Since the show's inception, Family Guy has always been at its best when Brian and Stewie take off on their epic adventures, be it "The Road To Rhode Island", which earned the show its first Emmy nomination, or the recent "Road To Germany", where Brain, Stewie and Mort travel back in time to WWII Germany. Obviously Stewie has still been tinkering with time-travel technology, because tonight the duo visit alternate histories and alternate realities including one in which the Japanese won WWII, and a HottieVerse, where even Meg is a knockout:

Riffing on Planet Of The Apes, the boy-and-his-dog dynamic is turned upside down in Dogverse, in which humans are subservient to dogs, which includes a human Brian.

Other multiverses visted include; Disneyverse (yes, it's musical) A Post Apocalyptic 'Verse,
Robot Chicken 'Verse (thank you, Seth Green) and a Real Life 'Verse, which features a real baby and a yellow lab bickering. Undoubtably, "Road To The Multiverse" will take its place with the other amazing "Road To" episode of Family Guy and may just be - dare I say it? - the best one ever.

These are the science-fiction universes where you can transfer your consciousness into a robot body permanently, and wave goodbye to those annoying bones and excretory organs forever. And tomorrow, we'll have a list of the ten best robot bodies you can plug your brain into, and control temporarily.

Note: To some extent, there's some overlap here with the list we did a while ago of people who died and went to cyber-heaven. So we left out a few examples from the earlier list, like Dr. Ira Graves and Juliana Soong in Star Trek: The Next Generation.

Mindscan, by Robert J. Sawyer
Wealthy Jake Sullivan is dying of a rare medical condition, so he pays the Immortex corporation to scan his brain and load him into a new, immortal robot body. There, he meets a children's author, Karen, who's also gotten a robot body so she can keep her copyrights for centuries. They fall in love — but Jake's original meat body, who's still not dead yet, decides to sue to get his personhood back from the robot duplicate. And after Kate's meat body dies, her son sues to get control over her estate.

Robotrix

In this bizarre, messed-up Hong Kong movie, an evil super-rich business man loads his brain into a robot body. And a sexy crime-fighting babe gets killed trying to stop him — so two female scientists, in shiny fetishy labcoats, put her naked body on a table with an also-naked robot body, and then transfer her consciousness into the robot. So she can go out there and kick some robo-butt. (We have a couple more clips from Robotrix here.)

8th Man aka 8-Man:

In this early Japanese anime series, Special Agent Brady gets killed, but downloads his brain into a robot body and becomes the 8th Man, a robot superhero who has superior speed, strength and reflexes, and he can change his appearance at will. His alter ego is Tobor, a private detective. Watch him deal with a Godzilla-esque robot from outer space, in this awesome clip.

Stargate: SG-1, "Tin Man"
The SG-1 crew winds up on a planet where a man named Harlen copies their consciousnesses into robot bodies. In an interesting twist on the usual "minds transferred into robot bodies" concept, it turns out that the crew's original bodies are intact, and they're eventually free to go. The robot duplicates meet their original selves, and the robots are a bit jealous of the "real" crew, who get to go home. Witness this exchange between robot Jack O'Neil and the "real" Jack:

ROBOT JACK: Somebody stole my life. That's what happened.

O'NEILL: You talking about my life?

ROBOT JACK: Hey, I've got every right to it that you do. I was kind of hoping I could figure out away to undo all this, get myself back into my body, where I belong.

O'NEILL: Well it's occupied, thank you.

The "Ware" series by Rudy Rucker
Cobb Anderson is an aging computer scientist who's best known for committing treason — he gave the robots free will and liberated them from the restrictive laws of robotics. Now the robots, who are living on the Moon, have come up with a scheme for Cobb to live forever — they've created a perfect robot duplicate of his body, and they want to digitize his consciousness and load it into the new shell. The only catch: to scan Cobb's brain and duplicate it, they have to slice it up, thus destroying it in the process.

Sliders, "State Of The Art"

The dimensional travelvers visit a world where robots have taken over — and the robots' creator, James Aldohn, has found a process to transfer a human consciousness into a robot body. The only downside: it's an untested procedure, and he needs to use the visitors as guinea pigs. Weirdly, the scene where Katherine McClellan's robot body gets switched on has inspired some really odd slow-mo Youtube fetish vids.

