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There's an unwritten rule in film-making: you don't kill children on-screen. Even Hitchcock didn't feel he'd get away with it. RTD's got brass ones a yard wide.
Yes, Gwen got all weepy but I attributed it to Ianto's death and she'd just ran out of "We can do this. We always make it" powder. This was like the aria when the contralto sings that she knows she's "done for" and resigned to her fate.
In fact, the more I think about it, the more I feel this was a five part opera. (Der Ring des Torchwoodungen?) Each character had a thread to carry through the story, their leitmotif, broad themes track through the work (Corruption, Slaughter of the Innocents, you name it) and, like most tragic opera, it ended without a clear winner or loser. Is anyone really happy?
And most importantly: Did anyone remember to let Lois out of her cell???
@Julius Seizure. (the CANUCK one): The vile woman says that she herself will see to it that Lois will be release, just before she appoints herself the new prime minister.
My only gripe was that the discovery of the means to defeat the 456 felt a little deus ex machina-y and happened far too quickly, so that it didn't really give me that much satisfaction to see the 456 get theirs. The fight, if you could call what happened a fight, could've been a little more protracted.
Other than that, it was brilliant storytelling, and I was happy with the end result. Kudos all around.
I watched the finale with a friend, who had also watched the entire week, and we were shocked into silence after several of the events in episode five.
Then the commercial breaks ruined the mood. Frobisher killed himself and his family ... and now we've got a happy, fun commercial for Lipton's Green Iced Tea. Great.
Oh, and Gwen’s monologue about how the Doctor didn’t show up because sometimes he looks at humanity and turns away in shame? I know some people are taking that as Word of God, but I interpret it as Gwen projecting her own despair. After all, what about Gwen herself, and all the other people who fought to protect the children? What about the children themselves? Are we to believe that the venality of a few was enough to make the Doctor abandon the innocents in danger?
There are a lot of comments on this page talking shit about "pacing". And I'm going to put it out there that most of you don't know what the hell "pacing" a story actually is. In fact, the dramatic structure of the whole five part series looks like it was built precisely to have the action and tragedy climax in the fourth part, so that the fifth could begin slow, with the characters beaten down and demoralized. And it's pretty reasonable that the fifth part be devoted to the struggles of ordinary people in an ordinary setting, since the fourth ended with an incredible space virus wiping out a building, and aliens and governments. The only moment in the whole five part series that felt even the slightest bit rushed is when Jack gets kicked into action. But how much time would you really want to spend on that? Me? Not much. I can forgive that.
So here's a challenge commenters - don't just say "the pacing sucked". That's become one of the most stock, cliched phrases in the sci-fi fan vocabulary - so overused precisely because it's one of those terms that makes you seem notable and professional on a subject. Don't just use it "because". Use it right.
interesting, i was really irritated by the pacing and characterization for the majority of the series, but i thought day 5 was pretty good, in that it finally made the stakes personal. look, it's television. i don't care about the children of earth unless it effects the characters i've come to know and love specifically, and not in just a vague, planetary tragedy sort of way. the scenes with the military being brutal and kidnapping kids away from screaming parents were affecting, and then making the solution be at a personal cost to Jack was necessary to make it feel like any kind of sacrifice at all.
however, after all that, i don't really know where you can go with torchwood anymore. you've killed off or sent away or impregnated everyone. earth and britain have been through something so traumatizing that i don't know how you can go back to daily reality life as usual, or the cute and sexy old rift antics. i guess british television prefers burning out over fading away, and that's pretty commendable (i mean, really, american "Office," go away), but i think i'd have rather had a full series of fun episodes over this depressing-ass miniseries.
I don’t care what Bridget Spears and the soundtrack say: John Frobisher was not a good man.
I can understand, and sympathize, with the choice he made for his daughters (even though it proved to be what TV Tropes calls a senseless sacrifice) and for himself. But it was NOT HIS PLACE to make the decision he did for his wife. I’m sure people will say he wanted to spare her the pain and shame of their children's fate and his complicity, but she should have been the one who decided whether or not she could live with it, not him.
