Note: This is not intended to be an exhaustive list, just a rundown of the eras in horror comedy. Feel free to suggest titles, or whole epochs, that we may have missed out.

The 1920s stage plays

In the 1920s, playwrights decided to spice up their stage plays by adding more horror elements, creating silly haunted-house and monster stories like The Bat, The Cat & The Canary and The Gorilla. Some of these, like Canary, got adapted to silent movies. The 1925 Lon Chaney film The Monster also features a comic-relief character, but isn't really a full-fledged comedy.

Abbott And Costello And Laurel And Hardy And So On

In many ways, the 1930s and 1940s were the heyday of the "clean" horror comedy, which featured monsters without any real gore or violence. Laurel And Hardy did A Live Ghost in 1934, the haunted-house movie The Laurel-Hardy Murder Case in 1930 and A-Haunting We Will Go in 1942. The Three Stooges also dabbled in horror-comedy with short films like 1943's Spooks!. And then going into the 1940s, Abbott and Costello, Dean Martin and Jerry Lewis, and Bob Hope, among others, brought the genre to new prominence. There's also the hilariously titled Zombies On Broadway. Let's put on a show!

1960s Anarchy

The 1960s saw a slew of trippy novels, movies and TV shows in which horror elements often jostled with comedic ones — several of Peter Sellers' 1960s comedies often veer into horror at odd moments. At the same time, monster sitcoms like The Munsters and The Addams Family ruled television with their zany portrayals of monsters who were just like us — almost. This was also the era that gave the start of the long-running Scooby Doo cartoons, and a slew of cute/funny images of monsters, from the Frankenberry cereal to the Count on Sesame Street.

Self-Aware Campiness

Susan Sontag published her famous essay on "camp" in 1964, but the 1970s really backed up the camp truck to our door, and dumped a load of glitter on our front steps. Horror comedy was no exception, with Vincent Price starring in two mega-campy Dr. Phibes movies, and other over-the-top horror films like Please Don't Eat My Mother and Attack Of The Killer Tomatoes taking over cinemas. Most of all, Rocky Horror Picture Show became a defining movie for a whole ripped-fishnets-sporting generation.

The self-aware horror spoof genre took off way more in the early 1980s, with movies like Creepshow mocking the genre's cliches. And in general, the horror-comedy movie genre really came into its own in the 1980s, diversifying into a bunch of thriving sub-genres.

Ghostbusters, Gremlins and more

1984 saw the release of both Ghostbusters and Gremlins, sparking a new onslaught of cute/scary monsters and ghosts, including four (!) Critters movies. I'd also put 1986's Little Shop Of Horrors and Haunted Honeymoon into this category: wide-eyed protagonists coming face-to-tentacle with weird, slimy or fluffy-but-nasty creatures. According to Box Office Mojo, both Ghostbusters films and the first Gremlins occupy three out of the top four best-selling horror comedy slots of all time.

Troma comedies in the 1980s and beyond

Troma deserves its own category, for its sheer volume of output if for no other reason. Although it's best known for the Toxic Avenger films and Surf Nazis Must Die, there are just so many weird, over-the-top and just plain wrong Troma films out there, you could fill a bookshelf with the DVDs. And really, Troma is just the tip of the iceberg of a slew of direct-to-VHS and direct-to-DVD movies that we've seen in the past 20 years ago, with a ton of cult auteurs pushing the boundary between scary and funny.

1980s Werewolf/Vampire Humor

Teen Wolf (1985), An American Werewolf In London (1981), Fright Night (1985), Mr. Vampire (1985), Once Bitten (1985), Vamp (1986) and Love At First Bite (1979) were just some of the cocaine-fueled laughs at Universal monsters. Here's a photo of Grace Jones at a vampire strip club, from Vamp.

Body Horror/Comedy

The Reanimator films and Brian Yuzna's Society, among others, take the David Cronenberg trope of the human body being transformed into something gooey, icky or disturbingly awful, and they find the silliness and subversive humor that lurks just behind that, with gore, decapitated limbs still moving and lots of oozing goop all providing opportunities for slapstick and discomfort. The 1980s were also the heydey of Frank Hennenlotter's over-the-top violence and bodily destruction, in films like Basket Case. I'd also stick Peter Jackson's Dead/Alive into this category. In many ways, this genre has been the gift that keeps on giving, as evidenced by the awesomeness of 2006's Slither.

The Rise Of Sam Raimi

Classic Sam Raimi films deserve their own category, especially the Evil Dead films and Army Of Darkness. Bruce Campbell in his prime, rocking the chainsaw hand, against the legions of dead. Good times.

