The sad thing now is how the public seems able to tolerate CGI crap.
The latest Star Trek film has a number of scenes that are pure garbage (the Enterprise under construction plates, just for starters) but no one even seems to care.
There are still times you cant beat an excellent matte painting, or even a guy in a rubber suit. Incredibly bad Hulk anyone?
I liked it for the inclusion of Jurassic Park... remembering the anticipation of seeing the dinos for the first time in the movie plus all the hype that went before it, all that was forgotten in the sense of wonder as the first reveal moment came about with that saurapod. It definitely made you feel as if you were right there along with the characters witnessing something historical for the first time...
I'll buck the trend by appreciating something surprising they did include: a clip from The Young Indiana Jones Chronicles, which did quite a lot of pioneering work on "invisible" CGI effects like the one shown in this montage, with a television budget.
It's rare to see any behind-the-scenes clips from the series (the DVD's lack any :/), so I'm impressed they got a hold of that at all...
Nice, but one glaring omission kills it: The big gap between Mary Popins and Star Wars where 2001 should be. The effects at the time for 2001 were light years beyond anything that had been done previously. Many of those who worked on 2001 later worked on Star Wars, which in many was an equal to 2001 in effects, but did not exceed it. (I’m talking about the original 1977 release and not the CGI violation Lucas did later.) Compare the effects in 2001 to any of the George Pal scifi films (Conquest of Space comes to mind) and you can understand the massive technical leap that 2001 made. It’s kind of like the huge leap in effects made with computer graphics in films like Abyss, T2, and Jurassic Park. (And no, Tron and Last Starfighter are too crude to count.)
@dorkhero: Star Wars made extensive use of motion controlled cameras for the first time, and that's why it deserves its place as revolutionary (and yes, exceeding 2001).
Rather then moving the model, they were moving the camera to make the model move. Not totaly new, but certainly it proved how vital the techique was and revolutionised cinema.
2001 was, of course, still very much deserveing of its place in effects history.
"(And no, Tron and Last Starfighter are too crude to count.)"
By that argument, Halo is a more important video game then Pong.
@dorkhero: describing Tron and Last Starfighter as "too crude to count" is ridiculous for two reasons:
1 - wrath of Kahn is more important than both
2 - Tron and Last Starfighter (and Kahn) represent GIGANTIC leaps in computer graphics.
@goldfarb: The early CGI effects in Wrath of Khan, Tron, and Last Starfighter were impressive for their time, but they still looked like inserted animations (See Mary Popins and Rodger Rabbit). I consider the great leap in CGI to have been when it reached the point that you didn't realize you are seeing CGI. When you can create something that looks like it is really there as opposed to something that was drawn on a computer. Jurassic Park is the big stand out here.
@dorkhero: what makes Wrath of Kahn so important (beyond the technical - which is huge) is that the animation exists perfectly within the film - Dr. Marcus says, something like, "in this computer simulation..." and then we see the computer simulation...so really, the VFX are perfectly integrated into the 'reality' of the film.
everyone blabs on about what movies are missing from this...but no one seems to care that it was make for a specific purpose and that it wasn't made to show an example of every VFX film ever made or even every VFX film in which something significant was done...
if that was the case then the exclusion of The Matrix is the least of it's problems.
Gotta love that time period of the late 70's and 80's where they were so good a combining CGI and animatronics for such an organic effect. Now we know its fake..
You know with all the CGI effects that are in movies now you forget just how well the old effects really still stand up to scrutiny. Jason and the argonauts still looks amazing! I'm definatly going to have to re-watch the thief of bagdad too
08/31/09
08/31/09
A vote for 2001, but its special effects are pretty boring.
08/31/09
The latest Star Trek film has a number of scenes that are pure garbage (the Enterprise under construction plates, just for starters) but no one even seems to care.
There are still times you cant beat an excellent matte painting, or even a guy in a rubber suit. Incredibly bad Hulk anyone?
08/31/09
08/31/09
08/31/09
It's rare to see any behind-the-scenes clips from the series (the DVD's lack any :/), so I'm impressed they got a hold of that at all...
08/31/09
08/31/09
Rather then moving the model, they were moving the camera to make the model move. Not totaly new, but certainly it proved how vital the techique was and revolutionised cinema.
2001 was, of course, still very much deserveing of its place in effects history.
"(And no, Tron and Last Starfighter are too crude to count.)"
By that argument, Halo is a more important video game then Pong.
08/31/09
1 - wrath of Kahn is more important than both
2 - Tron and Last Starfighter (and Kahn) represent GIGANTIC leaps in computer graphics.
08/31/09
08/31/09
08/31/09
08/31/09
if that was the case then the exclusion of The Matrix is the least of it's problems.
sheesh.
08/31/09
08/31/09
08/31/09
08/31/09