*
I’m not convinced that Jack had to lose Ianto to make him willing to sacrifice Steven and leave Earth — Jack has always been the one who makes the choices that nobody else can accept. Personally, I think it would be more interesting if Ianto lived and Jack left because he couldn’t handle Ianto’s rejection...or his forgiveness.
@Klebert L. Hall: If Anna (that was her name, right?) were still alive after the third shot I would have expected her to make some noise, if only a gasp.
Besides, Frobisher killing his entire family is consistent with his modus operandi throughout the series.
@Klebert L. Hall: There was certainly time for a scream or two. Really? I’ll have to rewatch, but I remember it as BANGBANGBANG (pause) BANG. It would take a second or two to process what had happened, and they had absolutely no warning that Daddy/Hubby was going to open fire.
Davies said that he knew when he began writing the miniseries how he wanted it to end, with Jack doing what he did, and knowing that, it seems like everything after episode three-ish is just an awkward push towards getting to that destination. It all seems so forced, and if you ask me, that's the reason for it.
If I may complain a bit more about the death of Ianto, it fits into what I just said. In an interview with afterelton that someone posted on yesterday's review, Davies said he felt that Ianto's death was a necessary motivation for Jack to go to the extreme lengths he did, which is a horrible cliche in and of itself but not the point. The point is, Jack would have done what he did regardless. Jack isn't like the woman in the prime minister's conference room; he doesn't think of saving his own hide first. He doesn't need the motivation of having someone he loves already dead to cause the death of another, he has the motivation of saving millions of kids all across the globe. At the end of the episode, when he's in the facility and the only available child is his own grandson, he isn't thinking, "This is for Ianto," he's thinking, "This is for every child on the planet."
@tollwaytroll: Yes, exactly. Ianto’s death wasn't just a fridging, it was a pointless fridging. In Torchwood Jack has always been the one willing to be a monster for the sake of humanity.
@laughingacademy: Why a fridging? Honestly, I think it was a pretty decent way to go. Ianto didn't literally go down fighting, but he looked death straight in the eye and didn't flinch. Pointless it may have been, but it was hardly a fridging.
@MrTim: I agree that as it was written and performed it wasn’t a fridging, but in an interview at AfterElton.com RTD discussed it solely in terms of its effect on Jack, which makes it sound like it was plotted as a fridging.
I wanted to mention what an absolute treat it was to watch Nicholas Briggs playing Mr. Yates in all his sliminess. That man needs to do live acting more often.
I had assumed he was voicing the 456, but apparently it was someone else.
I'm not a big Torchwood fan by any means, but this series accomplished something I never imagined possible. My husband wandered into the room a few minutes into the final episode (when the 456 were discussing "the hit") and asked me to rewind so he could watch from the beginning.
We ended up watching episodes 4 and 5 together with occasional pauses so he could ask questions about the characters and their back stories (he had never heard of Torchwood). This ended with a lively discussion about the characters' actions and his concession that "BBC does things better."
I had my complaints about the show, with usual RTD tropes (including Jesus metaphor and sucker-punch-in-the-gut ending) but that he managed to engage my sci-fi averse housemate is nothing short of a miracle.
I found Torchwood: Children of the Earth to be horrible.
Just plain terrible writing, by a writer who overestimates his abilities greatly. Not only has Torchwood been blown up, 60% of the staff been killed, and Captain Jack jetted off, it was all so contrived.
Davies made me dislike all of his characters in a story so full of plot holes and idiotic behavior by the main players that I'd rather Torchwood just died. There is no point to Torchwood if I don't like the characters, and Davies did a good job of making sure that was the case.
I know, It's like I said before to me the biggest plot hole was the reason the 456 wanted the children.
Your telling me that a species that essentially OWNS the gravity well, can't make a chemical that the human body naturally makes?
C'mon! we haven't even left our own solar system but we can crank out synthetically every chemical that makes up the human body!
That was when the story line fell completely apart for me.
Your telling me that after that revelation nobody in the government would have gone.
