Le voyage dans la lune (1902)
French cinema pioneer Georges Méliès' silent classic is generally considered the first great sci-fi film, with the first great indelible image in movies, of the rocket ship hitting the moon smack in the eye. With his tale of scientists who shoot a rocket from a cannon to the lunar surface, where they meet hostile aliens, Méliès knew he had a hit; alas, Thomas Edison pirated the movie and made a mint from it in America before Melies could taste that sweet overseas box office. Watch the whole silent film below; it's only eight minutes.

Cat-Women of the Moon (1953)
The early 1950s saw a spate of movies built around lunar expeditions. This is one of the silliest — and, in the right light, the most fun. Did you know that there were giant spiders on the moon, or that in lunar caves the air is breathable enough to take off your space mask? The tale of a race of hot chicks on the moon planning to take over the earth has been parodied often, most notably in 1987's Amazon Women on the Moon (which often apes this film shot for shot), but for campy laughs, it's hard to top the original.

2001: A Spacy Odyssey (1968)
It's hard to come up with enough praise for the lunar segment of Stanley Kubrick's mind-expanding space opera. Plotwise, very little happens, save for the discovery of the monolith on the moon that sends Dave Bowman hurtling toward destiny But oh, those visuals! Even while trying to depict commercial space flight as an ordeal as mundane as airline travel, Kubrick still makes it look graceful and lovely. Same thing on the moon's surface, where eerie quiet coexists with beautiful desolation.

Space: 1999 (1975-77)
The whole series (shot in Britain for ITV and syndicated in America) took place on the moon, though not in our solar system. The premise of the show saw the moon sent careening out of earth's orbit and into deep space after a nuclear waste dump on the far side of the moon exploded (oops!), leaving the crew of Moonbase Alpha to fight for survival in hostile encounters with strange creatures. The season 2 opening credits told the story economically, as you can see.

The Adventures of Baron Munchausen (1988)
Terry Gilliam's overstuffed fantasy did have one minimalist sequence: its trip to the moon. That's because the production ran out of money, so Gilliam's plan for a vast set and a cast of thousands was canceled. Instead, Gilliam settled for a cast of five and a lunar city that consisted of little more than the former Monty Python animator's production sketches shuffled about. The changes worked, however, resulting in an austere yet enchanting sequence in which the human characters encounter the king and queen of the moon, two giants with detachable heads. As the jealous king, Robin Williams brings his usual bagful of crazy, but just imagine the sequence if Gilliam's first choice, Sean Connery hadn't bailed when the money got tight.

A Grand Day Out (1989)
The short that introduced the world to Wallace & Gromit (and to claymation king Nick Park) features a wonderfully daffy story that has the tweedy inventor and his silently suffering dog building a rocket in their basement in order to fly to the moon to satisfy their jones for cheese. This 20-minute short is as brilliant and hilarious as the rest of the Wallace & Gromit tales, and if you haven't seen it, or can't remember the unique nature of the creature our heroes meet on the moon, you must watch now.

Space Cowboys (2000)
Clint Eastwood's adventure about four oldtimers — NASA also-rans who didn't quite have the right stuff — who get another chance to blast off as seniors is a surprisingly sentimental story. But the finale, in which an ill-fated member of Clint's team finally gets his wish to reach the moon, gives the movie an unexpectedly lyrical and moving final shot.

The Time Machine (2002)
This update of the H.G. Wells story (and the 1960 George Pal film) isn't that great (even if it was directed by H.G.'s great-grandson, Simon Wells), but it's on this list for its striking sequence of lunar destruction. Time traveler Guy Pearce learns that, in the early 21st century, we sent demolition teams to level the lunar landscape in order to build condos on the moon, and, well, we broke it. D'oh! Watching the moon crumble over the heads of panicky earthlings is an awesome and horrifying sight.

Bruce Almighty (2003)
Given God-like powers, Jim Carrey emulates Jimmy Stewart in It's a Wonderful Life, except his ability to lasso the moon to give it to his gal is literal. Who wouldn't swoon the way Jennifer Aniston does to see such a magnificent moon, almost close enough to touch? Unfortunately, Carrey learns the next day, his moon-yanking stunt caused tidal waves in Asia. Gravity's a bitch.

