(Note: some of these scenes contain spoilers and / or some serious violence. Beware!)

Serenity

Serenity is Joss Whedon's sort-of-final-chapter for his much beloved television series, Firefly. But it's also a stand-alone story, offering any new viewers a chance to discover the crew and the world of the show anew. And what better way to throw a new audience into the world than a wandering tour of Serenity herself. In the opening shot of the movie, Whedon uses a long-take to fully draw us into his world. You can watch the first minute and a half of the six minute masterpiece here.

X-Files - Triangle

In this episode of the X Files, most of the on-screen action is depicted in a series of long takes and uncut sequences. There are some edits, but they are disguised to make the whole episode feel seamless. And the effect is pretty impressive.

Oldboy

It's not strictly sci-fi, but the action-filled, vengeance-fueled martial arts epic, Oldboy, has garnered a lot of praise for its unflinching take on violence and anger. That's pretty evident in this fight scene. It includes a hallway, a giant gang, and an enraged man with a hammer. And it's visceral impact is heightened by the fact that it all takes place in one seamless take.

Children of Men

Children of Men is a movie that relies on the long single take for a couple of breathtaking scenes, including the particularly moving one from which the picture above comes. But the one that is most impressive is the roadway assault scene. Watching it, its brilliance isn't immediately clear. It's not until you realize that there's no way a camera could fit inside the car that you realize the casual scene took enormous innovation and patience to pull off.

Contact

The introduction to Contact serves as a quick reminder that the universe could be an empty place that is entirely indifferent to humanity. It's almost like a counterpoint to the rest of the story that follows. And it's accomplished with a tracking "shot." It's technically a visual effect, but the purpose is clear, and it's accomplished relatively seamlessly.

Battlestar Galactica

As with Serenity, Battlestar Galactica needed to find a way to draw in the audience and show them the characters and the world they would be a part of for the rest of the series. In one of the earliest scenes in the miniseries, we get just that: a long tracking shot through the interior of the ship, showing us most of the important players of the rest of the series. A fitting beginning to a show that aimed to do things with space opera that were as-yet untried.

Cloverfield

Cloverfield's main conceit was that it was found footage, mostly untouched, from one long night of filming. As a result, most of the film is meant to look like a one-take sequence. You could choose any sequence from the movie, but this one is particularly terrifying, since being confined to one point of view makes the danger seem even more close and real.

Shaun of the Dead

The beauty of the long take in Shaun of the Dead is not the artistry of the camera movement or its length. It's that the same tracking shot was done twice, once before the zombie outbreak and once after. At the :40 mark in this video, you can see the two takes intercut with each other, showing just how carefully the two scenes were constructed.

This list is by no means exhaustive. What are your favorite long-takes in sci-fi cinema in television? Did we forget any greats?

This is, of course, just our opinion, and feel free to disagree in comments. We went back and forth about several of these films, and there were a few others that we almost included instead, so we're not claiming infallibility here. If you want to view this in non-gallery format, click here, and I promise it'll work.

Pitch Black. This is nearly the perfect movie — a gritty anti-hero with weird eyes that can see in the dark is on a prison ship, which crashes on an alien planet. The lurking monsters are ominous and alarming, but the film's real mystery is Riddick himself — the Furyan inspires loathing, hero-worship and a desperate longing for the anti-hero to become a hero by the movie's end. Like Riddick's own eyes, our view of him only really works when we see him through total darkness.

Avatar. I'm going to post my review of this film in a few days, closer to its actual release date. But this is definitely one of the decade's most significant science-fiction films, both in its startling new look and in its elaborate alien world. Sigourney Weaver is one of the few heroic scientists we've seen in movies lately, and she fearlessly spouts facts about the science of Pandora. Avatar is by no means a perfect movie — it's a frustrating mixture of brilliance and utter cheese — but it's clearly an important movie in science-fiction history.

Slither. This movie sort of slid (I'm tempted to say slithered) under the radar, but it's one of the great all-time alien possession movies, and a brilliant metaphor for being trapped in a bad marriage. An alien parasite lands in a small town and takes over a woman's awful husband — and then it starts infecting everyone else in town, so that they all speak with the husband's voice. Wherever the wife goes, she hears her husband talking to her. And then people start getting grotesquely pregnant with alien offspring — this sort of thing is really why body horror was invented.

Star Trek. A young hero reluctantly starts to claim his true destined greatness... only to find out that his whole life has been altered, and maybe wrecked, by time-traveling, tattooed maniacs from the future. It's a weird spin on a Star Trek movie, but considering how hard it was to imagine being thrilled by another Trek after Nemesis, this film is a marvel. Plot holes, frat-boy antics, "red matter" and all, it's still the film that recharged Star Trek and may have helped bring back space-opera as a genre. And Spock has never been so... fascinating.

Donnie Darko has garnered an enduring cult fan base, for good reason. Its blend of mysicism and weird physics has aged amazingly well, and we still get lost in its "tangent universes." We keep hoping Richard Kelly will make another film that's both as mind-blowing and as well-constructed as this one.

Robot Stories. Another great movie that didn't get enough props when it came out. Greg Pak, who went on to write the Planet Hulk storyline for Marvel Comics, creates an anthology of three stories about robots that show how much robots are connected to our emotional lives — and what will happen when robots get emotions. In one story, two office robots fall in love, only to find that robot love is forbidden. In another story, a mother becomes determined to help her dying son amass the perfect collection of robot action figures — at any cost, even stealing. You'll see robots in a whole new light after watching this film.

Spider-Man 2. There were a number of superhero films that managed to bring the greatness of comics' storylines to life in the first half of the decade, including two X-Men movies and two Spider-Man movies. For my money, though, this is the best of the bunch, particularly because of Alfred Molina's Doc Octopus. Peter Parker's superpowered angst collides with Doc Octopus' cyborg identity crisis, and both hero and villain seem to be clinging to their identities by a thread. Even though we wish Peter Parker could keep his damn mask on, it's still thrilling and maybe the most perfect straight-up superhero movie of all.

Sleep Dealer. Alex Rivera's look at the dark side of telecommuting is one of the most memorable and intense films we've seen lately. In the future, everything depends on the dollar — you can't even access water reservoirs in Mexico or speak to your family in another town without feeding dollars into a slot. And the only way to get dollars is to get cyber nodes all over your body, allowing your nervous system to pilot machines in the United States. That way the U.S. can import Mexican labor without bringing in actual Mexicans. It's beautifully filmed and harrowing look at the ultimate form of alienated labor.

The Incredibles. The other great straight-up superhero was one of several Pixar films that we wanted to pay tribute to from the past decade. If you were as disappointed as we were by the two Fantastic Four films, then rejoice that this film does the FF right. A surprisingly light-hearted look at super-mutants in a world that learns to fear them, this movie does a better job of portraying what makes superhero comics so awesome than almost any live-action film. And we love the Omnidroid.

The Host. Sorry, Cloverfield — this was the monster-rampage movie we loved from the past few years. Unlike Clovey, the Host actually has a decent if snarky origin story, including weird chemicals dropped in the water by a callous American, causing one of the local creatures to get a little too big (and rambunctious) for comfort. More than almost any other monster movie, this film sucks us into caring about its main characters, a hapless family who operate a failing fast-food stand on the beach — we laugh at their antics and then get hopelessly, tragically, wound up in their fate when they tangle with the monster. Rob and Hud just don't quite measure up.

28 Days Later. Purists may hate this film's "fast zombies," but they're not even really zombies — they're the victims of a "rage" virus that stupid animal-rights activists cause to be released onto an unsuspecting world. Of all the apocalyptic scenarios we've seen in the past decade, 28 Days provides the best dose of terror and the sheer horror of society unraveling. When Christopher Eccleston's vicious soldier says the words, "I promised them women," your gut sinks. And the idea that the rage-virus outbreak will cure itself because the quasi-zombies will starve is genuinely clever. We were tempted to include Danny Boyle's other great SF film of the decade, Sunshine, but 28 Days is clearly better.

Paprika. A parade of nonsense images stomps through a man's dreams, forcing him to jump out a window... and it's just the beginning of the mayhem as the dream world collides with reality, in Satoshi Kon's weird exploration of dreams and their potential to tear our world apart. A machine that allows you to enter someone's dreams therapeutically gets stolen, and soon reality itself is being torn apart. Trippy, insane and mind-expanding, this is a film you need to watch more than once.

Primer. Speaking of films you need to watch more than once... few, if any, science-fiction movies talk down to their audiences less than this one. You don't even realize, for a good chunk of the movie, that the geeky characters are building a time machine. and it comes with very realistic and fascinating limitations, even as it allows the main characters to cross their own timelines over and over again, rewriting history in more and more psychotic ways. The walkman scene makes the whole thing worthwhile, just by itself.