"Chemicals you say? well, why don't you let us analyze the chemical composition of this chemical and we'll crank it out by the metric tonne for ya, how's that sound buddy!?"
"now there's just the matter of payment for this chemical..."
and with that we could have explored humanities roll as a drug dealer.
Basically RTD messed up with trying to make the 456 TOO repulsive. but it STILL could have all been saved.
All he had to do was change the word "Chemical" to "Energy" and I would have been fine with it.
that is why to me this revelation is right up there with Citizen's Kane's "rosebud" as a story plot hole.
@alphanumeric1971: I really enjoyed the series on a visceral level though the finale didn't really work for me as it seemed very tacked-on.
There were so many plotholes in this, though. The assumption that everyone would just give up as easily as they do AND follow orders so unswervingly is a big one but that's one that plagues most of the modern Who stories -- which seems odd for a country whose Finest Hour involved never giving up in the face of insurmountable odds.
@alphanumeric1971: Who says they built and understand their technology? I hate the assumption that all spacefaring races are more advanced then we are just because they're out there and zipping about at FTL.
A human being can learn to drive a car and use plenty of other things without ever learning how the things they use are built and really work.
I saw the 456 as thugs looking for their next high leveling a gun at someone's head. Not as an entire alien race here to steal our children, just some of them.
Hell for all we know, a kid's hopeless and terror is what makes it feel so good. Kinda how Doctor Venture was only able to make a Holodeck by powering it with the soul of an unloved child.
@JennaW: I know. I kept thinking, "The whole country is going along with this so calmly? Since when? People are sending their kids back to school after they've been chanting, no child-free one in the army has spilled the beans, no thug has whipped out a gun?"
+many to Charlie for "I'm tempted to take the cheap shot and say neither can we. But really, she was doing so well. She was winning me over, big time. And now, she's suddenly mopey and weak." With the running and hiding and whining and whining and whining.
Gwen has always been the worst character on the show, and now she's the only one left? Ianto gets needlessly fridged for a cheap thrill? Bah, I say, bah.
A Jack-Ianto-Tosh (+Lois) Torchwood would have rocked.
@alphanumeric1971: I didn't let myself get too upset by the chemical story. Projecting human motivations onto a very alien species limits discussion too much. On the other hand the 456 may prefer their stimulants to be "organic" and "naturally derived", just like humans.
@alphanumeric1971: Ah. Okay, I can see how changing "chemicals" to "energy" might be a bit more plausible. I don't think it's unreasonable to assume that the drug dealers lacked either the technology (just because their transportation tech is above ours doesn't mean their chemical tech is) or the equipment to just synthesize the drug.
It makes such perfect sense of everything the 456 are doing that they're small-time junkie drug dealers who realized they had the opportunity to make a big score. They're pushy, greedy, needlessly cruel and abusive, and . . .
Strung out. They never explicitly say it, but the random violent outbursts become entirely understandable if the alien spokesperson is jonesing for a bigger fix than it can get and is lashing out in barely-controlled rage and frustration.
@alphanumeric1971: The plot problem, to those who keep arguing about this, is that no one ever even thinks about offering an alternative. Ever. Which could easily have been sorted by the writers in a few seconds. Instead, people are having to work overtime on message boards to justify this massive plot hole.
Really fun, energetic, and exciting story arc -- best Torchwood yet -- but it doesn't bear up under any scrutiny which is a weakness. Sure, most fiction (esp TV and movies) has plot holes but this had far too many of them.
Such as the hilarious, I-want-to-be-the-Doctor-when-I-grow-up attempt to impress the aliens with Jack's really appalling track record of getting the job done. Oh, Ianto -- love *is* blind, isn't it?
Disclaimer: Although I'm a fan of the new (and old) Dr. Who, and was aware of the Torchwood spin-off, I hadn't watched the show before.
That said - This series was awesome. I was really impressed with the story-telling overall, and especially the dark places they were willing to go that I think American network television would fear to tread.
@Aler: Even better to me was Andy. That he took the time to take off his hat and jacket was telling: He wasn't acting as a policeman, he *couldn't* act as a policemen, he was just another bloke who wasn't going to take this shit anymore.