Bruce And Grace Romantic Evening - The funniest movie is here. Find it

Watchmen (2009)
During the revisionist-superhero saga's celebrated opening-credits montage, there's a brief moment that pays homage to a celebrated urban legend. When Neil Armstrong lands on the moon, Dr. Manhattan (Billy Crudup) is already there, taking his picture. Armstrong can be heard saying, "Good luck, Mr. Gorsky!" It's a reference to the old joke (which some believe came from an actual Armstrong utterance), in which Armstrong supposedly followed up his boffo "That's one small step for man..." line with a reference to something he'd heard a neighbor's wife say years before, that she wouldn't give her husband a blow job until the kid next door walked on the moon. Alas, it's not true. Armstrong never said it. Snopes says so.

While he'll long be remembered for his role as Captain Bridger on SeaQuest DSV (which he actually asked to be let out of after season two), he had his first starring spot with dolphins in 2010: The Year We Make Contact, a film that was much easier to digest than Kubrick's original. Find out all the little details you've been dying to know about this scifi blasphemy after the jump.

2010 may not have used the gorgeous scenes of space flight that Kubrick's classic had, but it also didn't suffer from some of the colossal wankage like the technicolor spacetrip that goes on for far too long near the end of the film as Bowman enters the monolith. Sure it bent the laws of physics and would make scientists go mental, but it had a plot that was simpler to digest, paid a proper amount of attention to the previous film (even if you did want to punch Lithgow's character in the back of the head), and it even had Helen Mirren in it as a Russian cosmonaut. While it's sure to raise the ire of Kubrick lovers around the world, I simply enjoyed 2010 more than 2001. The scene where Scheider describes how the ships will link up using a pen in zero gravity will stay with me, long after Sheriff Brody fades away.

More random trivia about 2010:

• Kubrick didn't want a sequel to be made (and neither did Arthur C. Clarke... at first) so he had all of the sets and models from 2001 destroyed. Everything had to be recreated from scratch. What a grump.
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• At one point early in the film, Scheider's character Heywood Floyd is shown computing details about the trip on an Apple IIc, while working on the beach.
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• The dolphin set was built in Culver City, California at the MGM studios (it ain't there today, folks) and the two dolphins were named Captain Crunch and Lelani.
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• HAL's inventor Dr. Chandra (in the book, full name Sivasubramanian Chandrasegarampillai, imagine filling out applications with that moniker) is finally seen in this film and is played by the wonderfully nebbishy Bob Balaban. He's someone who you could believe would only have computers for friends.
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• HAL's female counterpart SAL is voiced by Candice Bergen, although her name is given as Olga Mallsnerd, which was an amalgam of Louis Malle (her husband at the time) and Mortimer Snerd (one of her dad Edgar Bergin's ventriloquist characters).
  
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• The phrase "My god, it's full of stars!" was extremely important to the sequel, but it was never said in 2001 the movie. Only in the book. Yet it's presented as a quote from Dave Bowman.
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• Arthur C. Clarke and Stanley Kubrick both appear in this film. Clarke as the U.S. president, and Kubrick as the Soviet Premier on the cover of TIME magazine.
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• Clarke also appears as a man on a bench outside the White House. Although presumably he's not just the president here, idly passing time by feeding the pigeons during a national crisis.
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• A book was published when the film came out called The Odyssey File: The Making of 2010. It contained emails between Arthur C. Clarke and director Peter Hyams, but they end in preproduction, before Clarke had read the script, and only Roy Scheider had been cast, in order to give the publishers sufficient lead time. I'm not sure how long it took to publish a book in 1984, but I'm pretty sure it wasn't from preproduction until the release date of a feature film.
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• Tony Banks, the keyboard player for Genesis, composed the score for the film. However it was later tossed out and completely redone by David Shore. Genesis aficionados around the world would deliver the eyes of Phil Collins for a copy of the mystery score.
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• Clarke put a character named Tanya Kirbuk in the novel as an homage to Stanley Kubrick, who may or may not have loved having Russian characters endowed with a butchered version of his last name.