Moon. It's interesting how many of the great science-fiction movies of the past decade are about loneliness, one way or the other — but none of them delve into isolation as hauntingly as Duncan Jones' debut feature. Sam Rockwell is amazing as the two versions of Sam Bell, who's tantalizingly close to finishing out his contract on a lunary mining station — until he finds out that things aren't ever what they seem. Add paranoia to the list of things this film does better than almost any other.

Iron Man. As we wrote when this film came out, it's actually more of a cyborg narrative than a superhero one. Jon Favreau and company wisely chose to focus on the heart of Tony Stark's origin — literally, the fusion reactor that keeps his heart from stopping, and turns him into a part-machine badass whose armor is just a shell that goes over his cybernetic body. Tony Stark's uneasy relationship with the military technology that he created parallels his unease with his new technological body — he's like the heroic flipside of Spider-Man 2's Doctor Octopus. And yes, any movie that talks about our dependence on, and unease with, technology automatically gets to leap over the pile of by-the-numbers superhero films.

The Dark Knight. See here for our argument as to why this film really is science fiction. Shorter version: Batman's fantastical technology is at the heart of the story. If Batman Begins showed how Bruce Wayne used technology to become Gotham's fearsome crime-fighter, then The Dark Knight is about how far he's willing to take that approach in the face of a mad bomber.

District 9. Most science-fiction movies, you come out of furiously debating the science or the finer points of the storyline... but this one, people walked out of speechless and shellshocked. Perhaps the ultimate "humans oppress aliens" movie, this film confronts us with a perfect allegory of our own inhumanity, through the story of a crashlanded group of aliens who are forced into shantytowns. Even before the main character, Wikus, starts turning into one of the aliens, our loyalties are getting more and more divided.

Wall-E. The other Pixar movie we couldn't help including on the list, this may have been the greatest blend of post-apocalyptic dystopia and cute robots. The love between Wall-E and Eve is both lovable and genuinely moving, and the trademark Pixar humor is in full effect with Wall-E's junkyard slapstick and spaceship antics. The funniest, and maybe the best, robot uprising we've ever seen.

Serenity. Just pretend for a second that this wasn't the continuation of a beloved TV series, and that Joss Whedon had created a whole new universe from scratch just for this film — it would still be one of the most audacious, most memorable, science-fiction films of all time. The story of the Alliance, which maintains a tenuous grip on a sprawling star system after a brutal civil war, and the lengths to which the Alliance will go to try and make people "better," Serenity is one of the great action-adventure films as well as one of the neatest SF concepts ever. When you discover the secrets of Miranda and see how River Tam becomes both the messenger and the avenger of Miranda's people, it's hard not to jump up and down in your seat.

Eternal Sunshine Of The Spotless Mind. How far are you willing to go to get over a lost love? Are you willing to injure yourself — by erasing a huge chunk of your brief time on this planet from your own mind — just to get back at your former lover? This Charlie Kaufman/Michel Gondry joint does what all the best science fiction does: it creates a fictional technology that has the potential to change who we are as people, and then it uses it to tell a deeply personal story. The scenes where Jim Carrey and Kate Winslet are wandering through Carrey's childhood memories are both unsettling and poignant, as Carrey tries to hold on to the love he was in the process of throwing away — by letting her into more of his mind.

Here's a complete list of all the methods we found for jogging your memory from science fiction tales, from the least fantastical to the most. (The end of the list, sadly, includes some items that you're unlikely to be able to find at your local office supply store.)

Use an acronym.

Suppose you've got a beautiful blue time machine that goes by the ungainly name of Time And Relative Dimensions In Space — you can always shorten it down to TARDIS, which is much easier to remember. That's what the Doctor (and his granddaughter Susan) did in Doctor Who.

The same goes for Marvel Comics' super-secret spy organization, the Supreme Headquarters, International Espionage, Law-Enforcement Division (S.H.I.E.L.D.) The only problem with acronyms is, people will change what they stand for when you're not looking — S.H.I.E.L.D. now stands for Strategic Hazard Intervention, Espionage Logistics Directorate in the comics, or Strategic Homeland Intervention, Enforcement and Logistics Division in the movies.

There's also the General Unilateral Neuro-link Dispersive Autonomic Maneuver (GUNDAM), and lots of other examples, here.

Write yourself a post-it note.

This may be the most foolproof method out there. In Star Trek: Voyager, Chakotay falls in love with a member of a species that erases itself from your memory after a while — and also somehow deletes all computer records. To guard his memories of their torrid, torrid love affair, Chakotay writes himself a paper note explaining everything that went on.

Similarly, in Scott Westerfeld's novel Uglies, Tally Youngblood undergoes the surgery to become a Pretty — but first she writes herself a note explaining all the plans she made to reverse the surgery. Because she won't remember them after she's become a Pretty.

In the movie Push, Nick gets someone to erase his memories and the memories of all his friends, so the mind-readers can't follow their plans. But he writes letters for himself and everybody else, to help them remember at the crucial moment — and there are instructions on how long to wait before reopening the letters.

And this technique is also used by Gwen Cooper in Torchwood (with so-so results), Noah Bennet on Heroes and Kurt on Odyssey Five. There's a great list over at TVTropes.

Keep a diary:

This is one step further than just writing a little note to yourself. In Gene Wolfe's novels Soldier in the Mist/Soldier of Arete, the protagonist loses his memory every single day. And he doesn't realize that his ability to converse with gods, ghosts and other mythic figures is unusual. He writes himself a detailed diary, and the first line of it is, "READ THIS EACH MORNING."

Lost's Daniel Faraday keeps a diary too, and seems to use it to remind himself of a lot of stuff he's forgotten as a result of some time-travel experiments that went wrong. Among other things, he doesn't remember writing the stuff about Desmond Hume being his constant.

Make up a song:

That's what Draycos does in Timothy Zahn's novel Dragon And Thief: A Dragonback Adventure. Draycos sees Jack being taken away on a spaceship, and needs to remember the words written on the ship's side — but they're in English, a language Draycos doesn't know. Says Draycos, "Alien symbols are difficult for one unfamiliar with them to memorize. But I am a poet-warrior of the K'da, and so as you were taken aboard the ship, I composed a song." For example, to describe the letter A, his lyric goes, "Two soldiers lean to, with joined hands." Or to describe the letter O, he sings, "Squeezed ring of fire, and what is more/A fire burns within its core." If you have an easier time remembering goofy song lyrics than unfamiliar symbols, this could work for you.

Leave yourself some objects to trigger a memory:

In Paycheck, Ben Affleck sees his own future, but then has his memory erased. So he leaves himself an envelope full of tiny objects, including a nail and an old penny, and a lottery ticket. They mean nothing to him — until he realizes that they're each incredibly useful at just the right moment. And they do help jog his memory, sort of. The Doctor on Doctor Who is constantly tying a knot in his hanky to remind him of things — but then he has to leave another knot in his hanky to help him remember why he made the previous knot.

Make yourself a video:

That's what Arnold Schwarzenegger does in Total Recall — he's forgotten his true identity as an agent of Mars intelligence (or maybe there was never anything to forget?) And now he leaves himself a video to explain everything — except maybe his past sellf isn't quite telling the exact truth.

Rodney McKay also leaves himself a video message in Stargate Atlantis after everybody loses their memories in the episode "Tabula Rasa." He tells himself to find Teyla quickly, or hundreds of people are going to die.

Create a memory key or "memory palace":

This one is a bit more involved. In John Crowley's modern fantasy novels, the Aegypt tetralogy, we meet the real-life philosopher Giordano Bruno, who had created a complex occult memory system, based on assigning graphical images to different pieces of information, allowing you to access them easily later. One such scheme involved concentric circles, and could allow you to set aside tons and tons of information. The Aegypt novels include the adventures of Bruno, who becomes the librarian of the Secret Library of San Domenico, keeping track of the huge collection of heretical texts using his amazing memory powers:

He knew and remembered every book, where it lay in Fra' Benedetto's cases, who had asked for it, and what was in it. In his vast and growing memory palace, the whole heavens in small, all that took up next to no room at all.

Also, in Orson Scott Card's Intergalactic Medicine Show, Tzu creates a "toy cupboard" in his mind, among other techniques for creating an order for random facts:

He learned to memorize longer and longer lists of things by putting them inside a toy cupboard the tutor told him to create in his mind, or by mentally stacking them on top of each other, or putting them inside each other. This was fun for a while, though pretty soon he got sick of having all kinds of meaningless lists memorized. It wasn't funny after a while to have the ball come out of the fish which came out of the tree which came out of the car which came out of the briefcase, but he couldn't get it out of his memory.