07/25/09
Yes, Gwen got all weepy but I attributed it to Ianto's death and she'd just ran out of "We can do this. We always make it" powder. This was like the aria when the contralto sings that she knows she's "done for" and resigned to her fate.
In fact, the more I think about it, the more I feel this was a five part opera. (Der Ring des Torchwoodungen?) Each character had a thread to carry through the story, their leitmotif, broad themes track through the work (Corruption, Slaughter of the Innocents, you name it) and, like most tragic opera, it ended without a clear winner or loser. Is anyone really happy?
And most importantly: Did anyone remember to let Lois out of her cell???
07/25/09
07/25/09
Other than that, it was brilliant storytelling, and I was happy with the end result. Kudos all around.
07/25/09
Then the commercial breaks ruined the mood. Frobisher killed himself and his family ... and now we've got a happy, fun commercial for Lipton's Green Iced Tea. Great.
07/25/09
07/25/09
So here's a challenge commenters - don't just say "the pacing sucked". That's become one of the most stock, cliched phrases in the sci-fi fan vocabulary - so overused precisely because it's one of those terms that makes you seem notable and professional on a subject. Don't just use it "because". Use it right.
07/25/09
however, after all that, i don't really know where you can go with torchwood anymore. you've killed off or sent away or impregnated everyone. earth and britain have been through something so traumatizing that i don't know how you can go back to daily reality life as usual, or the cute and sexy old rift antics. i guess british television prefers burning out over fading away, and that's pretty commendable (i mean, really, american "Office," go away), but i think i'd have rather had a full series of fun episodes over this depressing-ass miniseries.
07/25/09
I can understand, and sympathize, with the choice he made for his daughters (even though it proved to be what TV Tropes calls a senseless sacrifice) and for himself. But it was NOT HIS PLACE to make the decision he did for his wife. I’m sure people will say he wanted to spare her the pain and shame of their children's fate and his complicity, but she should have been the one who decided whether or not she could live with it, not him.
*
I’m not convinced that Jack had to lose Ianto to make him willing to sacrifice Steven and leave Earth — Jack has always been the one who makes the choices that nobody else can accept. Personally, I think it would be more interesting if Ianto lived and Jack left because he couldn’t handle Ianto’s rejection...or his forgiveness.
07/26/09
We don't see Frobisher's decision, you're just making an assumption.
Perhaps he shot the girls and himself, and the shot after the delay was his wife picking up the gun and killing herself.
-Kle.
07/26/09
Besides, Frobisher killing his entire family is consistent with his modus operandi throughout the series.
07/27/09
Sure, it's possible it happened that way. Or not.
As for Anna not making any noise, nobody in the room made any noise. There was certainly time for a scream or two.
-Kle.
07/27/09
07/25/09
07/26/09
He's out there. Waiting to come back and kill Tennants Doctor.
07/25/09
If I may complain a bit more about the death of Ianto, it fits into what I just said. In an interview with afterelton that someone posted on yesterday's review, Davies said he felt that Ianto's death was a necessary motivation for Jack to go to the extreme lengths he did, which is a horrible cliche in and of itself but not the point. The point is, Jack would have done what he did regardless. Jack isn't like the woman in the prime minister's conference room; he doesn't think of saving his own hide first. He doesn't need the motivation of having someone he loves already dead to cause the death of another, he has the motivation of saving millions of kids all across the globe. At the end of the episode, when he's in the facility and the only available child is his own grandson, he isn't thinking, "This is for Ianto," he's thinking, "This is for every child on the planet."
07/25/09
07/26/09
07/26/09
07/25/09
I had assumed he was voicing the 456, but apparently it was someone else.
07/25/09
We ended up watching episodes 4 and 5 together with occasional pauses so he could ask questions about the characters and their back stories (he had never heard of Torchwood). This ended with a lively discussion about the characters' actions and his concession that "BBC does things better."
