" (but, I'm not bothered by it, if it is-- future tech is entertaining, whether or not it's incidental to the story).
Science fiction is there to facilitate scenarios that wouldn't happen in other settings-- Like Dr. Who for example-- you wouldn't be able to have historical figures alongside aliens without time-travel or alternate dimensions. Sure, the science may not be factually based, but it makes for interesting storytelling in the right hands.
The part I do have agree with is Techno-gibberish. I was always bothered by Star Trek's Teching-tech talk. But that has nothing to do with the deteriorating state of science fiction, that has to do with using the gibberish as a crutch; to mask poor writing with a deus ex machina.
To go back to Dr. Who, first of all, that show never took itself as seriously as Star Trek, so I don't mind those writers using deus ex machina. Plus, the Doctor doesn't use a whole lot of Technogiberish, he chalks a lot of stuff up to "timey-wimey" stuff because he knows it would all just sound like gibberish to the silly humans.
Not that you asked for my two cents, but there they are.
10/14/09
10/15/09
10/14/09
During the Renaissance, I'm sure the printing press was novel...for a couple of days. Then books started to flood the marketplace and people forgot the tech and looked forward to the results -- being able to read books that weren't copied by hand. The same is true today: the latest OS from Microsoft or Apple makes the news for about a week and then the novelty wears off as people play around with the tech and find its limits. People don't care about the tech, they care about what they can do with the tech.
Finally, I've always admired the system of collaboration between scientific advisers and writers developed by Star Trek. It meant the producers of Star Trek could hire writers who understood the medium of television and could tell a good story but they didn't have to have PhDs in quantum physics.
10/14/09
10/14/09
My main argument with Stoss is his idea that the characters in a series like Star Trek should be substantially different from people today. Certainly their are differences between a man of 1600 and a man from 2009 such as manners, language, and mode of dress but those are superficial differences. Humans from 1600, 2000, and 2300 are all driven by the same basic motivations: food, shelter, procreation, health, pleasure, and emotional/spiritual fulfillment.
10/14/09
10/14/09
This feller surely don't get it, do he?
I mean, the worst video sciffy is the stuff that does what he thinks is ideal.
If course Trek just uses tech as window dressing, that's entirely the point: in the Star Trek universe, the future is friendly and familiar, with magickal TECHNOLOGY that delivers everything we want and need and makes us gods. Trek was at its worst when it was trying to examine the implications of the tech (it tended to get pretty preachy, IMO), and at its best when examining broader human issues made safer by being surrounded by that tech-buffer. You want to discuss interracial sex, racism, socialism and the stupidity of war in the 1960s? You better have the folks wearing togas, painted half-n-half, and marching into execution chambers on order of a computer. You want crap? Have Paris devolve into a mudpuppy because he went past Warp Infinity.
Just sayin', is all.