Christopher Moore

No discussion of horror-comedy would be complete without mentioning the 1990s and 2000s novels of Christopher Moore, especially his vampire classics Bloodsucking Fiends: A Love Story, You Suck: A Love Story, and Bite Me: A Love Story, plus his zombie Christmas tale The Stupidest Angel: A Heartwarming Tale Of Christmas Horror.

Creature Features

Tremors (1990), Arachnophobia (1990), Lake Placid (1999) and Eight-Legged Freaks (2002) were just some of the slew of tongue-in-cheek monster-rampage films that came out in the 1990s and early 2000s. My fave is probably Lake Placid, just for the amazingly deadpan performances by Bill Paxton and Betty White, among others.

Buffy Etc.

Joss Whedon's Buffy empire, including a movie and two television series, pretty much deserves its own category, and it came along with a slew of other TV shows and books featuring (frequently female) heroines facing tongue-in-cheek magical/horrific threats, including Charmed and Xena: Warrior Princess.

The Chucky and Leprechaun Films

I have no idea where those fit in, so I'm putting them here. These are like the silly counterparts to the already quite silly Jason Voorhees and Freddie Krueger films. Chucky is a weird doll that comes to life and attacks people (I guess — I've only read a comic-book adaptation) and there have been a million films about a silly leprechaun going around disemboweling people and controlling their minds. And rapping. And dancing.

Horror Spoofs

The Scream films in the late 1990s jumpstarted the slasher-movie genre with their knowing humor and sly horror-movie references. And then with the release of Scary Movie in 2000, the floodgates opened. There have been a ton of horror spoofs, many of them with the word "Movie" at the end of their titles. Plus the upcoming Transylmania, which exactly one person is excited about. (And we know where you live.)

Zombie Rom-Coms

Shaun Of The Dead, Planet Terror, Jennifer's Body and Zombieland all, to some extent, use the reanimated dead as a backdrop for character-focused comedies. (Okay, so the rom-com thing in the subhed is stretching it slightly — they don't all feature love stories, exactly. But some of them do.) Zombie comedies that are less character-focused include the Nazi epic Dead Snow, the zombie slave masterpiece Fido, the zombie sheep masterpiece Black Sheep and the incredibly nasty Zombie Strippers. Plus Bruce La Bruce's Otto, Or Up With The Dead People. Oh, and there's also last year's Poultrygeist: Night Of The Chicken Dead. No, really. There's also Jon Heder's webseries Woke Up Dead.

Meanwhile, in the world of books, many people see Max Brooks' Zombie Survival Guide as humorous, rather than as the indispensible handbook it is. There have also been a decent number of funny zombie books, including Breathers: A Zombie Lament by S.G. Browne, the mash-up Pride And Prejudice And Zombies, and several others.

Not entirely sure how it fits in, but horror spoof John Dies At The End, by Cracked.com editor Jason Pargin (under a pseudonym) is selling like hotcakes on Amazon.

Sources include Wikipedia, BoxOfficeMojo, IMDB, Scared Silly and the book Laughing Screaming: Modern Hollywood Horror & Comedy by William Paul.

Additional reporting by Mary Ratliff.

Click the chart to enlarge. Vampire Graph By Julia Carusillo.

Prometheus stole fire from the gods but Hollywood nabbed lightning from Zeus himself - and here are the ten best ways they've put those thunderbolts to use.

Create Life
This is the one that started it all. Before Frankenstein, lightning was just a handy way to collect some insurance money. After Frankenstein, it could do anything. Although Mary Shelley's novel provided no description of Victor Frankenstein's methods, the classic 1931 film cemented lightning's place in the popular imagination as the giver of life. Part classical Zeus imagery and part flashy spectacle, the revivifying lightning bolt is now inseparable from Dr. Frankenstein and his monster.

Save gas on your DeLorean
Great Scott! The entire plot of the first Back to the Future is centered around a lightning strike, necessary to power the DeLorean and send Marty McFly back to… well, you know. Doc Brown's plan to swap lightning for plutonium to get the necessary 1.21 gigawatts is also a clever nod to the history of technobabble – by the 80s, nuclear power had become the all-powerful pseudo-science of choice, but in the 50s lightning was still the dominant fix-it. Which leads to the most dramatic "should've gotten the longer extension cord" moment in all of movie history.

Scramble tv transmissions and DNA samples
Considering Doctor Who's long history with scientific hand-waving, you'd think they'd be old pros at the lightning fixit. But lightning saves the day in only the very lamest of the new series episodes, proving that we are better off with paradox machines and timey wimey detectors after all.