I had my complaints about the show, with usual RTD tropes (including Jesus metaphor and sucker-punch-in-the-gut ending) but that he managed to engage my sci-fi averse housemate is nothing short of a miracle.
07/25/09
Just plain terrible writing, by a writer who overestimates his abilities greatly. Not only has Torchwood been blown up, 60% of the staff been killed, and Captain Jack jetted off, it was all so contrived.
Davies made me dislike all of his characters in a story so full of plot holes and idiotic behavior by the main players that I'd rather Torchwood just died. There is no point to Torchwood if I don't like the characters, and Davies did a good job of making sure that was the case.
Davies killed the series for me. Congratulations.
07/25/09
Your telling me that a species that essentially OWNS the gravity well, can't make a chemical that the human body naturally makes?
C'mon! we haven't even left our own solar system but we can crank out synthetically every chemical that makes up the human body!
That was when the story line fell completely apart for me.
Your telling me that after that revelation nobody in the government would have gone.
"Chemicals you say? well, why don't you let us analyze the chemical composition of this chemical and we'll crank it out by the metric tonne for ya, how's that sound buddy!?"
"now there's just the matter of payment for this chemical..."
and with that we could have explored humanities roll as a drug dealer.
Basically RTD messed up with trying to make the 456 TOO repulsive. but it STILL could have all been saved.
All he had to do was change the word "Chemical" to "Energy" and I would have been fine with it.
that is why to me this revelation is right up there with Citizen's Kane's "rosebud" as a story plot hole.
07/25/09
There were so many plotholes in this, though. The assumption that everyone would just give up as easily as they do AND follow orders so unswervingly is a big one but that's one that plagues most of the modern Who stories -- which seems odd for a country whose Finest Hour involved never giving up in the face of insurmountable odds.
07/25/09
A human being can learn to drive a car and use plenty of other things without ever learning how the things they use are built and really work.
I saw the 456 as thugs looking for their next high leveling a gun at someone's head. Not as an entire alien race here to steal our children, just some of them.
Hell for all we know, a kid's hopeless and terror is what makes it feel so good. Kinda how Doctor Venture was only able to make a Holodeck by powering it with the soul of an unloved child.
07/25/09
+many to Charlie for "I'm tempted to take the cheap shot and say neither can we. But really, she was doing so well. She was winning me over, big time. And now, she's suddenly mopey and weak." With the running and hiding and whining and whining and whining.
Gwen has always been the worst character on the show, and now she's the only one left? Ianto gets needlessly fridged for a cheap thrill? Bah, I say, bah.
A Jack-Ianto-Tosh (+Lois) Torchwood would have rocked.
07/25/09
07/25/09
07/25/09
07/26/09
It makes such perfect sense of everything the 456 are doing that they're small-time junkie drug dealers who realized they had the opportunity to make a big score. They're pushy, greedy, needlessly cruel and abusive, and . . .
Strung out. They never explicitly say it, but the random violent outbursts become entirely understandable if the alien spokesperson is jonesing for a bigger fix than it can get and is lashing out in barely-controlled rage and frustration.
07/26/09
Let's say that the 456 don't have the technological capacity to make the chemicals.
WE DO! thus the whole plot comes tumbling down. We don't have to give them our kids we just have to manufacture the drug for them.
let's face it, if there's one thing the human race is good at right now, it's mass production.
07/26/09
Really fun, energetic, and exciting story arc -- best Torchwood yet -- but it doesn't bear up under any scrutiny which is a weakness. Sure, most fiction (esp TV and movies) has plot holes but this had far too many of them.
Such as the hilarious, I-want-to-be-the-Doctor-when-I-grow-up attempt to impress the aliens with Jack's really appalling track record of getting the job done. Oh, Ianto -- love *is* blind, isn't it?
07/25/09
That said - This series was awesome. I was really impressed with the story-telling overall, and especially the dark places they were willing to go that I think American network television would fear to tread.
I'll be picking up this dvd for sure.
07/25/09
07/25/09
I love it when a non-heroic character, who knows nothing of the big picture, decides to take a chance and do what he thinks is right.
07/26/09