It's unfair, really. Even if you ignore the dual Obama-bandwagon-jumping of President Evil and Drafted: One Hundred Days (pitting the president against zombies and aliens, respectively), there's a lot to look for in stores this week.

Marvel focuses on familiar faces with its Marvel 70th Anniversary anthology, new Uncanny X-Men: First Class retro series, Dark X-Men: The Beginning franchise redo and Hulk: Broken Worlds parallel-green-dude collection.

IDW does the same with a GI Joe: Best Of Storm Shadow anthology. And a collection of the alternate history "what if the Klingons fucked everything up" story, Star Trek: The Next Generation - The Last Generation.

DC, meanwhile, make a great play for winning the week even before you get to Wednesday. For one thing, there's Jeff Lemire's The Nobody (which we reviewed last week). There's also a collection of the recent spin-off comic from NBC's Chuck, a re-issue for the oversized (and extra-paged) edition of DC: The New Frontier and a specially-priced ($1) new edition of the first issue from Grant Morrison and Frank Quitely's wonderful All-Star Superman.

Plus, of course, there's the new deluxe hardcover Superman: Whatever Happened To The Man of Tomorrow, which collects all of Watchmen and V For Vendetta writer Alan Moore's work on the Man of Steel under one set of hardcovers for the first time.

The only competition for that line-up comes from Dark Horse, who's releasing a handsome hardcover version of horror comic Pixu: The Mark of Evil by indie sweethearts Becky Cloonan, Vasilis Lolos, Fabio Moon and Gabriel Ba (Consider it highly recommended).

But, still. Wednesday Comics has our attention and our heart - A weekly 12-issue series of oversized strips by some of comics' best cartoonists, starring some of DC's best known characters (and some lesser-known but equally awesome - Adam Strange? The Metal Men?), it has the potential to be either the kind of comic that reminds you of the medium's potential, or a terrible carwreck. But either way, we'd be first in line to pick it up. Just the thought of seeing Paul Pope, Karl Kerschl, Eduardo Risso and Ryan Sook artwork at that size in the first place makes our fannish hearts go all a-flutter, never mind writing from Kurt Busiek, Neil Gaiman, Walt Simonson and many, many more.

Whether it's weekly proof that comics can dazzle and entertain or watching the leader of the free world shoot aliens in the head, consider your local comic store the place to be tomorrow... and if none of the above sounds your scene, set your peepers on this week's Diamond Distributors Shipping List, Daddio, to see what else you cool cats could be reading. Just don't bother us; we're going to be wondering whether we should frame some of that gorgeous newspaper-size Wednesday work...

Marvel Comics are keeping their side of the bargain, admittedly; if you're not interested in the hardcover reprint of poorly-drawn 1980s miniseries Kitty Pryde and Wolverine or the Skrulls! oneshot (pretty much a collection of fact files to bring you up to speed about Secret Invasion's Secret Invaders), then you're pretty much limited to two books: the reprint of the first couple of issues of the Halo: Uprising comic to remind you what happened now that the end is finally nigh, and the far-more-enjoyable-than-it-has-any-right-to-be 500th issue of Uncanny X-Men, where the team moves to San Francisco and parties at the SFMoMA. In other weeks, it'd easily be the must-have book of the week.

Sadly, though, DC are doing their best to claim that title for themselves with the long-long-long awaited return of Ambush Bug in Ambush Bug: Year None, wherein Keith Giffen's fourth-wall breaking snarkfest takes the last five years of DC's output to task for being confusing, depressing and just plain not fun. You know you want to read that. Collections-wise, you can catch up on space religion in the unfortunately-named-but-actually-fun Countdown To Adventure (starring Animal Man, Starfire and Adam Strange from 52), catch up on the joys of matrimony with Green Arrow/Black Canary: The Road To The Altar, and catch up on how the mighty have fallen with Authority: Prime, where superhero comics' one-time most daring title is reduced to generic continuity schlock. If that last sentence made no sense to you, then perhaps you should avoid superheroes altogether and pick up the X-Files Special, instead.

Image Comics are also making a strong showing this week: The next big Witchblade storyline begins in the first issue of Broken Trinity, Mark Millar and Tony Harris get their political satire on with the debut of War Heroes, Mike Allred's Madman questions reality in the first collection of Madman Atomic Comics, and Tori Amos finally becomes the comic character she's always wanted to be in the indie-creator-tastic anthology Comic Book Tattoo.

And just in case none of that is enough for you, consider the two takes on post-Buffy female heroes available in the indie comicsphere this week: Oni Press' The Apocalypstix finally bring their post-nuclear brand of rock, roll and kick-ass to stores at the same time as Cassie Hack of po-mo horror book Hack/Slash teams up with real-life emo pornlets in the Hack/Slash Annual Featuring The Suicide Girls. And, yes, I wish I was joking about that last one as well.

As ever! All of these books and many, many, more are listed here for your perusal and, if you've somehow made it this far without knowing where your local comic book store happens to be, you can find that out by clicking here. It's probably a great week to go to the store, really, because chances are they may be really quiet...

Don't get me wrong; I've got nothing against cheesecake, especially Terry Dodson's cheesecake (Marvel even has a defense against being accused of sexism: a companion X-Men cover by recently deceased artist Michael Turner for the same issue), and equally especially when it marks the start of a run promised to be sex-filled. But... Am I really the only one who kind of feels like this particular image kind of flattens out the characters of these characters? Okay, I can buy that Emma Frost would sit back and do her best to look aloof, and I'd even go along with the poses of both Dazzler and Kitty Pryde (I assume, even though Joss Whedon kind of wrote her out of the franchise for awhile). But what the fuck is going on with Rogue's "look at my ass" pose, Psylocke's "do you mind if I lean forward and use my arms to squeeze my breasts together" positioning and most of all, Storm's "let me arch my back and, by the way, how does my hair look?" demeanor? Last time I checked, Storm was not only some kind of African Goddess but also the Queen of fictional country Wakanda after getting hitched to the Black Panther last year; since when was she the kind of woman who'd really play with her hair while helpfully emphasizing her lovely lady lumps, as Fergie would so kindly put it? Would it have been too much to have just had her looking kick-ass instead of bimbo-esque, really?

EXCLUSIVE: Terry Dodson Art for "Uncanny X-Men" #500 [Comic Book Resources]