A.I. wasn't the only movie Kubrick failed to complete in the 1990s. He was also working on a movie version of A Shadow On The Sun, a cheesy 1960s BBC radio drama about a meteorite that brings a deadly virus to Earth. He got copies of the scripts and annotated them for hours, adding notes like: "DOG FINDS METEORITE" and "THE DOG IS NOT WELL" as he sketched the movie in his head.

The meteorite's virus gives people an unstoppable sexual appetite, leading to Eyes Wide Shut-esque scenes of depravity. In the radio version, it ends with this speech:

There's been so much killing - friend against friend, neighbour against neighbour, but we all know nobody on this earth is to blame, Mrs Brighton. We've all had the compulsions. We'll just have to forgive each other our trespasses. I'll do my part. I'll grant a general amnesty - wipe the slate clean. Then perhaps we can begin to live again, as ordinary decent human beings, and forget the horror of the past few months.

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• In Lexx, the living spaceship was also equipped with... living toilets. They even had large, waggling tongues, a la Little Shop of Horrors, and were more than eager to lap up the crew's waste materials. That would either make going to the bathroom incredibly fun, or moderately terrifying. Think you can hold it for 42,000,000 miles? You could if the toilet looked like it wanted to eat your ass.
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• Lexx wasn't the only living spaceship with bathroom facilities. Moya in Farscape also grew convenience spots for her crew, including showers and toilets. In fact, the water system was provided by Moya's own internal plumbing system, which her saliva powered the sewer system. That just seems like all kinds of "two girls, one cup" wrong.
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• In the future of Demolition Man, Sylvester Stallone was perplexed by the futuristic toilets. The bowls looked the same, but as far as waste management went, there were three mysterious "seashells" next to the toilet that he never quite figured out. We never figured it out either, and we'll chalk it up to extremely lazy writers who didn't feel the need to explain how they wiped their asses in the future, so now we'll forever be wondering what those damn shells did.
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• Stanley Kubrick's 2001: A Space Odyssey was so detailed that the Zero Gravity Toilet installed on the passenger ship to the moon including verbose instructions on how to use the waste facilities. Although if you really had to go, we can't imagine anyone taking the time to actually read through all of these steps before stepping inside. Wouldn't you print something like this where you could easily read it while doing your duty? The only way this could be worse would be if they just handed you a 200 page manual as you went in.
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• Onboard the Serenity in Firefly, living space is at a premium, so they've got toilets that fold neatly into the wall and flush as they go. Then you pull out the sink like a drawer and wash your hands, although preferably using soap. In the clip below, Captain Mal Reynolds takes a whiz and then simply WETS HIS HANDS DOWN THE WATER then puts them on his face. Meaning he's just coated his cheeks in penis germs. No wonder he hasn't scored with Inara just yet.
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With apologies to Kathleen Meyer's How To Shit In The Woods.