First, the mildly dreadful Idiot's Lantern climaxed with the Doctor clinging to a tv tower while some flashy pink lightning somehow trapped a face-eating television monster inside a Betamax tape. Then a year later, the exuberantly dreadful Daleks in Manhattan two-parter found the Doctor once again struck by lightning while clinging to a tower, this time the Empire State Building, causing his Time Lord DNA to mix with that of the already genetically awkward Human-Dalek hybrids. Somehow this saves the day. I don't know. I really try not to think about these episodes too much, and neither should you. If you want to try to suss it out, here's a clip:

Leap tall buildings in a single bound
It's a fairly established bit of Superman lore that a freak lightning accident can transfer the Man of Steel's powers to an ordinary human – a random Army private in a 1958 comic, a woman who would become electric villain Livewire in The Animated Series, even Lana Lang on Smallville. But my favorite example is Lois & Clark's "A Bolt From The Blue," in which lightning strikes while Superman is stopping a suicide, turning a 90 pound weakling into a 90 pound Hercules. Metropolis's newest superhero charges citizens for his services, asking Lois to print his price list, but in the end everything is put back to normal thanks to that other great scifi fixit – reversing the polarity.

Control lightning itself
The power to control lightning is not as common a side effect as you might think – so leave it to The X-Files to cover the obvious angle for us. Third season episode "D.P.O." features a young man whose lightning strike left him able to harness the power of electricity. Soon, four other men in town are conveniently struck dead by lightning, bringing in our favorite FBI agents so that poor Mulder's cell phone can get zapped as well. Check out the clip below to see Giovanni Ribisi use his powers to defibrillate Jack Black.

Teach robots to love
Yes, yes, we know: Short Circuit's Johnny 5 bears a remarkable resemblance to his adorable robot successor Wall-E. But while Wall-E gained his sentience through years of isolation on the desiccated Earth, Johnny 5's personality burst into life and into our hearts in a bolt of lightning. The lightning itself isn't the interesting part, so here's Johnny 5 busting out the moves with his friend Stephanie.

Help you cheat on tests
Saved By The Bell's Screech was one of the greatest of the tv nerds – you never knew when he was going to fall out of a locker, masquerade as a woman/teacher/alien to further one of Zack's schemes, or get struck by lightning. The wonderfully cheesy Saturday morning sitcom never shied away from patently ridiculous plot devices – see the famous Jessie Spano caffeine pill freakout and, my personal favorite, Zack's 1502 on the SATs – and it only took till the series' third episode for lightning to strike. The bolt hits Screech, of course, who becomes instantly but temporarily clairvoyant, and he uses his newfound lightning-powers to help Zack and the gang cheat on a history exam. Good thing it wasn't earth science!

Magnetize all available metals
You may be seeing Danny Kaye on your tv this time of year in White Christmas, but it was in the 1956 classic The Court Jester that he taught us how lightning can save the day even in vaguely-medieval England. The lead-up to the jousting scene is well-remembered for its impossible tongue twister about the pellet with the poison in the flagon with the dragon, but it wasn't fancy word-play that saved Danny Kaye's neck in the end – just good old-fashioned lightning. The bolt, in all its cheesy 50s special effects glory, magnetizes his suit of armor, giving him that vital edge against his enemy's mace. This is one of the greatest sketches of all time, so if you watch only one of the clips in this article, make it this one.

Magnetize all available non-metals
In another fine instance of random lightning-induced magnetism, Gilligan's Island had good old Gilligan go bowling in a storm and get struck just as he's throwing a strike. Naturally, this causes the bowling ball to become magnetized to Gilligan's hand. If the idea of a rock getting magnetized to a hand sounds implausible to you, just wait for the Professor's explanation at 3:30 on the video, one of the finest feats of technobabble ever recorded. Oh, and when they try to remove the bowling ball? Gilligan turns invisible. Of course.

Score free plastic surgery
And sometimes, lightning just makes you pretty. In a subversion of the classic Frankenstein trope, 1960's monster-family sitcom The Munsters had patriarch Herman Munster – normally green-skinned and bolt-necked like a traditional Frankenstein monster – turn magically, hideously normal after a freak lightning accident in Grandpa's lab. True to family form, the rest of the Munster clan is disgusted by Herman's newly handsome appearance. But fear not! Another lightning strike at the end of the episode turned Herman back into his usual ugly self. Check out the clip to see actor Fred Gwynne in his only appearance as Herman Munster sans make-up.

So next time you walk through a storm, hold your head up high - because if you get struck by lightning, who knows! You just might discover another fantastic power of the sci fi world's greatest fix-it.