I've posted a few times before, but finally decided to set up an account.
Gurren Lagann has a nice sequence of spiraling cities at the end of the world, starting with the cave of Jeehta Village, where expansion is threatened by horrific beastmen and their giant robots.
Although it isn't strictly an isolated city, FLCL's Mabase is structured to create that sense of isolationism, with some really neat monologues on the yearning to leave.
When you're in a town like this all covered with smoke, you forget that there's a world outside. Nothing amazing happens here. And you get used to that, used to a world where everything is ordinary. Every day we spend here is like a whole lifetime of dying slowly. But now Haruko is here. That's how I know there really is a world outside.
How about the mega-cities that appear in Isaac Asimov's work? Enormous, enclosed cities where billions work without ever breathing fresh air and eat yeast prepared in a variety of ways to taste like real food. In "I, Robot" urbanities of the mega-cities think the "Spacers" are weird - because they live outside the dome in single-family dwellings and eat food they grow in the ground. Those crazy Spacers.
However, the "city" of Zion (The Matrix trilogy), isn't even a real city, either, but another extension of "The Matrix". We never actually see the "real world" in the movies, only what everyone thinks is the real world. They kind of beat you over the head with this, although many people didn't seem to get it due to the length of "The Architect"s' long speech. Even Morpheus commented that it seemed unlikely that the Machines could build one Sentinel for every Human in Zion.
@VidorSilus: Wow. I never got that. I was like "WTF???" when I saw it in the theater. Never bothered watching it again. Though that explanation does open up more plot-holes...
09/16/09
New York from Final Fantasy - The Spirits Within.
New York from Soylent Green
The City of Gold and Lead from the Tripod series.
Rockford Falls from Population 436.
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Gurren Lagann has a nice sequence of spiraling cities at the end of the world, starting with the cave of Jeehta Village, where expansion is threatened by horrific beastmen and their giant robots.
Although it isn't strictly an isolated city, FLCL's Mabase is structured to create that sense of isolationism, with some really neat monologues on the yearning to leave.
Okay, okay, I'm a Gainax fanboy. Sue me.
09/14/09
When you're in a town like this all covered with smoke, you forget that there's a world outside. Nothing amazing happens here. And you get used to that, used to a world where everything is ordinary. Every day we spend here is like a whole lifetime of dying slowly. But now Haruko is here. That's how I know there really is a world outside.
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And that's why I loved the trilogy.
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