The Mentats, or human computers, in Frank Herbert's Dune seem to use a variety of techniques, including memory keys (and sapho juice) to remember tons of information with perfect clarity. There's a Yahoo group where would-be Mentats have posted advice on how to train your mind to be as clear as that of a Mentat — or a Vulcan.

Tattoo yourself:

It works for the guy in Memento.

Take smart drugs:

It's pretty amazing what you can do with smart drugs, but in Woody Allen's story "Think Hard, It'll Come Back To You," a smart drug called Cranial Pops can help you recall any weird bit of information that may have gotten away from anyone, allowing you to be the hit of a party — until they wear off and you crash.

Use hypnosis:

Lots of science-fiction heroes use hypnosis as a memory aid. In Robert Heinlein's Citizen Of The Galaxy, Baslim hypnotizes his foster son Thorby, so he can memorize a coded message to the Space Police, as well as a letter to a space captain to help Thorby get off the planet. When Claire forgets her assault by Ethan on Lost, the castaways use hypnosis to help her remember, and Fox Mulder on X-Files uses hypnosis to remember his sister's abduction by aliens.

More complex spins on the idea of jogging your memory using hypnosis include the hypnotic trigger that sets off River Tam and activates her killing-machine programming in Serenity:

And the images that make Chuck Bartowski suddenly recall bits of spy information stuck in his brain, in Chuck:

Wear video goggles or use image-recognition capability:

In David Brin's Earth, people wear True-Vu lenses that record everything they see, so they can recall stuff later. And in Amitav Ghosh's novel The Calcutta Chromosome, an object recognition computer can wring out all the details about objects you've seen. Science-fiction author Charles Stross suggests soon it'll be cheap and easy to store visual data on everything you've seen all day for a year, raising all sorts of questions about the boundaries between private memory and public records. Already, researchers have developed smart video goggles that will track what you see.

More way out solutions:

You could get a storage system in your head containing all the information you need to safeguard, as in Johnny Mnemonic by William Gibson (and the movie of the same name.) You could burn your own initials into your brain to remind you that you erased your own memory, like Zaphod Beeblebrox in The Hitchhiker's Guide To The Galaxy. You could use Wonder Woman's magic lasso to restore your memories, if you know where to track her down. You could transfer your memories into someone else, like Data in Star Trek: Nemesis or Spock in Star Trek II: The Wrath Of Khan. You could record your memories, like the people in Strange Days, or the dolls in Dollhouse. You could use a de-neuralizer to restore your memory, like Agent J in Men In Black II.

Top image: Citizen Of The Galaxy by Phil Golyshko. Additional reporting by Josh C. Snyder and Cyriaque Lamar.

Monday

What better way to start off the week than with a Syfy marathon of Stargate SG-1 running right now, from 8am all the way through to 3pm? Sure, there's that whole "work" thing, but come on. It's Stargate!

Otherwise, your television thrills are limited to an 8pm conflict between new episodes of House on Fox (A teenage girl can't distinguish between fact and fiction "after a wild night out." Am I the only one who feels like this could be either awesome or hideously embarrassing for all involved?) and Heroes on NBC, where Sylar is still trying to take control of Matt's body and Claire has to face off with her father's Sorority Girl Army. And, yes, I did accidentally make that sound more interesting than the actual show. Sorry, everyone.

Tuesday

For those calling in sick, I'd recommend skipping Syfy's Tru Calling marathon (8am through 3pm for those whose love of Dushku overpowers their bad-show gag reflex) and tuning into AMC, which goes dragon crazy with a 12:45 airing of Dragonheart (Dennis Quaid and a dragon voiced by Sean Connery!) followed by a 3pm re-run of Reign of Fire (You could stay tuned for a 5pm Batman Begins and 8pm Terminator 2: Judgment Day as well, if you were feeling particularly lazy).

If you'd rather get a delayed British take on the 40th anniversary of the moon landing, then James May On The Moon (BBC America at 8pm) takes Top Gear's Captain Slow and puts him in the driver's seat for an hour long look back at those heady days where men were men and the Moon seemed an obtainable destination.

Otherwise, click over to ABC for the second episode of V and see whether it still feels like FlashForward meets... Well, the old V, really (The official PR for the episode says "A seeker among the Visitors tracks Erica and Father Jack. Chad seeks redemption by investigating the aliens ahead of his next newscast while law enforcers press Erica for information concerning Dale M…").

Wednesday

Thank God for Mythbusters on the Discovery Channel at 9pm. Without their investigation into whether cars will automatically burst into flames after crashing (Surely we have empirical proof that the answer is no already?), I'd have to find some way to pretend that Glee (Fox at 9) was a scifi show just to have something to write about for today. I figured I could always claim that it was set in an alternate reality where people aren't creeped out by Will Schuester trying to rap.

Thursday
If it's Thursday, then it's time for all the shows to run up against each other again. Sure, you could pretend that the networks aren't showing anything and watch a double bill of Demolition Man and End of Days on AMC (Sly and Arnold! In two of their most underrated - for a reason - movies! It starts at 8pm, if you're tempted), after spending the day watching Syfy's Star Trek: Enterprise marathon (8am through 3pm, as ever), but come on. I know that you can't resist the big shows people are talking about.

On FlashForward (ABC, 8pm), Aaron discovers the truth about his daughter's death, Janis returns to work and Mark and Olivia's martial troubles bring everyone down yet again, man. Things are much more fun over in Mystic Falls where Vampire Diaries (the CW at 8pm) brings a mysterious new teacher, arguments over medallions and, according to the CW, "Damon finally reveals to Stefan the stunning reason he has returned to Mystic Falls." If I watched the show and/or cared, I couldn't wait!

9pm brings the real reason to wrestle over the remote; Fringe on Fox gives Olivia, Broyles and Peter a new reason to be suspicious of Massive Dynamic when the impossibly shady corporation turn out to be involved in a kidnapping case, but Supernatural (The CW) looks much more fun than even Walter Bishop could provide:

Super fan Becky uses Chuck's phone to trick Sam and Dean into attending a Supernatural fan convention, complete with fans dressed up as Sam and Dean. One of the activities is a live action role-playing game, but things quickly turn sour after a real ghost appears on the scene.

Seriously. How could anyone resist that?

Friday

Jericho fans! You have the Syfy marathon of the day (8am through 3pm, which I'm sure you already know by now) to keep you happy during the daylight hours; the rest of us will be watching the original The War Of The Worlds movie on AMC at 10:15am (And avoiding the following Star Trek: Nemesis at 12:15pm, a movie which can best be described by blogger Kevin Church here), instead.

Still, Friday evening starts the weekend off right with the double bill of Batman: The Brave and The Bold ("The Fate of Equinox!" Yes, the exclamation point is part of the title) and Star Wars: The Clone Wars (following last week's surprisingly brutal, "Are Jedi really advocating using flame throwers against living beings what the hell?" episode) on Cartoon Network, starting at 7:30pm (Clone Wars is at 8pm, if you have an aversion of Batman. And if you do, then I'm very, very sorry.)

If you're in the mood for MOR dramas teasing the supernatural, then CBS is the place to be tonight, with new episodes of both Ghost Whisperer (8pm, with Jennifer Love Hewitt "pulled into a murder mystery by a real estate power couple" - Yes, this is what people want to watch, apparently) and Medium (9pm, which at least includes a potentially amusing-for-the-wrong-reasons subplot about posting videos of someone on the internet and "getting into trouble") on offer.

The rest of us, we'll be considering Smallville on the CW at 8pm (It features the Wonder Twins! You know you want to), Stargate Universe on Syfy at 9pm (The crew of the Destiny get a message from their future selves from the past. Or something) and Sanctuary on the same channel at 10pm.

Saturday

If you're not looking forward to Syfy's Ice Twisters at 9pm ("A sci-fi novelist is summoned to help scientists after an experiment in weather manipulation goes awry and produces deadly tornadoes made of ice," apparently), then we'd suggest that AMC's double bill of trilogies is the best way to spend your day. Start with the Mad Max trilogy (Movies starting 1:30, 3:30 and 5:30pm) before a night of The Matrix trilogy (The three movies begin at 8pm, 11pm and 1am on Sunday, respectively). Otherwise, the only thing left is Discovery's Surviving 2012... which is about all the prophecies, and not, sadly, advice on making it through Roland Emmerich's latest.

Sunday

It's the best night of television this week! Who knew, right? Start things off right with Syfy's latest screening of Serenity at 6:30 before switching over midway through - Hopefully missing Alan Tudyk's least favorite scene ever in the process - to catch the premiere of AMC's brand new take on The Prisoner at 8pm. If Ian McKellan and Jim Caviezel can't bring Patrick McGoohan's classic paranoiafest back to life, I'm going to be very depressed.

