I like what they were trying to do, but they should have stuck with the basic concept of The Matrix made with Charlie Chaplin. A lot of the additional humor just doesn't work for me (like the, "How should I know? It's black and white film!" line). Music would definitely help. I'm probably just spoiled by things like the Jimmy Stewart as Forrest Gump video. #thematrix
@Vondruke: Actually they were that silent. You were supposed to provide your own orchestra to play the included sheet mus... hey! Where's the sheet music that goes with this??? #thematrix
@SeverinoLimpet: I thought Oakley had a lock on unobtainium. I still have a pair of their hideously expensive sunglasses with an "unobtainium frame" around here somewhere.
We aim to entertain. Well, we also respect women, and someday, homosexuals as well. Signs that as a nation, we are advancing. I need to remind myself of this from time to time, so many dbags out there... Its just they (dbags) make the biggest scene, the good people just keep going on with their lives.
@Shadowdagger: I wouldn't say today's directors are any worse than directors of yesteryear, its just what the public pays for. Movies are a business, and movies that don't follow the basic plot for success usually don't get made, nobody wants to invest on a risky business venture. I mean sure, transformers 2 sucked, but strictly from a business perspective, it was a brilliant success. As long as people keep paying for these big budget disasters, they will continue to get made. Sometimes you get lucky, an actual original/good movie is made, but otherwise you have to search a littler harder to find the hidden gems that don't make it nationwide.
Haha. 317 million to make a movie which, when appearing on my television for free on a Sunday evening, I changed the channel away from to watch a nature documentary.
Do keep in mind that when discussing US Box Office, the exhibitor keeps (roughly) half. So the studio's cut is correspondingly smaller and the break-even that much more tantalizingly, beckoning from afar.
I thought it was a bit of a sliding scale, with the studio getting almost all of the box office for the first few weekends, and the exhibitor getting a larger percentage over time. The idea being that with a blockbuster, the studio makes money off of the first weekend ticket sales, while the exhibitor makes their profits off of selling popcorn to the throngs coming out to see Megan Fox run in slow motion.
@Batmanuel: Yep, and that's whey the opening weekend is so crucial these days. When I was putting myself through college 15 years ago, the split was 90/10 studio/theater for the first weekend and it scaled every week afterwards. by the time a movie hits second run, you're usually at or past the 50/50 split.
11/09/09
(also, the cake is a lie) #thematrix
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09/29/09
Where are the trademark lawyers?
09/22/09
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09/22/09
A true artist makes art even out of dogpoop.
But yeah, today directors seem to be blinded by all those fancy CGI effects rather than telling a good and original story.
Very sad.
Oh well, nevermind.
09/22/09
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09/21/09
I thought it was a bit of a sliding scale, with the studio getting almost all of the box office for the first few weekends, and the exhibitor getting a larger percentage over time. The idea being that with a blockbuster, the studio makes money off of the first weekend ticket sales, while the exhibitor makes their profits off of selling popcorn to the throngs coming out to see Megan Fox run in slow motion.
09/21/09