The Outer Limits, "The Brain Of Colonel Barham"

Colonel Barham, a dying astronaut, volunteers to have his brain loaded into a robot body so he can go to Mars before the Soviets — although, in this case, it looks like they keep part of the meat brain alive, so it's an edge case. In any case, the arrogant Col. Barham goes nuts once he's in a robot body, and he starts trying to kill anyone who messes with him. Somehow, his robot body has the ability to control people's minds and turn them into zombies.

Caprica

We couldn't leave this Battlestar Galactica prequel out — that plucky Zoe Graystone gets killed in a terrorist bombing, but luckily she's figured out a way to back up her brain electronically first, because the human mind only takes up about 300 MB of disk space.

Skinned by Robin Wasserman

Lia Kahn is rich, young and beautiful — unfortunately she's also fatally injured in a car accident. So her dad pays for her consciousness to be transferred into a new robot body. She no longer eats or has any sense of smell, and she doesn't feel touch the same way she used to. Is she still the same person she used to be? Even she isn't sure, and her old "popular kids" clique at high school isn't sure whether to accept her either. Think you had a hard time fitting in in high school? Imagine doing it with a robot body, in a culture that's uncomfortable with uploaded humans. (Read an interview with the author here.) Another novel with a similar theme is Nightmare In Silicon by Colette Phair.

Star Trek: "What Are Little Girls Made Of?"

Captain Kirk's mind gets copied perfectly into an android body, except that he's obsessed with being sick of Spock's half-breed interference, because that's what Kirk was muttering to himself when his mind got scanned. I love the spinning table with the two naked Shatners on it (at around 5:20 in this video.) Of course, they don't destroy Kirk's original fleshy body, probably just because they don't get around to it.

Runners up:

The Red Skull And Zola both transfer their brains into robot bodies in Captain America Reborn

The Creation Of The Humanoids

Osama Tezuka (creator of Astro Boy) writes a story of a dying person whose consciousness gets transferred into a robot body in the Phoenix series.

Fragile Machine

Starr Saxon, aka Machinesmith, becomes a gay robotic supervillain in issues of Daredevil and the Fantastic Four. (See top image.)

Ghost In The Shell: Innocence shows a world where cyborgs have abandoned their last bits of humanity and have become fully robotic.

Battle Angel Alita also includes some of the best cybernetic bodies — thanks to Cash907Censored for suggesting it.

In Dragonball Z movie 2, Dr. Willow dies, but he downloads his brain into a robot body.

The story "The Robot Who Came To Dinner" by Ron Goulart features a detective who's downloaded his brain into a robot body.

Jens in Galidor: Defenders Of The Outer Dimension

Doozy Bots

Even before most people had heard of Erwin Schrödinger, we knew that there were plenty other Earths out there; we'd seen Star Trek's Mr. Spock with a goatee, or watched the Justice League and Justice Society meet up thanks to a crystal ball. I've already written about my undying love for the concept, and I'm not alone; sci-fi loves to offer glimpses of the roads less taken, whether they're character-based or somewhat more... epic. Consider the following while planning a summer trip to another world:

What Mad Universe
If you're looking to get away from it all, you could do much worse than decide to take a break on the parallel Earth from Fredric Brown's 1949 novel. Admittedly, you'd have to avoid being accused of being an alien spy when you try to spend your money, but isn't that a chance you'd want to pay to visit a world where spaceflight was accidentally discovered in 1903, and astronauts are pin-up girls?

Eye in the Sky
Of course, you'd have to be careful of your own subconscious if travel to parallel Earths followed the rules of Philip K. Dick's 1957 novel, where alternate realities were entirely subjective manifestations of your own state of mind. Unless, of course, your state of mind was completely relaxed because you're going on vacation. Oh, the tangled web we weave...

Doppelgänger/Journey To The Far End Of The Sun
Who doesn't wish that scientists could still discover a parallel Earth on the opposite side of the sun, as in this classic 1969 movie written by Gerry and Sylvia Anderson, creators of Thunderbirds, UFO and Space: 1999? The idea was recycled three years later in Marvel Comics' Warlock stories (and later in their Heroes Reborn arc), but Doppelgänger's world - where everything is reversed from ours, including writing, thanks to the wonders of flipping film - remains the one to beat. Imagine getting away from it all in a world where everything is backwards.