Of course, the best way to finish the evening off is coming at midnight, with the latest episode of The Venture Bros on Cartoon Network. Can we all just admit that it's the smartest and funniest show on television already?

Baccarin plays Anna, the leader of the alien Visitors (or Vs) who come to Earth professing peace and friendship and promising healthcare and advanced technology. And of course, it's all too good to be true. Some pundits have been saying her character is meant to be Barack Obama, and Baccarin seemed to be aware of the comparisons. So we asked her if she thinks she's playing our new president, and she says:

I don't think we're saying Anna is President Obama. But she is the leader of her people, and she is coming down to Earth and offering healthcare, and offering cures for diseases, and things that sort of clean out and give people hope, and there are definite parallels to be drawn and our intentions are to create a show that people relate to. And I think this is something that's been on people's minds, even before Obama... finding hope again, and healthcare, and finding a leader, and someone who can save us from the hole we've gotten ourselves into.

Don't expect Baccarin to play to the cheap seats. One thing Baccarin stressed over and over again, in our interview, is that she's going for a subtle portrayal of Anna, and she never plans to become as out-and-out sinister as Diana, the evil alien leader in the original miniseries.

"We're working with Anna being a little more subtle than in the original," says Baccarin. She wants Anna to be "creepy" and "scary" but also have qualities that the audience can relate to. That said, in the next few episodes, we'll get to see Anna "show her true colors a little more."

Baccarin says her goal is to make the audience feel drawn to Anna, even though they know they shouldn't be:

It's really true of all the characters on the show: We walk a fine line. It's way more interesting to question why they feel they want to follow this character. There should be qualities that [the audience] can identify with, that we see them in ourselves. People identify [with Anna] and feel compelled by her, and feel like they want to follow her... and can't understand why they feel drawn to her. [The audience should be saying,] "I don't know, this isn't right that I'm going for it."

This was something the producers had worked out early on, she adds:

We had discussed early on, when I auditioned, [that] she couldn't be robotic or alien. She had to be nurturing and human, to be allowed into people's lives, so that people would trust her... We created this character who's very calm and controlled and nurturing. You don't see her losing her cool, and you don't see what's behind her motivations. It's like having your neighbor turn out not to be who you thought they were.

This subtle approach means that you have to watch Baccarin carefully to catch the little cues she drops in. The way she flutters her eyelashes. The way she lifts one eyebrow, or looks straight at someone, or looks away. Says Baccarin, "Obviously, Anna lives in a very constrained space, in that she is very precise, but there is a lot of freedom of subtlety and nuances."

I asked Baccarin how she felt about playing a villain after playing the more sympathetic Inara on Firefly, and she responded: "It really is fun. I'm not going to call her a villain. I'm going to say that you said that." (She really is good at the slippery politician thing.)

From Anna's perspective, "she is is being the best leader she can be. And if it's at the expense of a couple of humans, so be it."

Baccarin admits she gets asked whether she'll be eating a live hamster — like, pretty much all the time. She says:

We haven't done it in these [first] four episodes, and I'm bracing myself. And so many people ask about it, I think it's imminent. I think we are going to pay homage to those moments, but not maybe do them the same way — so hopefully I won't have to put a hamster down my throat.

Finally, I asked Baccarin how, as an immigrant from Brazil, she feels about taking part in a show that promotes xenophobia and suspicion of visitors. She says you shouldn't read too much into V:

I think we should all be suspicious of aliens. We're not saying be suspicious of people from other cultures, I think we're saying be suspicious of people from outer space. So we're very safe there. There's a lot of ethnic diversity in our world now, and we're not commenting on that all. It's literally about people coming from another world.

V airs on Tuesday nights for the next three weeks, and then goes away until March due to some kind of sporting event.

So last night was the long-awaited debut of V, the show about beautiful aliens who show up and claim to come in peace and offer us lots of goodies... but turn out to be rapacious lizards in disguise. The pilot moves along at a brisk pace, introducing the aliens in the first 10 minutes and setting up various characters as anti-alien and pro-alien. The younger priest is suspicious, but the older priest is an alien-sympathizer. Elizabeth Mitchell's FBI agent is suspicious too, but her teenage son guzzles the Kool-Aid. The nice-suited African American guy is conflicted and doesn't want to be "that guy" any more.

By the end of the first episode, it's already made crystal clear that these aliens are up to no good. They've had sleeper agents on Earth for years, including Alan Tudyk's FBI agent. And other aliens living secretly among us are part of an anti-alien resistance, which may look like terrorists to the uninitiated.

So now that you've had a chance to see the pilot for yourself, you can judge whether it's actually a broadside aimed at our president. The Chicago Tribune's Glenn Garvin seems absolutely certain it is:

Imagine this. At a time of political turmoil, a charismatic, telegenic new leader arrives virtually out of nowhere. He offers a message of hope and reconciliation based on compromise and promises to marshal technology for a better future that will include universal health care.

The news media swoons in admiration — one simpering anchorman even shouts at a reporter who asks a tough question: "Why don't you show some respect?!" The public is likewise smitten, except for a few nut cases who circulate batty rumors on the Internet about the leader's origins and intentions. The leader, undismayed, offers assurances that are soothing, if also just a tiny bit condescending: "Embracing change is never easy."

So, does that sound like anyone you know? Oh, wait — did I mention the leader is secretly a totalitarian space lizard who's come here to eat us?

Welcome to ABC's "V," the most fascinating and bound to be the most controversial new show of the fall television season. Nominally a rousing sci-fi space opera about alien invaders bent on the conquest (and digestion) of all humanity, it's also a barbed commentary on Obamamania that will infuriate the president's supporters and delight his detractors.

The meme spread throughout the right-wing and left-wing blogospheres yesterday, with Ana-Marie Cox weighing in over at Huffington Post.

So now that you've had a chance to see the pilot for yourself, is it really all about how we would have been better off with McCain in the White House? Umm... Probably not. But it was definitely not a subtle episode. The aliens had "too good to be true" plastered on their faces from the beginning, and because the episode moves so fast, we're left wondering why anybody would have bought this dog-and-pony show in the first place.

And there are some little winks at the right-wing tea-partiers that may just be intentional, like when Anna (Morena Baccarin) talks about "change," and the sleazy journo guy asks her about universal health care. Mostly, though, the show seems designed so that you can project whatever ideology you want onto it — not unlike Anna's luminous screen, floating over the world's major cities.

The show isn't subtle, but that's part of the point — there are no hidden messages here at all. The messages are all right on the surface, and they're pretty basic science-fiction standbys, like "aliens who seem too good to be true usually are." Even the show's little jabs at the media and our dumb youth culture feel like they're just slapping a 21st century paint job on the show's 1980s fable. Media talking heads are blow-dried and dumb, young twerps enjoy tagging and Youtube — it's not exactly incisive social criticism.

I really doubt Obama is worried here.

The fast pace, though, is a good thing — that's one of the things that endeared me to this pilot in the first place. Anyone who remembers the original show is going to know these aliens are hucksters, so the faster that's revealed to the audience, the better. And compared to the pilot of FlashForward, which fixated on the crashy destruction and chaos attendant on the future vision/blackout in its pilot for several minutes, V got the disruption of the aliens' visit over fairly quickly, with one desultory plane crash.

Watching the pilot for a second time, the main problem that jumps out at me is that those two teenage kids are going to make me want to claw my face off. And it seems like Smallville's Laura Vandervoort is going to be somewhat painful to watch as well, with the woodenness. But getting to see Elizabeth Mitchell kick more ass and be less angsty than she was on Lost pretty much makes up for those drawbacks. And priest guy, who hails from The 4440, is still just as fun to watch as ever. Plus Baccarin can only get slyer and more engaging as the evil Anna, once her evil plans unfold.

I'm pretty sure this version of the pilot was significantly different from the version we saw at Comic Con. We knew the final sequence was going to be different — that laser shooting robot drone (in the clip above) was not there before, and the last few minutes were generally zippier. But also, my favorite scene is missing from the televised version. In the original version, when we meet Chad Decker, he's just had sex with the vice president's cougar-ish assistant, who promises to get him an interview with the Veep in return for the booty call. It lets us know right away that Decker is a man-whore, and is sort of hilariously trashy besides. In the televised version, that's replaced with a bland scene of him wanting to interview the Veep, but being told that he's just the talking head who reads the news. I have a feeling there were other weird, funny touches removed before the show aired, but I can't remember the others off the top of my head. This definitely felt a bit blander than the original pilot, although how much of that was editing and how much was just seeing it a second time, I'm not sure.

