I want to see this movie, but the "bloody violence" part has me a bit squeamish. Can anyone tell me if it's typical sci-fi violence, or is it all-out gore?
@spikespeigel: Wilkus goes through some very messy medical complaints (sometimes played for gross-out laffs) and the alien's energy weapons have very...visceral results. No slo-mo fireballs or long lingering shots with buckets of fake blood. There is a CGI air-pig attack.
Blomkamp's violence is very quick and sort of realistic (for a film about aliens), gorier than your average SF action thriller but not nearly as repulsive as the violence in Snyder's Watchmen. Does that help?
I liked how the aliens were not super advanced. It seemed like they were criminals and impovorished. It was like the alien society put all their lower class citzens on a barge and dumped it on Earth. Then they became our problem.
@reddingofish: actually they make it a point that they're not sure what happened, but the running theory within the movie is that the aliens are divided into different castes, i.e. a "leadership/technician" caste and the "worker" caste. The running theory is that a plague wiped out the leadership caste on the ship, leaving the workers too disoriented to figure out what to do with themselves, and after months locked in their ship they were diseased and malnourished.
The movie sort of implies that "Christopher Johnson" was actually one of the few (possibly only) "Leadership caste" prawns that somehow managed to survive (i.e. he actually knows how their computer systems work, and he articulately interacts with the MNU agents coming to evict him...other prawns say "What is eviction?", he looks at it and says "This thing can't possibly be legal", to which Wikus notes that "okay, he's a sharper one than usual...")
I just got back from seeing District 9 an hour ago: in all seriousness its one of the best science fiction films of the past decade
Further, on a purely technical note, the alien special effects are so advanced that they *actually look real* (it helps that they bothered to make each of the aliens look slightly different)
I liked it - it had plenty of problems, but overall was quite enjoyable. Besides, for $30 million, it was better and more original (faint praise, I know) than most Hollywood productions with ten times the budget.
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I'm in the "no sequel" camp, for the record.
-Kle.
It's a success!
I can't wait to see District 10: Revenge of the Prawns, and there will be tons of unsold D9 action figures left over at the local BigLots overstock store...
We might want to take into account, when talking about the film making its money back, that the producers/distributors have spent an additional amount of money on advertising. It isn't unheard of for a production to invest (or gamble) an additional fifty percent (or more) above what they spent making the movie promoting it.
@blackoak: I'm not sure what I typed above makes sense - I hope the film makes at least forty-five million dollars (or more) over the first few days of its run to cover costs.
@blackoak: I understood it, and you're right -- the rule of thumb is that a movie must gross 1.5 to 2 times its' film budget to break even.
Judging by the amount of TV ads I saw for this, that'll be true here. Even with the cost of TV ads going down, and cable ads costing less anyway, they invested heavily in promotion.
This is a brilliant movie as a stand alone as other people have said, but I can't help but want more. Not necessarily more of this story; I mean more of this world. They don't even have to explain anymore than they have, I just love the human/alien interactions as portrayed in this film. It's so strange and otherworldly while also being uncomfortably familiar. That's the kind of sci-fi I like.
What’s brilliantly special about Neill Blomkamp is that having had so much firsthand experience with 3D animation and computer-generated effects, he understands how to use them with deft balance and treat them as everything else does in the film (I’m paraphrasing what he’s said in several interviews).
Intriguingly, his staunch supporter Peter Jackson has a parallel with his early days featuring lots of physical and puppet effects — there’s definitely resonant kinship there.
As a result in Blomkamp’s work, we get the "WOW" factor which gets the desired and focused attention, as opposed to the wrong kind of reaction which goes "Oh geez, another CGI monster?" The effects support the story, instead of distracting from it.
And, all that ties into resourcefulness — I'm interested to hear what wise budget moves Blomkamp took during making this.
@WestMantooth: Actually, most of the digital effects aren't WETA, they are from a Vancouver studio (everyone here is very proud of the hometown success) who he first partnered with for Alive in Joburg. So no discount.
Knowing this is half the victory as it makes me feel a touch better about humanity in general.
GI OhNO! was taunting folks (critics) in commercials this week touting it's the numba WON movie this week. A 68% drop from last week tells me that word of Suck is killing it and/or there are only so many who would actually pay money to see it. Looks like the force of Suck is a stronger force than GI Joe or Cobra.
09/04/09
09/04/09
08/16/09
08/16/09
@spikespeigel: Wilkus goes through some very messy medical complaints (sometimes played for gross-out laffs) and the alien's energy weapons have very...visceral results. No slo-mo fireballs or long lingering shots with buckets of fake blood. There is a CGI air-pig attack.
Blomkamp's violence is very quick and sort of realistic (for a film about aliens), gorier than your average SF action thriller but not nearly as repulsive as the violence in Snyder's Watchmen. Does that help?
08/16/09
08/16/09
The movie sort of implies that "Christopher Johnson" was actually one of the few (possibly only) "Leadership caste" prawns that somehow managed to survive (i.e. he actually knows how their computer systems work, and he articulately interacts with the MNU agents coming to evict him...other prawns say "What is eviction?", he looks at it and says "This thing can't possibly be legal", to which Wikus notes that "okay, he's a sharper one than usual...")
08/16/09
Further, on a purely technical note, the alien special effects are so advanced that they *actually look real* (it helps that they bothered to make each of the aliens look slightly different)
08/16/09
08/16/09
08/16/09
.
I'm in the "no sequel" camp, for the record.
-Kle.
08/17/09
08/16/09
08/16/09
08/16/09
I can't wait to see District 10: Revenge of the Prawns, and there will be tons of unsold D9 action figures left over at the local BigLots overstock store...
08/16/09
08/16/09
08/17/09
I want the METAL GEEEEEUUURRR?!?
08/16/09
08/16/09
08/16/09
Judging by the amount of TV ads I saw for this, that'll be true here. Even with the cost of TV ads going down, and cable ads costing less anyway, they invested heavily in promotion.
08/16/09
08/16/09
Intriguingly, his staunch supporter Peter Jackson has a parallel with his early days featuring lots of physical and puppet effects — there’s definitely resonant kinship there.
As a result in Blomkamp’s work, we get the "WOW" factor which gets the desired and focused attention, as opposed to the wrong kind of reaction which goes "Oh geez, another CGI monster?" The effects support the story, instead of distracting from it.
And, all that ties into resourcefulness — I'm interested to hear what wise budget moves Blomkamp took during making this.
08/16/09
08/16/09
08/16/09
08/17/09
08/16/09
08/16/09
08/16/09
GI OhNO! was taunting folks (critics) in commercials this week touting it's the numba WON movie this week. A 68% drop from last week tells me that word of Suck is killing it and/or there are only so many who would actually pay money to see it. Looks like the force of Suck is a stronger force than GI Joe or Cobra.
I'm going to see D9 next week.