The Eternal Champion
Michael Moorcock's Multiverse works slightly differently than most, in that each world includes facets of people, instead of multiple versions of the same people, and each world may be vastly different from the one you're familar with. This may be a plus for your holiday, of course; experience something entirely new, and be less likely to run across a more successful, happier and healthier version of yourself in the process. (Much more traditionally multiversual, but feeling like it should be mentioned in the same breath as Jerry Cornelius: Matt Fraction's comic Casanova, where the hero is trapped in a parallel Earth, replacing the him that had died there.)

Star Trek
With this summer's movie, Starfleet's finest have finally come up with a parallel timeline (including an Earth, so it counts, thank you very much) that measures up to the show's classic Mirror Universe. Out of all the revamps and reboots that we've seen, this is one of the few that made the choice to make the revamp the center of the story and patiently explain that history may have been changed, but all that did was create a new parallel timeline. Pandering to the original show's fanbase? Sure - but doing so in such a way that it doesn't stop the movie for everyone else. Yes, the crew of the Enterprise have played around in the timestream many of times, but the new Movie-Earth lines up so well with Mirror-Earth and OriginalSeries-Earth that it's really only a matter of time before some comic or novel seeks to cross them all over in a Spock-centric altern-orgy, and I for one can't wait. As it is, Trek doesn't just offer one utopian future, but two; your choice depends on just how much time you feel like you want to spend with William Shatner.

Fringe


What was the ingredient that made this show more than just an X-Files wannabe with an eccentric scientist and a cow? The sudden, surprise introduction to a war with a parallel Earth (complete with explanation of the multiverse concept for newbies, above). Admittedly, the glimpses we've seen of the alternate Fringe world(s?) haven't been especially alluring to those seeking a quiet getaway - It all seems to be explosions, Charlies with scars and grim skies, unless you're in a shining New York with multiverse magnet Leonard Nimoy and his newspapers that mention JFK still being alive (Maybe we should call this parallel Earth-StereotypicalRightWingViewOfADemocraticFantasy?) - but there's a downside to every vacation spot.

Sliders


Like Quantum Leap (or, if your tastes run to a slightly later vintage, The Time Tunnel) before it, Sliders took the idea of characters just trying to get back home and ran with it... Ran across the multiverse, that is (A similar idea was behind the earlier, and much less successful Otherworld television series from the mid-80s). Five seasons of hopping between Parallel Earth San Franciscos on a television show budget demonstrated a wide variety of possible alternate worlds out there, including an Earth where Britain won the Revolutionary War leading to the British States of America, an Earth where a zombie plague has been unleashed, an Earth where dinosaurs are still alive, and an Earth where Ancient Egyptian is the dominant culture. Sadly, they didn't find an Earth without shitty CGI effects, but it was the 1990s. As a model for how to spend your summer, I'm torn whether or not to recommend it. Maybe you should ask yourself how much you really love San Francisco.

DC Comics
Less one potential getaway than a superpowered version of Orbitz, DC's superhero line loves the idea of a multiverse like almost none other; their original multiverse came from the company trying to come up with ways of haphazardly adding characters from other publishers without confusing things too much as much as anything, but the current version is much more structured... and finite. For one thing, there are "only" 52 Earths, now. Here are the ones we know about. Pick your favorite:

Earth 0 is the "core" Earth, the one that all "regular" stories take place on and - more importantly for the purposes of this post - the one that was the basis for the 51 alternate Earths that are known to exist within DC's current multiverse. Of those 51, the following have been identified:
Earth-1 is, essentially, the Earth that most comic fans grew up reading about - Think of it as "Earth Super Friends."
Earth-2 is an Earth that missed out on all of the Silver Age of comics, so there's no Hal Jordan Green Lantern (or Green Lantern Corps at all, for that matter), nor a Barry Allen, Wally West or Bart Allen Flash. For all intents and purposes, it's the same as DC's original Earth-2.
Earth-3 is an Earth of reversed moralities - the Justice League is the Crime Syndicate, Clark Kent is the villainous Ultraman, Lex Luthor is a superhero, and so on.
Earth-4 is as close to Earth Watchmen as you're likely to get outside of the Watchmen series; it's an Earth where only the Carlton characters who inspired Moore and Gibbons' series exist.
Earth-5 is an Earth where the only superheroes are Captain Marvel and his associated Shazam Family of characters.
Earth-6, Earth-7, Earth-32, Earth-37, Earth-38, and Earth-39 are all Earths where the variations are fairly minor, and very continuity based:"What if Batman became Green Lantern?" - That kind of thing.
Earth-8 is a parody of Marvel Comics' Ultimate Earth, where the Avengers are represented by "The Meta Militia."
Earth-9 is the home to the Tangent Comics characters, who bear the same names as the more familiar characters, but are in all other respects different.
Earth-10 is a world where the Nazis won World War II, and home to the guilt-ridden super-Nazi Uberman.
Earth-11 is an Earth where genders are reversed, so you have Superwoman, Batwoman and Wonderman instead of the more familiar versions of the characters.
Earth-12 is an Earth you're very familiar with; it's officially the world of Batman Beyond, which also means that it's the parallel Earth where all the Bruce Timm DC cartoons took place.
Earth-13 is the Earth where many of DC's Vertigo line apparently occurs.
Earth-15 used to be an Earth where all crime had been eliminated by particularly successful superheroes... but then it was destroyed by Superboy Prime, just to prove how much of an asshole he can be. Of course, it theoretically was rebuilt
Earth-16 is the home planet of the Super-Sons, AKA Batman Junior and Superman Junior. Yes, that's right; Superman and Batman got married (not to each other), had sons, and named them after themselves. Don't ask.
Earth-17 is a post-apocalyptic Earth where nuclear apes rule. I promise you, I'm not making this up.
Earth-18 is an Earth where the world is still in Wild West times, complete with cowboy versions of the Justice League.
Earth-19 is an Earth where the world is still in Victorian times, complete with a Batman who has hunted down Jack the Ripper.
Earth-20 is "Pulp-Earth" - essentially, a parallel world where everything is as if it was a pulp novel.
Earth-21 is the Earth from the wonderful DC: The New Frontier series by Darwyn Cooke.
Earth-22 is the Earth from Kingdom Come, Alex Ross and Mark Waid's cautionary tale about why superheroes can't save the world, except for when they can.
Earth-26 is an Earth of smart, talking animals; it was "rendered uninhabitable" during 2007's Captain Carrot And The Final Ark series because funny animal books apparently are silly and not what the audience wants, but then reconstituted at the end of Final Crisis.
Earth-30 is the Earth from Red Son, where Superman landed in communist Russia.
Earth-31 is the Earth from The Dark Knight Returns series, so it's all mutants with sharp teeth and old grumpy Batman.
Earth-33 is an Earth where all of the familiar superheroes are now suddenly (magically, one might say) magicians, with names like "Batmage" and "Lady Flash, Keeper Of The Speed Force."
Earth-34 is an Earth where the British Empire still exists, and is ruled by a tyrannical despot called King Jack.
Earth-40 is an Earth where there are no public superheroes, just superpowered spies who work for the government. Which, if nothing else, would make James Bond movies more fun.
Earth-43 is a parallel Earth plagued by vampires, who have managed to turn Batman into one of their number. There are all manner of other mythical beasts as well, so this is pretty much "Horror Earth".
Earth-44 is Robot Earth; the main superheroes of this Earth are robotic versions of the Justice League.
Earth-48 is, unlike Earths 18 and 19, an Earth far in the future, where humanity is extinct after an intergalactic war has wiped out all native life on the planet.
Earth-50 is the Earth of DC's Wildstorm line. Again, post-apocalyptic, currently.
Earth-51 is, post-Final Crisis, the home to all of Jack Kirby's creations for DC Comics, following it having been yet another post-apocalyptic Earth. At least this one was repurposed for something constructive.

(There are also some Non-Numbered Earths (or, to be completely correct, Earths we don't know the numbers of yet), which include an Earth where Superman and Wonder Woman are black, an Earth where everyone resembles a manga character, and an Earth "just like our own" where superheroes are just the stuff of fiction.)

Charlie Jade

The 2005 South African/Canadian co-production gave us a glimpse at the parallel Earth you should really try to spend some time in: the Gammaverse, where everything is perfect, humanity has worked out how not to squander our resources, and you'll have no trouble getting a hotel room at an affordable rate. Just remember to ignore any offer of a budget weekend in the Alphaverse; it may sound exciting ("Alpha" just sounds good in general, right?), but it's pretty much the hellhole that give you anecdotes but also various forms of disease during your short stay. And if someone suggests a stay in the Betaverse, remind them that that's where you already live and go find a new travel agent. (For more class-based alternate worlds, Warren Ellis' Anna Mercury may be what you're looking for.)

Additional research and reporting by Sarah Hope Williams.

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