But despite some quibbles, this was a pretty fun outing, and a nice start to the series. It got us to the "OMG the aliens are evil lizards" part quickly and zippily, and set us up for three more episodes of alien intrigue and human gullibility, with an anti-alien resistance simmering under the surface. Now if those two teenagers can just get blown up in a tragic shuttlecraft accident, preferably next week...

River, you may remember, decimated the field in our first week of Smackdown, showing everyone the strength of the internet Whedonbase that she was the Baddest of Television Badasses, defeating the likes of James T. Kirk, Buffy of Vampire Slayer fame and even the Doctor without breaking a sweat. But now that her army of followers have most likely dispersed, we have to wonder... Can a sneak attack by Witches topple her reign?

We're not even doubting this outcome in our heads - Any real battle between a competent witch and River would end up with a supernatural victory because, dude: River's strong and programmed with fight moves, but if she can't get close to her enemy because of whatever magic techniques you care to imagine, then she's SOL. Plus, that whole "safeword" thing. But, as we learned last time, logic doesn't matter a whole hill of beans in Smackdown, so we'll see whether the Tam Dynasty survives to fight another day or not this time around.

The poll will be open all week. Feel free to vote multiple times, just to ruin the clearly-scientific nature of the endeavor.

Actually, my absolute favorite of all time has to be this weird sequence from Futureworld, with the red ninjas, and the bondage, and the sexy, sexy gunslinger action:

If you can explain to me exactly what that dream about Yul Brynner symbolizes, I'll buy you your own lifesize Yul Brynner gunslinger robot.

Even though science fiction often strives to portray bizarre or other-worldly things happening in our "real" world, it often reaches for the most jagged tool in a film-maker's kit: the dream sequence, in which things are practically required to get loopy and unreal. Some creators — like, say, David Lynch and Joss Whedon — love the dream sequence more than others. But it pops up surprisingly often. With the melty faces, and the people falling in space, and the weird animal costumes, among other things...

Here are 40 or so dream sequences that we love, divided up by era...

1920s through 1970s (Or if you want to view it in a non-gallery format, click here.)

1980s. (Or if you prefer a non-gallery format, click here.)

1990s. (Or, for non-gallery format, click here.)

2000s. (And it's available as a non-gallery page, here.)

I wouldn't dream of claiming that we included every amazing SF dream sequence, ever. So what are your favorites? What did we miss?

Sources: UGO, Wikipedia, FinestFive and IMDB, among others.

In an interview with IFC Fillion revealed his dreams to revive the old curly-headed superhero series, but with minor updates to the suit:

If I had a dream project right now, I'd like to grab a hold of a superhero. There are so many superheroes out there, I feel like there's none left. But there is one I think I could handle, and that's a redo of "The Greatest American Hero."

We think he'd be fantastic, but we'll do anything to keep Fillion in tight fitting attire. And According to Fillion both William Katt and Robert Culp are friends with then executive producers on Castle, so there's a chance.

But in other amazing fantasy news Castle TV net caught a glimpse of Castle's Halloween costume, and it is beautiful. Please let this be in the episode — we miss Mal!

The model will be here at Comic Con all weekend, but you can sign up for the waiting list to buy one at the link. [Quantum Mechanix]

We've all been there. Watching our favorite show when we realize that the situation we find our main characters in is completely and utterly ridiculous. The characters are stepping into plot holes so deep, you can't help commenting on it from the sofa. It's actually a relief when someone on screen points out the absurdity of what everyone else is struggling to take seriously. So it's a good thing modern science fiction has a particular talent for giving the audience a surrogate in the storylines.

Joss Whedon, in particular, has a great talent for lacing his shows and movies with smart-aleck rebels who provide a running commentary. His characters are often hyper-aware of the weird, outlandish situations they find themselves in. Take this scene from the pasted together Firefly pilot, "The Train Job." The great "villain doesn't care about money" cliche is turned on its head at the hands of the great Mal Reynolds:

The Whedonverse's most emo couple, Buffy and Angel, come in for their share of mockery as well. Most famously, there's the great scene involving Spike providing his own voice-over for Angel's superhero run. But there's also this barely remembered Cordy/Wes gem instead. The point is, it could just as easily be Topher, Spike, Wash or even Boyd on a good day making the observations that we seem to yell at our tv screens.

And then there's Heroes, which gave us Hiro Nakamura serving as the next best thing to an audience surrogate, the fan who becomes part of the action, for most of season one. He goes out of his way to break down the comic book rules of the Heroes world and even sneaks in a few Star Trek references along the way. But perhaps the most self-aware character on Heroes is Sylar, who manages to keep a sense of irony about his own actions long into the show's decline. One of the few pleasures of the past two years has been those moments when Sylar practically smirks at the camera.

But even a deadly serious show like Battlestar Galactica serves up a voice of audience mockery in the form of Gaius Baltar, who regularly comments on how goofy everything is. The Baltar syndrome can enable the audience to swallow a lot of bizarre and nonsensical plot twists, because at least Gaius is admitting it's all a bit silly.

Then there's the character who's both the ascended fan (like Hiro) and the audience surrogate. A perfect example of this dynamic combo is Venture Brothers' Henchman 21:

He is us, and unlike Hiro, he didn't have any awesome superpowers to distinguish himself from any other random dude who wears tights and butterfly wings. His jokes don't come from a generic fan P.O.V. (which is what Hiro's jokes devolved into) but came from someone who truly knew nerd culture.

Futurama's Fry has a similar position. He's unapologetically below average in every way, and his voice represents the audiences' most basic observations about the "future." What really makes that show shine, however, is the reversal of the surrogate's role with the main cast. Fry's seemingly logical observations are ridiculed and laughed off as a caveman's ramblings. And then, the caveman is told that he's the most important person in the universe. I don't know about you guys, but it's definitely this fangirl's dream to be told that she's destined to defeat a race of glowly brains for fun, glory and profit.

1999's Galaxy Quest was a whole movie built around the premise of teasing the Star Trek and Star Wars cultures. What made that film great wasn't merely the laughs (or Rainn Wilson's role) — it was the fact that it could make fun of itself while respecting the genre fans who would inevitably go and see it. It wasn't a "look how stupid geeks are" representation (like, say, Big Bang Theory), but had a message more akin to "geeks are pretty weird, but they've got a heart of gold."

Lost also takes a stab at the ascended fanboy with Hurley. He plays the part of the not-insanely-good-looking castaway that seems the most like the guy that works at your local video store. And whenever there's a bizarre time-travel plot or mysterious hatch, Hurley is the guy who asks the questions you wish you could ask the writers:

It's not easy for genre shows to have a surrogate who accurately represents the main audience, but when it's done right, they're most often our favorite characters. I know Ryan Reynolds has a lot on his plate right now, but he should seriously take this all into consideration before the Deadpool film comes out.

Serenity:

Here's the classic example of a voiceover that turns into a conversation. Joss Whedon's big movie debut starts out with a whole cosmic theme, as a woman talks to us about how we (once again) messed up the Earth and had to colonize a new solar system. And then suddenly, we're in the room with the woman, and it starts a whole new scene. Which turns into something else, which turns into something else.

Mimic:

Here's another voiceover that turns into someone talking to us. Guillermo dell Toro's early classic starts off with a male narrator telling us about the awful plague that struck... and then we're in a hospital with him, uncomfortably close to those plague victims. Aaaaa!

Megiddo: The Omega Code 2:

I love this Godsploitation movie's beginning so much. It starts out as an echoey ominous voiceover, with some guy reading Scripture, and then it turns into a sweeping apocalyptic montage, with that voice droning over it... and then suddenly, we're hanging out with that guy, and he's just having a regular conversation. He just happened to be quoting scripture and droning ominously in the course of his chat. To be fair, this is Satan.

What Planet Are You From?

And then, we effortlessly segue into our comedy voiceovers portion. This Garry Shandling movie feels the need to start off with a deep booming voice, letting us know Garry Shandling has no penis. It's important information that we'll need for the rest of the movie, so it's good to get it out there right away.

Morons From Outer Space:

And then finally, there's this cheesy British space comedy, which tries to play up our expectations that visitors from outer space will be brilliant and noble, so the movie can shatter them. (Of course, we already know we're watching a movie called Morons From Outer Space, so good luck with that.)

Heavy Metal:

Somehow, I remembered this opening monologue being longer and more crazy, but I guess they're saving that for later in the movie. As it is, you could almost be fooled into thinking you're watching a serious space epic.

Monster High:

I almost didn't include this one, since it's so short and kind of meh. (I already had 50 voiceovers, without this one.) I think the "imagine the furthest point in the universe. Our story begins just a couple blocks past that." I think they're trying for a Douglas Adams "space is big" vibe... and then they just give up and go home.