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• A Clockwork Orange: Malcolm McDowell was given an experimental injection and forced to watch images of violence and sex until the mixture made him barf. Can you imagine throwing up whenever you watched porn? That's the very worst torture of all.
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• Star Trek II: The Wrath of Khan: Khan takes an earwig and drops it inside of Chekov's helmet, where it slowly crawls into his ear, spitting some kind of bloody acid as it goes. Then it wraps itself around his cerebral cortex and makes him Khan's bitch. That scene made me sleep with earplugs for about six months when I was a kid, and it still creeps me out.
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• Doctor Who — "Vengeance on Varos": Colin Baker (during his chubby years) visits Varos, a planet where people are shown public scenes of torture and execution for entertainment. Sort of like American Idol, with a sadistic Ryan Seacrest. The Doctor was a bit of a dick in this episode, getting a lot of people killed and leaving the torture machines intact when he left. Nice guy.
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• The Empire Strikes Back: Darth Vader takes Han Solo into his private torture room on Bespin and lowers him onto a really nasty looking torture rack. As Han's screams echo throughout Cloud City, someone had the bright idea to turn this into a fucking action figure! "Here Timmy, enjoy torturing Harrison Ford!" Genius.
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• Brazil: Jonathan Pryce gets tortured by his former friend Michael Palin wearing a hideous babyface mask in Terry Gilliam's dark vision of the future. In fact, there's a whole branch of the Ministry of Information called "information retrieval" to get jobs like this done, just like George Bush's CIA does. Everything becomes unraveled when a typo gets the wrong man killed. No spellcheck for you.
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• Cube: Seven strangers wake up inside a giant cube, where each new room contains a deadly trap that they have to figure out. In the first three minutes of the movie, a guy gets chopped into square pieces by a swinging razor-bladed gate. So you know you're in for something really special. Plus, there's high-level math involved in figuring out the puzzle, which is a special kind of torture right there. Damn prime numbers.
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• Star Trek: The Next Generation — "Chain of Command": Patrick Stewart should have walked away with a special Oscar for over-the-top acting in this episode, but I still love the damn thing. Picard is kidnapped and brainwashed over and over by a Cardassian agent, played by the excellently evil David Warner. Warner keeps asking how many lights are on the wall, and although Picard is promised comfort and luxury if he says there are five lights, he never breaks. At the end of the episode, as he stumbles out of the torture room, he turns and shouts, "THERE. ARE. FOUR. LIGHTS!" Just watch the damn thing below, it still gives me goosebumps.

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• New production photos of Reposession Mambo tell us absolutely nothing about the more serious of the two organ-repo movies coming next year. You can see allegedly "futuristic" cars and some buildings. Yawn. [ShockTillYouDrop.com]
• The new Justice League movie is being "cast as cheaply as possible," says New York Magazine. It's semi-official that total unknown Armie Hammer will play Batman in the League. That's in addition to the previously leaked cast: Scott Porter as Superman, Megan Gale as Wonder Woman, Common as Green Lantern and Adam Brody as Flash. "In other words, a D-list cast is set to portray the world's oldest, most iconic superhero team," Matthew Perpetua kvetches. [NYMag]
• Newly released clips from I Am Legend reveal no spoilers, but prove the film will live or die depending on how much you enjoy Will Smith talking to himself. [IESB]

• Battlestar Galactica co-creator Ronald D. Moore has two new TV series in development: one that he's developing for NBC/Universal, and one that he's supervising for Fox Broadcasting. He's also writing a sequel to iRobot, and a new version of The Thing for Universal. The new Thing will be linked to the 1982 version somehow. [Eclipse Magazine]
• Fans who want to see more of George Takei's Sulu as a starship captain in his own right had better not blink during the new Star Trek movie. The older Captain Sulu will appear in a brief scene with Leonard Nimoy's Spock. [TrekWeb]
• Brian Aldiss spent ten years trying to convince Stanley Kubrick not to turn AI into a dumb PInnochio story. "But you might as well try to persuade this table to be a chair as persuade Stanley of anything," he complains. In the end, Kubrick died and Spielberg turned AI into non-sensical "crap," says Aldiss. [London Times]

Famous names: Stanley Kubrick Malcolm McDowell

Crunchy goodness: 4

Sights you'll never unsee: Four words — Malcolm. McDowell. Rectal. Exam.

Life lesson: When dining with the man whose wife you raped to death, bring your own wine.

Design breakthrough: Forget Prada, the Devil wears a skintight leotard, a grubby canvas codpiece and a dildo mask.

A Clockwork Orange - Summary, Sounds, Script & More.

Famous names: Directed by Stanley Kubrick; starring a cast of unknowns.

Crunchy goodness: 3

Design breakthrough: In a prescient and influential move, Kubrick packs his future with corporate branding and ambient advertising.

Deadliest spoiler: There are giant babies floating in space who have something to do with early human evolution.

Sight you'll never unsee: Sweaty, freaked-out astronaut Dave, the only human on the ship HAL hasn't murdered, must feign calmness as he convinces HAL to let him back onto the ship through the pod bay doors. "Open the pod bay door, HAL," he says. "I'm sorry I can't do that Dave," HAL replies smoothly, his emotionless voice embodying everything creepy about killers and robots.

2001 Internet Resource Archive