LexCorp (DC Comics)
Hailed as one of the largest, most diversified multinational corporations in the world, it also happens to be founded by Lex Luthor, who runs it with his characteristic ruthlessness. The list of cities and countries where the corporation has holdings is basically as long as the list of cities and countries on Earth, and the number of companies controlled by LexCorp is almost as long and just as varied. Unfortunately, as of One Year Later, with Lana Lang acting as CEO, the corporation seems to be heading towards bankruptcy. The "No Helping Superman" rule still applies to all employees, however.

Primatech (Heroes)
The Primatech Paper Company of Odessa, Texas is the first Primatech facility the show introduces us to. Of course, they do a lot more than just make paper—They capture and "study" folks with enhanced abilities, but, really, what they do best is operate in a moral gray area. A very dark gray area.

Blue Sun (Firefly and Serenity)
While it's still unclear exactly what the corporation does, it seems pretty implicit that it isn't good. Although most of the Blue Sun products seen on the show seem as innocuous as coffee cans and crackers, River's actions, such as ripping off their labels on food and slashing Jayne with a knife when he wears their logo, suggest that there's something more going on. Some suggest that there's something in the food, but the stronger hypothesis seems to be that Blue Sun is somehow connected to the experiments done on River and is perhaps working with the Alliance.

Merrick Biotech (The Island)
Merrick Biotech's business is keeping clones of their customers around, just in case said customers should need a transplant of some kind. Basically like the ultimate life insurance, right? Except for the fact that it's illegal to allow the clones to be conscious and sentient, which, of course, Merrick Biotech lets happen and lies to their clients about. Therefore, the corporation has an entire population of fully-conscious human beings living totally unaware of the fact that they're basically just an organ farm. And that's just not cool.

Fatboy Industries (The Middleman, TV series)
In the final episode of the series, Wendy Watson is transported into a classic example of a Mirrorverse, where the megacorp of Fatboy Industries is a totalitarian presence, having taken the place of the government. Unfortunately, the morality of Fatboy in Wendy's real world is still unconfirmed, as there's a hint of "more than meets the eye" to both the corporation and its ambiguous founder, Manservant Neville. (This is underscored by the fact that the rest of Mirrorverse turns out to be not so very different from the real world.)

Buy n Large Corporation (WALL•E)
While maybe not inherently evil, the Buy n Large Corporation did govern Earth (perhaps much like the Mirrorverse Fatboy Industries) and did a very poor job of it. Even if rendering the planet uninhabitable wasn't exactly the gameplan, Buy n Large's role in that happening probably makes it a worse corporation than most of the others on this list.

Tyrell Corporation (Blade Runner)
The Tyrell Corporation produces the replicants, lifelike androids designed to the work deemed to dangerous and demeaning for humans, and is named for Dr. Eldon Tyrell, the founder and genius inventor of the replicants. While it's debatable how truly "evil" the Tyrell Corporation is, there is a definite sinister quality to their dealings and it's nigh impossible to deny that they definitely smack of "evil corporation."

Veidt Industries (Watchmen)
A lot of what was said about LexCorp could be repeated here. Once again, the ruthless ambition of the corporation paired with the questionable morality of its founder leaves us wondering how much to trust this (powerful, financially successful) corporation. Meanwhile, the impending release of the film was paired with a Veidt Industries commercial contest, leading to all sorts of fake '80's advertising:

Weyland-Yutani (Alien franchise)
Perhaps the gold standard of evil megacorporations, Weyland-Yutani's main gig is merciless profiteering, no matter what (or who) needs to be sacrificed in the process. (Fun fact: Their logo can be seen on some of the weapons in Firefly and they're said to be a client of Wolfram and Hart in Angel. Maybe this has something to do with the fact that Joss Whedon wrote Alien Resurrection.)

Cyberdyne Systems Corporation (Terminator films)
While the corporation is said to be benign in the first two films, manufacturing parts for bigger companies, they then make the mistake of creating Skynet, a system of artificially intelligent supercomputers that control (among other things) nuclear missiles. This was not a smart move. In fact, it's just un-smart enough to warrant Cyberdyne's inclusion on this list.

Yoyodyne (The Crying of Lot 49 and V. by Thomas Pynchon)
Yoyodyne is a defense contractor that's described in The Crying of Lot 49 as "a giant of the aerospace industry," and a few characters in the novel work for the company. While the morality of Yoyodyne isn't firmly sealed either way, the thread of conspiracy woven throughout the work suggests that it isn't all it seems. (The name "Yoyodyne" is mentioned, as you might remember, in The Adventures of Buckaroo Banzai Across the 8th Dimension.)

Earth Protectors (Up, Up, and Away, 2000 TV movie)
Ostensibly a group designed to teach middle schoolers the importance of environmentalism, Earth Protectors' favorite method of persuasion is brainwashing. And while handing out CD's brainwashing kids into recycling isn't a completely bad thing, brainwashing the parents to rob banks is another thing entirely. (Actually, brainwashing in general? Not recommended.)

Omni Consumer Products (Robocop)
Described as dystopian and inhumane, Omni Consumer Products (OCP) is an example of military capitalism taken to the extreme, until the corporation no longer cares who gets hurt or killed as long as the PR stays good. OCP is depicted as having its fingers in almost every branch of life, as long as there's money to be made from it. One of their strokes of genius comes from running both criminal organizations and a private police force, thereby ensuring a continued demand for both crime and justice.

Soylent Corporation (Soylent Green)
It's 2022 and the world is overpopulated and hungry. Who better to step in than the Soylent Corporation with their rations of tasty wafers known as Soylent Red and Soylent Yellow? Well, okay, they aren't that tasty, but thankfully, Soylent's come out with a new flavor: Soylent Green. Much more delicious. So what's the catch? Well, we all know what Soylent Green is.

GeneCo (Repo! The Genetic Opera)
After an epidemic of organ failures, GeneCo steps in to give transplants to those in need. Benevolent, right? Well, sure, until the boss, Rotti Largo, gets permission to repossess the organs of people who renege on their payments. And once a corporation is taking out your insides, the benevolence is kind of gone.

Oh, and this post is probably work-safe, unless your coworkers are looking over your shoulders at the words on your screen. Or unless you start reading aloud. Some of the videos are a bit saucy, but they're from YouTube.

Tuvok (from Star Trek: Voyager):

Vulcans are automatically sex on legs, because of that whole repressed emotion thing, and the fact that it explodes - erupts! - every seven years with Pon Farr. But Tuvok is especially primed for slash fiction, because of all the smouldering glances he shared with Tom Paris and Chakotay, among others. Plus he's kind of an exhibitionist:


There's a whole web page devoted just to Tuvok slash fiction, with titles like, "Tuvok and Chakotay make a deal. But is it worth it?" Tuvok goes into Pon Farr a lot. There are even multiple stories of Tuvok hooking up with the mirror-universe Bashir, from Deep Space Nine. And Tuvok and Gul Dukat hooking up. Yay!

Jayne (from Firefly):

Jayne, you ignorant slut. For some reason, all of the men aboard the tiny ship Serenity are drawn to the manly brusqueness of the mercenary who would kill them for a nice hat. This Firefly Slash archive is full of Jayne/Mal, Jayne/Simon, Jayne/Mal/Simon. And there's more here. But no Jayne/Wash? Anyway, the Simon/Jayne pairings are surprisingly sweet and tender, with River giving Simon dating advice and Jayne admitting he really wants to turn the doctor out, instead of turning the doctor in. Here's a great passage from one story':

Simon arched his back, pushing up to meet Jayne's caress. His nails dug into Jayne's arm as he moaned low in his throat and shifted sinuously on the bed, spreading his legs wider. Jayne grinned down at him before taking his mouth again, his hand moving with delightful slowness, tongue stroking deep inside him, over and over, possessing without force. Simon gasped against Jayne's mouth, unable to summon any other response to this sure and gentle claiming.

His head felt like it was swathed in cotton and he stared dreamily as Jayne broke their kiss. Jayne watched him with a small, strange smile and nuzzled his cheek, making a satisfied noise under his breath. His hand tightened deliciously.

"Oh god," Simon gasped. "Yes, just like that!"

(Jayne pic from evinou)

Prowl (from Transformers Animated):

There have been a lot of Transformers named Prowl, but the latest version is a robot who turns into a police motorcycle. And for some reason, that's just unutterably sexy to a whole generation of slash-fic writers. Here's Prowl seducing Optimus Prime:

But Optimus a fast learner, and once he calmed, Prowl was quick to reward him. He turned his head inwards, placing careful, soft nips along the thin white plates of Optimus's jawline. So delicate-no wonder he wore the mask during battle. Removing a hand from Optimus's hip joint, Prowl ran it up the other mech's side, palm resting against the smooth curves of headlights as his fingers teased at the underseam of red chest plates. Optimus shuddered, whispering his approval in an unconscious reversion to a heavily accented, uniqe Cybertronian dialect that was so different from the formal, bland Cybertronian used by the Elite Guard.

And here's a debate about the Prowl/Jazz pairing, with links to some great stories. And here's a great essay on Transformers porn someone wants to see.

Miles Vorkosigan (from Lois McMaster Bujold's novels):

Miles Vorkosigan may have been pretty busy, rising above his tragic family life and his disability, to become one of the greatest heroes of ImpSec. But it turns out he's had lots of spare time to hook up with his handsome but dim-witted cousin Ivan Vorpatril, and his stepbrother, emperor Gregor Vorbarra. A treasure trove of Vorkosigan slash stories is here. And there are even more here. And there's the epic slash novel A Deeper Season, which you can read here.

Neroon (from Babylon 5):

Neroon is part of the warrior caste of the Minbari Star Riders clan, and a fearsome adversary. But he's also a legendary lover, especially when it comes to Marcus Cole, the human he fights in a deadly one-on-one battle. The two warriors come to respect each other and (in the minds of slash-fic writers, anyway) to embrace passionately. (Maybe that's why Marcus was a virgin for so long? He was waiting for the right guy to come along?) There are tons of Marcus/Neroon stories here, including this passage:

The feel of Neroon's warm lips caressing his caused Marcus to whimper, feeling the love that Neroon held for him.

"This is our first time together, Marcus. I would have it a memorable and pleasurable experience for you, my beloved."

Marcus bowed his head and then smiled shyly up at his husband. "I love you, Neroon and I will admit that I am nervous about tonight but I know that with you here beside me I can face anything. I want this, Neroon. I've waited all of my life for this moment. I love you, Neroon and I am ready for our first night together. One of which will be repeated for many years to come," Marcus said with a teasing smile as he leaned up and kissed his beloved.

Neroon growled low at the feel of his lover's lips against his as he took Marcus into his arms. Slowly he began to kiss his way down Marcus' neck causing Marcus to moan in pleasure at the feel of Neroon's lips across his skin. Slowly Neroon's hands removed the silk robe from Marcus' shoulders.

More here. And here.

Molly Millions (from Neuromancer):

Okay, so there are only a couple of stories about the heroine from William Gibson's Neuromancer, including a steamy hookup with 3Jane. But we want more! Someone write some, and send us the link.

Obi-Wan Kenobi (from Star Wars):

He may be kind of a dick, but at least the Jedi master is generous in bed. Around the time Phantom Menace came out, there was a craze for Obi-Wan/Darth Maul slash, showcasing how the Jedi and the Sith Lord could have worked out their antagonism. Here they are, dancing around together and trading longing glances:



But he's also hooked up with his teacher, Qui-Gon, his grown-up student, Anakin, and pretty much anyone else who comes by the Jedi temple.

Ford Prefect (from the Hitchhiker's Guide To The Galaxy):

Ford Prefect shows Arthur Dent the wonders of the universe, but what else does he show him? And why exactly was Ford so eager to take Arthur with him when he fled the doomed Earth? Story synopses include "The Earth blows up, the boys get it on." Or: "Aliens force Ford and Arthur to have sex." Find out more here. And here. Ooh, and here. Oh, and if you're dying for pregnant Arthur Dent, try here.

Susan Calvin (from Asimov's Robot series):

There are only a few slash fic stories featuring Asimov's misanthropic heroine that I could find, but they come highly recommended.

Rodney McKay (from Stargate Atlantis):

Our favorite silly nerd character from Stargate has been keeping busy in the slash fiction world. Apparently there's a whole shipper community called McShep, for McKay and Sheppard. One story has the intriguing synopsis, "John and Rodney must refrain from having sex for twelve hours." In another story, "John gets caught with his hand in the Rodney jar." Oh my! More here. And here. And here. Ooh, and here's a video:

Aeryn Sun (from Farscape):

She may have had a tumultuous relationship with John Crichton on the TV series, but in the world of slash fic, she's gotten together with Zhaan, Chiana and a host of others. A typical passage:

Aeryn pressed her fingers over the nipples and began to manipulate them lightly, using the friction of the cloth to give Zhaan added pleasure. Letting go of the sensitive peaks, she slid her hands up over them. Zhaan's nipples traced circular patterns over Aeryn's palms. I'm going to make you mumble too, she thought, I won't be alone in that.

Zhaan arched her back, pushing her breasts into Aeryn's hands. Aeryn let go and pressed her own breasts into Zhaan's, pulling the priestess over for another deep kiss. As they slid together into the motions of the kiss, their tongues languidly caressing, their bodies moved closer, breast against breast, belly to belly, sex to sex.

The priestess nudged Aeryn back against the wall, still continuing to kiss her. Aeryn was melting—she was sure of it—the cold wall against her back, the warm woman in front, and every part in between aching for Zhaan's touch. Her hands stroked Zhaan's back, then moved lower, cupping her ass.

Dr. Leonard McCoy ("Bones") (Star Trek)
Kind of the obvious place to start, right? It's kind of hard to think of something to say about McCoy that hasn't already been said. He's probably the original Awesome Space Doctor, providing not only medical expertise to the Enterprise, but also being one-third of the trifecta that is Kirk, Spock, and McCoy. If Spock is the logic and Kirk is emotion, then McCoy is morality glue that holds it all together. (Morality glue?) Originally portrayed by DeForest Kelley, he will be played by Karl Urban in this summer's film.

Dr. Pieter Cross (Doctor Mid-Nite) (DC Comics)
Dr. Cross is actually the third DC hero to don the mantle of Doctor Mid-Nite, and like his predecessors, he a) can only see in pitch darkness, and b) is a doctor. Despite the fact that the chosen spelling of midnight looks like the name of a bad motel, it's a little refreshing, really, to have a superhero who uses the title of "doctor" and has the medical degree to back it up. Cross, in addition to his vigilante activities, still puts in a full day at the office and is always willing to take time to deal with a medical emergency. On top of that, he's the superhero community's physician of choice, having done everything from emergency surgery on Hourman to removing the Brainiac virus from Oracle to removing a bullet from Lois Lane to giving Power Girl her annual checkups. (I kid you not; Pieter Cross is a lucky man.)

Dr. Janet Frasier (Stargate SG-1)
Dr. Frasier is basically amazing. She is a compassionate physician and finds herself not only dealing with Earth diseases, but alien ones as well, as she treats extraterrestrial refugees. Over the course of the show, she adopts a daughter, Cassandra, an alien orphan.

Dr. Owen Harper (Torchwood)
Owen is the medical officer for Torchwood Three. He's kind of sarcastic, kind of abrasive, and eventually also kind of wonderful. He spends his spare time getting romantically entangled with both of his female coworkers, a female aviator from 1953, and, well, pretty much whoever else he happens to run across. In the show's second season, he dies, but gets better. Sort of. In that he essentially becomes the team's resident snarky zombie boy for the rest of his run.

Dr. Simon Tam (Firefly TV series, Serenity, 2005 film)
A brilliant young doctor (graduating in the top three percent of his class at the Medical Academy), Simon became a resident trauma surgeon in a major hospital and his future looked bright. That is, until he has to bust his sister out of the Academy, where she's being experimented on, escape, and join up with a less-than-savory crew that conducts less-than-legal business. Lucky for him, their business tends to keep his medical training pretty well in demand. (Plus, he's pretty much a shoe-in to win Best Dressed among the ship's crew. He owns some nice waistcoats.)

Dr. Carson Beckett (Stargate: Atlantis)
If there were a competition for Most Awesome Doctor On This List, chances are Beckett probably wouldn't win, although he might earn a few points for sharing a last name with an existentialist playwright. At the same time, he's a pretty competent physician and has the honor of being the only Scottish doctor on this list. He also probably holds the honor of having the most awkward character death on here, but at least he's back now. As a clone. Which is also kind of awkward.

Dr. Victor Frankenstein (Frankenstein; or, The Modern Prometheus by Mary Wollstonecraft Shelley)
Maybe he's not exactly a certified physician, but you have admit that creating a living being out of a bunch of dead people is about as impressive as you can get when it comes to medical skill. Unfortunately for everyone concerned, however, Victor both fears and rejects his creation because of its ugliness. Way to be a pansy, man.

Dr. Thomas Elliot (Hush) (DC Comics)
He started out as Bruce Wayne's childhood friend, despite being kind of a nutjob of a kid, and went on to become a successful, Harvard-educated surgeon. Unfortunately, he eventually becomes the doctor of one Edward Nigma (The Riddler), which spells bad news, considering Elliot is the guy who tried to kill his parents as a kid (and half-succeeded) and now hates Bruce Wayne. Well, he and the Riddler realize they have that in common, and Dr. Elliot invents himself an alter-ego to work on the whole bringing-down-Batman plan. And thus, Hush is born.

Dr. Stephen Franklin (Babylon 5)
Dr. Franklin is the chief medical officer aboard the space station, and as Wikipedia describes him:

Dr. Franklin is a strong-willed, kind person and idealistic leader on Babylon 5; he is also a workaholic. He is not afraid to take risks to save a patient's life; this habit can occasionally get him into trouble. He has strong moral and ethical values, but he can also be self-righteous and a perfectionist at times.

And while those qualities make him kind of awesome, they also kind of make him addicted to stimulants in the show's third season. He, of course, beats the addiction and goes back to the awesome.

Dr. Miles Bennell (Invasion of the Body Snatchers, 1956 film)
The good doctor is called into town to look at the uncle of the cousin of his ex-sweetheart, who somehow seems not to be himself as of late. (This ex-sweetheart also seems to be able to call in some pretty convoluted favors.) Dr. Bennell is at first unable to find anything wrong, but a little more investigation leads him to discover the pod people, come to Earth to replace us. And, of course, snatch our bodies in the process-A fate which Bennell warns us of the last dramatic fourth-wall-breaking moments of the film. (The 2007 adaptation, The Invasion, features Daniel Craig as a doctor named Ben Driscoll. It unfortunately also features a bad movie.)

Dr. Sherman Cottle (Battlestar Galactica)
The Chief Medical Officer of Galactica, Dr. Cottle is also the only real physician-surgeon aboard. As the Battlestar Wiki describes him:

Cottle is somewhat eccentric and is considered a "bastard" among some of Galactica's crew, in addition to his penchant for being a heavy smoker, despite knowing the risks, and one not overly impressed by positions of power. He is, above all things, a healer. To him, nothing else really matters, be it rank, riches, or species.

Despite his somewhat abrasive manner, he's still well-trusted among the crew.

Dr. Samuel J. Loomis (Halloween franchise)
While its debatable whether or not the Halloween films are remotely science-fiction (although Michael Myers pretty inarguably displays some rather superhuman abilities), it's pretty safe to say that Dr. Loomis is just about the most awesome licensed psychiatrist in the business. After all, one of his main charges is more or less Unmitigated Evil. Then again, Loomis also doesn't have a great track record with keeping Michael from killing people. But he does get to say things like, "Death has come to your little town, Sheriff." And in Donald Pleasance's voice to boot.

Dr. Donald Blake (Thor, Marvel Comics)
Dr. Blake was Thor's original alter ego, having somewhat accidentally discovered the ability to transform into the god while on vacation in Scandanavia. Blake was a surgeon and while not being Thor, was actually seen practicing medicine in the comics. He is also said to have worked with Thor on multiple occasions, but what exactly that entails is a little beyond me.

The Doctor (Star Trek: Voyager)
The Doctor might be an Emergency Medical Hologram, but he's more than just a bit of hardware. In an attempt to build his own personality, he develops artistic talents and a holographic family, as well as friendships with his crewmates. He even writes a novel titled Photons Be Free.

Doctor Gogol (Mad Love, 1935 film)
Doctor Gogol is a brilliant-but, of course, completely mad-surgeon. After all, he's played by Peter Lorre, who pretty much invented brilliant-but-mad. Gogol is (madly) in love with an actress named Yvonne, and when her husband, a concert pianist named Stephen, has his hands crushed in a tragic accident, she comes to him, begging for help. He obliges by replacing Stephen's hands with those of a recently executed knife murderer. The results? Well, let's just say that Stephen and that kid from Idle Hands should get together and form some kind of support group. And Doctor Gogol? Completely mad. But also brilliant.

Dr. Cecilia Reyes (X-Men, Marvel Comics)
A Puerto Rican doctor, Cecilia has the ability to project a forcefield around her. As Wikipedia says:

Cecilia Reyes decided to become a doctor when her father was gunned down in front of her as a child, and she was unable to do anything to help him. The X-Men tried recruiting her when it was discovered that she was a mutant, but Reyes had no interest in being a superhero. However, when Operation: Zero Tolerance, a government-backed anti-mutant task force, targeted her, she was forced to join forces with the X-Man Iceman and other mutants to escape New York City and track down Bastion, Operation Zero Tolerance's leader.

Doc Benton (Supernatural, 3.15 "Time is on My Side")
When people started turning up with surgically removed organs and a dead man's fingerprints all over them, the Winchester brothers begin looking into it, as they are wont to do. Their investigation leads them to Doc Benton, a nineteenth century surgeon who discovered the secret to eternal life and now has a habit of replacing his parts whenever they wear out. Maybe it's not the best plan to win a guy friends, but it sure makes great use of his surgical skills.

Doctor Strauss, along with Professor Nemur (Flowers for Algernon by Daniel Keyes)
Although nobody really remembers the name of the doctor who tripled Charlie Gordon's IQ, you have to admit that pulling that off is no small feat. Unfortunately, the effects are-not to ruin the ending-not exactly all they're cracked up to be. Additionally, Strauss and Nemur can claim the credit for one of the most famous mice in sci-fi.

Dr. Julian Bashir (Star Trek: Deep Space Nine)
As Wikipedia tells it:

As a child, Julian Bashir fell behind in school, and was evaluated as having learning difficulties. Because of this, his parents, Richard and Amsha Bashir, had him subjected to genetic engineering. The procedure made him mentally superior to most humans, and greatly enhanced his physical abilities. However, because human genetic engineering is illegal in the United Federation of Planets, Bashir and his parents kept his procedure a secret throughout most of his adult life.

Throughout the course of the show, he gets to do such exciting things as end up in a prison camp, see the woman he loves (Jadzia Dax) marry someone else, and attempt to integrate some other genetically engineered people into Federation culture.

Dr. Henry Jekyll (Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson)
Unlike his more temperamental counterpart, Dr. Jekyll is a well-liked, friendly doctor. The secret life he leads as Mr. Edward Hyde, however, puts that likeable reputation at stake, thanks to a potion Jekyll invented. Perhaps the lesson here is that you shouldn't mix your own drinks, even when you're a trained professional.

Apparently it will also have a spiffy new toilet.

Help make our favorite Firefly ship part of real-life space exploration history. Though right now Serenity has a healthy lead, Stephen Colbert is trying to make "Colbert" a write-in winner, and the Scientologists are pushing "Xenu" as a name. I think we can all agree that Serenity is the right choice for a space station designed to look out into the black and help us learn how to live out there one day.

Vote for Serenity at NASA.

Serenity Complete and Official Map of the Verse: Plan your smuggling route with this map of the multi-star Serenity Verse. Perfect for learning more about the Verse, roleplaying, or just to hang on your wall. $26.95 from Quantum Mechanix.

Buffy and Serenity Comics: For those who miss Buffy, they can get caught up with the Season Eight comics. The most recent collection, Wolves at the Gate was released last month, following the events of The Long Way Home and No Future for You (You can get all three books from Amazon for $42.18). The second Serenity comic collection Better Days was also released this fall, and takes place between the Firefly television series and the Serenity film ($9.95 from Amazon).

Serenity Ornaments: Tree-having Browncoats can appreciate these Christmas ornaments, which depict the Firefly-class spaceship Serenity. $17.99 from Entertainment Earth.

The Complete and Official Map of the Verse was created by science fiction artifact creators Quantum Mechanix. Quantum Mechanix employed astrophysicists, designers, and members of the fan community to develop a map based on information contained in the television series, movie, comics, role playing game, and even fan fiction. The mapmakers considered not only where planets and systems seem to be in relation to one another, but also how the geography of the Verse could have influenced its history:

We also considered the politics of The Verse in constructing the map. We tried to answer questions like why Hera was so important that the loss of a single battle there could end the war decisively: Turns out Hera orbits a protostar (along with Shadow and Sturges) that rides the inner edge of The Border and is an ideal jumping-off point for travelers going to The Core or out to The Rim. In combination with Persephone – which orbits a stellated gas giant on the outer edge of The Core – Hera/Persephone form a kind of “airlock” between The Core and the rest of the Verse, making it a target of great strategic importance.

The map get its full debut at the Creation Serenity Convention taking place this weekend in Burbank, and will later be available on the Quantum Mechanix website. In the meantime, you can take a peak at the lo-res images Quantum Mechanix has released:

[Firefly Ship Works via Reddit]